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==History==
The desire for a new church for the parish of San Bartolomeo Brugherio was already in the mind of Don Franco Perlatti<ref>Parroco di San Bartolomeo dal 1958 al 1993 in {{cita libro | | | San Bartolomeo: una ricostruzione storica delle vicende della parrocchiale | 1994 | Parrocchia San Bartolomeo Brugherio | Brugherio | p = 59}}</ref> since 1969 when, in a letter to Cardinal Giovanni Colombo about the construction of Saint Paul's Church,<ref>La chiesa di S. Paolo fu inaugurata nel 1971 in{{Cita web|autore = |url = http://www.epifaniadelsignore.it/info/storia/64-cpepifaniadelsignore|titolo = Storia di San Paolo |accesso = 22 gennaio 2016|data = }}</ref> also alluded to the necessity, the near future, of another church in the west of the city in the rapid expansion process.<ref name=chiesa>{{cita libro | Chiara | Magni | La storia della Chiesa di San Carlo | 2004 | Parrocchia San Carlo Brugherio | Brugherio}}</ref> In 1982, with Christmas greetings, parishioners expressed a willingness to start collecting money for the new church's construction. The land that Don Franco had reserved for the construction of the Saint Charles parish was one of the many territory given by Cazzaniga family to the parish of Saint Bartholomew in Brugherio, specifically it was Mrs. Paola Viganò's possession, called also widow Cazzaniga. The surface, characterized by the amplitude of 10 thousand square meters, has allowed the architects to design, in addition to the church, also the parsonage and classrooms for catechism, reserving a discreet space for games and outdoor pools, both indoors. In 1987 it was rented a room, made available by the municipality of Brugherio, under the arcades of Piazza Togliatti buildings and began to celebrate Mass and to organize some festive gathering events.<ref name="chiesa" /><ref>Ora sede della Consulta di quartiere Ovest.{{Cita web|autore = |url = http://www.comune.brugherio.mb.it/comune/amministrazione/altri-organismi/|titolo = Consulte di quartiere |accesso = 24 gennaio 2016|data = }}</ref> For the design, the implementation and the financing of the entire work, Don Franco did not want to burden the "Cardinal Montini Plan"<ref>{{Cita web|autore = |url = http://www.incrocinews.it/chiesa-diocesi/l-onda-lunga-del-piano-montini-1.96676|titolo = L'onda lunga del piano Montini |accesso = 24 gennaio 2016|data = }}</ref> about the construction of twenty-five new churches on the territory of the Diocese Ambrosiana, but relied on the generosity of its parishioners. The constant search for funds gave rise to a series of initiatives including the distribution of envelopes for collection of offers in the occasion of Christmas 1988 bearing the plastic image of the new church and the lottery of 1991 with formalized tickets by Intendenza di finanza.<ref name="chiesa" /> Don Franco took an inflexible position with the technical department of the Curia, which proposed as designers some of its technicians. He wanted that the design of the parish was decided by professionals of Brugherio, known since the time of the oratory for their honesty and professionalism. He chose architects Alberto Brivio architects, Ferdinand Caprotti and Carlo Magni and engineer Giuseppe Gatti. Technical members of the team were also the surveyor Claro Sardi, manufacturer, and the surveyor Edward Teruzzi, technical manager and mayor of the City of Brugherio.<ref>Edoardo Teruzzi fu sindaco dal 1985 al 1990 v.{{Cita web|autore = |url = http://www.comune.brugherio.mb.it/comune/amministrazione/i-capi-dellamministrazione-comunale-dal-1866-ad-oggi/|titolo = Comune di Brugherio. I capi dell'Amministrazione Comunale dal 9.12.1866 ad oggi |accesso = 22 gennaio 2016|data = }}</ref> All these professionals offered their services free of charge.<ref name="chiesa" /> The contract for construction was entrusted to the company Gemini & Noventa di Milano. Construction manager was the architect Alberto Brivio. With the archbishop's decree of February 1, 1993, Father Mario Ferrario was appointed parish priest of Saint Charles Church, which was careful for the first ten years.<ref name="chiesa" /> The church was consecrated by Cardinal Carlo Maria Martini, Archbishop of Milan on April 27th, 1996.<ref name="chiesa" /> Don Daniele Turconi (former pastor for twenty years in Cinisello and then chaplain of the prisons in Monza), happened to Don Mario on November 1st, 2002.<ref>{{Cita web|autore = |url = http://www.epifaniadelsignore.it/contatti/184-sacerdoti-e-consacrate/ |titolo = Epifania del Signore. Sacerdoti e consacrate |accesso = 22 gennaio 2016|data = }}</ref> From late 1994 to 2011 the parish was assisted by Fr Paolo Grima, Brugherio's native priest who has much cultivated personal relationships by listening to the people, especially the sick and suffering.<ref name="chiesa" /> Don Paolo Grima passed away on May 12th, 2011.<ref>{{Cita web|autore = |url = http://ilcittadinomb.it/stories/Homepage/205086_lissone_e_brugherio_in_lutto_si__spento_don_paolo_grimoldi/?mediaon.trackers.autorefresh.Homepage |titolo = Il Cittadino. Lissone e Brugherio in lutto: si è spento don Paolo Grimoldi |accesso = 22 gennaio 2016|data = }}</ref>
==Architecture==
The structure is characterized by an altar in the middle, towards which the architectural lines, and for the upward momentum, enhanced by beautiful wooden beams of the roof. The plant has a square shape, with main axis on the diagonal. The resulting volumes are three and ideally divide the space into three naves: a central whose sailing coverage culminating in the bell tower and two side coverage at a lower level than sailing's one. The cover consists of a large covered outside laminated wood beams from copper plates. When viewed from above, it reminds Piazza del Campo in Siena that is said that it has been inspired by the blanket that covered the Holy Virgin. Outside the church has a narthex brick split-view in two large arms to represent the embrace of God to the Church community. Inside the classroom has a single nave, this encourages participation in the celebrations of the whole assembly. The church has a capacity of about 450 people to sit and possible other 150 standing. The presbytery is wide and suitably raised from the classroom floor by four steps The curved walls that surround it, creating a continuity from the altar to the nave, between celebrant and congregation.<ref name="chiesa" />
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in paving emphasizes the connection path between input and altar. The design, created by Antonio Teruzzi, is a stylized tree. The leaves are made with the technique of the sown, the trunk instead is made with pieces of marble tiles. The tree is a thick figure of symbolic meanings: it refers to a life that transcends time and space of man. The tree trunk on the surface of the earth, the roots in the ground and in the sky, the branches. This symbolically takes up the salvation-historical time path from the Creation to the coming of Christ, with the intent of making the entrance-altar journey as a passage from darkness to light. Teruzzi was assisted by Dr. Luigi Beretta for the collection of biblical references. Along the tree-trunk the stages or periods of the history of salvation are represented. Each stage or day of history is marked by a stone. At the base appears a continuous line, without interruption, in dark colors and dotted with tiny bright flashes (few golden mosaic tiles). is the primordial chaos which preceded the Creation when the earth was a formless void and darkness covered the abyss (darkness and disorder: white tiles), but already the spirit (the flashes of light: clear tiles) hovered over the waters (Gen. . 1:29). The creation is marked by stones 7 (numbered from 1 to 7 with simple marble tiles 1 = I 2 = II) one for each day. On each stone it is symbolized with enamel technique, the work of God in that day as written in Genesis. After the Creation are remembered the 10 generations (I to IIIIIIIIII) Cycle from Adam to Noah and 10 generations from Noah to Abraham. Each group is made with different shades of color of the marble tiles, on which are marked at the most salient character names from which generations are named. So we read the names of Adam, Noah, Shem, Abraham, Isaac, Jacob, Judah and then David, Solomon and finally Mary and Joseph. The generations from Adam to Jesus are linked along the axis of the shaft by a continuous sinusoidal curve, similar to a spiral. The mosaic is in reddish hues. Jacob began to widen the branches: 12 branches to mark his 12 children, after Jacob, all become (and after them all the components of each of the 12 tribes), without distinction, owners, heirs of the promise of a land , a descent of a Messiah.[[File:Pavimentazione chiesa san carlo.JPG|thumb|Particolare del pavimento della chiesa di San Carlo di Brugherio]]
La pavimentazione sottolinea il percorso di collegamento tra ingresso ed [[altare]].
Il disegno, realizzato da Antonio Teruzzi, rappresenta un albero stilizzato.
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