Cecchetti method: Difference between revisions

Revision as of 21:20, 7 June 2020

Latest revision as of 13:04, 4 September 2024

(20 intermediate revisions by 18 users not shown)

Line 1:

{{Short description|Style of ballet and ballet training method}}

{{Refimprove|date=December 2008}}

The '''Cecchetti method''' is variously defined as a style of [[classical ballet]]<ref name="csc">{{cite webbook|title=The Cecchetti Method|publisher=The Cecchetti Society of Canada}}</ref> and as a [[ballet training]] method<ref name="cca" /> devised by the Italian ballet master [[Enrico Cecchetti]] (1850–1928). The training method seeks to develop essential skills in dancers as well as strength and elasticity.<ref name="cca">{{cite web|url=https://www.cecchetti.org/|title=The Official Website of the Cecchetti Council of America.|website=Cecchetti Council of America}}</ref> Cecchetti-trained dancers are commonly found in ballet and other dance companies throughout the world.

== History ==

{{See also|Enrico Cecchetti}}

The greatest influence on the development of the Cecchetti method was [[Carlo Blasis]], a ballet master of the early 19th century. A student and exponent of the traditional French school of ballet, Blasis is credited as one of the most prominent ballet theoreticians and the first to publish a codified technique, the '"Traité élémentaire, théorique, et pratique de l'art de la danse'" ("Elementary, Theoretical, and Practical Treatise on the Art of the Dance"). Reputedly a very rigorous teacher, Blasis insisted on his students conforming to strict technical principles when learning to dance, a philosophy which Cecchetti learnt from his own teachers, who were all students of Blasis ([[Giovanni Lepri]], [[Cesare Carnesecchi Coppini]] and [[Filippo Taglioni]]). Consequently, the key characteristic of the Cecchetti method is the adherence to a rigid training regime, designed to develop a virtuoso technique, with the dancer having a complete understanding of the theory behind the movement.

The other key influences on the Cecchetti method came from his own professional career as a dancer, which exposed him to many different techniques and styles of ballet. When he began to gain a reputation as a teacher, he experimented with these various styles, fusing the best elements of each to create his own ballet technique and training system, the eponymous Cechetti method. Such was the success of Cecchetti's teaching, he is recognised as one of the key contributors to modern classical ballet, his method credited with significantly improving the teaching of classical ballet throughout Europe. Where previously ballet teaching had been haphazard and reliant on the preferences and style of the individual teacher, the Cecchetti method established the model of standardised teaching which is the basis of all professional ballet teaching today.

Initially, Cecchetti passed on his method by teaching it to his pupils and professional dancers, including well known dancers of the early 20th century, such as [[Anna Pavlova]], [[Alicia Markova]], [[George Balanchine]] and [[Serge Lifar]]. Many of his students later taught the Cecchetti method, including [[Ninette de Valois]], [[Marie Rambert]], Laura Wilson,<ref>{{cite web | url=https://www.independent.co.uk/arts-entertainment/obituary-laura-wilson-1097378.html | title=Laura Wilson | accessdatewebsite=[[Independent.co.uk]] | access-date=2018-01-21 }}</ref>, [[Margaret Craske]] and [[Olga Preobrajenska]]. A number of professional ballet schools employhave historically used the Cecchetti method, including the [[Royal Ballet School]], [[Rambert Ballet School]], [[National Ballet School of Canada]], and the [[Australian Ballet School]].

In 1922, British writer and dance historian [[Cyril W. Beaumont]] collaborated with Cecchetti and Stanislas Idzikowsky to document the method in print, producing the ''Manual of the Theory and Practice of Classical Theatrical Dancing''.<ref name="Istituto dell'Enciclopedia Italiana">{{cite web|author=Alessandra Ascarelli|url=http://www.treccani.it/enciclopedia/enrico-cecchetti_(Dizionario-Biografico)|title=Cecchetti Enrico|work=[[Dizionario biografico degli italiani]]|publisher=Istituto dell'Enciclopedia Italiana|year=1979|volume=23|language=Italian}}</ref> This continues to be the standard resource for the Cecchetti method throughout the world and it has been replicated in numerous forms, including [[Benesh Movement Notation|Benesh]] and [[Labanotation|Laban]] notation. The method was further documented by Grazioso Cecchetti, one of Enrico's sons, in his treatise, ''Classical Dance''.<ref>{{cite web |url=http://www.cicb.org/pioneers/pioneers-grazioso-cecchetti/ |title=ArchivedCecchetti copyInternational Classical Ballet &#124; Official CICB Site |accessdateaccess-date=2013-08-29 |url-status=dead |archiveurlarchive-url=https://web.archive.org/web/20130823060326/http://www.cicb.org/pioneers/pioneers-grazioso-cecchetti/ |archivedatearchive-date=2013-08-23 }}</ref>{{Relevance-inline|date=February 2013}}.

The Cecchetti Society was established by Cyril Beaumont in London in 1922, with Maestro Enrico Cecchetti as its first president, and remained independent until it joined the [[Imperial Society of Teachers of Dancing ]], against the wishes of Enrico Cecchetti, in 1924. Today, the Cecchetti training system is used internationally to teach classical ballet.

=== Australia ===

Line 23 ⟶ 25:

| url = http://www.cicb.org/

| publisher = Cecchetti International Classical Ballet

| accessdateaccess-date = 17 February 2013}}

</ref>

is committed to keeping alive and raising the profile of the Cecchetti method of classical ballet and its training system throughout the world.

Today, the Cecchetti method is used at The Australian Ballet School, Victorian College for the Arts, and Queensland School of Excellence, and Xcel Dance Studios in Adelaide, South Australia.

=== United Kingdom ===

Line 36 ⟶ 38:

The British writer and dance historian Cyril W. Beaumont was a close friend of Cecchetti and, in 1922 he collaborated with Cecchetti to codify the training technique into a printed syllabus, ''The Cecchetti Method of Classical Ballet'', which has become the foremost reference for Cecchetti method teachers worldwide. Cecchetti also gave Beaumont permission to establish the Cecchetti Society to maintain the method and ensure that it would be passed on to future ballet teachers in its original form. Branches of the Cecchetti Society were subsequently established around the world, most notably in Australia, South Africa, Canada and the US. The original Cecchetti Society still exists in Britain, although against the wishes of Enrico Cecchetti it was absorbed into the [[Imperial Society of Teachers of Dancing]], which continues to maintain the Cecchetti method as a separate entity from its own ''Imperial Classical Ballet'' syllabus.

Today, the [[Imperial Society of Teachers of Dancing]] promotes the Cecchetti method as a syllabus-based series of dance examinations, which are taught by registered teachers around the world in both pre-vocational and vocational dance schools. The syllabus is a progressive series of graded and vocational graded examinations, which are accredited by the [[Qualifications and Curriculum Authority]], the government-appointed regulator of qualifications in England and Wales. Successful exam passes in the Cecchetti method can therefore be submitted for credit towards other nationally recognised qualifications, however this only applies in England and Wales. These qualifications are in reality usually taken by the amateur rather than the professional dancer.

There are a few ballet teachers, such as Gavin Roebuck, who can trace their knowledge of the Cecchetti method in a direct line from pupils of Enrico Cecchetti, including generations of dancers trained at the Royal Ballet School, the Rambert School and Canada's National Ballet School.

== Examinations ==

=== United Kingdom ===

In 2002, the [[Imperial Society of Teachers of Dancing]], became an accredited dance awarding body. As a result of this change, its system of exams and qualifications were revised, including those of the Cecchetti faculty. The ISTD now operates a three tier system of qualifications, which are recognised by the national qualifications regulators of England, Wales and Northern Ireland:

Line 49 ⟶ 50:

* Teaching qualifications

The system of teaching qualifications has been revised to include fourthree levels of qualification. The first two levelslevel, the FDI and the CDEDDE areis compulsory for any person wishing to teach the ISTD syllabus and enter candidates for examinations. The Licentiate and Fellowship levels are optional, higher level qualifications that existed before 2002 and retain their previous status.

* FoundationDiploma in Dance Instruction (FDI)Education

* Certificate in Dance Education (CDE)

* Licentiate

* Fellowship

Line 68:

*Pass Highly Commended (perfect exam, no corrections, all excellent)

All exams have different sections that the student is graded on. These sections include theory, barre, port de bras, adage, allegro, petit allegro, tours, pointe work, musicality, quality, and style among other things. These are all part of the total grade. DancerDancers taking their grade four exam will be asked to choreograph a one-minute dance, with teacher supervision, and perform it to the examiners. Students taking their grade 7 will be asked to perform a variation to the examiners.

A dancer who achieves a pass condition must wait two years before attempting the next exam level.

Line 155:

== External links ==

* [http://www.dcd.ca/catalogue/classicalballet.html Ryman's Dictionary of Classical Ballet Terms: Cecchetti] {{Webarchive|url=https://web.archive.org/web/20230531014107/https://www.dcd.ca/catalogue/classicalballet.html |date=2023-05-31 }}

{{Ballet}}