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Questa pagina definisce i criteri di enciclopedicità delle singole storie a [[fumetti]].
{{Tradotto da|en|Jade Burden|22 maggio 2009|291524209
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[[it:Jade Burden]]
In termini generali, l'enciclopedicità si evince dalla presenza reale o potenziale di informazioni ulteriori rispetto ai dettagli tecnici (autori, data di pubblicazione, ecc.) e alla trama.
'''Jane Burden''' (19 October 1839 – 26 January 1914) was an [[England|English]] [[Model (art)|artists' model]] who [[wikt:embody|embodied]] the [[Pre-Raphaelite Brotherhood|Pre-Raphaelite]] [[Ideal (ethics)|ideal]] of [[beauty]]. She was a model and [[muse]] to the artists [[William Morris]], whom she married, and [[Dante Gabriel Rossetti]], who may have been her lover.
Per '''«storia a fumetti»''' si intende una storia autoconclusiva, pubblicata in un'unica soluzione o a puntate/episodi/capitoli.
[[Image:Proserpine.jpg|thumb|250px|Jane Morris painted by [[Dante Gabriel Rossetti]] as ''Proserpine'' (1874)]] [[Image:Jane Burden Morris.jpg|thumb|250px|Jane Morris by [[Evelyn de Morgan]] in 1904]]
== Criteri di enciclopedicità ==
==Life==
Una storia a fumetti è '''enciclopedica''' se soddisfa almeno '''un requisito''' tra i seguenti:
Jane Burden was born in [[Oxford]] to a [[stable]]man named Robert Burden and his wife Ann Maizey. Around the time she was born, her parents were living at St. Helen's Passage, St Peter in the East, off [[Holywell Street]] in Oxford, since marked with a [[blue plaque]].<ref>Lisle, Nicola, Cinderella story. ''[[Oxfordshire Limited Edition]]'', no. 249, pages 23–25, October 2007.</ref> Her mother Ann was [[wikt:illiterate|illiterate]] and probably came to Oxford as a [[Domestic service|domestic servant]]. Little is known of Jane's childhood, but clearly it was one of [[poverty]] and deprivation.
# è stata oggetto di critica, analisi, dibattito in redazionali, articoli o saggi in pubblicazioni non amatoriali, di diffusione almeno nazionale
# ha ricevuto premi o candidature a premi enciclopedici
In October 1857, Jane and her sister Elizabeth, known in the family as "Bessie", were attending a performance in Oxford of the [[Drury Lane]] Theatre Company. Jane was noticed by the [[artist]]s [[Dante Gabriel Rossetti]] and [[Edward Burne-Jones]] who belonged to a group of artists painting [[mural]]s based on [[King Arthur|Arthurian]] tales in the [[Oxford Union]]. Struck by Jane's beauty, they sought her to model for them. Jane initially sat mainly for Rossetti, who needed a model for Queen [[Guinevere|Guinivere]]. After this, Jane sat for Morris, who was working on an easel painting, ''La Belle [[Iseult]]'' ([[Tate Gallery]]). Like Rossetti, Morris also used Jane as his model for his rendition of Queen Guinevere. During this period, Morris fell in love with Jane and they were engaged.
# stabilisce un record nel settore (iscrizione nel [[Guinness dei Primati]], record di vendite o ristampe)
# rappresenta l'esordio di un personaggio enciclopedico (come protagonista, co-protagonista o antagonista) o di un elemento caratterizzante ed enciclopedico dell'universo narrativo di riferimento e che ha avuto un'edizione in almeno due lingue differenti
Jane's education was extremely limited and she was probably intended to go into [[domestic service]]. After her engagement, Jane was privately educated. Her keen intelligence allowed her essentially to recreate herself. She was a voracious reader and became proficient in [[French language|French]] and later [[Italian language|Italian]]. She also became an accomplished [[pianist]] with a strong background in [[European classical music|classical music]]. Her manners and speech became refined to an extent that contemporaries referred to her as "Queenly". Later in life, she would have no trouble moving in [[upper class]] circles and she appears to have been the model for Mrs Higgins in [[George Bernard Shaw|Bernard Shaw]]'s play ''[[Pygmalion (play)|Pygmalion]]'' (1914).
# è stata trasposta in animazione o in altro medium che non preveda una trasposizione seriale del fumetto stesso (sono quindi esclusi serie di [[cartoni]], [[anime]], [[live action]], ecc.)
She married [[William Morris]] at [[St Michael at the Northgate|St Michael's Church]], Oxford, on 26 April 1859. Her father was at that time described as a [[groom]], in stables at 65 [[Holywell Street]], Oxford.
Jane Burden and [[William Morris]] lived firstly at the [[Red House (London)|Red House]] in [[Bexleyheath]], [[Kent]]. While there, they had two daughters, Jane Alice "Jenny", born January 1861, and [[May Morris|Mary "May"]] (March 1862 – 1938), who was the editor of her father's works. They then lived for many years at [[Kelmscott Manor]], on the Gloucestershire-[[Oxfordshire]]-[[Wiltshire]] borders, which is now open to the public. Their lifestyle was both artistic and [[Bohemian style|Bohemian]].
During this time, Jane became closely attached to [[Dante Gabriel Rossetti]] and, in addition to being his [[muse]], may have been his lover.
In 1884, Jane met the poet and political activist [[Wilfrid Scawen Blunt]] at a house party given by her close friend [[Rosalind Howard, Countess of Carlisle|Rosalind Howard]] (later Countess of Carlisle). There appears to have been an immediate attraction between the two. By 1887 at the latest, the pair had become lovers.<ref>Mancoff, p.98</ref> Their sexual relationship would continue until 1894, and they remained close friends until Jane's death.
Jane Morris was an ardent supporter of [[Irish Home Rule]].
William Morris died on 3 October 1896 at [[Kelmscott House]], [[Hammersmith]], London. Jane died on 26 January 1914 while staying at 5 Brock Street, [[Bath, Somerset|Bath]].
==Additional images==
Paintings of Jane Morris by [[Dante Gabriel Rossetti]]:
* [[:Image:Jane-morris-blue-silk.jpg|''The Blue Silk Dress'', 1868]].
* [[:Image:Rosetti-persephone.jpg|''Persephone'' or ''Proserpine'', 1874]].
* Astarte Syriaca, 1875–79. City Art Gallery, Manchester.
* Beatrice, a Portrait of Jane Morris, 1879. Oil on canvas 13½ × 11 inches.
* The Day Dream, 1880. Oil on canvas. [[Victoria and Albert Museum]], London.
* La Donna della Fiamma, 1877. Coloured chalks. [[Manchester Art Gallery]].
* La Donna della Finestra, 1879. Oil on canvas. [[Fogg Museum of Art]], Harvard University, Cambridge, USA.
* La Donna Della Finestra, 1881 (unfinished).
* Jane Morris, c. 1860. Pencil.
* Jane Morris, 1865.
* Mariana, 1870. [[Aberdeen Art Gallery]].
* Pandora, 1869.
* Pandora, 1871.
* La Pia de' Tolomei, 1866-1870. Oil on canvas. [[Spencer Museum of Art]], University of Kansas.
* Portrait of Mrs William Morris.
* Portrait of Jane Morris, 1858. Pen.
* Proserpine, 1873–1877. Oil on canvas. [[Tate Gallery]], London.
* Reverie, 1868. Chalk on paper. [[Ashmolean Museum]], Oxford, UK.
* The Roseleaf, 1865. Pencil.
* Study of Guinevere for "Sir Lancelot in the Queen's Chamber", 1857.
Photographs of Jane Burden by Rossetti are available at [http://www.rossettiarchive.org/docs/sa140.raw.html].
By [[William Morris]]:
* Queen Guinevere (also called La Belle Iseult), 1858. Oil.
By [[Edward Burne-Jones]]:
* Numerous stained-glass windows, including at [[Christ Church, Oxford]].
By [[Evelyn De Morgan]]:
* Portrait of Jane Morris, 1904.
Possibly based on Jane Burden (Morris) / "Venus Verticordia" — oil — 1863–8. [[Russell-Cotes Art Gallery & Museum]], Bournemouth.
==Notes==
<references />
==References==
* {{cite book | last = Marsh | first = Jan | year = 1986 | title = Jane and May Morris: A Biographical Story 1839–1938 | publisher = Pandora Press | ___location = London | isbn = 0-86358-026-2 }}
* {{cite book | last = Marsh | first = Jan | edition = (updated edition, privately published by author) | year = 2000 | title = Jane and May Morris: A Biographical Story 1839–1938 | publisher = Jan Marsh | ___location = London | id = }}
* {{cite book | last = Mancoff | first = Debra N. | year = 2000 | title = Jane Morris: The Pre-Raphaelite Model of Beauty | publisher = Pomegranate | ___location = San Francisco | isbn = 0-7649-1337-9 }}
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