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[[File:Der junge Richard Strauss.JPG|thumb|Richard Strauss in 1888]]
'''''Death and Transfiguration''''' ({{
The music depicts the death of an artist. At Strauss's request, this was described in a poem by his friend [[Alexander Ritter]] as an interpretation of Death and Transfiguration, after it was composed.<ref>Bryan Gilliam: "Richard Strauss", ''[[Grove Music Online]]'', ed. L. Macy (Accessed January 16, 2007), (subscription access)</ref> As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
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==Critical reaction==
English music critic [[Ernest Newman]] described this as music to which one would not want to die or awaken. "It is too spectacular, too brilliantly lit, too full of pageantry of a crowd; whereas this is a journey one must make very quietly, and alone
French critic [[Romain Rolland]] in his ''Musiciens d'aujourd'hui'' (1908) called the piece "one of the most moving works of Strauss, and that which is constructed with the noblest utility".<ref>Quoted in Mason, Daniel Gregory (1918), ''Contemporary Composers'', p. 84.</ref>
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| [[Fritz Reiner]]
| Vienna Philharmonic
| 4/6 Sep 1956
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| [[Artur Rodziński]]
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| [[Herbert von Karajan]]
| Berlin Philharmonic
| 1972<ref>[http://www.arkivmusic.com/classical/album.jsp?album_id=1445 Strauss: ''Four Last Songs'', etc] {{Webarchive|url=https://web.archive.org/web/20160917013759/http://www.arkivmusic.com/classical/album.jsp?album_id=1445 |date=2016-09-17 }}, arkivmusic.com</ref>
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| [[Eugene Ormandy]]
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