Zodiac (film) and Dorothy Height: Difference between pages

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{{Copyedit|date=June 2007}}
{{for|the 2005 film starring Justin Chambers and Robin Tunney|The Zodiac (film)}}
{{Infobox Biography
{{Infobox_Film |
|subject_name=Dorothy I. Height|120px
name = Zodiac |
|image_name= DorothyHeight_Book_Nordstrom_VA_15feb97.jpg
image = Zodiac32432.jpg |
|image_caption= Dorothy Irene Height
imdb_id = 0443706 |
|date_of_birth=[[March 24]], [[1912]]
writer = [[Robert Graysmith]]<br /><small>(book)</small><br />James Vanderbilt<br /><small>(screenplay)</small> |
|place_of_birth=[[Richmond, Virginia]] {{USA}}
starring = [[Jake Gyllenhaal]]<br />[[Robert Downey Jr.]]<br />[[Mark Ruffalo]]<br />[[Anthony Edwards]]<br />[[Brian Cox]]<br />[[Chloe Sevigny]]<br />[[Elias Koteas]]<br />[[Donal Logue]]<br />[[John Carroll Lynch]]<br />[[Dermot Mulroney]] <br />[[Clea Duvall]] |
|date_of_death=
director = [[David Fincher]] |
|place_of_death=
cinematography = [[Harris Savides]]|
}}
distributor = '''- North America -'''<br />[[Paramount Pictures]]<br />'''- International -'''<br />[[Warner Bros.]]|
'''Dorothy Irene Height''' (born [[March 24]], [[1912]]) is an [[African American]] [[Public administration|administrator]], [[educator]], social [[Activism|activist]], and a recipient of the [[Congressional Gold Medal]].
released = [[March 2]], [[2007]] ([[USA]])|
poster = [[Image:Y005.jpg]]|
runtime = 158 min.|
language = [[English language|English]] |
country = {{USA}}|
budget = $75 Million |
website = http://www.zodiacmovie.com/ |
amg_id = 1:325574 |
awards = |
}}
'''''Zodiac''''', a [[Paramount Pictures]] and [[Warner Bros.]] joint production, is a [[2007 in film|2007]] [[film]] directed by [[David Fincher]] based on [[Robert Graysmith]]'s two non-fiction books about the [[Zodiac Killer]] (''[[Zodiac (book)|Zodiac]]'' and ''Zodiac Unmasked''). It stars [[Jake Gyllenhaal]] as Graysmith, [[Mark Ruffalo]], and [[Robert Downey Jr.]], among others.
 
Height was born in [[Richmond, Virginia]]. At an early age, she moved with her family to [[Rankin, Pennsylvania]]. While in high school, Height was awarded a scholarship to [[Barnard College]] for her oratory skills, but upon arrival was denied entrance. (At the time, Barnard admitted only two African Americans per academic year and Dorothy had arrived after the other two admittees.) Years later, at its [[1980]] commencement ceremonies, the college awarded Height its highest honor, the [[List_of_Barnard_College_people#Recipients_of_the_Medal_of_Distinction|
A notorious [[serial killer]] known only as "[[Zodiac Killer|the Zodiac]]" haunted the [[San Francisco]] Bay area during the late [[1960s]]. Leaving several victims in his wake and taunting police with his ciphers and letters written to the ''[[San Francisco Chronicle]]'' and other newspapers, the Zodiac was never caught. This film tells the story of the notorious killings, standing to this day as one of San Francisco's most infamous unsolved crimes and of the men whose lives and careers were built and destroyed around the hunt for the killer.
Barnard Medal of Distinction]]. She later pursued studies at [[New York University]], where she earned her Master's Degree in psychology.
 
Height started working as a caseworker with the New York City Welfare Department, but at the age of twenty-five, she began her [[civil rights]] activist's career when she joined the [[National Council of Negro Women]]. She fought for equal rights for both African Americans and women, and in [[1944]] she joined the national staff of the [[YWCA]]. She served as National President of [[Delta Sigma Theta]], Incorporated from 1946-1957.
Fincher, screenwriter James Vanderbilt and producer Brad Fischer spent 18 months conducting their own investigation and research into the Zodiac murders. During filming, Fincher employed the digital [[digital cinematography#Thomson Viper|Thomson Viper]] Filmstream camera to shoot the film. This was the first time the camera has been used to shoot an entire Hollywood feature film.
 
She remained active with the organization until [[1977]], and while there she developed leadership training programs and interracial and ecumenical education programs. In [[1957]], Height was named president of the National Council of Negro Women, a position she held until [[1997]]. During the height of the [[American Civil Rights Movement (1955-1968)|civil rights movement]] of the 1960s, Height organized "[[Wednesdays in Mississippi]]", which brought together black and white women from the North and South to create a dialogue of understanding. American leaders regularly took her counsel, including [[First Lady]] [[Eleanor Roosevelt]], and Height also encouraged [[President of the United States|President]] [[Dwight D. Eisenhower]] to desegregate schools and President [[Lyndon B. Johnson]] to appoint African American women to positions in government.
Reviews for the film have been highly positive but it has not performed strongly at the [[North America]]n box office, only grossing almost $33 million, well below its estimated $60 million production budget.
 
[[Image:dorothyheight.jpg|left|thumb|225px|Dorothy Height]] Height has served on a number of committees, including as a consultant on African affairs to the Secretary of State, the President's Committee on the Employment of the Handicapped, and the President's Committee on the Status of Women. She has received the [[Presidential Medal of Freedom]], the ''[[Franklin Delano Roosevelt]] [[Freedom From Want Award]]'' and the [[Spingarn Medal]] from the [[NAACP]]. She has also been inducted into the [[National Women's Hall of Fame]].
==Plot==
{{spoiler}}
[[image:ZodiacMovieCapture.jpg|thumb|left|200px|[[Robert Downey Jr.]] and [[Jake Gyllenhaal]] as Paul Avery and Robert Graysmith in ''Zodiac''.]]
The film begins on [[July 4]], [[1969]] with the Zodiac killer’s second attack when he shot Darlene Ferrin and Mike Mageau at a lover’s lane in [[Vallejo]]. He survived and she died from her injuries. A letter written by the Zodiac arrived at the ''San Francisco Chronicle'' on [[August 1]], [[1969]]. Paul Avery (Robert Downey Jr.) is the top crime beat reporter covering the Zodiac murders for the ''San Francisco Chronicle''; Robert Graysmith (Jake Gyllenhaal) is a political cartoonist for the same newspaper who takes an interest in the encrypted letters that the killer sends to the police and several newspapers, taunting them; Dave Toschi (Mark Ruffalo) is one of the San Francisco police detectives assigned to the case along with his partner Bill Armstrong ([[Anthony Edwards]]).
 
In [[2004]], she was awarded the [[Congressional Gold Medal]] by President [[George W. Bush]] on behalf of the [[United States Congress]].
The film begins with the murders and then the focus shifts to Avery and Graysmith – how they got involved in the case and the initial legwork they did before shifting the focus to Toschi and Armstrong who are brought in to investigate the Zodiac’s murder of a taxi cab driver. As the years drag on, the trail gets colder and they exhaust all of their possible leads. The detectives move on to other things and this is when Graysmith begins his own in-depth investigation. The newspaper and police eventually zero in on one suspect, [[Zodiac Killer#Arthur Leigh Allen|Arthur Leigh Allen]] ([[John Carroll Lynch]]) whom the film agrees with being the most likely person to be Zodiac. The film offers much circumstantial evidence which could support that conclusion, while offering possible reasons to doubt the evidence (fingerprints, handwriting, DNA) which legally exonerated Allen.
{{section-stub}}
{{endspoiler}}
 
Dr. Height is currently, at age 95, the Chairperson of the Executive Committee of the [[Leadership Conference on Civil Rights]], the largest civil rights organization in the USA.
==Production==
===Research and casting===
James Vanderbilt had read Robert Graysmith's book ''Zodiac'' in [[1986]] while in high school. Years later he became a screenwriter, met Graysmith and "got sucked into the Zodiac lore, much like he did and much like a lot of people have. I tried to translate that into the script."<ref>{{cite news
| last = Faye
| first = Dennis
| coauthors =
| title = The Messiness of Life & Death
| work =
| pages =
| language =
| publisher = [[Writer's Guild of America]]
| date =
| url = http://www.wga.org/subpage.aspx?id=2326
| accessdate = 2007-04-03 }}</ref> Vanderbilt had had bad experiences with the endings of his scripts being changed and wanted more control over his material so he pitched his adaptation of ''Zodiac'' to Mike Medavoy and Bradley J. Fischer from Phoenix Pictures by agreeing to write it on spec if he could have more creative control over it. A deal was made and they optioned the rights to ''Zodiac'' and ''Zodiac Unmasked'' when they became available after languishing at [[Walt Disney Pictures|Disney]] for nearly a decade. David Fincher was their first choice to direct based on his work on ''[[Se7en]]''. Originally, he was going to direct an adaptation of [[James Ellroy]]’s novel, ''[[The Black Dahlia (novel)|The Black Dahlia]]'' and envisioned a five-hour, $80 million mini-series with movie stars.<ref>{{cite news
| last = Abramowitz
| first = Rachel
| coauthors =
| title = 2 Men, 1 Obsession: The Quest for Justice
| work =
| pages =
| language =
| publisher = [[Los Angeles Times]]
| date = [[February 28]], [[2007]]
| url = http://www.latimes.com/entertainment/news/movies/la-et-zodiac28feb28,1,5504186.story?track=crosspromo&coll=la-headlines-entnews&ctrack=2&cset=true
| accessdate = }}</ref> When the studio backing it didn’t agree, the director left the project and moved on to ''Zodiac''. He was given Vanderbilt’s 158-page screenplay in late 2003.
 
The musical stageplay ''If This Hat Could Talk'', based on her memoirs "Open Wide The Freedom Gates", opened in the summer of 2005 and is currently on tour. It showcases her unique perspective on the civil rights movement and details many of the behind-the-scenes figures/mentors who shaped her life, including [[Mary McLeod Bethune]] and [[Eleanor Roosevelt]].
[[Image:Z-07893.jpg|left|thumb|260 px|[[Mark Ruffalo]] as Detective Dave Toschi.]]Fincher was drawn to this story because he spent much of his childhood in [[San Anselmo]] in [[Marin County]] during the initial Zodiac murders. "I remember coming home and saying the highway patrol had been following our school buses for a couple weeks now. And my dad, who worked from home, and who was very dry, not one to soft-pedal things, turned slowly in his chair and said: ‘Oh yeah. There’s a serial killer who has killed four or five people, who calls himself Zodiac, who’s threatened to take a high-powered rifle and shoot out the tires of a school bus, and then shoot the children as they come off the bus.’"<ref name= "halbfinger">{{cite news
| last = Halbfinger
| first = David M
| coauthors =
| title = Lights, Bogeyman, Action
| work =
| pages =
| language =
| publisher = [[New York Times]]
| date = [[February 18]], [[2007]]
| url = http://www.nytimes.com/2007/02/18/movies/18halb.html?ref=movies
| accessdate = 2007-02-23 }}</ref> For Fincher as a young boy, the killer "was the ultimate bogeyman."<ref name= "halbfinger"/> The director was also drawn to the unresolved ending of Vanderbilt's screenplay. "I liked the idea that there was not a neat ending, but I also find the ending satisfying, because it's real, it feels true. Some things just don't get wrapped up neatly."<ref>{{cite news
| last = Lawson
| first = Terry
| coauthors =
| title = David Fincher Talks 'Zodiac'
| work =
| pages =
| language =
| publisher = PopMatters
| date = [[March 2]], [[2007]]
| url =
| accessdate = }}</ref>
 
Fischer realized that “the case had taken on its own mythic proportions over the years, and it was our job to undo all that. To draw a clean line between fact and fiction.”<ref name= "production notes">{{cite news
| last =
| first =
| coauthors =
| title = ''Zodiac'' Production Notes
| work =
| pages =
| language =
| publisher = [[Paramount Pictures]] Press Kit
| date = [[2007]]
| url =
| accessdate = }}</ref> Fincher told Vanderbilt that he wanted the screenplay re-written but with additional research done from the original police reports. To this end, Fincher, Fischer and Vanderbilt spent months interviewing witnesses, family members of suspects, retired and current investigators, the only two surviving victims, and the mayors of San Francisco and Vallejo. Fincher said, “Even when we did our own interviews, we would talk to two people. One would confirm some aspects of it and another would deny it. Plus, so much time had passed, memories are affected and the different telling of the stories would change perception. So when there was any doubt we always went police reports.”<ref name= "production notes"/> During the course of their research, Fincher and Fischer hired Gerald McMenamin, an internationally known forensic linguistics expert and professor linguistics at [[California State University]], to analyze the Zodiac’s letters. Unlike document examiners in the 1970s, he focused on the language of the Zodiac and how he formed his sentences in terms of word structure and spelling. Fincher said in an interview, "There’s an enormous amount of hearsay in any circumstantial case, and I wanted to look some of these people in the eye and see if I believed them. It was an extremely difficult thing to make a movie that posthumously convicts somebody."<ref name= "halbfinger"/>
 
Fincher and Fischer approached [[Sony Pictures Entertainment]] to finance the film but talks with them fell through because the studio wanted the running time fixed at two hours and fifteen minutes. They then approached other studios with [[Warner Bros.]] and [[Paramount Pictures]] agreeing to share the costs and were willing to be more flexible about the running time. The film was a tough sell to the studio because “there are no car chases in it. People talk a lot in it. It’s about a cartoonist and a murderer who never got caught. So, yeah, the studio is nervous,” Fincher said in an interview.<ref name= "Svetkey, Benjamin">{{cite news
| last = Svetkey
| first = Benjamin
| coauthors =
| title = King of Pain
| work =
| pages =
| language =
| publisher = [[Entertainment Weekly]]
| date = [[February 26]], [[2007]]
| url = http://www.ew.com/ew/article/0,,20013078,00.html
| accessdate = 2007-04-13 }}</ref>
 
When Dave Toschi met Fincher, Fischer and Vanderbilt, the director told him that he wasn’t going to make another ''[[Dirty Harry]]''. Toschi was impressed with their knowledge of the case and afterwards, he “realized that I had learned so much from them.”<ref name= "production notes"/> In addition, the Zodiac’s two surviving victims, Mike Mageau and Bryan Hartnell were consultants on the film.
 
[[Alan J. Pakula]]’s film, ''[[All the President's Men (film)|All the President's Men]]'' was the template for ''Zodiac'' as Fincher felt that it was “certainly much more high-minded journalism. But, it is the story of a reporter determined to get the story at any cost and one who was new to being an investigative reporter. It was all about his obsession to know the truth.”<ref name= "production notes"/> And like in that film, he “wasn’t interested in spending time to tell the back story of any of these characters. I just wanted to know what they did in regards to the case.”<ref name= "rene">{{cite news
| last = Rodriguez
| first = Rene
| coauthors =
| title = ''Zodiac'' Filmmaker Recalls Wave of Panic
| work =
| pages =
| language =
| publisher = [[Miami Herald]]
| date = [[February 25]], [[2007]]
| url =
| accessdate = }}</ref>
 
[[Image:Z-Approved-039R.jpg|thumb|260 px|[[Jake Gyllenhaal]] (left, as Graysmith) and [[Mark Ruffalo]] (Det. Toschi)]]Vanderbilt was drawn to the notion that Graysmith went from a cartoonist to one of the most significant investigators of the case. He pitched the story as, “what if [[Garry Trudeau]] woke up one morning and tried to solve the [[Son of Sam]].”<ref name= "production notes"/> As he worked on the script, he became friends with Graysmith and consulted him often.
 
Both Jake Gyllenhaal and Mark Ruffalo were attracted to this project based on their enthusiasm for the script and how their respective characters were portrayed. While researching the film, Fincher considered Gyllenhaal to play Graysmith. According to the director, “I really liked him in ''[[Donnie Darko]]'' and I thought, ‘He’s an interesting double-sided coin. He can do that naive thing but he can also do possessed.’”<ref name= "Schruers, Fred">{{cite news
| last = Schruers
| first = Fred
| coauthors =
| title = Fincher vs. the Zodiac Killer
| work =
| pages =
| language =
| publisher = [[Premiere (magazine)|Premiere]]
| date = [[2007]]
| url = http://www.premiere.com/features/3562/fincher-vs-the-zodiac-killer.html
| accessdate = 2007-04-13 }}</ref> To prepare for his role, Gyllenhaal met Graysmith and videotaped him in order to study his mannerisms and behavior.<ref name= "production notes"/> Initially, Ruffalo wasn’t interested in the project but Fincher wanted him to play Toschi. He met with the actor and told him that he was rewriting the screenplay. “I loved what he was saying and loved where he was going with it,” the actor remembers.<ref name= "harland">{{cite news
| last = Harland
| first = Pamela
| coauthors =
| title = Profile: Mark Ruffalo Traces the Steps of Zodiac
| work =
| pages =
| language =
| publisher = iFMagazine
| date = [[February 28]], [[2007]]
| url = http://www.ifmagazine.com/feature.asp?article=1953
| accessdate = 2007-03-18 }}</ref> For research, he read every report on the case and read all the books on the subject. Ruffalo met Toschi and found out that he had “perfect recall of the details and what happened when, where, who was there, what he was wearing. He always knew what he was wearing. I think it is seared into who he is and it was a big deal for him.”<ref name= "harland"/> Originally, [[Gary Oldman]] was to play Melvin Belli, the high-profile lawyer who talked to the Zodiac on television but "he went to a lot of trouble, they had appliances, but just physically it wasn't going to work, he just didn't have the girth," Graysmith remembers.<ref>{{cite news
| last = Voynar
| first = Kim
| coauthors =
| title = Interview: ''Zodiac'' Author Robert Graysmith
| work =
| pages =
| language =
| publisher = Cinematical
| date = [[March 2]], [[2007]]
| url = http://www.cinematical.com/2007/03/02/interview-zodiac-author-robert-graysmith/
| accessdate = 2007-04-13 }}</ref> [[Brian Cox]] was cast in the role instead.
 
The filmmakers were able to get the cooperation of the Vallejo Police Department (one of the key investigators at the time) because they hoped that the movie would inspire someone to come forward with a crucial bit of information that might help solve the case.
 
===Soundtrack===
{{Main|Zodiac (2007 soundtrack)}}
Originally, Fincher envisioned the film’s soundtrack to be comprised of 40 cues of vintage music spanning the nearly three decades of the Zodiac story. With music supervisor George Drakoulias, the director searched for the right pop songs that reflected the era, including [[Three Dog Night]]’s cover of “Easy to Be Hard” because “it’s so ingrained in my psyche as being what the summer of ’69 sounded like in northern California.”<ref name= "Schruers, Fred"/> Initially, he did not envision an original score for the film, “he wanted it to be a tapestry of sound design, vintage songs of the period, sound bites and ethereal clips of [AM radio giant] KFRC and ‘Mathews Top of the Hill Daly City’ [home of a prominent hi-fi dealership of the time],” remembers the film’s sound designer and longtime collaborator Ren Klyce.<ref name= "Jackson, Blair">{{cite news
| last = Jackson
| first = Blair
| coauthors =
| title = Unraveling the Sound for ''Zodiac''
| work =
| pages =
| language =
| publisher = Mix
| date = [[March 1]], [[2007]]
| url = http://mixonline.com/sound4picture/film_tv/audio_unraveling_sound_zodiac/
| accessdate = 2007-04-13 }}</ref> The director told the studio that he didn’t need a composer and would buy various songs instead. They agreed, “but as the film developed and hit its stride, I felt there were holes in some scenes that could benefit from music,” Klyce said.<ref name= "Jackson, Blair"/> So, he inserted music from one of his favorite soundtracks, [[David Shire]]’s score for ''[[The Conversation]]'' and ''All the President’s Men''. Fincher was eager to work with Shire as ''All the President’s Men'' was one of his favorite films and one the primary cinematic influences on ''Zodiac''. He reminded Klyce of the deal that he had made with the studio.
 
Klyce got in touch with sound and film editor [[Walter Murch]] who worked on ''The Conversation'' and he got Klyce in touch with Shire. Fincher sent the composer a copy of the script and flew him in for a meeting and a screening in Los Angeles. At first, Fincher only wanted 15-20 minutes of score and for it to be all solo piano based but as Shire worked on it and incorporated textures of a [[Charles Ives]] piece called “[[The Unanswered Question]]” and some ''Conversation'' based cues, he found that he had 37 minutes of original music. The orchestra Shire assembled consisted of musicians from the San Francisco Opera and S.F. ballet. Shire said, “There are 12 signs of the Zodiac and there is a way of using atonal and tonal music. So we used 12 tones, never repeating any of them but manipulating them.”<ref name= "production notes"/> He used specific instruments to represent the characters: “the trumpet was Toschi, the solo piano was Graysmith and the dissonant strings were the serial killer Zodiac.”
 
===Principal photography===
[[Image:Ac0407 Zodiac 03.jpg|left|thumb|260 px|Director [[David Fincher]] lines up a shot on ___location in [[Northern California]].]]Fincher decided to use the digital [[digital cinematography#Thomson Viper|Thomson Viper]] Filmstream camera to shoot the film. Fincher had previously used the Thomson Viper over the last three years on commercials for [[Nike, Inc.|Nike]], [[Hewlett Packard]], [[Heineken]] and Lexus which allowed him to get used to and experiment with the equipment. Working with digital cameras allowed him to watch what he just shot in full resolution, experience less equipment failure than with film (eliminating things like film negative damage) and reduce costs in post-production because he was able to use inexpensive desktop software like [[Final Cut Pro]] to edit ''Zodiac''.
 
This was the first time the camera has been used to shoot an entire Hollywood feature film. [[Michael Mann (film director)|Michael Mann's]] ''[[Miami Vice (film)|Miami Vice]]'', as well as his previous effort, ''[[Collateral (film)|Collateral]]'' (a co-production of Paramount and its current sister studio [[DreamWorks]], and which also starred Mark Ruffalo), were also shot with the camera but mixed in other formats.<ref>{{cite news
| last = Goldman
| first = Michael
| coauthors =
| title = ''Miami Vice'' in HD
| work =
| pages =
| language =
| publisher = Digital Content Producer
| date = [[May 23]], [[2006]]
| url = http://digitalcontentproducer.com/hdhdv/depth/miami_vice_in_HD_05232006/
| accessdate = 2007-03-19 }}</ref>
 
Once shot on the Viper camera, the files were converted to DVCPro HD 1080i and edited in Final Cut Pro. This was for editorial decisions only. Once the final cut was locked, the original uncompressed 1080p 4:4:4 RAW digital source footage was cut together. ''Zodiac'' is the first major Hollywood movie that was created without the use of either film or video tape. Other digital productions like ''[[Superman Returns]]'' or ''[[Apocalypto]]'' recorded to the [[HDCAM]] tape format.
 
Fincher had previously worked with director of photography [[Harris Savides]] on ''Se7en'' (he shot the opening credits) and ''[[The Game (film)|The Game]]''. Savides loved the script but realized, “there was so much exposition, just people talking on the phone or having conversations. It was difficult to imagine how it could be done in a visual way.”<ref name= "Williams, David">{{cite news
| last = Williams
| first = David E
| coauthors =
| title = Cold Case File
| work =
| pages =
| language =
| publisher = [[American Cinematographer]]
| date = [[April 2007]]
| url = http://www.ascmag.com/magazine_dynamic/April2007/Zodiac/page1.php#
| accessdate = 2007-04-13 }}</ref> Fincher and Savides did not want to repeat the look of ''Se7en''. The director said in an interview, “Part of the approach on ''Zodiac'' was to make it look mundane enough for people to accept that what they’re watching is the truth.”<ref name= "Williams, David"/> They also didn’t want to glamorize the killer or tell the story through his eyes. “That would have turned the story into a first-person-shooter video game. We didn’t want to make the sort of movie that serial killers would want to own,” Fincher said.<ref name= "Williams, David"/>
 
Savides first experience with the Viper Filmstream camera was shooting a [[Motorola]] commercial with Fincher. From there, he used it on ''Zodiac''. Savides remembers, “He [Fincher] wanted the camera to be more film-production friendly so the studio would be more comfortable about using the system on a project with this kind of budget.”<ref name= "Williams, David"/> To familiarize himself with the camera, he “did as many things ‘wrong’ as I possibly could. I went against everything I was supposed to do with the camera.”<ref name= "Williams, David"/> Once he knew the camera’s limitations only then did Savides feel comfortable with it.
 
Fincher and Savides used the photographs of [[Stephen Shore]] and [[William Eggleston]] for the look of the film. Savides said, “We specifically referenced Shore’s work from the early Seventies, which was more naturally lit. We also worked from a lot of photos in the actual Zodiac police files.”<ref name= "Williams, David"/>
 
The two men worked hard to capture the look and feel of the period as Fincher admitted, “I suppose there could have been more VW bugs but I think what we show is a pretty good representation of the time. It is not technically perfect. There are some flaws but some are intended.”<ref name= "production notes"/> The ''San Francisco Chronicle'' was built in the old post office in the Terminal Annex Building in downtown [[Los Angeles]]. A building on Sprint Street subbed for the Hall of Justice and the San Francisco Police Department.
 
Production began on [[September 12]], [[2005]]. They shot for five weeks in the San Francisco Bay Area and the rest of the time in L.A. bringing the film in under budget, wrapping in [[February 2006]]. The film took 115 days to shoot.
 
Not all of the cast was happy with Fincher’s exacting ways and perfectionism (some scenes required upwards of 70 takes) as Gyllenhaal was frustrated by the director’s methods: “You get a take, 5 takes, 10 takes. Some places, 90 takes. But there is a stopping point. There’s a point at which you go, ‘That’s what we have to work with.’ But we would reshoot things. So there came a point where I would say, well, what do I do? Where’s the risk?”<ref name= "halbfinger"/> Downey Jr. said, “I just decided, aside from several times I wanted to garrote him, that I was going to give him what he wanted. I think I’m a perfect person to work for him, because I understand gulags.”<ref name= "halbfinger"/>
 
Fincher responded, “If an actor is going to let the role come to them, they can’t resent the fact that I’m willing to waits as long as that takes. You know, the first day of production in San Francisco we shot 56 takes of Mark and Jake – and it’s the 56th take that’s in the movie.”<ref name= "Svetkey, Benjamin"/> Ruffalo also backed up his director’s methods when he said, “The way I see it is, you enter into someone else’s world as an actor. You can put your expectations aside and have an experience that’s new and pushes and changes you, or hold onto what you think it should be and have a stubborn, immovable journey that’s filled with disappointment and anger.”<ref name= "halbfinger"/>
 
===Post-production===
An early version of ''Zodiac'' ran three hours and eight minutes. It was supposed to be released in time for [[Academy Award]] consideration but Paramount felt that the film ran too long and asked him to make changes. Contractually, he had final cut and once he reached a length he felt was right, the director refused to make any further cuts, “but we also made promises to people that we were going to tell their story and they would not to be turned into plot devices.”<ref name= "rene"/> To trim down the film to two hours and forty minutes, he had to cut a two minute blackout montage of “hit songs signaling the passage of time from [[Joni Mitchell]] to [[Donna Summer]].” It was replaced with a title card that reads, “Four years later.”<ref name= "halbfinger"/> Another cut scene that test screening audiences didn’t like involved, “three guys talking into a speakerphone” to get a search warrant as the Toschi and Armstrong talk to a district attorney ([[Dermot Mulroney]]) about their case against suspect Arthur Leigh Allen.<ref>{{cite news
| last =
| first = Slevy
| coauthors =
| title = Interview: David Fincher of ''Zodiac''
| work =
| pages =
| language =
| publisher = [[The Oregonian]]
| date = [[March 2]], [[2007]]
| url =
| accessdate = 2007-03-18 }}</ref> Fincher said, “I’ll probably put that back [on the DVD] just because I love the idea of police work just being three people in a room talking to a speakerphone.”<ref>{{cite news
| last = Loder
| first = Kurt
| coauthors =
| title = Director David Fincher: Beyond the Zodiac
| work =
| pages =
| language =
| publisher = [[MTV]]
| date = [[March 2]], [[2007]]
| url = http://www.mtv.com/movies/news/articles/1553713/20070302/story.jhtml
| accessdate = 2007-03-18 }}</ref>
 
===Visual effects===
[[Image:Zodiacfx.jpg|thumb|400 px|Side-by-side comparison of soundstage blue screen work (left) with finished [[Computer-generated imagery|CGI]]-enhanced scene featuring [[Mark Ruffalo]].]][[Digital Domain]] handled the bulk of the movie's 200+ effects shots including pools of blood and bloody fingerprints found at crime scenes. For the murder of a woman that took place at [[Lake Berryessa]] in [[Napa County]] blood seepage and clothing stains were also visual effects added in post-production. Visual effects supervisor Eric Barba said, "David didn't want to shoot the blood with practical effects because he planned to do a number of takes. But he didn't want to reset and wipe everything down for every take, so all the murder sequences are done with CG blood."<ref name= "crab">{{cite news
| last = Crabtree
| first = Sheigh
| coauthors =
| title = Re-creating 1969 'Zodiac' Murders
| work =
| pages =
| language =
| publisher = [[Los Angeles Times]]
| date = [[March 11]], [[2007]]
| url =
| accessdate = }}</ref> CG was also used to recreate the San Francisco neighborhood at Washington and Cherry where cab driver Paul Stine was killed. The area had changed significantly over the years and so Fincher shot the six-minute sequence on a bluescreen stage. Production designer Donald Burt gave the visual effects team detailed drawings of the intersection as it was in 1969 and photographs of every possible angle of the area with a high-resolution digital camera which allowed the effects artists to build computer-based geometric models of homes and textured them with period facades. Then, 3-D vintage police motorcycles, squad cars, a firetruck and streets lights were added. <ref name= "crab"/>
 
==Reception==
It is rumored that the film will close the 2007 [[Cannes Film Festival]].<ref>{{cite news
| last =
| first =
| coauthors =
| title = Les Films d'ouverture et de clôture du 60ième festival de Cannes 2007!
| work =
| pages =
| language =
| publisher = AlloCine Blogs
| date = [[March 13]], [[2007]]
| url = http://cinemaniacannes2007.blogs.allocine.fr/?tool=post&postID=87911
| accessdate = 2007-04-12 }}</ref>
 
===Reviews===
Reviews have been highly positive. As of [[March 20]], [[2007]], it was given a rating of 87% on [[Rotten Tomatoes]] (dropping to 78% for their "Cream of the Crop" designation), a 7.9 rating at the [[Internet Movie Database]] with 10,869 votes, and a 77 metascore at [[Metacritic]].
 
''[[Entertainment Weekly]]'' critic [[Owen Gleiberman]] awarded the film an "A" grade, hailing the film as a "procedural thriller for the information age" that "spins your head in a new way, luring you into a vortex and then deeper still."<ref>{{cite news
| last = Gleiberman
| first = Owen
| coauthors =
| title = ''Zodiac''
| work =
| pages =
| language =
| publisher = [[Entertainment Weekly]]
| date = [[February 27]], [[2007]]
| url = http://www.ew.com/ew/article/0,,20013552,00.html
| accessdate = 2007-04-02 }}</ref> Nathan Lee in his review for the ''[[Village Voice]]'' wrote, "Yet it's his very lack of pretense, coupled with a determination to get the facts down with maximum economy and objectivity, that gives ''Zodiac'' its hard, bright integrity. As a crime saga, newspaper drama, and period piece, it works just fine. As an allegory of life in the information age, it blew my mind."<ref>{{cite news
| last = Lee
| first = Nathan
| coauthors =
| title = To Catch a Predator
| work =
| pages =
| language =
| publisher = [[Village Voice]]
| date = [[February 23]], [[2007]]
| url = http://www.villagevoice.com/film/0709,lee,75891,20.html
| accessdate = 2007-02-28 }}</ref> Todd McCarthy's review in ''[[Variety (magazine)|Variety]]'' praised the film's "almost unerringly accurate evocation of the workaday San Francisco of 35-40 years ago. Forget the distorted emphasis on hippies and flower-power that many such films indulge in; this is the city as it was experienced by most people who lived and worked there."<ref>{{cite news
| last = McCarthy
| first = Todd
| coauthors =
| title = ''Zodiac''
| work =
| pages =
| language =
| publisher = [[Variety (magazine)|Variety]]
| date = [[February 22]], [[2007]]
| url = http://www.variety.com/review/VE1117932879.html?categoryid=1263&cs=1
| accessdate = 2007-02-28 }}</ref> [[David Ansen]] in his review for ''[[Newsweek]]'' magazine wrote, "''Zodiac'' is meticulously crafted — Harris Savides's state-of-the-art digital cinematography has a richness indistinguishable from film — and it runs almost two hours and 40 minutes. Still, the movie holds you in its grip from start to finish. Fincher boldly (and some may think perversely) withholds the emotional and forensic payoff we're conditioned to expect from a big studio movie."<ref>{{cite news
| last = Ansen
| first = David
| coauthors =
| title = The Rage of Aquarius
| work =
| pages =
| language =
| publisher = [[Newsweek]]
| date = [[March 5]], [[2007]]
| url = http://www.msnbc.msn.com/id/17300647/site/newsweek/
| accessdate = 2007-02-28 }}</ref>
 
Some critics, however, were displeased with the film's long running time and lack of action scenes. "The film gets mired in the inevitable red tape of police investigations," wrote Bob Longino of the ''[[Atlanta Journal-Constitution]]'', who also felt that the film "stumbles to a rather unfulfilling conclusion" and "seems to last as long as the [[Academy Awards|Oscars]]."<ref>{{cite news
| last = Longino
| first = Bob
| coauthors =
| title = ''Zodiac'' mires in red tape
| work =
| pages =
| language =
| publisher = [[Atlanta Journal-Constitution]]
| date = [[March 2]], [[2007]]
| url = http://www.accessatlanta.com/movies/movies/etc/getCriticReview.jspd?criticReviewId=1883
| accessdate = 2007-02-28 }}</ref> [[Andrew Sarris]] of the ''[[New York Observer]]'' felt that "Mr. Fincher’s flair for casting is the major asset of his curiously attenuated return to the serial-killer genre. I keep saying 'curiously' with regard to Mr. Fincher, because I can’t really figure out what he is up to in ''Zodiac'' — with its two-hour-and-37-minute running time for what struck me as a shaggy-dog narrative."<ref>{{cite news
| last = Sarris
| first = Andrew
| coauthors =
| title = Stars Align in ''Zodiac'': Cast Saves Fincher’s Shaggy-Dog Psychodrama
| work =
| pages =
| language =
| publisher = [[New York Observer]]
| date = [[March 5]], [[2007]]
| url = http://www.nyobserver.com/20070305/20070305_Andrew_Sarris_culture_sarrismovies.asp
| accessdate = 2007-02-28 }}</ref> Christy Lemire wrote in the ''[[San Francisco Chronicle]]'' that "Jake Gyllenhaal is both the central figure and the weakest link...But he's never fleshed out sufficiently to make you believe that he'd sacrifice his safety and that of his family to find the truth. We are told repeatedly that the former Eagle Scout is just a genuinely good guy, but that's not enough."<ref>{{cite news
| last = Lemire
| first = Christy
| coauthors =
| title = Serial killer saga ''Zodiac'' well-acted, but too long
| work =
| pages =
| language =
| publisher = [[San Francisco Chronicle]]
| date = [[February 26]], [[2007]]
| url = http://www.sfgate.com/cgi-bin/article.cgi?f=/n/a/2007/02/26/entertainment/e144442S42.DTL
| accessdate = 2007-02-28 }}</ref>
 
Opening in 2,362 theaters, the film grossed $13.3 million in its opening weekend, placing second and posting a decent per-theater average of $5,671.<ref>http://www.boxofficemojo.com/weekend/chart/?yr=2007&wknd=009&p=.htm</ref> The film was easily outgrossed by fellow opener ''[[Wild Hogs]]'' and saw a decline of over 50% in its second weekend, losing out to the record-breaking ''[[300 (film)|300]]''.<ref>http://www.boxofficemojo.com/weekend/chart/?yr=2007&wknd=10&p=.htm</ref> As of [[April 10]], [[2007]], it has grossed $32,758,035 in [[North America]], well below its estimated $60 million production budget.<ref>{{cite news
| last =
| first =
| coauthors =
| title = ''Zodiac''
| work =
| pages =
| language =
| publisher = Box Office Mojo
| date = [[April 8]], [[2007]]
| url = http://www.boxofficemojo.com/movies/?id=zodiac07.htm
| accessdate = 2007-04-10 }}</ref>
 
==References==
*Height, Dorothy. ''Open Wide the Freedom Gates: A Memoir.''
{{Reflist}}
 
==External links==
* [http://www.chasingthefrog.com/reelfaces/zodiac.php Zodiac - History vs. Hollywood at ChasingtheFrog]
* [http://www.radiolinkshollywood.com/detail_show.asp?ID=256 RadioLinksHollywood.com - Audio Clips:] narrated by award winning radio journalist Lori Lerner.
* [http://www.boxofficemojo.com/movies/?id=zodiac07.htm Zodiac at BoxOfficeMojo.com]
* [http://movies.aol.com/movie/zodiac-2007/23059/main Zodiac at Moviefone]
* [http://stargoss.co.uk/movies/modules/news/article.php?storyid=43 ''Zodiac'' at BeenToTheMovies.com]
* [http://www.ew.com/ew/article/0,,20013078,00.html ''Entertainment Weekly'' article]
* [http://www.popmatters.com/pm/news/article/31265/david-fincher-talks-zodiac/ PopMatters interview with Fincher]
* [http://www.ifmagazine.com/feature.asp?article=1953 iFMagazine interview with Robert Graysmith]
* [http://www.mtv.com/movies/news/articles/1553713/20070302/story.jhtml MTV interview with Fincher]
* [http://www.esquire.com/features/ESQ0307fincher ''Esquire'' magazine interview with Fincher]
* [http://www.cnn.com/2007/SHOWBIZ/Movies/03/01/film.aremoviestoolong.ap/ CNN.com on the length of the movie]
* [http://wga.org/subpage.aspx?id=2326 WGA interview with screenwriter James Vanderbilt]
* [http://www.chud.com/index.php?type=interviews&id=9289 CHUD.com interview with Graysmith]
* {{rotten-tomatoes|id=zodiac|title=Zodiac}}
* {{metacritic film|id=Zodiac|title=Zodiac}}
* [http://www.studiodaily.com/filmandvideo/currentissue/7808.html Film & Video: VFX for ''Zodiac'']
* [http://www.ascmag.com/magazine_dynamic/April2007/Zodiac/page1.php# ''American Cinematographer'' article]
* [http://www.premiere.com/features/3562/fincher-vs-the-zodiac-killer.html ''Premiere'' magazine article]
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