Paper Mario: The Thousand-Year Door and Félix Guattari: Difference between pages

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{{Unreferenced|article|date=December 2006}}

{{Infobox CVG| title = Paper Mario: The Thousand-Year Door

{{Infobox_Philosopher |

|image = [[Image:ttydbox.jpg|200px|Paper Mario: The Thousand-Year Door]]

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|developer = [[Intelligent Systems]]

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|publisher = [[Nintendo]]

region = Western Philosophy|

|designer =

era = [[20th-century philosophy]]|

|engine =

color = #B0C4DE|

|version =

|released = [[Image:Flag of Japan.svg|22px|Japan]] [[July 22]], [[2004]]<br />[[Image:Flag of the United States.svg|22px|North America]] [[October 12]], [[2004]]<br />[[Image:European flag.svg|22px|Europe]] [[November 12]], [[2004]]

|genre = [[Console role-playing game|Role-playing game]]

|modes = [[Single player]]

|ratings = [[ESRB]]: E (Everyone)<br />[[PEGI]]: 3+<br />[[Computer Entertainment Rating Organization|CERO]]: All ages<br />[[Office of Film and Literature Classification (Australia)|OFLC]]: G8 +

|platforms = [[Nintendo Gamecube]]

|media = 1 × [[GameCube Optical Disc]]

|requirements =

|input =

|preceded by = [[Paper Mario]]

|followed by = [[Super Paper Mario]]

}}

{{nihongo|'''''Paper Mario: The Thousand-Year Door'''''|ペーパーマリオRPG|Pēpā Mario Ārupījī|Paper Mario RPG}} is a [[console role-playing game|role-playing]] [[computer and video games|video game]] developed by [[Intelligent Systems]] and published by [[Nintendo]] for the [[Nintendo GameCube]] [[video game console]] in [[2004 in video gaming|2004]]. It is the fourth game in the ''Mario RPG'' series, and uses the same gameplay and visual style as its predecessor ''[[Paper Mario]]'' for the [[Nintendo 64]] but with improved visuals.

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==Storyline==

image_name = Guattari2.jpg|

<!-- Information -->

{{Spoiler}}

name = Pierre-Félix Guattari|

birth = [[April 30]], [[1930]] ([[Villeneuve-les-Sablons]], [[Oise]], [[France]])|

death = [[August 29]], [[1992]] ([[La Borde clinic]], [[Cour-Cheverny]], [[France]])|

school_tradition = [[Psychoanalysis]], [[Autonomism]] |

main_interests = [[Psychoanalysis]], [[Politics]], [[Ecology]], [[Semiotics]]|

influences = [[Freud]], [[Lacan]], [[Gregory Bateson|Bateson]], [[Sartre]], [[Hjelmslev]]|

influenced = [[Eric Alliez]], [[Michael Hardt]], [[Brian Massumi]], [[Antonio Negri]] |

notable_ideas = [[assemblage]], [[desiring machine]], [[deterritorialization]], [[ecosophy]], [[schizoanalysis]]|

}}

'''Pierre-Félix Guattari''' ([[April 30]], [[1930]] – [[August 29]], [[1992]]) was a [[France|French]] [[militant]], institutional [[psychotherapist]] and [[philosopher]], a founder of both [[schizoanalysis]] and [[ecosophy]]. Guattari is best known for his intellectual collaborations with [[Gilles Deleuze]], most notably ''[[Anti-Oedipus]]'' (1972) and ''[[A Thousand Plateaus]]'' (1980).

==Biography==

''Paper Mario: The Thousand-Year Door'' opens with a short introduction about a prosperous seaside town that was destroyed by a [[cataclysm]] and then sank into the depths of the earth. After the site of the town was completely purged of all evidence of its existence, another, new town called Rogueport, was built there. A legend about a mysterious treasure soon spread through the town. [[Princess Peach]], who was on vacation, visits the town and meets a merchant. The merchant gives her a small box, which is said to only open for one with a pure and noble heart, and says that if Peach can open it, she may have whatever is inside. Peach is, of course, able to open the box, and she gains possession of the magical [[treasure map]]. She then sends it to Mario, accompanied by a letter telling him to meet her in Rogueport to join her for a treasure hunt.

=== Clinic of La Borde ===

Born in Villeneuve-les-Sablons, [[Oise]], [[France]].{{Fact|date=February 2007}} Guattari was encouraged by psychiatrist [[Jean Oury]] towards the practice of [[psychiatry]], becoming impassioned from 1950 towards that field.{{Fact|date=February 2007}} Due to his frustrations with the theories and methods of French [[psychoanalyst]] [[Jacques Lacan]] — who both taught and analysed Guattari in the 1950s – Guattari became convinced that he needed to continue exploring as vast an array of domains as possible ([[philosophy]], [[ethnology]], [[linguistics]], [[architecture]], etc.,) in order to better define the orientation, delimitation and psychiatric efficacy of the practice. Guattari would later proclaim that psychoanalysis is "the best [[capitalist]] drug" because in it desire is confined to a couch: desire, in Lacanian psychoanalysis, is an energy that is contained rather than one that, if freed, could militantly engage itself in something different. He continued this research, collaborating in Jean Oury's private clinic of [[La Borde clinic|La Borde]] at Court-Cheverny, one of the main centers of institutional psychotherapy at the time. La Borde was a venue for conversation amongst innumerable students of philosophy, psychology, ethnology, and [[social work]]. La Borde was Félix Guattari's principal anchoring until he died of a heart attack in [[1992]].

=== 1960s to 1970s ===

Mario sets sail for Rogueport, and after arriving at the docks, he does not find Peach. He soon encounters Goombella, a Goomba girl, being harassed by a mysterious figure named [[Lord Crump|Crump]], whom he helps her escape from. Upon showing Goombella the map, she asks him to take it to her archaeology professor, Professor Frankly. The two meet with Frankly, and he identifies the map as the magical map that reveals the ___location of the seven Crystal Stars. The Crystal Stars are the key to unlocking a magical door, located in the ruins beneath Rogueport, known as the Thousand-Year Door, behind which the legendary treasure of Rogueport is believed to lie. He asks Mario how he came upon the map, and Mario tells him that Peach sent it to him. The three then enter the sewers and unlock a chest that has someone asking for help, but when he opens it he gets cursed with the ability to transform into a paper airplane. When they approach the door with the map, the map shows a castle with the star to the east of Rogueport. Mario's only hope of finding her is to pursue the Crystal Stars, hoping that he will encounter her along the way.

From 1955 to 1965, Félix Guattari animated the [[trotskyist]] group ''Voie Communiste'' ("Communist Way"). He would then support [[anticolonialist]] struggles as well as the Italian ''[[Autonomists]]''. Guattari also took part in the movement of the psychological G.T., which gathered many psychiatrists at the beginning of the sixties and created the Association of Institutional Psychotherapy in November [[1965]]. It was at the same time that he founded, along with other militants, the F.G.E.R.I. (Federation of Groups for Institutional Study & Research) and its review research, working on philosophy, mathematics, psychoanalysis, education, architecture, ethnology, etc. The F.G.E.R.I. came to represent aspects of the multiple political and cultural engagements of Félix Guattari: the Group for Young Hispanics, the Franco-Chinese Friendships (in the times of the popular communes), the opposition activities with the wars in [[Algerian War of Independence|Algeria]] and Vietnam, the participation in the M.N.E.F., with the U.N.E.F., the policy of the offices of psychological academic aid (B.A.P.U.), the organisation of the University Working Groups (G.T.U.), but also the reorganizations of the training courses with the Centers of Training to the Methods of Education Activities (C.E.M.E.A.) for psychiatric male nurses, as well as the formation of Friendly Male Nurses (Amicales d'infirmiers) (in [[1958]]), the studies on architecture and the projects of construction of a day hospital of for "students and young workers".

Unbeknownst to Mario, Princess Peach has actually been kidnapped by a group known as the [[Characters in Paper Mario: The Thousand-Year Door#X-Nauts|X-Nauts]], led by [[Grodus|Sir Grodus]], who had heard that she was in possession of the map, and kidnapped her only to find that the map was gone. Despite this, Grodus refuses to release her, claiming that he needs her for an undisclosed purpose. During her confinement in the X-Nauts' fortress, Peach encounters a computer called TEC. Though a computer, TEC seems to have an affection for Peach and gradually provides her with information about the X-Nauts' plot and allows her to send e-mail messages to Mario. It is eventually revealed that the "treasure" hidden behind the Thousand-Year Door is actually a demon known as the Shadow Queen. Nearly one thousand years ago, this demon descended upon the prosperous city which lay where Rogueport now lies and destroyed it. She afterwards forged the seven Crystal Stars and used their power to dominate the land. However, her reign was crushed when four heroes managed to steal the Crystal Stars and used them to imprison her inside of her own palace, which she had constructed on the ruins of the prosperous city. They afterwards hid the Crystal Stars in remote locations across the land to prevent them from being found, but knowing that they might one day be needed again created a magical map which could lead its bearer to their locations. Grodus seeks to recover the Crystal Stars and resurrect the demon, whose power he desires to use to conquer the world. Unknown to him, however, the seal placed on the demon's palace would only last for a thousand years, and that this time limit had nearly expired.

Guattari was involved in the [[events of May 1968]], starting from the [[Movement of March 22]]. It was in the aftermath of 1968 that Guattari met [[Gilles Deleuze]] at the [[University of Vincennes]] and began to lay the ground-work for the soon to be infamous ''[[Anti-Oedipus]]'' (1972), which [[Michel Foucault]] described as "an introduction to the non-fascist life" in his preface to the book. Throughout his career it may be said that his writings were at all times correspondent in one fashion or another with sociopolitical and cultural engagements. In 1967, he appeared as one of the founders of OSARLA (Organization of solidarity and Aid to the Latin-American Revolution). It was with the head office of the F.G.E.R.I. that he met, in [[1968]], [[Daniel Cohn-Bendit]], [[Jean-Jacques Lebel]], and [[Julian Beck]]. In [[1970]], he created C.E.R.F.I. (Center for the Study and Research of Institutional Formation), which takes the direction of the Recherches review. In 1977, he created the CINEL for "new spaces of freedom" before joining in the 1980s the [[ecological]] movement with his "[[ecosophy]]".

Throughout his travels, Mario eventually succeeds in finding all seven of the Crystal Stars and uses their power to open the Thousand-Year Door, intending to enter the Shadow Queen's palace and destroy her. Upon reaching the entrance to her chamber, he encounters Grodus with Peach as his hostage and does battle with him. He is defeated, but Mario is attacked by Bowser, who at last manages to find him and Peach. With Bowser distracting Mario, Grodus manages to escape with Peach into a corridor leading to the area where the Shadow Queen is imprisoned. He summons her and and offers Peach as a new body for her to inhabit, as her old body had been destroyed during her confrontation with the four heroes. Upon possessing Peach, the demon begins to spread darkness across the skies, signaling her return to domination of the world. Grodus orders [[Shadow Peach]] to destroy Mario, but taking a dislike to being ordered, strkes Grodus with bolts of black lightning and blows him away, and afterwards confronts Mario. During the ensuing battle, the demon reveals herself to be too powerful for Mario to defeat. Just as it looks as though Mario has lost, the seven Crystal Stars become animated and fly to different ___location across the region. Upon encountering the Crystal Stars, the inhabitants of each region are able to use the Crystal Stars as a medium through which they see the battle between Mario and the Shadow Queen which will decide the fate of the world, and begin to cheer for Mario's victory. The people's wishes temporarily weaken the Shadow Queen's hold on Peach. With the last of her power, Peach heals Mario and fills up all of his gauges. Then, the final battle begins. After their victory over the Shadow Queen, Mario and Peach return to the Mushroom Kingdom, although the player can choose to go back to Rogueport and continue gameplay.

=== 1980s to 1990s ===

In his last book, ''Chaosmose'' ([[1992]]), the topic of which is already partially developed in ''What is Philosophy?'' (1991, with Deleuze), Félix Guattari takes again his essential topic: the question of subjectivity. "How to produce it, collect it, enrich it, reinvent it permanently in order to make it compatible with mutant Universes of value?" This idea returns like a leitmotiv, from ''Psychanalyse and transversality'' (a regrouping of articles from [[1957]] to [[1972]]) through ''Années d'hiver'' ([[1980]] - [[1986]]) and ''Cartographies Schizoanalytique'' ([[1989]]). He insists on the function of "a-signification", which plays the role of support for a subjectivity in act, starting from four parameters: "significative and [[semiotic]] flows, Phylum of Machinic Propositions, Existential Territories and Incorporeal Universes of Reference."

{{endspoiler}}

In 1995, the posthumous release ''Chaosophy'' featured Guattari's first collection of essays and interviews focuses on the French anti-psychiatrist and theorist's work as director of the experimental La Borde clinic and collaborator of philosopher Gilles Deleuze. ''Chaosophy'' is a groundbreaking introduction to Guattari's theories on "schizo-analysis", a process meant to replace [[Sigmund Freud]]'s interpretation with a more pragmatic, experimental, and collective approach rooted in reality. Unlike Freud, Guattari believes that [[schizophrenia]] is an extreme mental state co-existent with the capitalist system itself. But capitalism keeps enforcing [[neurosis]] as a way of maintaining normality. Guattari's post-Marxist vision of capitalism provides a new definition not only of mental illness, but also of micropolitical means of subversion. It includes key essays such as "Balance-Sheet Program for Desiring Machines," cosigned by Deleuze (with whom he coauthored Anti-Oedipus and A Thousand Plateaus), and the provocative "Everybody Wants To Be a Fascist."

==Gameplay==

===Unique elements===

''The Thousand-Year Door'' has some unique elements which owe to its very singular visual style. The graphics consist of a mixture of [[3D computer graphics|three dimensional]] environments and [[2D computer graphics|two dimensional]] characters, who look as if they are made of [[paper]]. At different points in the game, Mario is "cursed" with abilities that enable special moves in the overworld, all of which are based on the paper theme. These include:

''Soft Subversions'' is another collection of Félix Guattari's essays, lectures, and interviews traces the militant anti-psychiatrist and theorist's thought and activity throughout the 1980s ("the winter years"). Concepts such as "micropolitics," "schizoanalysis," and "becoming-woman" open up new horizons for political and creative resistance in the "postmedia era." Guattari's energetic analyses of art, cinema, youth culture, economics, and power formations introduce a radically inventive thought process engaged in liberating subjectivity from the standardizing and homogenizing processes of global capitalism.

*Becoming a paper airplane and flying for short distances.

*Turning sideways to become as thin as a piece of paper and slip through cracks.

*Rolling into a tube to duck under low-hanging objects.

*Folding into a boat to cross water.

== Bibliography ==

A variety of other visual effects in the world also play on this theme. Illusory objects that conceal secret items or switches can be blown away by a gust of wind, as they are actually pieces of paper with the object drawn on them stuck onto the page of the game world. Some switches cause changes in the world in ways that match the paper theme, such as a bridge appearing by way of a [[flipbook]]-like animation or stone stairs being folded out from a single piece of stone-colored paper.

=== Works published in English ===

*''Molecular Revolution: Psychiatry and Politics'' (1984). Trans. Rosemary Sheed. Selected essays from ''Psychanalyse et transversalité'' (1972) and ''La révolution moléculaire'' (1977).

Another feature this game includes is the ablilty for the player to control Bowser in certain parts of the game. These segments have the player control Bowser in a true side-scrolling environment (reminiscent of the original ''[[Super Mario Bros.]]'' levels, with a [[remix]] of the ''Super Mario Bros.'' theme music). The only Power-up of these minigames is a cut of ham, which increases Bowser's size. Several of these can be collected until Bowser becomes gargantuan and invincible.

*''Les Trois écologies'' (1989). Trans. ''The Three Ecologies.'' Partial translation by Chris Turner (Paris: Galilee, 1989), full translation by Ian Pindar and Paul Sutton (London: The Athlone Press, 2000).

*''Chaosmose'' (1992). Trans. ''Chaosmosis: an ethico-aesthetic paradigm'' (1995).

*''Chaosophy'' (1995), ed. Sylvere Lotringer. Collected essays and interviews.

*''Soft Subversions'' (1996), ed. Sylvere Lotringer. Collected essays and interviews.

*''The Guattari Reader'' (1996), ed. Gary Genosko. Collected essays and interviews.

*''Ecrits pour L'Anti-Œdipe'' (2004), ed. Stéphane Nadaud. Trans. ''The Anti-Œdipus Papers'' (2006). Collection of texts written between 1969 and 1972.

*''Chaos and Complexity'' (Forthcoming 2008, MIT Press). Collected essays and interviews.

In collaboration with [[Gilles Deleuze]]:

===Battle system===

Battles in ''The Thousand-Year Door'' borrow heavily from the original ''[[Paper Mario]]'', ''[[Mario and Luigi: Superstar Saga]]'', and ''[[Super Mario RPG]]''. The turn-based system, in which players select an attack, defense, or item from a menu, is augmented by timed button presses that, when performed correctly, can result in substantial attack or defense bonuses. In contrast to both ''Paper Mario'' and ''Superstar Saga'', battles in ''The Thousand-Year Door'' happen on a stage in front of an audience. As the characters perform more advanced attacks, the audience grows, and Star Power is awarded based on the size of the audience. Having Star Power in turn lets the player perform special moves. However, when the player fails to execute a timed button press in time, some of the audience members may run away. The size of the auditorium in which battles take place is affected by the fame ranking, which increases every ten levels up until Level 30. The player begins with a fame ranking of "Rising Star" (50 seats), then "B-List Star" (100 seats), then "A-List Star" (150 seats) and finally "Superstar" (200 seats).

*''Capitalisme et Schizophrénie 1. L'Anti-Œdipe'' (1972). Trans. ''[[Anti-Oedipus]]'' (1977).

In ''The Thousand-Year Door'', Mario's party members now each have their own Heart Points and they may receive any attack that Mario can receive. When a partner's Heart Points are reduced to 0, the partner becomes inactive for the rest of that battle and later battles until at least one of its Heart Points are restored. If Mario's Heart Points are reduced to 0, however, the game ends even if partners are still available (The only exceptions to this rule is when the party has a life mushroom in their inventory or when Mario is defeated during a fight in the Glitz Pit). Flower Points are shared between Mario and his party members.

*''Kafka: Pour une Littérature Mineure'' (1975). Trans. ''Kafka: Toward a Theory of Minor Literature'' (1986).

*''Rhizome: introduction'' (Paris: Minuit, 1976). Trans. "Rhizome," in ''Ideology and Consciousness'' 8 (Spring, 1981): 49-71. This is an early version of what became the introductory chapter in ''Mille Plateaux.''

*''Capitalisme et Schizophrénie 2. Mille Plateaux'' (1980). Trans. ''[[A Thousand Plateaus]]'' (1987).

*''On the Line'' (1983). Contains translations of "Rhizome," and "Politics" ("Many Politics") by Deleuze and Parnet.

*''Nomadology: The War Machine.'' (1986). Translation of "Plateau 12," ''Mille Plateaux.''

*''Qu'est-ce que la philosophie?'' (1991). Trans. ''What Is Philosophy?'' (1996).

Other collaborations:

Defeating enemies awards various numbers of Star Points to Mario; for every 100 Star Points, Mario is able to [[level up]], choosing between three character statistic enhancements. Selecting Health (HP) adds the specified number of points to Mario's maximum Heart Points, allowing him to last longer in battle; opting for Flower Points (FP) gives Mario and his partners additional ability to perform special moves; and finally selecting Badge Points (BP) increases the number of badges Mario can equip at any given time. In ''The Thousand-Year Door'', Mario's maximum level is 99, as opposed to 27. Also, there is a limit to Heart Points (200), Flower Points (200), and Badge Points (99) as in the original Paper Mario.

*''Les nouveaux espaces de liberté'' (1985). Trans. ''Communists Like Us'' (1990). With [[Antonio Negri]].

Eventually, individual enemies may give him no Star Points; however, Mario will gain at least one Star Point after winning a battle.

*''Micropolitica: Cartografias do Desejo'' (1986). Trans. ''Molecular Revolution in Brazil'' (Forthcoming October 2007, MIT Press). With Suely Rolnik.

*''The party without bosses'' (2003), by Gary Genosko. Features a 1982 conversation between Guattari and [[Luiz Inácio Lula da Silva]], the current [[President of Brazil]].

=== Works untranslated into English ===

===Badges===

Note: Many of the essays found in these works have been individually translated and can be found in the English collections.

''Paper Mario: The Thousand-Year Door'' retains the "Badge" system introduced in ''Paper Mario''. Equipping a Badge can do various things; some Badges provide boosts in offense and defense, some provide additional attacks, some increase the player's character statistics, and others only cause aesthetic changes to the game. There are many Badges in the game, and each one has a unique power. Each Badge (besides the ones that only have aesthetic effects, such as the Attack FX Badge series, or detrimental badges like Double Pain) takes a certain number of Badge Points, or BP, to equip; as noted above, players can increase Mario's total BP when he levels up. There are also "P" Badges, which have the same name as their standard counterparts but with a "P" tacked to the end (e.g. "Pretty Lucky P"), which affect Mario's partners rather than himself. In ''The Thousand-Year Door'', Badges can be bought and sold at certain shops, a change from ''Paper Mario''.

*''Psychanalyse et transversalité. Essais d'analyse institutionnelle'' (1972).

*''La révolution moléculaire'' (1977, 1980). The 1980 version (éditions 10/18) contains substantially different essays from the 1977 version.

*''L'inconscient machinique. Essais de Schizoanalyse'' (1979).

*''Les années d'hiver, 1980-1985'' (1986).

*''Cartographies schizoanalytiques'' (1989).

Other collaborations:

===Audience and Stage===

In contrast to both ''Paper Mario'' and ''Superstar Saga'', battles in ''The Thousand-Year Door'' happen on a stage in front of an audience. As the characters perform more advanced attacks, the audience grows, and Star Power is awarded based on the size of the audience. Having Star Power in turn lets the player perform special moves. However, when the player fails to execute a timed button press in time, some of the audience members may run away. Also, by preforming a second timed button press, you can get a "Stylish" action, which triples the amount of Star Power you gain. The size of the auditorium in which battles take place is affected by the fame ranking, which increases every ten levels up until Level 30. The player begins with a fame ranking of "Rising Star" (50 seats), then "B-List Star" (100 seats), then "A-List Star" (150 seats) and finally "Superstar" (200 seats).

*''L’intervention institutionnelle'' (Paris: Petite Bibliothèque Payot, n. 382 - 1980). On [[institutional pedagogy]]. With Jacques Ardoino, G. Lapassade, Gerard Mendel, Rene Lourau.

Audience members can also throw items to Mario. Sometimes, if you have space in your item menu, it will be added to your items to be used. However, some members can throw items to damage Mario, such as rocks, cans,bones, or hammers. They can also make the background of the stage

*''Pratique de l'institutionnel et politique'' (1985). With [[Jean Oury]] and Francois Tosquelles.

fall on Mario and hurt him, but it may also hurt your opponent, depending on the defense. The

*(it) ''Desiderio e rivoluzione. Intervista a cura di Paolo Bertetto'' (Milan: Squilibri, 1977). Conversation with Franco Berardi (Bifo) and Paolo Bertetto.

audience does many other things too, such as making a fork, or a bucket fall on Mario, hurting

him.

=== Select secondary sources ===

===Bosses===

{|class="wikitable"

! Who/What !! Chapter !! Where

|-

| '''Lord Crump''' || A Rogue's Welcome || Rogueport

|-

| '''Blooper''' || A Rogue's Welcome || Rogueport Sewers

|-

| '''Fuzzies (Mini-Boss)''' || Castle And Dragon || Schwonk Fortress

|-

| '''Skeleton Mob (Mini-Boss)''' || Castle & Dragon || Hooktail Castle

|-

| '''Hooktail''' || Castle & Dragon || Hooktail Castle

|-

| '''The Shadow Sirens''' || The Great Boggly Tree || Boggly Woods

|-

| '''Magnus Von Grapple''' || The Great Boggly Tree || The Great Tree

|-

| '''Bowser''' || Of Glitz And Glory || Glitz Pit

|-

| '''Rawk Hawk''' || Of Glitz And Glory || Glitz Pit

|-

| '''Macho Grubba''' || Of Glitz And Glory || Glitz Pit

|-

| '''Atomic Boo (Optional)''' || For Pigs The Bell Tolls || Creepy Steeple

|-

| '''?????''' || For Pigs The Bell Tolls || Creepy Steeple

|-

| '''Doppelganger Mario (Unbeatable)''' || For Pigs The Bell Tolls || Twilight Forest

|-

| '''Doopliss''' || For Pigs The Bell Tolls || Creepy Steeple

|-

| '''Cortez''' || The Key To Pirates || Pirate's Grotto

|-

| '''Lord Crump 2''' || The Key To Pirates || Keelhaul Key

|-

| '''Smorg Miasa''' || 3 Days Of Excess || Excess Express

|-

| '''Magnus Von Grapple 2.0''' || Mario Shoots The Moon || X-Naut Fortress

|-

| '''Gloomtail''' || The Thousand Year Door || Palace Of Shadow

|-

| '''Shadow Sirens And Doopliss''' || The Thousand Year Door || Palace Of Shadow

|-

| '''Grodus''' || The Thousand Year Door || Palace Of Shadow

|-

| '''Bowser and Kammy Koopa''' || The Thousand Year Door || Palace Of Shadow

|-

| '''Shadow Queen''' || The Thousand Year Door || Palace Of Shadow

|-

| '''Bonetail (Optional)''' || Any Chapter || Pit Of 100 Trials

|-

|}

*[[Éric Alliez]], ''La Signature du monde, ou Qu'est-ce que la philosophie de Deleuze et Guattari'' (1993). Trans. ''The Signature of the World: Or, What is Deleuze and Guattari's Philosophy?'' (2005).

*Gary Genosko, ''Félix Guattari: An Aberrant Introduction'' (2002).

== Reception ==

*Gary Genosko (ed.), ''Deleuze and Guattari: Critical Assessments of Leading Philosophers, Volume 2: Guattari'' (2001).

''Paper Mario: The Thousand-Year Door'' received mostly positive reviews from critics, and the game currently holds an average score of 88% on [[Game Rankings]]. [http://www.gamerankings.com/htmlpages2/920182.asp?q=paper%20mario%202] [[IGN]] gave the game a score of 9.1 out of 10, calling it "an absolute blast to play." [http://cube.ign.com/articles/556/556422p1.html] [[GameSpot]] gave the game a score of 9.2 out of 10, calling it "the product of some incredible talent in game design." [http://www.gamespot.com/gamecube/rpg/papermario2/review.html] [[GameSpy]] gave the game a score of 4 out of 5, saying, "if you have a soul, then this game will make it feel all warm and fuzzy." [http://cube.gamespy.com/gamecube/paper-mario-gcn/555181p1.html] Others were more critical, such as [[Game Informer]]; the magazine's two reviewers gave the game scores of 6.75 and 6.00 out of 10, calling it "the million-year bore" and criticizing the game's lengthy dialogue screens and lack of appeal for adults. [http://www.gameinformer.com/NR/exeres/459184D9-C868-461C-8B9E-B77BCA2169B0.htm] Gaming websites [[Game Revolution]] and Videogames NZ also criticized the game, the former accussing it of having a "lack of serious innovation" [http://www.gamerevolution.com/review/gamecube/paper_mario_thousand_year_door] and the latter saying "it’s just too boring and aggravating to bear." [http://www.videogames.co.nz/viewitem.php?id=3021]

==See also==

*[[List of characters in Paper Mario: The Thousand-Year Door]]

==External links==

*[http://www.revue-chimeres.org/guattari/guattari.html Chimeres site on Guattari (in French)]

* [http://www.papermario.com Official Web site]-This is the official page that replaced the official page for ''[[Paper Mario]]'' for N64.

*[http://multitudes.samizdat.net/_Guattari-Felix_.html Multitudes page on Guattari (in French)]

* [http://strategywiki.net/wiki/Paper_Mario:_The_Thousand-Year_Door ''The Thousand-Year Door'' wiki guide at StrategyWiki] (previously hosted by [[Wikibooks]])

* [http://www.gamefaqs.com/console/gamecube/game/920182.html FAQs and guides at GameFAQs]

* [http://www.themushroomkingdom.net/pmttyd_lost.shtml Lost Bytes: Paper Mario: The Thousand-Year Door]

* [http://speeddemosarchive.com/PaperMarioTTYD.html Speed Demos Archive] - [[Speedrun]]

{{Mario RPG series}}

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[[fr:Paper Mario : la Porte millénaire]]

[[fr:Félix Guattari]]

[[nl:Paper Mario: The Thousand-Year Door]]

[[gl:Félix Guattari]]

[[ja:ペーパーマリオRPG]]

[[it:Félix Guattari]]

[[no:Paper Mario: The Thousand-Year Door]]

[[nl:Félix Guattari]]

[[pt:Paper Mario: The Thousand-Year Door]]

[[ja:フェリックス・ガタリ]]

[[simple:Paper Mario: The Thousand-Year Door]]

[[pt:Félix Guattari]]

[[fi:Paper Mario: The Thousand-Year Door]]

[[fi:Félix Guattari]]

[[sv:Paper Mario: The Thousand-Year Door]]