Techstep: Difference between revisions

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{{Short description|Heavy subgenre of drum and bass}}

{{Infobox music genre

| name = Techstep

| stylistic_origins = {{hlist|[[drumDrum and bass]]|[[Industrial music|industrial]]|[[hardstep]]|[[darkcore]]|[[2-step garage|2-step]]|[[techno]]|[[Belgian hardcore techno]]}}

| bgcolor = silver

| cultural_origins = Mid-1990s, [[Great Britain]]

| stylistic_origins = {{hlist|[[drum and bass]]|[[Industrial music|industrial]]|[[darkcore]]|

[[techno]]}}

| cultural_origins = 1990s, [[Great Britain]]

| subgenrelist =

| derivatives = {{hlist|[[breakcoreBreakcore]]|[[darkstep]]|[[neurofunk]]}}

| fusiongenres =

| regional_scenes =

| other_topics = {{hlist|[[List of jungledrum and bass artists]]|[[:Category:Drum and bass record labels|drum nand bass artistsrecord labels]]}}

[[:Category:Drum and bass record labels|Drum and bass record labels]]

}}

'''Techstep''' is a [[Darkness_in_music|dark]] subgenre of [[drum and bass]] that was created in the mid-1990s.<ref>{{cite web | url=http://www.villagevoice.com/music/9745,212159,332,22.html | date=1997-11-11 | title=But Then Again, Who Says It Should? | last=Frere-Jones | first=Sasha | publisher=[[Village Voice]] | access-date=2008-06-05 }}{{Dead link|date=August 2025 |bot=InternetArchiveBot |fix-attempted=yes }}</ref>

==Style==

It is characterized by a dark,<ref>{{cite book | last = Fritz | first = Jimi |author2=Tristan O'Neill |author3=Virginia Smallfry |author4=Trent Warlow | title = Rave Culture: An Insider's Overview | publisher = Small Fry Publishers | year = 1999 | url = https://books.google.com/books?id=CiW3aOptLW4C | isbn = 0-9685721-0-3}}</ref> [[sci-fi]] mood, near-exclusive use of [[synthesiser|synthesised]] or [[sampler (musical instrument)|sampled]] sound sources, [[2-step garage|2-step]] kicks and snares<ref>{{cite web|title=Over two hours of prime techstep from DJ Mark N.|url=https://darkfloor.co.uk/two-hours-prime-techstep-dj-mark-n/|work=Darkfloor}}</ref> and influences from [[industrial music|industrial]] and [[techno music]] music, what some writers have described as a "clinical" sound.<ref name="rough">{{cite book | last = Shapiro | first = Peter | title = Drum 'n' Bass: The Rough Guide | publisher = [[Rough Guides]] | year = 1999 | url = https://books.google.com/books?id=IxEpAyPvyXoC | isbn = 1-85828-433-3}}</ref> Although described as having a "techy" feel, techstep's relationship with techno should not be overstated. It shares the technique of creating a high-energy collage from abstract, synthetic noises, including samples, bleeps and squelches: it rarely uses instruments that have not been processed by effects. Similarly, [[Quantization (music)|quantized]] drum-machine kit and percussion sounds are favored over naturalistic human [[break (music)|breakbeats]]. However, it usually adheres to drum and bass norms in other regards, especially in terms of musical structure, with the emphasis on the "drop". Techstep saw [[Oldschool jungle|jungle music]]'s obsession with bass change, from aiming for low and deep to exploring [[timbre]], artists aiming to outdo each other with ever more [[distortion|distorted]] and "twisted" bass sounds.

==History==

Techstep developed from [[Oldschool jungle|jungle music]] and [[hardstep]] around 1995.<ref>{{cite book | last = Venderosa | first = Tony | title = The Techno Primer: The Essential Reference for Loop-based Music | publisher = [[Hal Leonard Corporation]] | year = 2002 | url = https://books.google.com/books?id=VT7_x7m-RWcC | isbn = 0-634-01788-8}}</ref> The name of the genre was coined by Ed Rush and Trace, who were both instrumental in shaping the sound of techstep.<ref>{{Cite book | first = Simon | last = Reynolds | author-link = Simon Reynolds | editor-last = Bennett | editor-first = Andy | editor2-last = Shank | editor2-first = Barry | contribution = War in the Jungle | title = The Popular Music Studies Reader | year = 2005 | publisher = [[Routledge]] | url = https://books.google.com/books?id=QQZNciX0OgEC | isbn = 978-0-415-30710-9 }}</ref> In this case, "tech" did not refer to the smoother style of [[Detroit techno]], but to the raver, more caustic hardcore sounds that were popular in [[Belgium]] in the earlier part of the decade, often known as [[Belgian techno]].<ref>{{Cite book|last = Reynolds|first = Simon|title = Energy Flash: A Journey Through Rave Music and Dance Culture|year = 2012|publisher = Picador|quote = The term (Techstep) was coined by DJ–producers Ed Rush and Trace, who shaped the sound in tandem with engineer Nico of the No U Turn label. The ‘tech’ stood not for Detroit techno, dreamy and elegant, but for the brutalist Belgian hardcore of the early nineties. Paying homage to R & S classics like ‘Dominator’ and ‘Mentasm’, to artists like T99 and Frank de Wulf (...).|ISBN = 978-1-59376-407-4}}, p.&nbsp;357.</ref> Techstep was a reaction to morethe virtuosicappearance andof more pop and virtuosic musical elements in [[Oldschoolon jungle|jungle]] and drum 'n' bass tracks, which were seen as an adulteration of "true" or "original" jungle.<ref>{{Cite book | last = Monroe | first = Alexei | contribution = Thinking about mutation: genres in 1990s electronica | year = 1999 | title = Living Through Pop | editor-last = Blake | editor-first = Andrew | publisher = [[Routledge]] | isbn = 0-415-16199-1 }}</ref> Instead the genre was infused with a simpler, colder sound that stripped away most [[Contemporary R&B|R&B]] elements, and replaced them with a more hardcore sound,<ref>{{cite book | last = Mitchell | first = Tony | title = Global Noise: Rap and Hip-hop Outside the USA | publisher = [[Wesleyan University Press]] | year = 2001 | ___location = Middletown | url = https://archive.org/details/globalnoiseraphi00mitc | url-access = registration | isbn = 0-8195-6502-4}}</ref> and ideological influences like youth [[anti-capitalism]] movements, and [[dystopia]]n films like ''[[Blade Runner]]'' and ''[[RoboCop]]''.<ref name="genecs">{{cite book | last = Reynolds | first = Simon | author-link = Simon Reynolds | title = Generation Ecstasy: Into the World of Techno and Rave Culture | publisher = [[Routledge]] | year = 1999 | url = https://books.google.com/books?id=tGaRJiXe74UC | isbn = 0-415-92373-5}}</ref><br> One of the first incarnations of the techstep sound is DJ Trace's remix of T-Power's "Mutant Jazz" which appeared on S.O.U.R. Recordings in 1995. This remix, co-produced by Ed Rush and Nico, features the trademark stepping beats and distorted [[Kevin Saunderson#The Reese Bassline|Reese bassline]] which would become symbolic of the techstep genre. The ''Torque'' compilation (No U Turn), the ''Techsteppin''' compilation (Emotif), ''Breakage'' LP (Penny Black 1997), and ''Platinum Breakz 1, 2'', and ''MDZ 01'' (Metalheadz) feature some selections of techstep tracks.

Some of the original techstep producers eventually developed the [[neurofunk]] style. EarlyThese included early pioneers [[Ed Rush]] &and [[Optical (artist)|Optical]],. Artists such as [[Teebee]], and [[Dom & RolandNoisia]] andfurther [[Docdeveloped Scott]]the Neurofunk sound. [[Moving Shadow]] and [[Metalheadz]] were important labels in the development of the style.

==See also==

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* [[Neurofunk]]

* [[2-step garage]]

* [[Digital Hardcorehardcore]]

* [[Breakbeat]]

* [[Breakbeat hardcore]]

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{{Drum and bass-footer}}

{{Techno}}

[[Category:Drum20th-century andmusic bass subgenresgenres]]

[[Category:Drum and bass genres]]

[[Category:English styles of music]]