Utente:FrOsmetti/Sandbox1: differenze tra le versioni

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Riga 32:

==== Between 1578 and 1582 ====

[[File:Carlo Borromeo.jpg|thumb|258x258px|[[Ambrogio Figino]], ''Carlo Borromeo, ''dipinto, seconda metà del XVI secolo, [[Museo diocesano (Milano)|Museo diocesano di Milano]].]]

When Saint Carlus Borromeo decided to enstablish a parrish in Brughé<ref>Brugherio dipendeva dal [[Duomo di Monza]] dal punto di vista religioso, e i contadini desideravano avere un parroco più vicino alle loro case per le loro esigenze spirituali</ref>, there was a church in ruins and ancient<ref>Luciana Tribuzio Zotti - Giuseppe Magni, ''Brugherio: una città nel segno dei Magi'', p. 36: «Una chiesa dedicata a San Bartolomeo esisteva già nel XIII secolo, ''in Baratia de Modoetia'', nella baraggia di Monza, e molto probabilmente si trovava dove sorge l'attuale chiesa» </ref> as well as practically unsuitable accordance with the norm<ref>Luciana Tribuzio Zotti - Giuseppe Magni, ''Brugherio: una città nel segno dei Magi'', p.38:«...la chiesa...aveva una sola navata e terminava più o meno dove ora comincia il presbiterio; la cucina veniva usata come sacrestia. Inoltre, non c'era un armadio per contenere i paramenti» </ref>. Fartheremore this small church was not consecrated<ref name="Mag38">Luciana Tribuzio Zotti - Giuseppe Magni, ''Brugherio: una città nel segno dei Magi'', p. 38 </ref> so the intervention of the bishop was in need. The situation was even more particular because the church housed the Blessed Sacrament<ref name="Bar12"> Marco Rapetti – Mauro Bertoni – Simona Castelli et alii, ''San Bartolomeo: una ricostruzione storica delle vicende della parrocchiale'', p.12.</ref>. Despite these shortcomings, Borromeo started proceeding to the establishment of the new entity parish, entrusted to Don Arcangelo Biancardi<ref>{{Cita libro|autore = |titolo = Brugherio, una città nel segno dei Magi|anno = |editore = |città = |p = 40}}</ref>. He decided the new church's borderline including farmhouses as Cascina de' Bastoni with the oratory of Maria Nascente, S. Cristoforo of Ottavo, S. Damiano, Sant'Albino, Sant'Ambrogio and S. Donato. In 1582 the cardinal-archibishop visited again the church to consecrate the building dedicated from now on to San Bartolomeo<ref>{{Cite book| |title = Brugherio, una città nel segno dei Magi|language= Italian| | | |page = 36}}</ref>. InOn the occasion it was decided to exclude from the property Cascina Bastoni, Cascina Sant'Albino, Cascina San Donato and Cascina S. Damiano<ref>{{Cita web|autore = |url = http://www.epifaniadelsignore.it/info/storia/155-storia-sb|titolo = Storia di San Bartolomeo in ''Comunità Epifania del Signore''|accesso = 11/03/2015|editore = |data = }}</ref>. They argued about the separation from the richest [[Chiesa di San Gerardo (Monza)|San Gerardo di Monza]]'s parish<ref>{{Cita libro|autore = Luciana Tribuzio Zotti|titolo = Brugherio nei documenti|anno = |editore = |città = |pp = 35-36}}</ref>, which did not require the payment of an annual fee to be paid to the parish priest for his personal needs and those of first necessity for the conduct of religious services. Even if it was consecrated, a better use of the church's spaces was necessary: he disposed to enlarge the church on the facade, to build the sacristy where there was the kitchen (used as sacristy), to bring the wardrobe where there was fireplace to put the paraments, to adapt the floor and to realize a Baptistry as norm<ref>{{cite book||title= Atti della visita pastorale del 1582|___location= Archivio della Parrocchia di San Bartolomeo.||language = Latin}}</ref>.

==== Between 1582 and 1613 ====

{{Vedi anche|Reliquie dei Magi (Brugherio)}}

[[File:Altare dei Magi, con copia del reliquiario.JPG|thumb|290x290px|''Altare dei Magi'', con copia del [[reliquiario]] realizzato in occasione del 400° anniversario della traslazione nella parrocchiale (2013). L'affresco è di [[Vittorio Granchi]].|left]]The parish was poor and in need of resources to be able to complete what was required in the reports drawn up during pastoral visits of St. Charles. On the occasion of histhe pastoral visit inof 1596 made by theCharles's cousin of Charles, the newly appointed archbishop Frederick, in 1596 it's known that the Blessed Sacrament and the oil used for the extreme unction were in a "tabernacle... small and wood made one"<ref>{{Cita libro|autore = |titolo = San Bartolomeo: una ricostruzione storica delle vicende della parrocchiale|anno = |editore = |città = |p = 21}}</ref>, and it was necessary to adapt someother church's areas according to the canonical norms. In the meanwhile, other two spiritual religious institutions, wanted by Trento's Council bishops, took birth:'' Schola del Santissimo Sacramento'' and'' Schola della Dottrina cristiana''<ref>{{Cita libro|autore = |titolo = Brugherio: una città nel segno dei Magi|anno = |editore = |città = |pp = 38-39}}</ref>. The first, founded in 1578, was appointed to get the people involved in various devotional practices and thereby increase its virtues; while, the second was to instruct the faithful in matters of faith to remove them from heresy. However, the most important event was the recognition of a portion of the relics of the Magi, that in believes was totally transfered in the far away [[Colonia (Germania)|Colonia]] by Federico Borromeo in 1613. In this year, on 27 May<ref>{{Cita libro|autore = |titolo = Brugherio: una città nel segno dei Magi|anno = |editore = |città = |p = 52}}</ref>, the transfer from Saint Ambrogio's church to the parish took place under the parish priest Francesco Bernardino Paleario's supervision.

=== The 19th century ===

==== De Petri's ''Cronaca'' ====

Antonio De Petri (or Petro), parish priest from 1778 to 1819, took inspiration from Antonio Francesco Frisi's works, called ''Memorie storiche della città di Monza'', and wrote a report about saint Bartolomeo's church<ref name=":0">{{Cita libro|autore = |titolo = Brugherio la nostra gente|anno = |editore = |città = |p = 145}}</ref>:. He described that the church's façade was decorated with cornices, pilasters and bands with a pediment gabled sharp that befits the structure itself. It was possible to enter through three inputs, a wider entrance to the center and two minor entrances to the sides; each input corresponded to a nave. The aisles were closed by the side walls. Above the main door there was a window that provided light to the central nave. The aisles were divided by three arches supported by twin doric columns of stone with a wide intercolumniation covered by a lintel and the columns leaned on the side of the presbytery and the facade above four pilasters. There were also paintings, including one depicting the Mrtydom of Siant Margaret of the seventeenth century. This report shows big chaingings from the description of Borromeo brothers.

{{Citazione|<nowiki>The church's façade is decorated with cornices, pilasters and bands with a pediment gabled sharp that befits the structure itself. It is possible to enter through three inputs, a wider entrance to the center and two minor entrances to the sides; each input corresponds to a nave.[</nowiki>''Navate''<nowiki>, n.d.a] The aisles are closed by the side walls. Above the main door there is a window that provides light to the central nave. The aisles are divided by three arches supported by twin doric columns of stone with a wide intercolumniation covered by a lintel and the columns lean on the side of the presbytery and the facade above four pilasters.</nowiki>|Don Antonio De Petri, ''Descrizione delle terre, e delle cassine che compono la parrocchia di Brugherio e notizie storiche intorno alle medesime'', manoscritto conservato presso l'Archivio Parrocchiale di San Bartolomeo, Brugherio 1794, citato in ''San Bartolomeo: una ricostruzione storica delle vicende della parrocchiale''.}}From what we can read, in the period of almost two hundred years the church has undergone several changes, and compared to initial reports of Charles and Federigo Borromeo it is monumental, presents a sort of canopy that can light up the interior that does not have more than one aisle, but three as the present church. In addition, continuing in the description, the De Petri reports the presence of a number of paintings, including one depicting the Martyrdom of Saint Margaret, the seventeenth century<ref>{{Cite book||title = San Bartolomeo: una ricostruzione storica delle vicende della parrocchiale|language=Italian||p = 24}}</ref>.