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{{Short description|British surreal comedy group}}
{{Use dmy dates|date=July 2012}}
{{About|the comedy group|their TV show frequently called Monty Python|Monty Python's Flying Circus}}
{{Redirect|Pythonesque|the play by Roy Smiles|Pythonesque (play)}}
{{Redirect|The Pythons|the documentary film about the group|The Pythons (film)}}
{{Use British English|date=June 2017}}
{{Use dmy dates|date=July 2017}}
{{Infobox comedian
| name = Monty Python
| image = Flyingcircus 2.jpg
| imagesize = 275px250px
| caption = TheMonty Python troupe in 1969:<br />Back row: Chapman, Idle, Gilliam<br />Front row: Jones, Cleese, Palin
| medium = {{flatlist|
Back row: [[Graham Chapman]], [[Eric Idle]], [[Terry Gilliam]]<br />Front row: [[Terry Jones]], [[John Cleese]], [[Michael Palin]]
* Television
| medium = Television, film, theatre, <br />[[Sound recording and reproduction|audio recordings]], books
* film
| nationality = British<ref>Gilliam was born American and obtained British citizenship in 1968. In protest at [[George W. Bush]], he renounced his American citizenship in January 2006 and is now only a British citizen. {{citation | place = DE | url = http://www.tagesspiegel.de/kultur/;art772,2004101 | date = 10 February 2006 | title = Kopflos am Potsdamer Platz | publisher = Tagesspiegel | language = German | accessdate =15 September 2007}}</ref>
* theatre
| active = 1969–1983
* literature
| genre = [[Satire]], [[surreal humour]], [[dark comedy]]
* audio
| subject =
}}
| influences = [[The Goons]], [[Spike Milligan]], [[Peter Cook]]
| nationality = British<ref>Gilliam was born American and obtained British citizenship in 1968. In protest at [[George W. Bush]], he renounced his American citizenship in January 2006 and is now only a British citizen. {{citation|place=DE|url=http://www.tagesspiegel.de/kultur/;art772,2004101|date=10 February 2006|title=Kopflos am Potsdamer Platz|work=Der Tagesspiegel|language=de|access-date=15 September 2007|url-status=dead|archive-url=https://web.archive.org/web/20070828222440/http://www.tagesspiegel.de/kultur/;art772,2004101|archive-date=28 August 2007|df=dmy-all}}</ref>
| influenced = [[Douglas Adams]], [[Eddie Izzard]], [[George Carlin]], [[Vic and Bob]], [[Steve Pemberton]], [[Matt Stone]], [[Trey Parker]], [[Matt Groening]] <!--Kindly refrain from adding any more without discussion on the talk page. The Pythons had some influence over virtually all future British comedy, so be sure that only the ones with the most immediate and direct Python influence are listed. -->
| active = {{flatlist|
| notable_work= ''[[Monty Python's Flying Circus]]'' (1969–1974)<br />''[[And Now for Something Completely Different]]'' (1971)<br />''[[Monty Python and the Holy Grail]]'' (1974)<br />''[[Monty Python's Life of Brian]]'' (1979)<br />''[[Monty Python Live at the Hollywood Bowl]]'' (1982)<br />''[[Monty Python's The Meaning of Life]]'' (1983)
* 1969–1983
| Current_members= [[Graham Chapman]] <br /> [[John Cleese]] <br /> [[Terry Gilliam]] <br />[[Eric Idle]] <br />[[Terry Jones]] <br />[[Michael Palin]]
* 1989
| website = [http://www.pythonline.com/ PythOnline]
* 1998–1999
* 2002
* 2009
* 2013–2014
}}
| genre = {{hlist|[[Satire]]|[[surreal humour]]|[[black comedy]]|[[wordplay]]|[[wit]]|[[sketch comedy]]|[[surrealism]]}}
| current_members=
{{plainlist|
* [[Graham Chapman]]
* [[John Cleese]]
* [[Terry Gilliam]]
* [[Eric Idle]]
* [[Terry Jones]]
* [[Michael Palin]]
}}
| website = {{URL|https://montypython.com/}}
| footnotes =
}}
 
'''Monty Python''', also known as '''the Pythons''',<ref>Wilmut (1980), p. 250.</ref><ref>{{cite book|title=The Pythons|first1=Graham|last1=Chapman|first2=Terry|last2=Gilliam|first3=John|last3=Cleese|first4=Eric|last4=Idle|first5=Terry|last5=Jones|first6=Sir Michael|last6=Palin|publisher=Orion|year=2003|isbn=978-0-7528-5293-5}}</ref> were a British [[comedy troupe]] formed in 1969 consisting of [[Graham Chapman]], [[John Cleese]], [[Terry Gilliam]], [[Eric Idle]], [[Terry Jones]] and [[Michael Palin]]. The group came to prominence for the [[sketch comedy]] television series ''[[Monty Python's Flying Circus]]'', which aired on the [[BBC]] from 1969 to 1974. Their work then developed into a larger collection that included live shows, films, albums, books, and musicals; their influence on comedy has been compared to [[the Beatles]]' influence on music.<ref name="CNN Beatles">{{cite news|first=Todd|last=Leopold|title=How Monty Python changed the world|url=http://www.cnn.com/2003/SHOWBIZ/TV/12/10/monty.python/index.html|publisher=CNN|date=11 December 2003|access-date=30 March 2007|quote=Python has been called 'the Beatles of comedy'.}}</ref><ref name="Atlantic Beatles">{{cite magazine|first=David|last=Free|url=https://www.theatlantic.com/magazine/archive/2013/01/the-beatles-of-comedy/309185/|title=The Beatles of Comedy|magazine=[[The Atlantic (magazine)|The Atlantic]]|date=January 2013|access-date=23 January 2013}}</ref><ref name="BBC Beatles">{{Cite web |first=Mark |last=Lewisohn |date=2003 |title=Monty Python's Flying Circus |url=https://www.bbc.co.uk/comedy/guide/articles/m/montypythonsflyi_1299002137.shtml |archive-url=https://web.archive.org/web/20030920054900/https://www.bbc.co.uk/comedy/guide/articles/m/montypythonsflyi_1299002137.shtml |archive-date=20 September 2003 |url-status=live |publisher=BBC Comedy |access-date=12 June 2023 |quote=In essence, the Monty Python team are the comedy equivalent of the Beatles.}} (The live version of the Web page does not contain the quoted line, but the archived version does.)</ref> Their sketch show has been called "an important moment in the evolution of television comedy".<ref>{{cite news|title=Monty Python Celebrates 25th Anniversary But Nixes Reunion|url=https://www.orlandosentinel.com/1994/10/02/monty-python-celebrates-25th-anniversary-but-nixes-reunion/|work=Orlando Sentinel|date=2 October 1996|access-date=31 October 2016}}</ref>
'''Monty Python''' (sometimes known as '''The Pythons''')<ref>Wilmut (1980), p. 250.</ref><ref>''The Pythons'' by 'The Pythons', ISBN 0-7528-5293-0.</ref> was a British [[surreal comedy]] group that created ''[[Monty Python's Flying Circus]]'', a British television comedy sketch show that first aired on the [[BBC]] on 5 October 1969. Forty-five episodes were made over four series. The Python phenomenon developed from the television series into something larger in scope and impact, spawning touring stage shows, films, numerous albums, several books and a stage musical as well as launching the members to individual stardom. The group's influence on comedy has been compared to
 
[[The Beatles]]' influence on music.<ref>{{cite news |author=Todd Leopold |title=How Monty Python changed the world |url=http://www.cnn.com/2003/SHOWBIZ/TV/12/10/monty.python/index.html |publisher=CNN |date= 11 December 2003 |accessdate=30 March 2007| quote= Python has been called "the Beatles of comedy,"}}</ref><ref>{{cite web|author=Mark Lewisohn|title=Monty Python's Flying Circus|url=http://www.bbc.co.uk/comedy/guide/articles/m/montypythonsflyi_1299002137.shtml|publisher=BBC |accessdate=31 March 2007 |quote= In essence, the Monty Python team are the comedy equivalent of the Beatles.}}</ref>
''Monty Python's Flying Circus'' was loosely structured as a sketch show, but its innovative [[Stream of consciousness writing|stream-of-consciousness]] approach and Gilliam's animation skills pushed the boundaries of what was acceptable in style and content.<ref>{{cite web|url=http://www.etonline.com/movies/120548_Holy_Flying_Circus_clip/index.html|title='Holy' Monty Python History Lesson|first=Jarrett|last=Wieselman|date=3 April 2012|work=[[Entertainment Tonight]]|access-date=24 April 2012|archive-url=https://web.archive.org/web/20140202131614/http://www.etonline.com/movies/120548_Holy_Flying_Circus_clip/index.html|url-status=dead|archive-date=2 February 2014}}</ref><ref>{{cite web|url=http://www.christianpost.com/news/monty-python-reunion-planned-for-new-movie-68087/|title='Monty Python' Reunion Planned for New Movie|website=The Christian Post|first=Sami K.|last=Martin|date=27 January 2012|access-date=24 April 2012}}</ref> A self-contained comedy unit, the Pythons had creative control that allowed them to experiment with form and content, discarding rules of television comedy.<ref name="Handmade">{{cite news |title=George Harrison's remarkable love affair with Monty Python |url=https://faroutmagazine.co.uk/george-harrison-love-affair-with-monty-python/ |access-date=27 November 2023 |work=Far Out magazine}}</ref> They followed their television work by making the films ''[[Monty Python and the Holy Grail]]'' (1975), ''[[Monty Python's Life of Brian|Life of Brian]]'' (1979), and ''[[Monty Python's The Meaning of Life|The Meaning of Life]]'' (1983). Their influence on [[British comedy]] has been apparent for years, while it has coloured the work of the early editions of ''[[Saturday Night Live]]'' through to absurdist trends in television comedy.
 
At the [[41st British Academy Film Awards]] in 1988, Monty Python received the [[British Academy Film Awards|BAFTA Award]] for [[BAFTA Outstanding British Contribution to Cinema Award|Outstanding British Contribution to Cinema]]. In 1998, they were awarded the AFI Star Award by the [[American Film Institute]]. ''Holy Grail'' and ''Life of Brian'' are frequently ranked on lists of the [[List of films voted the best|greatest comedy films]]. A 2005 poll asked more than 300 comedians, comedy writers, producers, and directors to name the greatest comedians of all time, and half of Monty Python's members made the top 50.<ref>{{cite news|title=Cook tops poll of comedy greats|url=https://www.theguardian.com/uk/2005/jan/02/arts.artsnews |work=[[The Guardian]] |date=2 January 2005}}</ref><ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4141019.stm|title=Cook voted 'comedians' comedian' |publisher=[[BBC News]] |date=2 January 2005|access-date=21 September 2008}}</ref>
The television series, broadcast by the BBC from 1969 to 1974, was conceived, written and performed by members [[Graham Chapman]], [[John Cleese]], [[Terry Gilliam]], [[Eric Idle]], [[Terry Jones]], and [[Michael Palin]]. Loosely structured as a sketch show, but with an innovative [[Stream of consciousness writing|stream-of-consciousness]] approach (aided by Gilliam's animation), it pushed the boundaries of what was acceptable in style and content.<ref>[http://www.etonline.com/movies/120548_Holy_Flying_Circus_clip/index.html 'Holy' Monty Python History Lesson]. ''[[Entertainment Tonight]]''. Retrieved 24 April 2012</ref><ref>[http://www.christianpost.com/news/monty-python-reunion-planned-for-new-movie-68087/ 'Monty Python' Reunion Planned for New Movie]. ''Christian Post''. Retrieved 24 April 2012</ref> A self-contained comedy team responsible for both writing and performing their work, the Pythons' creative control allowed them to experiment with form and content, discarding rules of television comedy. Their influence on British comedy has been apparent for years, while in North America it has coloured the work of cult performers from the early editions of ''[[Saturday Night Live]]'' through to more recent [[Surreal humour|absurdist]] trends in television comedy. "[[wikt:Pythonesque|Pythonesque]]" has entered the English lexicon as a result.
 
==History==
In a 2005 UK poll to find ''The Comedian's Comedian'', three of the six Pythons members were voted by fellow comedians and comedy insiders to be among the top 50 greatest comedians ever: Cleese at #2, Idle at #21, and Palin at #30.<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/tv_and_radio/4141019.stm |title=Cook voted 'comedians' comedian' |publisher=BBC News |date=2 January 2005 |accessdate=21 September 2008}}</ref>
===Before ''Flying Circus''===
Jones and Palin met at [[Oxford University]], where they performed together with [[the Oxford Revue]]. Chapman and Cleese met at [[Cambridge University]]. Idle was also at Cambridge, but started a year after Chapman and Cleese. Cleese met Gilliam in [[New York City]] while on tour with the [[Footlights|Cambridge University Footlights]] [[revue]] ''[[Cambridge Footlights Revue|Cambridge Circus]]'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese, and Idle were members of the Footlights, which at that time also included the future [[The Goodies|Goodies]] ([[Tim Brooke-Taylor]], [[Bill Oddie]], and [[Graeme Garden]]), and [[Jonathan Lynn]] (co-writer of ''[[Yes Minister]]'' and ''Yes, Prime Minister'').<ref>Hewison, Robert (1983). ''Footlights! – a hundred years of Cambridge comedy''. Methuen London Ltd. {{ISBN|978-0-413-51150-8}}.</ref> During Idle's presidency of the club, feminist writer [[Germaine Greer]] and broadcaster [[Clive James]] were members. Recordings of Footlights' revues (called "Smokers") at [[Pembroke College, Cambridge|Pembroke College]] include sketches and performances by Cleese and Idle, which, along with tapes of Idle's performances in some of the drama society's theatrical productions, are kept in the archives of the [[Pembroke Players]].<ref>{{cite web|url=http://footlights.org/history |title=Footlights history |publisher=Footlights.org |access-date=4 November 2018 |url-status=dead |archive-url=https://web.archive.org/web/20130922122310/http://footlights.org/history |archive-date=22 September 2013 }}</ref>
 
==BeforeThe six Python members appeared in or wrote these shows before ''Flying Circus''==:
* ''[[I'm Sorry, I'll Read That Again]]'' (radio) (1964–1973): Cleese (cast member and writer), Idle and Chapman (writers)
Jones and Palin met at [[Oxford University]], where they performed together with the [[The Oxford Revue|Oxford Revue]]. Chapman and Cleese met at [[Cambridge University]]. Idle was also at Cambridge, but started a year after Chapman and Cleese. Cleese met Gilliam in [[New York City]] while on tour with the [[Footlights|Cambridge University Footlights]] [[revue]] ''[[Cambridge Footlights Revue|Cambridge Circus]]'' (originally entitled ''A Clump of Plinths''). Chapman, Cleese and Idle were members of the Footlights, which at that time also included the future ''[[The Goodies|Goodies]]'' ([[Tim Brooke-Taylor]], [[Bill Oddie]], and [[Graeme Garden]]), and [[Jonathan Lynn]] (co-writer of ''[[Yes Minister]]'' and ''[[Yes Minister|Yes, Prime Minister]]''). During Idle's presidency of the Club, feminist writer [[Germaine Greer]] and broadcaster [[Clive James]] were members. Recordings of Footlights revues (called "Smokers") at [[Pembroke College, Cambridge|Pembroke College]] include sketches and performances by Cleese and Idle. They are kept in the archives of the [[Pembroke Players]], along with tapes of Idle's performances in some of the college drama society's theatrical productions.
* ''[[The Frost Report]]'' (1966–1967): Cleese (cast member and writer), Idle (writer of [[David Frost]]'s monologues), Chapman, Palin and Jones (writers)
* ''[[At Last the 1948 Show]]'' (1967): Chapman and Cleese (writers and cast members), Idle (guest star and writer)
* ''[[Twice a Fortnight]]'' (1967): Palin and Jones (cast members and writers)
* ''[[Do Not Adjust Your Set]]'' (1967–1969): Idle, Jones, and Palin (cast members and writers), Gilliam (animation)
* ''[[We Have Ways of Making You Laugh]]'' (1968): Idle (cast member and writer), Gilliam (animation)
* ''[[How to Irritate People]]'' (1968): Cleese and Chapman (cast members and writers), Palin (cast member)
* ''[[The Complete and Utter History of Britain]]'' (1969): Palin and Jones (cast members and writers)
* ''[[Doctor in the House (TV series)|Doctor in the House]]'' (1969), Cleese and Chapman (writers)
 
AllThe sixBBC's Pythonsatirical memberstelevision appeared in and/or wrote the following shows beforeshow ''Flying Circus''. ''[[The Frost Report]]'', broadcast from March 1966 to December 1967, is credited as first uniting the British Pythons and providing an environment in which they could develop their particular styles.<ref>{{cite news|url=https://www.bbc.co.uk/comedy/thefrostreport/|title=The Frost Report|publisher=BBC Comedy|access-date=4 November 2018}}</ref>
*''[[I'm Sorry, I'll Read That Again]]'' (radio) (1964–1973) [Cleese: cast member & writer] – [Idle and Chapman: writers]
*''[[The Frost Report]]'' (1966–1967) [Cleese: cast member and writer] – [Idle: writer of Frost's monologues] – [Chapman, Palin and Jones: writers]
*''[[At Last the 1948 Show]]'' (1967) [Chapman and Cleese: writers and cast members] – [Idle: writer]
*''[[Twice a Fortnight]]'' (1967) [Palin and Jones: cast members and writers]
*''[[Do Not Adjust Your Set]]'' (1967–1969) [Idle, Jones, and Palin: cast members & writers] – [Gilliam: animation] <br />— [[Bonzo Dog Band]]: musical interludes]
*''[[London Weekend Television#LWT people and programmes|We Have Ways of Making You Laugh]]'' (1968) [Idle: cast member & writer] – [Gilliam: animation]
*''[[How to Irritate People]]'' (1968) [Cleese and Chapman: cast members & writers] – [Palin: cast member]
*''[[The Complete and Utter History of Britain]]'' (1969) [Palin and Jones: cast members & writers]
*''[[Doctor in the House (TV series)|Doctor in the House]]'' (1969) [Cleese & Chapman: writers]
 
[[File:The_Four_Yorkshiremen,_2014_(crop).jpg|thumb|The "[[Four Yorkshiremen]]" sketch at the 2014 Monty Python reunion. Written by Cleese, Chapman, [[Tim Brooke-Taylor]] and [[Marty Feldman]], it was originally performed on their TV series ''[[At Last the 1948 Show]]'' in 1967. It parodies nostalgic conversations about humble beginnings or difficult childhoods.]]
Several featured other important British comedy writers or performers of the future, including [[Marty Feldman]], [[Jonathan Lynn]], [[David Jason]], and [[David Frost (broadcaster)|David Frost]], as well as members of other future comedy teams including [[Ronnie Corbett]] and [[Ronnie Barker]] ([[the Two Ronnies]]), and [[Tim Brooke-Taylor]], [[Graeme Garden]] and [[Bill Oddie]] (the Goodies).
Following the success of ''Do Not Adjust Your Set'' (which was broadcast on [[ITV (TV network)|ITV]] from December 1967 to May 1969), [[Thames Television]] offered Gilliam, Idle, Jones, and Palin their own late-night adult comedy series together. At the same time, Chapman and Cleese were offered a show by the [[BBC]], which had been impressed by their work on ''The Frost Report'' and ''At Last the 1948 Show''. Cleese was reluctant to do a [[Double act|two-man show]] for various reasons, including Chapman's supposedly difficult and erratic personality. Cleese had fond memories of working with Palin on ''How to Irritate People'' and invited him to join the team. With no studio available at Thames until summer 1970 for the late-night show, Palin agreed to join Cleese and Chapman, and suggested the involvement of his writing partner Jones and colleague Idle—who in turn wanted Gilliam to provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.<ref name="Autobiography">''The Pythons Autobiography by the Pythons''. Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, John Chapman, David Sherlock, Bob McCabe. Thomas Dunne Books; Orion, 2003</ref>
 
By contrast, according to John Cleese's autobiography, the origins of ''Monty Python'' lay in the admiration that writing partners Cleese and Chapman had for the new type of comedy being done on ''Do Not Adjust Your Set''; as a result, a meeting was initiated by Cleese between Chapman, Idle, Jones, Palin, and himself at which it was agreed to pool their writing and performing efforts and jointly seek production sponsorship.<ref>''So, Anyway ...'' by John Cleese; Crown Archetype, London, 2014</ref> According to their official website, the group was born from a Kashmir tandoori restaurant in Hampstead on 11 May 1969, following a taping of ''Do Not Adjust Your Set'' which Cleese and Chapman attended.<ref>{{cite book |last1=McCall |first1=Douglas. L. |title=Monty Python: a chronological listing of the troupe's creative output, and articles and reviews about them, 1969–1989 |date=1991 |publisher=McFarland |page=1}}</ref> It was the first time all six got together, with their first meetings then taking place at Cleese's apartment in [[Basil Street]], Knightsbridge in central London.<ref>{{cite news |last1=Morgan |first1=David |title=Monty is 30 |url=https://www.theguardian.com/theobserver/1999/oct/03/life1.lifemagazine2 |access-date=9 May 2025 |date=3 October 1999|work=The Guardian}}</ref>
Following the success of ''[[Do Not Adjust Your Set]]'', originally intended to be a children's programme, with adults, [[ITV]] offered Gilliam, Idle, Jones, and Palin their own series together. At the same time, Chapman and Cleese were offered a show by the BBC, which had been impressed by their work on ''The Frost Report'' and ''At Last The 1948 Show''. Cleese was reluctant to do a [[Double act|two-man show]] for various reasons, including Chapman's supposedly difficult personality. Cleese had fond memories of working with Palin and invited him to join the team. With the ITV series still in pre-production, Palin agreed and suggested the involvement of his writing partner Jones and colleague Idle—who in turn suggested that Gilliam could provide animations for the projected series. Much has been made of the fact that the Monty Python troupe is the result of Cleese's desire to work with Palin and the chance circumstances that brought the other four members into the fold.<ref name="auto">''The Pythons Autobiography By The Pythons''—Graham Chapman, John Cleese, Terry Gilliam, Eric Idle, Terry Jones, Michael Palin, John Chapman, David Sherlock, Bob McCabe—Thomas Dunne Books; Orion, 2003</ref>
 
===''Monty Python's Flying Circus''===
{{Main|Monty Python's Flying Circus}}
 
====Development of the series====
[[File:Outside the Television Centre (geograph 5766769).jpg|thumb|right|''[[Monty Python's Flying Circus]]'' was recorded at [[BBC Television Centre]] in west London (pictured) and on ___location around the UK, and the show debuted on the BBC on 5 October 1969.<ref>{{cite news |title=Monty Python's Flying Circus |url=https://www.bbc.com/historyofthebbc/anniversaries/october/monty-pythons-flying-circus/ |access-date=3 June 2023 |publisher=BBC}}</ref><ref>{{cite news |title=How Television Centre started with a question mark |url=https://www.theguardian.com/media/2011/jun/13/television-centre-started-question-mark |access-date=3 June 2023 |work=The Guardian}}</ref>]]
The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of [[Peter Cook]], [[Alan Bennett]], [[Jonathan Miller]] and [[Dudley Moore]] on ''[[Beyond the Fringe]]'', and had worked on ''Frost'', which was similar in style. They enjoyed Cook and Moore's sketch show ''[[Not Only... But Also]]''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the Flying Circus series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set). However, as they began assembling material for the show, the Pythons watched one of their collective heroes, [[Spike Milligan]], recording his groundbreaking series ''[[Q (TV series)|Q5]]'' (1969). Not only was the programme more irreverent and anarchic than any previous television comedy, Milligan would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate.
 
According to show director [[Ian MacNaughton]], the first discussion over the idea for the show ''Monty Python's Flying Circus'' was a result of BBC's comedy advisor, [[Barry Took]], bringing the Pythons along with [[John Howard Davies]] (director of the first four episodes) and MacNaughton together into one conference room at the BBC Television Centre.<ref name="vinyl">''Monty Python's Flying Circus'' (LP vinyl) liner notes; [https://web.archive.org/web/20230116033637/https://www.amazon.com/MONTY-PYTHON-PYTHONS-FLYING-CIRCUS/dp/B01BQH1FKE Archived image].</ref> The Pythons had a definite idea about what they wanted to do with the series. They were admirers of the work of [[Peter Cook]], [[Alan Bennett]], [[Jonathan Miller]], and [[Dudley Moore]] on ''[[Beyond the Fringe]]''—seminal to the British "[[satire boom]]"—and had worked on ''Frost'', which was similar in style.<ref>[http://www.screenonline.org.uk/tv/id/1377417/index.html "The Roots of Monty Python"]. BFI Screenonline. Retrieved 23 January 2013</ref>
After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called ''Beware of the Elephants'', which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled ''Christmas Cards'', and agreed that it represented "a way of doing things differently". Since Cleese, Chapman and Idle were less concerned with the overall flow of the programme, it was Jones, Palin and Gilliam who became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single stream-of-consciousness (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).
 
{{Quote box|width=27%|align=left|quote="The 1960s satire boom opened up the way for a fresh, inventive generation of young comedy writer-performers to flourish on TV and to take comedy in a new and exciting direction."|source=—BBC profile for ''Monty Python's Flying Circus''.<ref name="BBC Circus">{{cite news |title=Monty Python's Flying Circus |url=https://www.bbc.co.uk/comedy/montypython/ |access-date=26 November 2023 |agency=BBC}}</ref>}}
Writing started at 9&nbsp;am and finished at 5&nbsp;pm. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join together with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a 'writer', rather than an actor desperate for screen time. When the themes for sketches were chosen, Gilliam had [[Blank cheque|carte blanche]] to decide how to bridge them with animations, using a camera, scissors, and airbrush.
They enjoyed Cook and Moore's sketch show ''[[Not Only... But Also]]''. One problem the Pythons perceived with these programmes was that though the body of the sketch would be strong, the writers would often struggle to then find a punchline funny enough to end on, and this would detract from the overall sketch quality. They decided that they would simply not bother to "cap" their sketches in the traditional manner, and early episodes of the ''Flying Circus'' series make great play of this abandonment of the punchline (one scene has Cleese turn to Idle, as the sketch descends into chaos, and remark that "This is the silliest sketch I've ever been in"—they all resolve not to carry on and simply walk off the set).<ref>[http://www.montypython.net/scripts/silliest.php "The Silliest Interview We've Ever Had / The Silliest Sketch We've Ever Done"]. MontyPython.net. Retrieved 23 January 2013</ref> However, as they began assembling material for the show, the Pythons watched one of their collective heroes, [[Spike Milligan]], whom they had admired on ''[[The Goon Show]]'' (a show the Pythons regard as their biggest influence, which also featured [[Peter Sellers]], whom Cleese called "the greatest voice man of all time") recording his groundbreaking BBC series ''[[Q... (TV series)|Q...]]'' (1969).<ref name="Goon influence">{{cite web|title=John Cleese on The Goon Show, His Earliest Comedy Influence |url=https://www.vulture.com/2018/07/talking-peter-sellers-and-the-goon-show-with-john-cleese.html |access-date=10 September 2019 |work=Vulture|date=10 July 2018 }}</ref><ref>{{cite web |title=How Spike Milligan's Q Paved the Way for Monty Python |url=https://www.vulture.com/2019/06/spike-milligan-q-comedy-show-monty-python.html |access-date=21 August 2019 |work=Vulture|date=11 June 2019 }}</ref> Not only was ''Q...'' more irreverent and anarchic than any previous [[television comedy]], but Milligan also would often "give up" on sketches halfway through and wander off set (often muttering "Did I write this?"). It was clear that their new series would now seem less original, and Jones in particular became determined the Pythons should innovate. Michael Palin recalls "Terry Jones and I adored the ''Q...'' shows...[Milligan] was the first writer to play with the conventions of television."<ref>{{cite book|last=Ventham|first=Maxine|title=Spike Milligan: His Part in Our Lives|chapter=Michael Palin|year=2002|publisher=Robson|isbn=1-86105-530-7|pages=156–159}} (quote at (a), p. 157)</ref> [[Charles Isherwood]] writes that the Pythons "derived their sketch formats in part from the rowdy tradition of the [[music hall]]."<ref name="Isherwood"/>
 
[[File:Monty Python Live 02-07-14 12 56 41 (14415567757).jpg|thumb|"[[The Ministry of Silly Walks]]" sketch performed at the 2014 Python reunion. Featuring Cleese as a [[bowler hat|bowler-hatted]] [[civil servant]] in a fictitious British government ministry responsible for developing silly walks through [[Grant (money)|grants]], it appears in season 2, episode 1 of ''Monty Python's Flying Circus''.]]
While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of the Spanish Inquisition in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as The Man Who Speaks In [[Anagram]]s). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's".<ref>Wilmut (1980), p.211</ref> Gilliam's animations, meanwhile, ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).
After much debate, Jones remembered an animation Gilliam had created for ''Do Not Adjust Your Set'' called "Beware of the Elephants", which had intrigued him with its stream-of-consciousness style. Jones felt it would be a good concept to apply to the series: allowing sketches to blend into one another. Palin had been equally fascinated by another of Gilliam's efforts, entitled "Christmas Cards", and agreed that it represented "a way of doing things differently". Since Cleese, Chapman, and Idle were less concerned with the overall flow of the programme, Jones, Palin, and Gilliam became largely responsible for the presentation style of the ''Flying Circus'' series, in which disparate sketches are linked to give each episode the appearance of a single [[stream-of-consciousness]] (often using a Gilliam animation to move from the closing image of one sketch to the opening scene of another).<ref name="Gilliam animation"/> The BBC states, "Gilliam's unique animation style became crucial, segueing seamlessly between any two completely unrelated ideas and making the stream-of-consciousness work."<ref name="Circus profile">{{cite web|title=Monty Python's Flying Circus |url=https://www.bbc.co.uk/comedy/montypython/ |access-date=24 August 2019 |website=BBC}}</ref>
 
Writing started at 9:00AM and finished at 5:00PM. Typically, Cleese and Chapman worked as one pair isolated from the others, as did Jones and Palin, while Idle wrote alone. After a few days, they would join with Gilliam, critique their scripts, and exchange ideas. Their approach to writing was democratic. If the majority found an idea humorous, it was included in the show. The casting of roles for the sketches was a similarly unselfish process, since each member viewed himself primarily as a "writer", rather than an actor eager for screen time. When the themes for sketches were chosen, Gilliam had a free hand in bridging them with animations, using a camera, scissors, and airbrush.<ref name="Gilliam animation"/>
Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''The Toad Elevating Moment'', ''A Horse, a Spoon and a Bucket'', ''Vaseline Review'' and ''Bun, Wackett, Buzzard, Stubble and Boot''. ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it. Many variations on the name in front of this title then came and went (popular legend holds that the BBC considered ''Monty Python's Flying Circus'' to be a ridiculous name, at which point the group threatened to change their name every week until the BBC relented). ''Gwen Dibley's Flying Circus'' was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. ''Baron Von Took's Flying Circus'' was considered as an affectionate tribute to [[Barry Took]], the man who had brought them together. ''Arthur Megapode's Flying Circus'' was suggested, then discarded.
 
[[file:Monty_Python_Live_02-07-14_12_46_43_(14415411808).jpg|thumb|left|"[[The Spanish Inquisition (Monty Python)|The Spanish Inquisition]]" sketch performed by Gilliam, Palin and Jones at the 2014 Python reunion. As a sketch writer and creator of animations, Gilliam did considerably less acting, but did have some notable sketch roles such as this (Cardinal Fang).]]
There are differing, somewhat confusing accounts of the origins of the Python name although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''Live At Aspen'' during the [[The Comedy Festival|US Comedy Arts Festival]], where the troupe was awarded the AFI Star Award by the [[American Film Institute]], the group implied that "Monty" was selected ([[Eric Idle]]'s idea) as a gently-mocking tribute to [[Field Marshal]] [[Bernard Montgomery, 1st Viscount Montgomery of Alamein|Lord Montgomery]], a legendary British general of [[World War II]]; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".<ref>{{cite web|url=http://www.bbc.co.uk/comedy/montypython/index.shtml |title=BBC – Comedy – Monty Python}}</ref>
While the show was a collaborative process, different factions within Python were responsible for elements of the team's humour. In general, the work of the Oxford-educated members (Jones and Palin) was more visual, and more fanciful conceptually (e.g., the arrival of the [[Spanish Inquisition]] in a suburban front room), while the Cambridge graduates' sketches tended to be more verbal and more aggressive (for example, Cleese and Chapman's many "confrontation" sketches, where one character intimidates or hurls abuse, or Idle's characters with bizarre verbal quirks, such as "The Man Who Speaks In [[Anagram]]s"). Cleese confirmed that "most of the sketches with heavy abuse were Graham's and mine, anything that started with a slow pan across countryside and impressive music was Mike and Terry's, and anything that got utterly involved with words and disappeared up any personal orifice was Eric's".<ref>Wilmut (1980), p. 211</ref> Gilliam's animations ranged from the whimsical to the savage (the cartoon format allowing him to create some astonishingly violent scenes without fear of censorship).<ref name="Gilliam animation"/>
 
Several names for the show were considered before ''Monty Python's Flying Circus'' was settled upon. Some were ''Owl Stretching Time'', ''The Toad Elevating Moment'', ''A Horse, a Spoon and a Basin'', ''Vaseline Review'', and ''Bun, Wackett, Buzzard, Stubble and Boot''. Reportedly, these names were considered for the show because the group members found it funny that the show name would have nothing to do with the actual content of the series.<ref name="vinyl" /> ''Flying Circus'' stuck when the BBC explained it had printed that name in its schedules and was not prepared to amend it.<ref>{{cite news |title=15 Facts about Monty Python and the Holy Grail |url=https://nereg.lib.ms.us/15-facts-about-monty-python-and-the-holy-grail/ |access-date=27 November 2023 |publisher=Northeast regional library}}</ref> ''Gwen Dibley's Flying Circus'' was named after a woman Palin had read about in the newspaper, thinking it would be amusing if she were to discover she had her own TV show. ''Baron Von Took's Flying Circus'' was considered as an affectionate tribute to Barry Took, the man who had brought them together.<ref name="vinyl" /><ref>{{cite news| first= Douglas |last= Martin |url= https://www.nytimes.com/2002/04/14/nyregion/barry-took-73-father-of-monty-python-dies.html |title= Barry Took, 73, Father of Monty Python, Dies| work= [[The New York Times]]| date= 14 April 2002| access-date= 1 May 2015}}</ref> ''Arthur Megapode's Flying Circus'' was suggested, then discarded. The name ''Baron Von Took's Flying Circus'' had the form of ''[[Baron Manfred von Richthofen]]'s [[Manfred von Richthofen#Flying Circus|Flying Circus]]'' of WWI fame, and the new group was forming in a time when [[the Royal Guardsmen]]'s 1966 song "[[Snoopy vs. the Red Baron (song)|Snoopy vs. the Red Baron]]" had peaked. The term 'flying circus' was also another name for the popular entertainment of the 1920s known as [[flying circus|barnstorming]], where multiple performers collaborated with their stunts to perform a combined set of acts.<ref>{{cite magazine |title=Monty Python's Flying Circus – Four Yorkshiremen |url=https://www.pastemagazine.com/articles/2008/02/monty-pythons-flying-circus-four-yorkshiremen.html |access-date=21 August 2019 |magazine=[[Paste (magazine)|Paste]]}}</ref>
===Style of the show===
''Flying Circus'' popularised innovative formal techniques, such as the [[cold open]], in which an episode began without the traditional opening titles or announcements.<ref name=MBC_piece>{{cite web | last = Museum of Broadcast Communications | title = Monty Python's Flying Circus | url = http://www.museum.tv/archives/etv/M/htmlM/montypython/montypython.htm }}</ref> An example of this is the "It's" man: Palin, outfitted in [[Robinson Crusoe]] garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's...", only to be then cut off by the [[title sequence]] and theme music. On several occasions the cold open lasted until mid show, after which the regular opening titles ran. Occasionally the Pythons tricked viewers by rolling the [[closing credits]] halfway through the show, usually continuing the joke by fading to the familiar [[History of BBC television idents|globe logo]] used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer. On one occasion the credits ran directly after the opening titles. Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the [[fourth wall]]), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "Colonel" character, who walked into several sketches and ordered them to be stopped because things were becoming "far too silly." Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by [[Terry Gilliam]]) would wander on-set and hit characters over the head with a rubber chicken,<ref>''Monty Python's Flying Circus Just The Words'' Volume 1, p33. Methuen, 1990</ref> before cutting to the next scene. Yet another way of changing scenes was when [[John Cleese]], usually outfitted in a dinner suit, would come in as a radio commentator and make the formal and determined announcement, "And now for something completely different."
 
Differing, somewhat confusing accounts are given of the origins of the Python name, although the members agree that its only "significance" was that they thought it sounded funny. In the 1998 documentary ''[[Monty Python Live at Aspen|Live at Aspen]]'' during the [[The Comedy Festival|US Comedy Arts Festival]], where the troupe was awarded the AFI Star Award by the [[American Film Institute]], the group implied that "Monty" was selected (Eric Idle's idea) as a gently mocking tribute to [[Field Marshal]] [[Bernard Montgomery, 1st Viscount Montgomery of Alamein|Lord Montgomery]], a British general of [[World War II]]; requiring a "slippery-sounding" surname, they settled on "Python". On other occasions, Idle has claimed that the name "Monty" was that of a popular and rotund fellow who drank in his local pub; people would often walk in and ask the barman, "Has Monty been in yet?", forcing the name to become stuck in his mind. The name Monty Python was later described by the BBC as being "envisaged by the team as the perfect name for a sleazy entertainment agent".<ref name="BBC Circus"/>
The Python theme music is ''[[Liberty Bell (march)|The Liberty Bell]]'', a march by [[John Philip Sousa]], which was chosen, among other reasons, because the recording was in the [[public ___domain]].<ref name="MBC_piece"/>
 
====Style of the show====
The use of Gilliam's [[Surrealism|surreal]], [[collage]] [[stop motion]] animations was another innovative intertextual element of the Python style. Many of the images Gilliam used were lifted from famous works of art, and from [[Victorian era|Victorian]] illustrations and [[engraving]]s. The giant foot which crushes the show's title at the end of the opening credits is in fact the foot of [[Cupid]], cut from a reproduction of the [[Italian Renaissance|Renaissance]] masterpiece ''[[Venus, Cupid, Folly, and Time]]'' by [[Bronzino]]. This foot, and Gilliam's style in general, are visual trademarks of the series.
''Flying Circus'' popularised innovative formal techniques, such as the [[cold open]], in which an episode began without the traditional opening titles or announcements.<ref>{{cite web|last=Museum of Broadcast Communications|title=Monty Python's Flying Circus|url=http://www.museum.tv/archives/etv/M/htmlM/montypython/montypython.htm|access-date=6 January 2007|archive-date=4 April 2006|archive-url=https://web.archive.org/web/20060404194447/http://www.museum.tv/archives/etv/M/htmlM/montypython/montypython.htm|url-status=dead}}</ref> An example of this is the "It's" man: Palin, outfitted in [[Robinson Crusoe]] garb, making a tortuous journey across various terrains, before finally approaching the camera to state, "It's&nbsp;...", to be then interrupted by the [[title sequence]] and theme music. On several occasions, the cold open lasted until mid-show, after which the regular opening titles ran. Occasionally, the Pythons tricked viewers by rolling the [[closing credits]] halfway through the show, usually continuing the joke by fading to the familiar [[History of BBC television idents#BBC Television Service/BBC One|globe logo]] used for BBC continuity, over which Cleese would parody the clipped tones of a BBC announcer.<ref>{{cite news |title=Monty Python: a golden age of British comedy |url=https://www.thenational.ae/arts-culture/monty-python-a-golden-age-of-british-comedy-1.371481 |access-date=20 August 2019 |work=[[The National (Abu Dhabi)|The National]]}}</ref> On one occasion, the credits ran directly after the opening titles. On the [[subversive]] nature of the show (and their subsequent films), Cleese states "anti-authoritarianism was deeply ingrained in Python".<ref name="Goon influence"/>
 
{{Quote box|width=29%|bgcolor=#FFFFF0|align=left|quote="Our first rule was: no punchlines. [Some sketches] start brilliant, great acting, really funny sketch, but the punchline is just not as good as the rest of the sketch, so it kills the entire thing. That's why we eliminated them."|source=—Terry Gilliam in 2007.<ref name="25 sketches">{{cite web|title=Top 25 Monty Python Sketches |url=https://listverse.com/2007/11/03/top-25-monty-python-sketches/ |access-date=26 April 2019 |website=ListVerse|date=3 November 2007 }}</ref>}}
The Pythons used the British tradition of [[cross-dress]]ing comedy by donning frocks and makeup and playing female roles themselves while speaking in [[falsetto]]. Generally speaking, female roles were played by a woman (usually [[Carol Cleveland]]) only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). In some episodes and later in ''[[Monty Python's Life of Brian]]'' they took the idea one step further by playing women who impersonated men (in the stoning scene).
Because of their dislike of finishing with punchlines, they experimented with ending the sketches by cutting abruptly to another scene or animation, walking offstage, addressing the camera (breaking the [[fourth wall]]), or introducing a totally unrelated event or character. A classic example of this approach was the use of Chapman's "anti-silliness" character of "[[The Colonel (Monty Python)|the Colonel]]", who walked into several sketches and ordered them to be stopped because things were becoming "far too silly".<ref>{{cite news|first=William|last=Langley|url=https://www.telegraph.co.uk/culture/comedy/10948113/Monty-Python-Will-the-wrinkly-revolutionaries-have-the-last-laugh.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/comedy/10948113/Monty-Python-Will-the-wrinkly-revolutionaries-have-the-last-laugh.html |archive-date=10 January 2022 |url-access=subscription |url-status=live|title=Monty Python : Will the wrinkly revolutionaries have the last laugh?|newspaper=[[The Daily Telegraph]]|___location=London, England|date=5 July 2014|access-date=15 May 2015}}{{cbignore}}</ref>
 
[[File:Monty python foot.png|thumb|right|[[The Foot of Cupid|Cupid's foot]], as used by ''Monty Python's Flying Circus''. A trademark of Gilliam's stop-motion animation, the giant foot would suddenly squash things, including the show's title at the end of the opening credits.]]
Many sketches are well-known and widely quoted. "[[Dead Parrot]]", "[[The Lumberjack Song]]", "[[Spam (Monty Python)|Spam]]", "[[Nudge Nudge]]", "[[The Spanish Inquisition (Monty Python)|The Spanish Inquisition]]", "[[Upper Class Twit of the Year]]", "[[Cheese Shop sketch|Cheese Shop]]" and "[[The Ministry of Silly Walks]]" are just a few examples.
 
Another favourite way of ending sketches was to drop a cartoonish "16-ton weight" prop on one of the characters when the sketch seemed to be losing momentum, or a knight in full armour (played by Terry Gilliam) would wander on-set and hit characters over the head with a rubber chicken,<ref>''Monty Python's Flying Circus Just The Words'' Volume 1, p. 33. Methuen, 1990</ref> before cutting to the next scene. Yet another way of changing scenes was when John Cleese, usually outfitted in a dinner suit, would come in as a radio commentator and, in a rather pompous manner, make the formal and determined announcement "And now for something completely different.", which later became the title of [[And Now For Something Completely Different|the first Monty Python film]].<ref>{{cite magazine |title=And Now For Something Completely Different |url=https://www.smithsonianmag.com/arts-culture/and-now-for-something-completely-different-102005497/ |access-date=20 August 2019 |magazine=Smithsonian}}</ref>
===Introduction to North America===
The [[Canadian Broadcasting Corporation]] (CBC) added ''Monty Python’s Flying Circus'' to its national September 1970 fall lineup.<ref name="FlyingCircusCanada">{{cite web|url = http://torontoist.com/2011/09/vintage-toronto-ads-jack-of-hearts-flying-circus/|title = Vintage Toronto Ads: Jack of Hearts’ Flying Circus|author = Jamie Bradburn, with reference to [[Toronto Star]] article of 1971-02-02|publisher = St. Joseph Media|date = 20 September 2011 |accessdate=21 March 2012}}</ref> They aired the 13 episodes of Series 1, which had first run on the BBC the previous fall ([[List of Monty Python's Flying Circus episodes#Series 1|October 1969 to January 1970]]), as well as the first 6 episodes of Series 2 only a few weeks after they first appeared on the BBC ([[List of Monty Python's Flying Circus episodes#Series 2|September to November 1970]]).<ref name="FlyingCircusCanada" /> The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining 7 episodes of series 2 on the January 1971 CBC schedule.<ref name="FlyingCircusCanada" /> Within a week the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC’s [[Montreal]] studios.<ref name="FlyingCircusCanada" />
 
The Python [[theme music]] is the [[Band of the Grenadier Guards]]' rendition of [[John Philip Sousa]]'s "[[The Liberty Bell (march)|The Liberty Bell]]" which was first published in 1893.<ref>[https://books.google.com/books?id=nlDOICBmhbkC&dq=band+of+the+grenadier+guards+monty+python%27s+flying+circus+the+liberty+bell&pg=PA1295 ''All Music Guide to Classical Music: The Definitive Guide to Classical Music''. San Francisco, CA: Backbeat Books, 2005.] Retrieved 11 February 2018</ref> Under the [[Berne Convention]]'s "country of origin" concept, the composition was subject to [[Copyright law of the United States|United States copyright law]] which states that any work first published prior to 1924 was in the [[public ___domain]], owing to copyright expiration.<ref>[https://copyright.cornell.edu/publicdomain Copyright Term and the Public Domain in the United States – Cornell University Library Copyright Information Center.] Retrieved 11 February 2018</ref> This enabled Gilliam to co-opt the march for the series without having to make any [[royalty payment]]s.<ref>[https://www.theguardian.com/music/musicblog/2014/jul/11/monty-python-and-classical-music Clark, Philip. "Monty Python: Sousa, two-sheds and musical subversions," ''The Guardian'', Friday, 11 July 2014.] Retrieved 12 February 2018</ref>
[[Time-Life Films]] had the right to distribute all BBC-TV programs in the [[United States]], however they had decided that British comedy simply would not work in America. Therefore, it was not worth the investment to convert the Python episodes from the European [[PAL]] standard to the American [[NTSC]] standard.
 
[[File:Monty Python Live 02-07-14 12 24 16 (14598681721).jpg|thumb|left|Jones and Cleese as housewives in the 2014 reunion. Playing Brian Cohen's mother in ''Life of Brian'', Jones delivered the line, "He's not the Messiah, he's a very naughty boy!".<ref>{{cite news |title=Life of Brian wins the vote for film's best laughter line |url=https://www.telegraph.co.uk/news/uknews/1385293/Life-of-Brian-wins-the-vote-for-films-best-laughter-line.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/news/uknews/1385293/Life-of-Brian-wins-the-vote-for-films-best-laughter-line.html |archive-date=10 January 2022 |url-access=subscription |url-status=live |access-date=18 August 2019 |work=The Telegraph|quote=Delivering the winning line to a crowd hoping to catch a glimpse of their idol, he declared: "He's not the Messiah, he's a very naughty boy."}}{{cbignore}}</ref>]]
Sketches from Monty Python’s Flying Circus were introduced to American audiences in [[And Now for Something Completely Different#American audiences|August 1972]], with the release of the Python movie ''[[And Now for Something Completely Different]]'', featuring sketches from series 1 and 2 of the television show. This 1972 release met limited box office success.
The use of Gilliam's [[Surrealism|surreal]], [[collage]] [[stop motion]] animations was another innovative intertextual element of the Python style.<ref name="Gilliam animation">{{cite news |title=Terry Gilliam Reveals the Secrets of Monty Python Animations: A 1974 How-To Guide |url=http://www.openculture.com/2014/07/terry-gilliam-reveals-the-secrets-of-monty-python-animations.html |access-date=18 August 2019 |work=Open Culture}}</ref> Many of the images Gilliam used were lifted from famous works of art, and from [[Victorian era|Victorian]] illustrations and [[engraving]]s. The giant foot that crushes the show's title at the end of the opening credits is the foot of [[Cupid]], cut from a reproduction of the [[Italian Renaissance|Renaissance]] masterpiece ''[[Venus, Cupid, Folly and Time]]'' by [[Bronzino]]. This foot, and Gilliam's style in general, are [[trademark look|visual trademarks]] of the programme.<ref name="Gilliam animation"/>
 
The Pythons used the British tradition of [[cross-dressing]] comedy by donning frocks and makeup and playing female roles themselves while speaking in [[falsetto]].<ref>{{cite news |title=Cross-Dressing and Fish-Slapping, One Python at a Time |newspaper=The New York Times |date=22 February 2006 |url=https://www.nytimes.com/2006/02/22/arts/television/crossdressing-and-fishslapping-one-python-at-a-time.html |access-date=26 April 2019 |last1=Martel |first1=Ned }}</ref> Jones specialised in playing the working-class housewife, or "ratbag old women" as termed by the BBC.<ref name="Circus profile"/> Palin and Idle generally played the role more posh, with Idle playing more feminine women.<ref name="Circus profile"/> Cleese played female roles more sparsely, while Chapman was frequently paired with Jones as a ratbag woman or with Idle portraying middle-class women commenting upon TV. Generally speaking, female roles were played by women only when the scene specifically required that the character be sexually attractive (although sometimes they used Idle for this). The troupe later turned to [[Carol Cleveland]]—often described as the unofficial seventh member—who co-starred in numerous episodes after 1970.<ref>{{cite web|url=https://www.theguardian.com/culture/2014/jun/22/carol-cleveland-i-loved-every-minute-of-monty-python|title=Carol Cleveland interview: 'I loved every minute of Python, but in some respects, it has been a ball and chain' |author=Hogan, Michael|newspaper=The Guardian|date=22 June 2014|access-date=23 November 2022}}</ref> In some episodes, and later in the stoning scene in ''[[Monty Python's Life of Brian]]'', they took the idea one step further by playing women who impersonated men.<ref>{{cite book |last1=Larsen |first1=Darl |title=A Book about the Film Monty Python's Life of Brian: All the References from Assyrians to Zeffirelli |date=2018 |publisher=Rowman & Littlefield |page=80}}</ref>
In the summer of 1974 Ron Devillier, the program director for non-profit [[PBS]] television station [[KERA-TV|KERA]] in [[Dallas, Texas]], started airing episodes of ''Monty Python’s Flying Circus''. Ratings shot through the roof, providing an encouraging sign to the other 100 PBS stations that had signed up to begin airing the show in October 1974—exactly 5 years after their BBC debut. There was also cross-promotion from FM radio stations across the country, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy. The popularity on PBS resulted in the 1974 re-release of the 1972 ''...Completely Different'' movie, with much greater box office success.
 
Many sketches are well-known and widely quoted. "[[Dead Parrot sketch]]", "[[The Lumberjack Song]]", "[[Spam (Monty Python)|Spam]]" (which led to the coining of the term [[email spam]]),<ref>{{cite news|title=How Spam Meat Has Survived Spam E-Mail|url=http://www.businessweek.com/articles/2012-05-17/how-spam-meat-has-survived-spam-e-mail|url-status=unfit|archive-url=https://web.archive.org/web/20120519203835/http://www.businessweek.com/articles/2012-05-17/how-spam-meat-has-survived-spam-e-mail|archive-date=19 May 2012}}</ref> "[[Nudge Nudge]]", "[[The Spanish Inquisition (Monty Python)|The Spanish Inquisition]]", "[[Upper Class Twit of the Year]]", "[[Cheese Shop sketch|Cheese Shop]]", "[[The Ministry of Silly Walks]]", "[[Argument Clinic]]", "[[The Funniest Joke in the World]]" (a sketch referenced in [[Google Translate]]), and "[[Four Yorkshiremen]]" are just a few examples.<ref>{{cite news |title=Monty Python's 10 funniest sketches |url=https://www.telegraph.co.uk/comedy/what-to-see/monty-pythons-10-funniest-sketches/ |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/comedy/what-to-see/monty-pythons-10-funniest-sketches/ |archive-date=10 January 2022 |url-access=subscription |url-status=live |access-date=6 August 2019 |newspaper=The Telegraph}}{{cbignore}}</ref><ref name="Greatest skits"/> Most of the show's sketches satirise areas of public life, such as: Dead Parrot (poor customer service), Silly Walks (bureaucratic inefficiency), Spam (ubiquity of [[Spam (food)|Spam]] post World War II), and Four Yorkshiremen (nostalgic conversations).<ref name="Thomas"/><ref>McCabe, Bob (2005). ''The Life of Graham, The authorised biography of Graham Chapman''. pp. 90–91. London: Orion Books</ref><ref>{{cite news |title=Hamming it up |url=https://www.theguardian.com/news/2004/nov/05/food.arts |access-date=23 August 2019 |work=The Guardian}}</ref> Featuring regularly in skits, [[List of recurring Monty Python's Flying Circus characters#Gumbys|Gumbys]] (characters of limited intelligence and vocabulary) were part of the Pythons' satirical view of television of the 1970s which condescendingly encouraged more involvement from the "man on the street".<ref>{{cite book |last1=Landy |first1=Marcia |title=Monty Python's Flying Circus |date=2005 |publisher=Wayne State University Press |page=97}}</ref>
The ability to show ''Monty Python’s Flying Circus'' under the American NTSC standard had been made possible by the commercial actions of American television producer [[Greg Garrison]]. Garrison produced the NBC series ''[[The Dean Martin Comedy World]]'', which ran during the summer of 1974. The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker". Payment for use of these two sketches was enough to allow Time-Life Films to convert the entire Python library to NTSC standard, allowing for the sale to the PBS network stations who then brought the entire show to US audiences.
 
====Introduction to North America and the world====
In 1975 the [[American Broadcasting Company]] (ABC) broadcast two ninety-minute ''Monty Python'' specials, each with three shows, but cut out a total of 24 minutes from each in part to make time for commercial, in part to avoid upsetting their audience. As the judge observed in ''[[Gilliam v. American Broadcasting]]'', where Monty Python sued for damages caused by broadcast of the mutilated version, "According to the network, appellants should have anticipated that most of the excised material contained scatological references inappropriate for American television and that these scenes would be replaced with commercials, which presumably are more palatable to the American public." Monty Python won the case.<ref>{{cite web |ref=harv |url=http://cyber.law.harvard.edu/metaschool/fisher/integrity/Links/Cases/gilliam.html
The [[Canadian Broadcasting Corporation]] (CBC) added ''Monty Python's Flying Circus'' to its national September 1970 fall line-up.<ref name="FlyingCircusCanada">{{cite web|url=http://torontoist.com/2011/09/vintage-toronto-ads-jack-of-hearts-flying-circus/|title=Vintage Toronto Ads: Jack of Hearts' Flying Circus|author=Jamie Bradburn, with reference to [[Toronto Star]] article of 2 February 1971|publisher=St. Joseph Media|date=20 September 2011|access-date=21 March 2012}}</ref> They aired the 13 episodes of series 1, which had first run on the BBC the previous autumn ([[List of Monty Python's Flying Circus episodes#Series 1|October 1969 to January 1970]]), as well as the first six episodes of series 2 only a few weeks after they first appeared on the BBC ([[List of Monty Python's Flying Circus episodes#Series 2|September to November 1970]]).<ref name="FlyingCircusCanada" /> The CBC dropped the show when it returned to regular programming after the Christmas 1970 break, choosing to not place the remaining seven episodes of series 2 on the January 1971 CBC schedule.<ref name="FlyingCircusCanada" /> Within a week, the CBC received hundreds of calls complaining of the cancellation, and more than 100 people staged a demonstration at the CBC's [[Montreal]] studios. The show eventually returned, becoming a fixture on the network during the first half of the 1970s.<ref name="FlyingCircusCanada" />
|title=Terry GILLIAM et al., Plaintiffs-Appellants-Appellees, v. AMERICAN BROADCASTING COMPANIES, INC., Defendant-Appellee-Appellant.
|publisher=United States Court of Appeals, Second Circuit.
|date=30 June 1976 |year=1976
|last=Lumbard}}</ref>
 
[[File:Lumberjack Song O2 Arena.jpg|right|thumb|"[[The Lumberjack Song]]" with Palin (right) and Carol Cleveland at the 2014 reunion. It appeared in the ninth episode of ''Monty Python's Flying Circus''.]]
With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''[[Are You Being Served]]?'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.<ref name="StewartStewart1999">{{cite book
Sketches from ''Monty Python's Flying Circus'' were introduced to American audiences in [[And Now for Something Completely Different#American audiences|August 1972]], with the release of the Python film ''[[And Now for Something Completely Different]]'', featuring sketches from series 1 and 2 of the television show. This 1972 release met with limited box office success.<ref name="Egan"/>
|author1=David Stewart
|author2=David C. Stewart
|title=The PBS companion: a history of public television
|url=http://books.google.com/books?id=U3S4AAAAIAAJ
|accessdate=29 September 2010
|date=May 1999
|publisher=TV Books
|isbn=978-1-57500-050-3
|page=216}}</ref>
 
The ability to show ''Monty Python's Flying Circus'' under the American NTSC standard had been made possible by the commercial actions of American television producer [[Greg Garrison (television producer)|Greg Garrison]]. Garrison produced the NBC series ''[[The Dean Martin Comedy World]]'', which ran during the summer of 1974.<ref>{{Cite book |last=Terrace |first=Vincent |url=https://books.google.com/books?id=AKlgjBCPPnsC&dq=Garrison+NBC+The+Dean+Martin+Comedy+World&pg=PA108 |title=Encyclopedia of Television Series, Pilots and Specials |date=1985 |publisher=VNR AG |isbn=978-0-918432-61-2 |pages=108 |language=en}}</ref> The concept was to show clips from comedy shows produced in other countries, including tape of the Python sketches "Bicycle Repairman" and "The Dull Life of a Stockbroker".<ref>{{cite book |last1=Douglas L. |first1=McCall |title=Monty Python A Chronological Listing of the Troupe's Creative Output, and Articles and Reviews about Them, 1969-1989 |date=1991 |publisher=McFarland |page=28}}</ref>
===End of ''Flying Circus''===
Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two Cleese-and-Chapman-penned sketches in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts.<ref name="auto"/> He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an Air Canada flight on the way to Toronto, when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."<ref>[[Richard Ouzounian]], "[http://www.thestar.com/NASApp/cs/ContentServer?pagename=thestar/Layout/Article_Type1&call_pageid=971358637177&c=Article&cid=1152963371205 Python still has legs]", ''Toronto Star'', 16 July 2006</ref>
 
{{Quote box|width=27%|align=left|quote="When [Monty Python] hit the airwaves, it really was quite shocking but it was shocking in a good way. It set you up right and opened up a whole new form of comedy. [[wikt:Pythonesque|'Pythonesque]]."|source=— Ron Devillier, PBS programming director.<ref name="Dallas Observer">{{cite news |title=Meet Ron Devillier, the Dallas TV Program Manager Who Introduced Monty Python to America |url=https://www.dallasobserver.com/arts/meet-ron-devillier-the-dallas-tv-program-manager-who-introduced-monty-python-to-america-8947710 |access-date=27 November 2023 |work=Dallas Observer}}</ref>}}
The rest of the group carried on for one more "half" series before calling a halt to the programme in 1974. The name ''Monty Python's Flying Circus'' appears in the opening animation for series four, but in the end credits the show is listed as simply "Monty Python". Despite his official departure from the group, Cleese supposedly made a (non-speaking) cameo appearance in the fourth series, but never appeared in the credits as a performer. Several episodes credit him as a co-writer since some sketches were recycled from scenes cut from the ''Holy Grail'' script. While the first three series contained 13 episodes each, the fourth ended after six.
Through the efforts of Python's American manager Nancy Lewis, during the summer of 1974, Ron Devillier, the programming director for nonprofit [[PBS]] television station [[KERA-TV|KERA]] in [[Dallas]], Texas, started airing episodes of ''Monty Python's Flying Circus''.<ref>{{cite news |url=https://www.nytimes.com/2020/01/13/arts/television/nancy-lewis-dead.html |title=Nancy Lewis, the Pythons' Ticket to America, Dies at 76. The British troupe wasn't well known in the United States until she began promoting its records and pushing to get "Monty Python's Flying Circus" on PBS. |work=[[The New York Times]] |last=Genzlinger |first=Neil |date=13 January 2020 |access-date=22 January 2020}}</ref><ref>{{cite news |url=https://www.irishtimes.com/life-and-style/people/nancy-lewis-obituary-the-woman-who-introduced-america-to-monty-python-1.4141958 |title=Nancy Lewis obituary: The woman who introduced America to Monty Python. Lewis also helped promote Jimi Hendrix, Joe Cocker, Traffic and other acts in the 1960s |newspaper=[[The Irish Times]] |date=18 January 2020 |access-date=22 January 2020}}</ref> Ratings shot through the roof, prompting other PBS affiliates to pick up the show.<ref name="Dallas Observer"/> Devillier states, "We got the Nielsens in and started looking at the Saturday ratings. The first night, it was a 6 rating. We couldn't believe it. We didn't know what a 6 looked like. The next week, it was a 7 and it may have taken a month but it stayed there and we started getting 8s, 9s and 10s."<ref name="Dallas Observer"/> There was also cross-promotion from [[FM radio]] stations across the US, whose airing of tracks from the Python LPs had already introduced American audiences to this bizarre brand of comedy.<ref>{{cite news |url=https://www.msn.com/en-us/news/us/nancy-lewis-monty-pythons-ticket-to-america-76/ar-BBYXJdM |title=Nancy Lewis, Monty Pythons' ticket to America, 76 |work=[[MSN News]] |last=Genzlinger |first=Neil |date=15 January 2020 |access-date=22 January 2020}}</ref> The popularity on PBS resulted in the 1974 re-release of the 1972 ''...Completely Different'' film, with much greater box office success.<ref name="Egan">{{cite book |last1=Egan |first1=Kate |title=And Now for Something Completely Different: Critical Approaches to Monty Python |date=2020 |publisher=Edinburgh University Press}}</ref> The success of the show was captured by a March 1975 article headline in ''[[The New York Times]]'', "Monty Python's Flying Circus Is Barnstorming Here".<ref name="NY Times">{{cite news |last1=Kaufman |first1=Michael T. |title=Monty Python's Flying Circus Is Barnstorming Here |url=https://www.nytimes.com/1975/04/26/archives/monty-pythons-flying-circus-is-barnstorming-here.html |access-date=22 August 2019 |work=The New York Times |date=25 April 1975}}</ref> Asked what challenges were left, now that they had made TV shows, films, written books, and produced records, Chapman responded, "Well, actually world supremacy would be very nice", before Idle cautioned, "Yes, but that sort of thing has got to be done properly".<ref name="NY Times"/>
 
In 1975 [[American Broadcasting Company|ABC]] broadcast two 90-minute ''Monty Python'' specials, each with three shows, but cut out a total of 24 minutes from each, in part to make time for commercials, and in part to avoid upsetting their audience. As the judge observed in ''[[Gilliam v. American Broadcasting Companies, Inc.]]'', where Monty Python sued for damages caused by broadcast of the mutilated version, "According to the network, appellants should have anticipated that most of the excised material contained scatological references inappropriate for American television and that these scenes would be replaced with commercials, which presumably are more palatable to the American public." Monty Python won the case.<ref>{{cite web|url=http://cyber.law.harvard.edu/metaschool/fisher/integrity/Links/Cases/gilliam.html|title=Terry Gilliam et al., Plaintiffs-Appellants-Appellees, v. American Broadcasting Companies, Inc., Defendant-Appellee-Appellant.|publisher=United States Court of Appeals, Second Circuit|date=30 June 1976|last=Lumbard}}</ref>
 
With the popularity of Python throughout the rest of the 1970s and through most of the 1980s, PBS stations looked at other British comedies, leading to UK shows such as ''[[Are You Being Served?]]'' gaining a US audience, and leading, over time, to many PBS stations having a "British Comedy Night" which airs many popular UK comedies.<ref>{{cite book|first1=David|last1=Stewart|first2=David C.|last2=Stewart|title=The PBS companion: a history of public television|url=https://archive.org/details/pbscompanionhis00stew|url-access=registration|access-date=29 September 2010|date=1999|publisher=TV Books|isbn=978-1-57500-050-3|page=[https://archive.org/details/pbscompanionhis00stew/page/n211 216]}}</ref>
 
In 1976, Monty Python became the top rated show in Japan. The popularity of the show in the Netherlands saw the town of [[Spijkenisse]] near Rotterdam open a 'silly walks' road crossing in 2018. Believed to be a world first, the official sign asks pedestrians to cross the road in a comical manner.<ref>{{cite news |title=Walk this way: Spijkenisse launches 'silly walks' zebra crossing |url=https://www.dutchnews.nl/news/2018/10/walk-this-way-spijkenisse-launches-silly-walks-zebra-crossing/ |access-date=29 August 2019 |website=Dutch News.nl}}</ref>
 
====Departure of Cleese====
Having considered the possibility at the end of the second series, Cleese left the ''Flying Circus'' at the end of the third. He later explained that he felt he no longer had anything fresh to offer the show, and claimed that only two sketches penned by Cleese and Chapman in the third series ("Dennis Moore" and the "Cheese Shop") were truly original, and that the others were bits and pieces from previous work cobbled together in slightly different contexts.<ref name="Autobiography" /> He was also finding Chapman, who was at that point in the full throes of alcoholism, difficult to work with. According to an interview with Idle, "It was on an [[Air Canada]] flight on the way to [[Toronto]], when John (Cleese) turned to all of us and said 'I want out.' Why? I don't know. He gets bored more easily than the rest of us. He's a difficult man, not easy to be friendly with. He's so funny because he never wanted to be liked. That gives him a certain fascinating, arrogant freedom."<ref>[[Richard Ouzounian]], "[https://web.archive.org/web/20070929171724/http://www.thestar.com/NASApp/cs/ContentServer?pagename=thestar%2FLayout%2FArticle_Type1&call_pageid=971358637177&c=Article&cid=1152963371205 Python still has legs]", ''Toronto Star'', 16 July 2006</ref>
The rest of the group carried on for one more "half" season before calling a halt to the programme in 1974. While the first three seasons contained 13 episodes each, the fourth ended after just six.<ref name="Season four">{{cite news |title=Monty Python's Flying Circus, Series 4 |url=http://www.montypython.com/tvshow_Monty%20Python's%20Flying%20Circus,%20Series%204/17 |access-date=25 July 2019 |website=Monty Python.com}}</ref> The name ''Monty Python's Flying Circus'' appears in the opening animation for season four, but in the end credits, the show is listed as simply ''Monty Python''.<ref name="Season four"/> Although Cleese left the show, he was credited as a writer for three of the six episodes, largely concentrated in the "Michael Ellis" episode, which had begun life as one of the many drafts of the "Holy Grail" motion picture. When a new direction for "Grail" was decided upon, the subplot of Arthur and his knights wandering around a strange department store in modern times was lifted out and recycled as the aforementioned TV episode. Songwriter [[Neil Innes]] contributed to some sketches, including "Appeal on Behalf of Very Rich People".
 
==Life beyond the ''Flying Circus''==
 
==Life after the ''Flying Circus''==
===Filmography===
 
====''And Now for Something Completely Different'' (1971)====
{{Main|And Now for Something Completely Different}}
The Pythons' first feature film was directed by [[Ian MacNaughton]], reprising his role from the television series. It was composedconsisted of sketches from the first two seasons of the ''Flying Circus'', reshot on a low budget (and often slightly edited) for cinema release. Material selected for the film includes: "[[Dead Parrot]]", "[[The Lumberjack Song]]", "[[Upper Class Twit of the Year]]", "Hell's Grannies"<!-- DON'T WIKILINK - ITIt'Ss JUST A REDIRECT TO THE MP TELEVISION SHOW -->, "Self-Defence Class", "[[How Not Toto Be Seen]]", and "[[Nudge Nudge]]".<ref name="Five films">{{cite news |title=Monty Python films: rank them from best to worst |url=https://www.theguardian.com/film/filmblog/2014/jun/04/monty-python-films-movies-best-to-worst-cleese-jones-gilliam-idle |access-date=19 August 2019 |work=The Guardian}}</ref> Financed by ''[[Playboy]]''{{'}}s UK executive [[Victor Lownes]], it was intended as a way of breaking Monty Python into America, and although it was ultimately unsuccessful in this,<ref name="Collin">{{cite news |last1=Collin |first1=Robbie |title=Monty Python reunion: no one else has the nerve to do what Python do |url=https://www.telegraph.co.uk/culture/comedy/comedy-news/10459076/Monty-Python-reunion-no-one-else-has-the-nerve-to-do-what-Python-do.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/comedy/comedy-news/10459076/Monty-Python-reunion-no-one-else-has-the-nerve-to-do-what-Python-do.html |archive-date=10 January 2022 |url-access=subscription |url-status=live |access-date=19 August 2019 |work=The Telegraph |date=21 November 2013}}{{cbignore}}</ref> the film did good business in the UK, and later in the US on the "[[Midnight movie]]" circuit after their breakthrough television and film success, this being in the era before home video would make the original material much more accessible. The group did not consider the film a success.
 
====''Monty Python and the Holy Grail'' (19741975)====
{{Main|Monty Python and the Holy Grail}}
In 1974, between production on the third and fourth seasons, the group decided to embark on their first "proper" feature film, containing entirely new material. ''[[Monty Python and the Holy Grail]]'' was based on [[King Arthur|Arthurian Legend]] and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but it was Chapman who took the lead as King Arthur. Cleese returned to the group for the film, feeling that the group were once again breaking new ground. ''Holy Grail'' was filmed on ___location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as [[Pink Floyd]], [[Jethro Tull (band)|Jethro Tull]] and [[Led Zeppelin]]—and UK music industry entrepreneur [[Tony Stratton-Smith]] (founder and owner of the [[Charisma Records]] label, for which the Pythons recorded their comedy albums).
 
[[File:EMP Seattle (26120000225).jpg|thumb|190px|Soldier's helmet from ''Monty Python and the Holy Grail'' at the [[Museum of Pop Culture]], Seattle]]
The backers of the film wanted to cut the famous [[Black Knight (Monty Python)|Black Knight]] scene (in which the Black Knight loses his limbs in a duel) but it was eventually kept in the movie.<ref>Interview with John Cleese on Q-The Podcast with host John Ghomeshi, on 16 July 2009</ref>
In 1974, between production on the third and fourth series, the group decided to embark on their first "proper" feature film, containing entirely new material. ''[[Monty Python and the Holy Grail]]'' was based on [[King Arthur|Arthurian legend]] and was directed by Jones and Gilliam. Again, the latter also contributed linking animations (and put together the opening credits). Along with the rest of the Pythons, Jones and Gilliam performed several roles in the film, but Chapman took the lead as King Arthur. Cleese returned to the group for the film, feeling that they were once again breaking new ground. ''Holy Grail'' was filmed on ___location, in picturesque rural areas of Scotland, with a budget of only £229,000; the money was raised in part with investments from rock groups such as [[Pink Floyd]], [[Jethro Tull (band)|Jethro Tull]], and [[Led Zeppelin]], as well as UK music industry entrepreneur [[Tony Stratton Smith]] (founder and owner of the [[Charisma Records]] label, for which the Pythons recorded their comedy albums).<ref>{{cite web|url=https://www.chicagotribune.com/2009/05/06/cue-the-coconuts-holy-grail-gallops-on/|title=Cue the coconuts: 'Holy Grail' gallops on|last=Johnson|first=Steve|date=6 May 2009|work=[[Chicago Tribune]]|access-date=26 April 2019}}</ref>
 
The backers of the film wanted to cut the famous [[Black Knight (Monty Python)|Black Knight]] scene (a [[Sam Peckinpah]] send-up in which the Black Knight loses his limbs in a duel), but it was eventually kept in the film.<ref>Interview with John Cleese on Q-The Podcast with host John Ghomeshi, on 16 July 2009</ref> "Tis but a scratch" and "It's just a flesh wound…" are often quoted.<ref name="Python quotes">{{cite news |title=49 of Monty Python's most absurdly funny jokes and quotes |url=https://www.yorkshirepost.co.uk/read-this/49-of-monty-pythons-most-absurdly-funny-jokes-and-quotes/ |access-date=18 August 2019 |work=Yorkshire Post |archive-date=18 August 2019 |archive-url=https://web.archive.org/web/20190818192829/https://www.yorkshirepost.co.uk/read-this/49-of-monty-pythons-most-absurdly-funny-jokes-and-quotes/ |url-status=dead }}</ref> ''Holy Grail'' was selected as the second-best comedy of all time in the [[American Broadcasting Company|ABC]] special ''Best in Film: The Greatest Movies of Our Time''. and viewers in a [[Channel 4]] poll placed it sixth.<ref name="Channel4 comedies"/>
 
====''Monty Python's Life of Brian'' (1979)====
{{Main|Monty Python's Life of Brian}}
Following the success of ''Holy Grail'', reporters asked for the title of the next Python film, despite the fact thatthough the team had not even begun to consider a third one. Eventually, Idle flippantly replied "Jesus Christ – Lust for Glory", which became the group's stock answer onceto theysuch realisedquestions.<ref>{{cite thatnews it|title=How shutwe reportersmade upMonty Python's Life of Brian |url=https://www.theguardian.com/film/2019/apr/16/how-we-made-monty-python-life-of-brian-michael-palin-terry-gilliam |access-date=25 August 2019 |work=The Guardian}}</ref> However, they soon began to seriously consider a film lampooning the [[New Testament]] era in the same way ''Holy Grail'' had lampooned Arthurian legend. Despite them all sharing a distrust of organised religion, they agreed not to mock Jesus noror his teachings directly. They also mentioned that they could not think of anything legitimate to make fun of about him.<ref name="theologian"/> Instead, they decided to write a satire on credulity and hypocrisy among the followers of someone [Brian] who had been mistaken for the "Messiah,", but who had no desire to be followed as such.<ref Chapmanname="TJones"/> Terry Jones adds it was casta insatire on those who for the leadnext role2,000 ofyears Brian"couldn't agree on what Jesus was saying about peace and love".<ref name="TJones"/>
 
{{quote box|width=30%|bgcolor=#c6dbf7|align=right|quote="We are three wise men."<br />
The focus therefore shifted to a separate individual born at the same time, in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on [[Mount of Olives|the Mount]], speaking the [[Beatitudes]]), he is played straight (by actor [[Kenneth Colley]]) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love and tolerance. ("I think he said, 'Blessed are the cheesemakers.'")
"Well, what are you doing creeping around a cow shed at two o'clock in the morning? That doesn't sound very wise to me."|source=—Early scene from ''Life of Brian''.<ref name="Python quotes"/>}}
The focus therefore shifted to a separate individual, Brian Cohen, born at the same time, and in a neighbouring stable. When Jesus appears in the film (first, as a baby in the stable, and then later on [[Mount of Olives|the Mount]], speaking the [[Beatitudes]]), he is played straight (by actor [[Kenneth Colley]]) and portrayed with respect. The comedy begins when members of the crowd mishear his statements of peace, love, and tolerance ("I think he said, 'Blessed are the cheesemakers{{'"}}).<ref name="theologian">{{cite news |title=Monty Python's Life of Brian 'extraordinary tribute to Jesus', says theologian decorated by Pope Francis |url=https://www.telegraph.co.uk/news/religion/10543149/Monty-Pythons-Life-of-Brian-extraordinary-tribute-to-Jesus-says-theologian-decorated-by-Pope-Francis.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/news/religion/10543149/Monty-Pythons-Life-of-Brian-extraordinary-tribute-to-Jesus-says-theologian-decorated-by-Pope-Francis.html |archive-date=10 January 2022 |url-access=subscription |url-status=live |access-date=21 August 2019 |work=The Telegraph}}{{cbignore}}</ref>
 
Directing duties were handled solely by Jones, having amicably agreed with Gilliam that Jones' approach to film-making was better suited for Python's general performing style. ''Holy Grail's'' production had often been stilted by their differences behind the camera. Gilliam again contributed two animated sequences (one being the opening credits) and took charge of set design. The film was shot on ___location in [[Tunisia]], the finances being provided this time by former[[The BeatleBeatles]]' [[George Harrison]], who together with [[Denis O'Brien (producer)|Denis O'Brien]] formed the production company [[HandmadeHandMade Films|Hand-Made Films]] for the movie.<ref Hename="Harrison"/> Harrison had a cameo role as the '"owner of the Mount".'<ref name="Harrison">{{cite news |last1=Barber |first1=Nicholas |title=How George Harrison – and a very naughty boy – saved British cinema |url=https://www.theguardian.com/film/2019/apr/03/george-harrison-beatle-monty-python-life-of-brian-handmade-studios |access-date=25 June 2019 |newspaper=The Guardian |date=3 April 2019}}</ref>
 
Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films.<ref>[http://news.bbc.co.uk/1/hi/entertainment/948331.stm "Life of Brian tops comedy poll"]. BBC News. Retrieved 18 August 2019</ref><ref>{{cite news | url=http://film.guardian.co.uk/features/featurepages/0,,2131880,00.html | work=The Guardian | ___location=London | title=The last laugh: your favourite 50 | first=Philip | last=French | date=22 July 2007 | access-date=2 May 2010 | archive-url=https://web.archive.org/web/20080707124543/http://film.guardian.co.uk/features/featurepages/0,,2131880,00.html | archive-date=7 July 2008 | url-status=live |quote=1. Life of Brian. 8. Monty Python and the Holy Grail}}</ref> In 2006, it was ranked first on a Channel 4 list of the [[100 Greatest (TV series)|50 Greatest Comedy Films]].<ref name="Channel4 comedies">{{Cite web|url=http://www.channel4.com/film/newsfeatures/microsites/G/greatest-comedyfilms/results/10-6.html|title=50 Greatest Comedy Films|year=2005|publisher=[[Channel 4]]|___location=London|archive-url=https://web.archive.org/web/20060415140210/http://www.channel4.com/film/newsfeatures/microsites/G/greatest-comedyfilms/results/10-6.html|archive-date=15 April 2006|url-status=dead|access-date=31 May 2019|quote=1. ''Monty Python's Life of Brian''. 6. ''Monty Python And The Holy Grail''.}}</ref> ''[[Empire (magazine)|Empire]]'' magazine called it "an unrivalled satire on religion".<ref>{{cite news |title=The 100 best British films |url=https://www.empireonline.com/movies/features/100britishfilms/ |access-date=26 November 2023|work=Empire}}</ref> In 2013, [[Richard Burridge (priest)|Richard Burridge]], a theologian decorated by Pope Francis, called ''Life of Brian'' an "extraordinary tribute to the life and work and teaching of Jesus—that they couldn't actually blaspheme or make a joke out of it. They did a great satire on closed minds and people who follow blindly. Then you have them splitting into factions...it is a wonderful satire on the way that Jesus's own teaching has been used to [[Religious persecution|persecute]] others. They were satirising [[fundamentalism]] and persecution of others and at the same time saying the one person who rises above all this was Jesus".<ref name="theologian"/>
Despite its subject matter attracting controversy, particularly upon its initial release, it has (together with its predecessor) been ranked among the greatest comedy films. A [[Channel 4]] poll in 2005 ranked ''Holy Grail'' in sixth place, with ''Life of Brian'' at the top.<ref>{{cite web|url=http://www.channel4.com/film/newsfeatures/microsites/G/greatest-comedyfilms/index.html |title=50 Greatest Comedy Films |publisher=channel4.com |accessdate=21 September 2008}}</ref>
 
====''Monty Python Live at the Hollywood Bowl'' (1982)====
{{Main|Monty Python Live at the Hollywood Bowl}}
FilmedMonty Python performed four consecutive dates at the [[Hollywood Bowl]] in Los Angeles in September 1980 during preparations for ''The Meaning of Life'',. thisThe wasperformances awere filmed and released in the concert film, ''Monty Python Live at the Hollywood Bowl'' (directed by [[Terry Hughes (film director)|Terry Hughes]]), in whichwith the Pythons performedperforming sketches from the television series in front of an audience.<ref>{{cite web|url=https://www.nytimes.com/1982/06/25/movies/python-in-hollywood.html|title='Python in Hollywood|date=25 June 1982|newspaper=The New York Times}}</ref> The released film also incorporated footage from the German television specials (the inclusion of which gives Ian MacNaughton his first on-screen credit for Python since the end of ''Flying Circus'') and live performances of several songs from the troupe's then-current ''[[Monty Python's Contractual Obligation Album]]''.<ref>{{cite magazine|url=https://www.americanradiohistory.com/Archive-Billboard/80s/1980/BB-1980-10-11.pdf|title=Review: Monty Python – Monty Python's Contractual Obligation Album|magazine=[[Billboard (magazine)|Billboard]]|date=11 October 1980|access-date=28 April 2022|volume=85|number=41|page=70|via=American Radio History|issn=0006-2510}}</ref> Monty Python's four-night stint as headliners at the Hollywood Bowl set a record for a comedy act at the venue; it has since been equalled by [[Dave Chappelle]] in May 2022.<ref>{{Cite web |last1=Gregory |first1=John |last2=staff |first2=ABC7 com |date=4 May 2022 |title=Dave Chappelle attacked: Video shows moment suspect tackles comedian at Hollywood Bowl |url=https://abc7.com/dave-chappelle-attacked-tackled-hollywood-bowl/11817178/ |access-date=31 July 2022 |website=ABC7 Los Angeles |language=en}}</ref>
 
====''Monty Python's The Meaning of Life'' (1983)====
{{Main|Monty Python's The Meaning of Life}}
[[File:Terry Jones Monty Python O2 Arena (cropped) (2).jpg|thumb|upright|[[Mr Creosote|Mr. Creosote]] from ''The Meaning of Life'' (played by [[Terry Jones]], pictured) has been called "the ultimate gross-out icon" and the "film's signature" scene.<ref>{{cite news |title=Monty Python's The Meaning of Life: Mr Creosote is the ultimate gross-out icon |url=https://uk.news.yahoo.com/monty-python-meaning-of-life-mr-creosote-gross-out-icon-072049260.html?guce_referrer=aHR0cHM6Ly93d3cuZ29vZ2xlLmNvLnVrLw&guce_referrer_sig=AQAAAJW2-1FMX4DqYdxnfR60KarRZVqHnDiqNEuVR46Tk5TVqAJKmKi22M7XybnkfwBCkiTGV7eL8yvW7Bn3iGPdL8NQZ1AUXKvlzkYtnYcSCBlJEwFVUfyqHX26UdbqA7ji3ysk4Voiq60Ln4oBZNxaBugytrGSpujmpg0HWKU3HmuO&guccounter=2 |access-date=10 April 2023 |work=Yahoo|quote=it remains the film’s signature, and one of the greatest Python moments because it seems to sum up what they were all about: a clever observation of the world wrapped up so tightly in absurdity that you almost missed the point while doubled over in hysterics.}}</ref>]]
The Pythons' final film returned to something structurally closer to the style of ''Flying Circus'': a series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of the group's most bizarre and disturbing moments, as well as various elaborate musical numbers, which include "[[Galaxy Song]]" (performed by Idle) and "[[Every Sperm Is Sacred]]" (performed by Palin and Jones).<ref name="Making Meaning">{{cite news |title=How we made Monty Python's The Meaning of Life |url=https://www.theguardian.com/film/2013/sep/30/monty-python-meaning-of-life |access-date=24 August 2019 |work=The Guardian}}</ref> The film is by far their darkest work, containing a great deal of [[Black comedy|black humour]], garnished by some spectacular violence (including an operation to remove a [[liver]] from a living patient without [[anaesthetic]] and the morbidly obese [[Mr Creosote|Mr. Creosote]] exploding over several restaurant patrons after finally giving in to the smooth maître d' telling him to eat a mint – "It's only a wafer-thin mint...").<ref name="Python quotes"/> At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone", adding "It is guaranteed to offend".<ref>{{cite magazine |title=Monty Python's The Meaning of Life |url=https://ew.com/article/1998/04/03/monty-pythons-meaning-life/ |access-date=19 August 2019 |magazine=Entertainment Weekly}}</ref>
 
The Liver Donor scene (in which a paramedic appears at the door of a living man to take his liver) is a satire on bureaucracy, a common Python trope.<ref name="Making Meaning"/> Besides the opening credits and the fish sequence, Gilliam, by now an established live-action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch, "[[The Crimson Permanent Assurance]]". Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) This was the last project on which all six Pythons collaborated, except for the 1989 compilation ''[[Parrot Sketch Not Included – 20 Years of Monty Python|Parrot Sketch Not Included]],'' where they are all seen sitting in a closet for four seconds. This was the last time Chapman appeared on screen with the Pythons.<ref name="Five films"/>
Python's final film returned to something structurally closer to the style of ''Flying Circus''. A series of sketches loosely follows the ages of man from birth to death. Directed again by Jones solo, ''The Meaning of Life'' is embellished with some of Python's most bizarre and disturbing moments, as well as various elaborate musical numbers. The film is by far their darkest work, containing a great deal of [[Black comedy|black humour]], garnished by some spectacular violence (including an operation to remove a liver from a living patient without [[anaesthetic]] and the morbidly obese Mr. Creosote exploding over several restaurant patrons). At the time of its release, the Pythons confessed their aim was to offend "absolutely everyone."
 
Although not as acclaimed as its two predecessors (''Holy Grail'' and ''Life of Brian''), ''The Meaning of Life'' was still well received critically and was screened at the [[1983 Cannes Film Festival]] where it won the [[Grand Prix (Cannes Film Festival)|Grand Prix]].<ref>{{cite web|url=http://www.festival-cannes.fr/en/archives/1983/allAward.html |title=Awards 1983: All Awards |work=festival-cannes.fr |url-status=dead |archive-url=https://web.archive.org/web/20131216190344/http://www.festival-cannes.fr/en/archives/1983/allAward.html |archive-date=16 December 2013 |df=dmy}}</ref>
Besides the opening credits and the fish sequence, Gilliam, by now an established live action director, no longer wanted to produce any linking cartoons, offering instead to direct one sketch—''[[The Crimson Permanent Assurance]]''. Under his helm, though, the segment grew so ambitious and tangential that it was cut from the movie and used as a supporting feature in its own right. (Television screenings also use it as a prologue.) Crucially, this was the last project that all six Pythons would collaborate on, except for the 1989 compilation ''[[Parrot Sketch Not Included – 20 Years of Monty Python|Parrot Sketch Not Included]],'' where they are all seen sitting in a closet for four seconds. This was the last time Chapman appeared on screen with the Pythons.
 
===''Secret Policeman's Ball'' benefit shows===
Members of Python contributed their services to charitable endeavours and causes—sometimes as an ensemble, at other times as individuals. The cause that has been the most frequent and consistent beneficiary has been the [[human rights]] work of [[Amnesty International]]. Between 1976 and 1981, the troupe or its members appeared in four major [[Benefit concert|fund-raisers]] for Amnesty—known collectively as the ''[[The Secret Policeman's BallsBall|Secret Policeman's Ball]]'' shows—which were turned into multiple films, TV shows, videos, record albums, and books. TheseThe brainchild of John Cleese, these benefit shows in London and their many spin-offs raised considerable sums of money for Amnesty, raised public and media awareness of the human rights cause, and influenced many other members of the entertainment community (especially rock musicians) to become involved in political and social issues.<ref name="Guardian2012" /><ref name="Amnesty Ball">{{cite news |title=How the Secret Policeman's Ball Got Rolling... |url=https://www.huffpost.com/entry/secret-policemans-ball_b_1318876 |access-date=24 September 2019 |work=Huffington Post}}</ref> Among the many musicians who have publicly attributed their activism—and the organisation of their own [[Benefit concert|benefit events]]—toevents—to the inspiration of the work in this field of Monty Python are [[U2Bob Geldof]], (organiser of [[BobLive GeldofAid]]), [[U2]], [[Pete Townshend]], and [[Sting (musician)|Sting]].<ref name="Guardian2012">[httphttps://www.guardiantheguardian.co.ukcom/world/2012/mar/02/secret-policemans-ball-new-york-amnesty Secret Policeman's Ball recruits New York's finest to Amnesty celebration]. ''The Guardian''. Retrieved 24 April 2012</ref><ref name="Amnesty"/> [[Bono]] told ''Rolling Stone'' in 1986, "I saw ''The showsSecret arePoliceman's creditedBall'' byand it became a part of me. It sowed a seed..."<ref name="Amnesty">{{cite news |title=50 years of working with helpingcelebrities: comedy |url=https://www.amnesty.org/download/Documents/24000/act300752011en.pdf |access-date=21 August 2019 |website=Amnesty International}}</ref> Sting stated, "before [the organisationBall] developI publicdid awarenessnot know about Amnesty, I did not know about its work, I did not know about torture in the USworld."<ref>Archived whereat one[https://ghostarchive.org/varchive/youtube/20211211/Xcj9CRdSYEI ofGhostarchive]{{cbignore}} and the spin[https://web.archive.org/web/20130226212249/http://www.youtube.com/watch?v=Xcj9CRdSYEI Wayback Machine]{{cbignore}}: {{cite web|url=https://www.youtube.com/watch?v=Xcj9CRdSYEI |title=Sting TV Interview On NBC Today Show about Amnesty concerts |publisher=[[YouTube]] |date=22 April 2008 |access-offdate=15 filmsAugust was2011}}{{cbignore}}</ref> aOn majorthe successimpact of the Ball on Geldof, Sting quipped, "he took the 'Ball' and ran with it."<ref name="Amnesty Ball"/>
 
''Ball'' co-founder Cleese and Jones had an involvement (as performer, writer or director) in all four Amnesty benefit shows, Palin in three, Chapman in two, and Gilliam in one. Idle did not participate in the Amnesty shows. Notwithstanding Idle's lack of participation, the other five members (together with "Associate Pythons" [[Carol Cleveland]] and [[Neil Innes]]) all appeared together in the first ''Secret Policeman's Ball'' benefit—the 1976 ''[[A Poke Inin Thethe Eye (With Aa Sharp Stick)|A Poke in the Eye]]'' held at [[Her Majesty's Theatre]] in London's [[West End theatre|West End]]—where they performed several Python sketches. In this first show, they were collectively billed as ''Monty Python''. ([[Peter Cook]] deputised for the errantabsent Idle in onea majorcourtroom sketch.<ref ''Thename="Guardian2012" Courtroom''.)/> In the next three shows, the participating Python members performed many Python sketches, but were billed under their individual names rather than under the collective Python banner. The second show featured newcomer [[Rowan Atkinson]] and Scottish comedian [[Billy Connolly]].<ref name="performers">{{cite news |title=Remember the Secret Policeman's Ball? |url=https://www.bbc.co.uk/programmes/b0074qw2 |access-date=21 August 2019 |website=BBC}}</ref> The ''Secret Policeman's Ball'' were the first stage shows in the UK to present comedic performers (such as Monty Python and Rowan Atkinson) in the same setting and shows as their contemporaries in rock music (which included [[Eric Clapton]], Sting and [[Phil Collins]]).<ref name="performers"/> After a six-year break, Amnesty resumed producing ''Secret Policeman's Ball'' benefit shows which were held at the [[London Palladium]] in 1987 (sometimes with, and sometimes without, variants of the iconic title) and by 2006 had presented a total of twelve such shows. The shows sinceSince 1987, havethe Balls featured newer generations of British comedic performers, includingsuch manyas who[[Stephen haveFry]], [[Hugh Laurie]], and puppets from the satirical TV show ''[[Spitting Image]]'', with many attributedattributing their participation in the show to their desire to emulate the Python's pioneering work for Amnesty. (Cleese and Palin made a brief cameo appearance in the 1989 Amnesty show; apart from that, the Pythons have not appeared in shows after the first four.)<ref>{{cite news |title=The Amnesty International Comedy Podcast from the Edinburgh festival: episode 5 |url=https://www.theguardian.com/stage/audio/2010/aug/17/amnesty-international-comedy-podcast |access-date=21 August 2019 |work=The Guardian}}</ref>
 
===Going solo===
[[File:Monty Python (4624404749).jpg|thumb|right|[[Blue plaque]] at 11 [[Neal's Yard]], London, marking where Palin and Gilliam bought offices in 1976 as studios and editing suites for Python films and solo projects.<ref>{{cite news |last1=Hind |first1=John |title=Terry Gilliam: 'I had a big row with John Cleese about tinned peaches' |url=https://www.theguardian.com/film/2013/dec/07/terry-gilliam-cleese-row-monty-python |access-date=17 January 2023 |work=[[The Guardian]] |date=7 December 2013 |language=en}}</ref>]]
 
Each member has pursued various film, television, and stage projects since the break-up of the group, but often continued to work with one another. Many of these collaborations were very successful, most notably ''[[A Fish Called Wanda]]'' (1988), written by Cleese, in which he starred along with Palin.<ref name="PopMatters"/> The pair also appeared in ''[[Time Bandits]]'' (1981), a film directed by Gilliam, who wrote it together with Palin. Gilliam directed ''[[Jabberwocky (film)|Jabberwocky]]'' (1977), and also directed and co-wrote ''[[Brazil (1985 film)|Brazil]]'' (1985), which featured Palin, and ''[[The Adventures of Baron Munchausen]]'' (1988), which featured Idle.; ''[[Yellowbeard]]''he (1983)followed wasthese co-writtenwith by Chapmanwriting and featureddirecting Chapman,an Idle,additional andsix Cleese alongside many(as of their2021) English contemporaries, including [[Peter Cook]], [[Spike Milligan]] and [[Marty Feldman]]films.<ref name="Collab"/>
 
[[HandMade Films]], the film studio that George Harrison co-founded to produce ''Life of Brian'', contributed to British cinema in the 1980s, producing classics of the period including ''[[The Long Good Friday]]'' and ''[[Mona Lisa (film)|Mona Lisa]]'' (both starring [[Bob Hoskins]]), ''Time Bandits'', and ''[[Withnail and I]]'', with the studio also launching Terry Gilliam's directorial career.<ref name="Handmade"/> ''[[Yellowbeard]]'' (1983) was co-written by Chapman and starred Chapman, Idle, and Cleese, as well as many other English comedians including Peter Cook, [[Spike Milligan]], and [[Marty Feldman]].<ref>{{cite book |last=McCall |first=Douglas |date= 6 November 2013|title=Monty Python: A Chronology, 1969–2012 |edition=2nd |url= https://books.google.com/books?id=RS0FAgAAQBAJ&pg=PA96|___location=[[Jefferson, North Carolina]] |publisher=[[McFarland & Company]] |page=96 |isbn=978-0-7864-7811-8}}</ref>
Palin and Jones wrote the comedic TV series ''[[Ripping Yarns]]'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a non-speaking part in the episode "Golden Gordon". Jones' film ''[[Erik the Viking]]'', also has Cleese playing a small part.
 
Palin and Jones wrote the comedic TV series ''[[Ripping Yarns]]'' (1976–79), starring Palin. Jones also appeared in the pilot episode and Cleese appeared in a nonspeaking part in the episode "Golden Gordon". Jones' film ''[[Erik the Viking]]'' also has Cleese playing a small part. In 1996, Terry Jones wrote and directed an adaption[[The Wind in the Willows (1996 film)|adaptation]] of [[Kenneth Grahame]]'s novel ''[[The Wind in the Willows]]''. It featured four members of Monty Python: Jones as Mr. Toad, Idle as Ratty, Cleese as Mr. Toad's lawyer, and Palin as the Sun. Gilliam was considered for the voice of the river. The film included [[Steve Coogan]] who played Mole.<ref name="Reunions">{{cite news |title=Monty Python: 30 years of near reunions from the comedy troupe |url=https://www.digitalspy.com/showbiz/comedy/a532589/monty-python-30-years-of-near-reunions-from-the-comedy-troupe/ |access-date=21 August 2019 |work=Digital Spy}}</ref>
 
In terms of numbers of productions, Cleese has the most prolific solo career, having appearedappearing in 59dozens theatricalof films, 22several TV shows or series (including ''[[Cheers]]'', ''[[3rd Rock from the Sun]]'', Q's assistant in the [[James Bond movies]], and ''[[Will & Grace]]''), 23many direct-to-video productions, sixsome video games, and a number of commercials.<ref>[http://www.imdb.com/{{IMDb IMDB];name|id=92 as| ofname= JanuaryJohn 2005Cleese}}; includes pre-releaseprerelease items.</ref> His BBC sitcom ''[[Fawlty Towers]]'' (written by and starring Cleese together with his then-wife [[Connie Booth]]), is considered the greatest solo work by a Python since the sketch show finished. It is the only comedy series to rank higher than the ''Flying Circus'' on the [[BFI TV 100]]'s list, topping the whole poll.<ref>Mattha Busby, 9 April 2019, [https://www.theguardian.com/tv-and-radio/2019/apr/09/fawlty-towers-greatest-ever-british-sitcom "Fawlty Towers named greatest ever British TV sitcom"]. ''The Guardian'', Retrieved 24 May 2019</ref><ref>[https://www.itv.com/news/2019-04-09/fawlty-towers-and-father-ted-top-list-of-britains-favourite-sitcoms/ "Fawlty Towers and Father Ted top list of Britain's favourite sitcoms"]. ITV. Retrieved 24 May 2019</ref> Cleese's character, [[Basil Fawlty]], was ranked second (to [[Homer Simpson]]) on Channel 4's 2001 list of the [[100 Greatest (TV series)|100 Greatest TV Characters]].<ref>{{cite web |url=http://www.channel4.com/entertainment/tv/microsites/G/greatest/tv_characters/results.html |archive-url=https://web.archive.org/web/20090531160558/http://www.channel4.com/entertainment/tv/microsites/G/greatest/tv_characters/results.html |archive-date=31 May 2009 |title=100 Greatest TV Characters |access-date=26 May 2019 |publisher=[[Channel 4]]}}</ref>
 
Idle enjoyed critical success with ''[[Rutland Weekend Television]]'' in the mid-1970s, out of which came the Beatles parody [[Thethe Rutles]] (responsible for the [[cult]] [[mockumentary]] ''[[All You Need Is Cash]]''), and as an actor in ''[[Nuns on the Run]]'' (1990) with [[Robbie Coltrane]]. In 1976 Idle directed music videos for George Harrison songs "[[This Song]]" and "[[Crackerbox Palace]]", the latter of which also featured cameo appearances from Neil Innes and John Cleese. Idle has had success with Python songs: "[[Always Look on the Bright Side of Life]]" went to no. 3 in the UK singles chart in 1991.<ref>{{cite news |title=Official Singles Chart Top 75 (13 October 1991 – 19 October 1991) |url=https://www.officialcharts.com/charts/singles-chart/19911013/7501/ |access-date=22 August 2019 |work=Official Charts Company}}</ref> The song had been revived by [[Simon Mayo]] on [[BBC Radio 1]], and was consequently released as a single that year. The theatrical phenomenon of the Python musical ''[[Spamalot]]'' has made Idle the most financially successful of the troupe post-after Python. Written by Idle (and featuring a pre-recorded cameo of Cleese as the voice of God), it has proved to be an enormous hit on Broadway, London's West End and also[[Las Vegas Valley|Las Vegas]].<ref name="ParkerO'Shea2006">{{cite book|first1=Alan|last1=Parker|first2=Mick|last2=O'Shea|title=And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs|url=https://books.google.com/books?id=G49bRxbeH1kC&pg=PA68|access-date=29 September 2010|date=1 April 2006|publisher=The Disinformation Company|isbn=978-1-932857-31-3|page=68}}</ref> This was followed by ''[[Not the Messiah (He's a Very Naughty Boy)|Not the Messiah]]'', which revises ''The Life of Brian'' as an [[oratorio]]. For the work's 2007 premiere at the [[Luminato]] festival in [[Toronto]] (which commissioned the work), Idle himself sang the "baritone-ish" part.
|author1=Alan Parker
|author2=Mick O'Shea
|title=And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs
|url=http://books.google.com/books?id=G49bRxbeH1kC&pg=PA68
|accessdate=29 September 2010
|date=1 April 2006
|publisher=The Disinformation Company
|isbn=978-1-932857-31-3
|page=68}}</ref> This was followed by ''[[Not the Messiah (He's a Very Naughty Boy)]]'', which repurposes ''The Life of Brian'' as an [[oratorio]]. For the work's 2007 premiere at the [[Luminato]] festival in [[Toronto]] (which commissioned the work), Idle himself sang the "baritone-ish" part.
 
===Post-After ''Python'' reunions===
 
[[File:Monty Python O2 Arena.jpg|thumb|Left to right: Palin, Gilliam, Jones, Idle, Cleese (pictured in 2014).]]
Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours.<ref name="ParkerO'Shea2006">{{cite book
Since ''The Meaning of Life'', their last project as a team, the Pythons have often been the subject of reunion rumours.<ref name="ParkerO'Shea2006" /> In 1988 Monty Python won the [[British Academy Film Awards|BAFTA Award]] for Outstanding British Contribution To Cinema, with four of the six Pythons (Jones, Palin, Gilliam and Chapman) collecting the award.<ref>{{cite news |title=Outstanding British Contribution To Cinema in 1988 |url=http://awards.bafta.org/award/1988/film/outstanding-british-contribution-to-cinema |access-date=25 August 2019 |website=BAFTA.org}}</ref> The final appearance of all six together occurred during the 1989 ''[[Parrot Sketch Not Included – 20 Years of Monty Python]]'' TV special.<ref name="Reunions"/><ref>McCall, Douglas (2013). Monty Python: A Chronology, 1969–2012, 2d ed. McFarland. {{ISBN|9780786478118}}.</ref> The death of Chapman in October 1989 put an end to the speculation of any further reunions. However, there were several occasions after 1989 when the remaining five members gathered together for appearances — albeit not formal reunions. In 1996 Jones, Idle, Cleese, and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''[[Mr. Toad's Wild Ride (film)|Mr. Toad's Wild Ride]]''.<ref name="TJones">Nathan Bevan (5 March 2011). [http://www.walesonline.co.uk/showbiz-and-lifestyle/arts-in-wales/2011/03/05/the-life-and-times-of-monty-python-s-terry-jones-91466-28274298/ "The life and times of Monty Python’s Terry Jones"]. ''Western Mail''. Wales Online. Retrieved 19 August 2019</ref> In 1997, Palin and Cleese rolled out a new version of the "[[Dead Parrot sketch]]" for ''[[Saturday Night Live]]''.<ref name="Reunions"/>
|author1=Alan Parker
|author2=Mick O'Shea
|title=And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs
|url=http://books.google.com/books?id=G49bRxbeH1kC&pg=PA133
|accessdate=29 September 2010
|date=1 April 2006
|publisher=The Disinformation Company
|isbn=978-1-932857-31-3
|page=133}}</ref> The final reunion of all six members occurred during the ''[[Parrot Sketch Not Included – 20 Years of Monty Python]]'' special. The death of Chapman in 1989 (on the eve of their 20th anniversary) put an end to the speculation of any further reunions. There have been several occasions since 1989 when the surviving five members have gathered together for appearances—albeit not formal reunions.
 
Monty Python were the inaugural recipients of the [[Empire Inspiration Award]] in 1997. Palin, Jones and Gilliam received the award on stage in London from [[Elton John]] while Cleese and Idle appeared via satellite from Los Angeles.<ref>{{cite book |last1=McCall |first1=Douglas |title=Monty Python: A Chronology, 1969–2012, 2d ed. |date=2013 |publisher=McFarland |page=181}}</ref> In 1998, during the [[The Comedy Festival|US Comedy Arts Festival]], where the troupe were awarded the AFI Star Award by the [[American Film Institute]], the five remaining members, along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years.<ref>{{cite book|author1=Alleen Pace Nilsen|author2=Don Lee Fred Nilsen|title=Encyclopedia of 20th-century American humor|url=https://books.google.com/books?id=0ufWAAAAMAAJ|access-date=29 September 2010|year=2000|publisher=Oryx Press|isbn=978-1-57356-218-8|page=86}}</ref> The occasion was in the form of an interview called ''[[Monty Python Live at Aspen]]'', (hosted by [[Robert Klein]], with an appearance by [[Eddie Izzard]]) in which the team looked back at some of their work and performed a few new sketches. On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, [[BBC Two|BBC2]] devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event.<ref name="Reunions"/>
In 1996, Jones, Idle, Cleese and Palin were featured in a film adaptation of ''The Wind in the Willows'', which was later renamed ''[[Mr. Toad's Wild Ride (film)|Mr. Toad's Wild Ride]]''.
 
The surviving Pythons had agreed in principle to perform a live tour of America in 1999. Several shows were to be linked with Q&A meetings in various cities. Although all had said yes, Palin later changed his mind, much to the annoyance of Idle, who had begun work organising the tour. This led to Idle refusing to take part in the new material shot for the BBC anniversary evening. In 2002, four of the surviving members, bar Cleese, performed "The Lumberjack Song" and "[[Sit on My Face]]" for [[Concert for George|George Harrison's memorial concert]]. The reunion also included regular supporting contributors Neil Innes and Carol Cleveland, with a special appearance from [[Tom Hanks]].<ref>{{cite magazine|url=https://www.rollingstone.com/music/news/all-star-george-harrison-tribute-concert-gets-vinyl-reissue-w515522|title=All-Star George Harrison Tribute Concert Gets Massive Vinyl Reissue|first=Daniel|last=Kreps|date=17 January 2018|access-date=19 August 2019|magazine=Rolling Stone}}</ref> In an interview to publicise the DVD release of ''The Meaning of Life'', Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of busyness rather than one of bad feelings.<ref>[http://news.bbc.co.uk/1/hi/entertainment/3093564.stm Monty Python reunion 'unlikely'], [[BBC News]], 9 September 2003</ref> A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members "together" in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.
In 1998 during the [[The Comedy Festival|US Comedy Arts Festival]], where the troupe was awarded the AFI Star Award by the [[American Film Institute]], the five remaining members along with what was purported to be Chapman's ashes, were reunited on stage for the first time in 18 years.<ref name="NilsenNilsen2000">{{cite book
|author1=Alleen Pace Nilsen
|author2=Don Lee Fred Nilsen
|title=Encyclopedia of 20th-century American humor
|url=http://books.google.com/books?id=0ufWAAAAMAAJ
|accessdate=29 September 2010
|year=2000
|publisher=Oryx Press
|isbn=978-1-57356-218-8
|page=86}}</ref> The occasion was in the form of an interview called [[Monty Python Live At Aspen]], (hosted by [[Robert Klein]], with an appearance by [[Eddie Izzard]]) in which the team looked back at some of their work and performed a few new sketches.
 
Idle responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked about such a possibility in November 1989, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as [[John Lennon]] remains dead."<ref>{{cite news|url=https://www.nytimes.com/1989/12/01/arts/no-3-beatle-reunion-george-harrison-says.html|title=No 3-Beatle Reunion, George Harrison Says|work=The New York Times|date=December 1989 |access-date=6 March 2013}}</ref> Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."<ref>{{cite book|first1=Graham|last1=Chapman|first2=John|last2=Cleese|first3=Terry|last3=Gilliam|first4=Eric|last4=Idle|title=The Pythons Autobiography by the Pythons|url=https://books.google.com/books?id=3Q-XD02f4oQC&pg=PT328|access-date=29 September 2010|date=2005|publisher=Macmillan|isbn=978-0-312-31145-2|page=328}}</ref>
On 9 October 1999, to commemorate 30 years since the first ''Flying Circus'' television broadcast, [[BBC Two|BBC2]] devoted an evening to Python programmes, including a documentary charting the history of the team, interspersed with new sketches by the Monty Python team filmed especially for the event. The program appears, with a few omissions, on the DVD ''The Life of Python''. Idle's involvement in the special is limited, yet the final sketch marks the only time since 1989 that all surviving members of the troupe appear in one sketch, albeit not in the same room.
 
[[File:Shubert Theatre NYC from Shubert Alley.jpg|thumb|''[[Spamalot]]'' at the [[Shubert Theatre (New York City)|Shubert Theatre]], New York in 2006. Winning the 2005 [[Tony Award for Best Musical]], Idle's musical opened in London's [[West End theatre|West End]] a year later. The original Broadway cast included [[Tim Curry]] as King Arthur, [[Hank Azaria]] as Sir Lancelot, and Cleese as the (recorded) voice of God.]]
In 2002, four of the surviving members, bar Cleese, performed "[[The Lumberjack Song]]" and "[[Sit on My Face]]" for [[Concert for George|George Harrison's memorial concert]]. The reunion also included regular supporting contributors [[Neil Innes]] and [[Carol Cleveland]], with a special appearance from [[Tom Hanks]].
''[[The Pythons Autobiography by The Pythons]]'' (2003), compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's split. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight man-like central roles in the ''Grail'' and ''Brian'' films had been considered to be an essential anchoring performance). The book also reveals that Cleese saw Chapman as his "greatest sounding board. If Graham thought something was funny, then it almost certainly was funny. You cannot believe how invaluable that is.'<ref>{{cite news |title=The full Monty |url=https://www.theguardian.com/theobserver/2003/oct/05/tvandradio |access-date=21 August 2019 |work=The Guardian}}</ref> Ultimately it was Cleese who ended the possibility of another Python movie.<ref>{{cite news |title=And now for something completely difficult ... |url=https://www.theguardian.com/stage/2006/sep/13/theatre |access-date=21 August 2019 |work=The Guardian}}</ref>
 
A full, if nonperforming, reunion of the surviving Python members appeared at the March 2005 premiere of Idle's musical ''[[Spamalot]]''. Based on ''Monty Python and the Holy Grail'', it also spoofs popular musicals, including those of [[Andrew Lloyd Webber]].<ref>{{cite news |title=Monty Python lose Spamalot court battle |url=https://www.bbc.co.uk/news/entertainment-arts-23195478 |access-date=22 November 2023 |publisher=BBC}}</ref> It opened in Chicago and has since played in New York on Broadway, London, and numerous other major cities across the world. In 2004, ''Spamalot'' was nominated for 14 [[Tony Awards]] and won three: Best Musical, Best Direction of a Musical for [[Mike Nichols]], and Best Performance by a Featured Actress in a Musical for [[Sara Ramirez]], who played the [[Lady of the Lake]], a character specially added for the musical. The original Broadway cast included [[Tim Curry]] as King Arthur, [[Michael McGrath (actor)|Michael McGrath]] as Patsy, [[David Hyde Pierce]] as Sir Robin, [[Hank Azaria]] as [[Sir Lancelot]] and other roles (e.g., the French Taunter, [[Knights who say Ni|Knight of Ni]], and Tim the Enchanter), [[Christopher Sieber]] as [[Sir Galahad]] and other roles (e.g., the Black Knight and Prince Herbert's Father).<ref>{{cite news |title=Look Back at Tim Curry, Hank Azaria, Sara Ramirez, and More in Spamalot on Broadway |url=http://www.playbill.com/article/look-back-at-tim-curry-hank-azaria-sara-ramirez-and-more-in-spamalot-on-broadway |access-date=20 August 2019 |work=Playbill}}</ref> Cleese played the voice of God, a role played in the film by Chapman.<ref>{{cite news |title=Monty Python's John Cleese and Eric Idle Have a Message for You |url=http://www.playbill.com/article/monty-pythons-john-cleese-and-eric-idle-have-a-message-for-you |access-date=20 August 2019 |work=Playbill}}</ref>
In an interview to publicise the DVD release of ''The Meaning of Life,'' Cleese said a further reunion was unlikely. "It is absolutely impossible to get even a majority of us together in a room, and I'm not joking," Cleese said. He said that the problem was one of business rather than one of bad feelings.<ref>[http://news.bbc.co.uk/1/hi/entertainment/3093564.stm Monty Python reunion 'unlikely'], ''[[BBC News]]'', 9 September 2003</ref> A sketch appears on the same DVD spoofing the impossibility of a full reunion, bringing the members “together” in a deliberately unconvincing fashion with modern bluescreen/greenscreen techniques.
 
Owing in part to the success of ''Spamalot'', [[PBS]] announced on 13 July 2005 that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''[[Monty Python's Personal Best]]''.<ref>[https://www.pbs.org/about/about-pbs/blogs/news/exclusive-new-monty-python-specials-slated-to-premiere-in-2006-only-on-pbs-july-13-2005/ Exclusive new ''Monty Python'' specials slated to premiere in 2006], ''[[PBS]]'', 13 July 2005</ref> Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.<ref>{{cite news |title=Monty Python's Personal Best |url=https://www.radiotimes.com/tv-programme/e/ddmcvg/monty-pythons-personal-best-episode-guide/ |access-date=23 August 2019 |website=Radio Times |archive-date=24 August 2019 |archive-url=https://web.archive.org/web/20190824055522/https://www.radiotimes.com/tv-programme/e/ddmcvg/monty-pythons-personal-best-episode-guide/ |url-status=dead }}</ref>
Idle has responded to queries about a Python reunion by adapting a line used by George Harrison in response to queries about a possible Beatles reunion. When asked in November 1989 about such a possibility, Harrison responded: "As far as I'm concerned, there won't be a Beatles reunion as long as [[John Lennon]] remains dead." Idle's version of this was that he expected to see a proper Python reunion, "just as soon as Graham Chapman comes back from the dead", but added, "we're talking to his agent about terms."<ref name="ChapmanCleese2005">{{cite book
|author1=Graham Chapman
|author2=John Cleese
|author3=Terry Gilliam
|coauthors=Eric Idle
|title=The Pythons Autobiography by the Pythons
|url=http://books.google.com/books?id=3Q-XD02f4oQC&pg=PT328
|accessdate=29 September 2010
|date=15 November 2005
|publisher=Macmillan
|isbn=978-0-312-31145-2
|page=328}}</ref>
 
[[File:Neil Innes by Luke Ford adjust.jpg|alt=Innes in a hat|thumb|upright|Long-time collaborator [[Neil Innes]] at the premiere of ''The Seventh Python'' in 2009]]
2003's ''The Pythons Autobiography By The Pythons'', compiled from interviews with the surviving members, reveals that a series of disputes in 1998, over a possible sequel to ''Holy Grail'' that had been conceived by Idle, may have resulted in the group's permanent split. Cleese's feeling was that ''The Meaning of Life'' had been personally difficult and ultimately mediocre, and did not wish to be involved in another Python project for a variety of reasons (not least amongst them was the absence of Chapman, whose straight-man-like central roles in the ''Grail'' and ''Brian'' films had been considered to be an essential anchoring performance). Apparently Idle was angry with Cleese for refusing to do the film, which most of the remaining Pythons thought reasonably promising (the basic plot would have taken on a self-referential tone, featuring them in their main 'knight' guises from ''Holy Grail'', mulling over the possibilities of reforming their posse). The book also reveals that a secondary option around this point was the possibility of revitalising the Python brand with a new stage tour, perhaps with the promise of new material. This idea had also met with Cleese's refusal, this time with the backing of other members.
In 2009, to commemorate the 40th anniversary of the first episode of ''Monty Python's Flying Circus'', a six-part documentary entitled ''[[Monty Python: Almost the Truth (Lawyers Cut)]]'' was released, featuring interviews with the surviving members of the team, as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.<ref>[http://genome.ch.bbc.co.uk/f41900824ff54750b45be1f4972b1f5c "Monty Python – Almost the Truth: the BBC Lawyers' Cut"]. BBC. Retrieved 22 August 2019</ref> Each episode opens with a different re-recording of the [[Brian Song|theme song from ''Life of Brian'']], with [[Iron Maiden]] vocalist and Python fan [[Bruce Dickinson]] performing the sixth.<ref>{{cite news |title=Monty Python reunite to tell life stories |url=https://www.telegraph.co.uk/news/celebritynews/5062514/Monty-Python-reunite-to-tell-life-stories.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/news/celebritynews/5062514/Monty-Python-reunite-to-tell-life-stories.html |archive-date=10 January 2022 |url-access=subscription |url-status=live |access-date=22 August 2019 |work=The Telegraph}}{{cbignore}}</ref>
 
Also in commemoration of the 40th anniversary, Idle, Palin, Jones, and Gilliam appeared in a production of ''[[Not the Messiah (He's a Very Naughty Boy)|Not the Messiah]]'' at the [[Royal Albert Hall]]. The European premiere was held on 23 October 2009.<ref>{{cite news|agency=Press Association|url=https://www.independent.co.uk/arts-entertainment/theatre-dance/news/monty-python-stars-to-stage-reunion-1733638.html|title=Monty Python stars to stage reunion|work=The Independent|___location=UK|date=11 July 2009|access-date=19 August 2009}}</ref> An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009, where the team received a Special Award from the [[British Academy of Film and Television Arts]].<ref>{{cite web|url=http://www.bafta.org/access-all-areas/videos/monty-python-special-award,877,BA.html|title=Pythons receive BAFTA Special Award|publisher=Bafta.org|date=18 October 2009|access-date=18 October 2009|url-status=dead|archive-url=https://web.archive.org/web/20091108103158/http://www.bafta.org/access-all-areas/videos/monty-python-special-award%2C877%2CBA.html|archive-date=8 November 2009}}</ref>
March 2005 saw a full, if non-performing, reunion of the surviving cast members at the premiere of Idle's musical ''[[Spamalot]]'', based on ''Monty Python and the Holy Grail''. It opened in [[Chicago]] and has since played in New York on Broadway, London and numerous other major cities across the world. In 2004, it was nominated for 14 [[Tony Awards]] and won three: Best Musical, Best Direction of a Musical for [[Mike Nichols]] and Best Performance by a Featured Actress in a Musical for [[Sara Ramirez]], who played the [[Lady of the Lake]], a character specially added for the musical. Cleese played the voice of God, played in the film by Chapman.
 
In June 2011, it was announced that ''[[A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman]]'', an animated 3D movie based on the [[A Liar's Autobiography|memoir of Graham Chapman]], was in the making. The memoir ''A Liar's Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity, and the tolls of surreal comedy. Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing&nbsp;... it's all a downright, absolute, blackguardly lie." The film uses Chapman's own voice—from a reading of his autobiography shortly before he died of cancer—and entertainment channel [[Epix (TV channel)|Epix]] announced the film's release in early 2012 in both 2D and 3D formats. Produced and directed by London-based Bill Jones, Ben Timlett, and Jeff Simpson, the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style. John Cleese recorded dialogue which was matched with Chapman's voice. Michael Palin voiced Chapman's father and Terry Jones voiced his mother. Terry Gilliam voiced Graham's psychiatrist. They all play various other roles. Among the original Python group, only Eric Idle was not involved.<ref>{{cite news|url=https://www.telegraph.co.uk/culture/film/film-news/8602765/Monty-Python-back-for-3D-animated-film.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/film/film-news/8602765/Monty-Python-back-for-3D-animated-film.html |archive-date=10 January 2022 |url-access=subscription |url-status=live|___location=London|work=The Daily Telegraph|title=Monty Python back for 3D animated film|date=28 June 2011}}{{cbignore}}</ref>
Owing in part to the success of ''Spamalot'', PBS announced on 13 July 2005 that it would begin to re-air the entire run of ''Monty Python's Flying Circus'' and new one-hour specials focusing on each member of the group, called ''[[Monty Python's Personal Best]].''<ref>[http://www.pbs.org/aboutpbs/news/20050713_montypython.html Exclusive new ''Monty Python'' specials slated to premiere in 2006], ''[[Public Broadcasting Service|PBS]]'', 13 July 2005</ref> Each episode was written and produced by the individual being honoured, with the five remaining Pythons collaborating on Chapman's programme, the only one of the editions to take on a serious tone with its new material.
 
On 26 January 2012, Terry Jones announced that the five surviving Pythons would reunite in a [[science fiction|sci-fi]] comedy film called ''[[Absolutely Anything]]''.<ref>{{cite news|url=https://variety.com/2012/film/news/pic-reunites-monty-python-members-1118049265/|title=Pic reunites Monty Python members|first=Dave|last=McNary|work=[[Variety (magazine)|Variety]]|date=26 January 2012}}</ref> The film would combine [[computer-generated imagery]] and live action. It would be directed by Jones based on a script by Jones and [[Gavin Scott]], and in addition to the Python members it would also star [[Simon Pegg]], [[Kate Beckinsale]] and [[Robin Williams]] (in his final film role).<ref>{{cite news|url=http://downriversundaytimes.com/2014/08/24/celebrity-extra-265|title=Celebrity Extra|last=Elavsky|first=Cindy|publisher=[[King Features]]|date=24 August 2014|work = Downriver Sunday Times}}</ref> The plot revolves around a teacher who discovers aliens (voiced by the Pythons) have given him magical powers to do "absolutely anything".<ref>{{cite news|url=https://www.cbsnews.com/news/monty-python-members-to-star-in-new-film-absolutely-anything/|title=Monty Python members to star in new film 'Absolutely Anything'|work=CBS News|date=6 February 2013}}</ref> Eric Idle responded via Twitter that he would not, in fact, be participating,<ref>{{cite tweet|number=299587521350864896|author=Idle, Eric|user=EricIdle|date=7 February 2013|title=I'm not "Not in a Python film". I'm not in a Terry Jones film. If you can't see the difference then you should probably lie down for a bit}}</ref> although he was later added to the cast.<ref>{{cite web|url=http://www.gfmfilms.co.uk/news/eric-idle/|title=Eric Idle|website=GFM Films|access-date=20 February 2014|archive-url=https://web.archive.org/web/20140819084020/http://www.gfmfilms.co.uk/news/eric-idle/|archive-date=19 August 2014|url-status=dead}}</ref>
Eric Idle and John Cleese appeared on the stage of ''[[We Are Most Amused]]'', [[Prince Charles]] 60th Birthday Show. They were singing together "[[Always Look on the Bright Side of Life]]" with the rest of the performers for the climax. Eric Idle added a couplet dedicated to the Prince of Wales:
<blockquote>
"If Spamalot is hot<br>
And you like it, or per'aps not.<br>
A bunch of knights in search of Holy Grails.<br>
When you're 60 years of age<br>
And your mum won't leave the stage,<br>
It's good to know that you're still Prince of Wales"<br>
</blockquote>
 
===''Monty Python Live (Mostly): One Down, Five to Go''===
In 2009, to commemorate the fortieth anniversary of the first episode of ''Monty Python's Flying Circus'', a six-part documentary entitled ''[[Monty Python: Almost the Truth (The Lawyer's Cut)]]'' was released, featuring interviews with the surviving members of the team as well as archive interviews with Graham Chapman and numerous excerpts from the television series and films.
{{Main|Monty Python Live (Mostly)}}
[[File:Monty Python Live (Mostly).jpg|thumb|Members of Monty Python on stage at [[The O2 Arena|the O<sub>2</sub> Arena]], London, in July 2014]]
 
In 2013, the Pythons lost a legal case to [[Mark Forstater]], the film producer of ''Monty Python and the Holy Grail'', over royalties for the derivative work ''[[Spamalot]]''. They owed a combined £800,000 in legal fees and back royalties to Forstater. They proposed a reunion show to pay their legal bill.<ref>{{cite news|title=John Cleese: Monty Python reunion is happening because of my £800,000 legal bill|url=https://www.mirror.co.uk/tv/tv-news/john-cleese-monty-python-reunion-3591253|quote=Last July, the Pythons lost a royalties case to Mark Forstater, who produced 1975 film Monty Python and the Holy Grail. ...|newspaper=[[Daily Mirror]]|date=23 May 2014|access-date=28 December 2014}}</ref>
Also in commemoration of the 40th anniversary, Idle, Palin, Jones and Gilliam appeared in a production of ''[[Not the Messiah (He's a Very Naughty Boy)]]'' at the [[Royal Albert Hall]]. The European premiere was held on 23 October 2009.<ref>{{cite news|author=mollyblack wrote: |url=http://www.independent.co.uk/arts-entertainment/theatre-dance/news/monty-python-stars-to-stage-reunion-1733638.html |title=retrieved 6&nbsp;July 2009 |work=The Independent |___location=UK |date=11 July 2009 |accessdate=19 August 2009}}</ref> An official 40th anniversary Monty Python reunion event took place in New York City on 15 October 2009 where the team received a Special Award from the [[British Academy of Film and Television Arts]].<ref>{{cite web|url=http://www.bafta.org/access-all-areas/videos/monty-python-special-award,877,BA.html |title=Pythons receive BAFTA Special Award |publisher=Bafta.org |date=18 October 2009 |accessdate=18 October 2009}}</ref>
 
On 19 November 2013, a new reunion was reported, following months of "secret talks".<ref>{{cite news |title=Monty Python to reunite for stage show |url=https://www.theguardian.com/culture/2013/nov/19/onty-python-reunite-stage-show-comedy-holy-grail-palin-cleese |access-date=3 June 2019 |work=The Guardian}}</ref> The original plan was for a live, one-off stage show at [[The O2 Arena|the O<sub>2</sub> Arena]] in London on 1 July 2014, with "some of Monty Python's greatest hits, with modern, topical, Pythonesque twists" according to a press release.<ref>{{cite news|url=https://www.bbc.co.uk/news/entertainment-arts-25031520|title=Monty Python to reunite for live one-off show in London|work=BBC News|date=21 November 2013}}</ref><ref>{{cite web|url=https://www.telegraph.co.uk/culture/comedy/comedy-news/10464954/Monty-Python-reunite-for-one-off-show-We-can-still-be-funny.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/comedy/comedy-news/10464954/Monty-Python-reunite-for-one-off-show-We-can-still-be-funny.html |archive-date=10 January 2022 |url-access=subscription |url-status=live|title=Monty Python reunite for one-off show: 'We can still be funny'|date=21 November 2013|work=The Daily Telegraph|access-date=25 November 2013}}{{cbignore}}</ref><ref>{{cite web|url=https://www.theguardian.com/commentisfree/2013/nov/23/monty-python-reunion-o2-london|title=Is Monty Python's reunion a bit of a joke?|date=21 November 2013|work=The Guardian|access-date=25 November 2013}}</ref> The tickets for this show went on sale in November 2013 and sold out in just 43 seconds.<ref name="Record sales">{{cite news|last=Wilkinson|first=Peter|url=http://www.cnn.com/2013/11/25/showbiz/monty-python-sellout/|title=Monty Python reunion show sells out in 43 seconds|publisher=CNN|date=25 November 2013|access-date=20 August 2019}}</ref> Nine additional shows were added, all of them at the O<sub>2</sub>, the last on 20 July. They have said that their reunion was inspired by ''[[South Park]]'' creators [[Trey Parker]] and [[Matt Stone]], who are massive Monty Python fans.<ref>{{cite web|last=Lamden|url=http://www.hamhigh.co.uk/news/exclusive_south_park_creators_trey_parker_and_matt_stone_brought_monty_python_back_together_1_3021937|title=EXCLUSIVE: South Park creators Trey Parker and Matt Stone 'brought Monty Python back together'|publisher=[[Archant]]|date=21 November 2013}}</ref>
In June 2011, it was announced that Monty Python have begun production on their first film project since ''the Meaning of Life'' in 1983. Their next film, ''[[A Liar's Autobiography]]'', is an animated 3D movie based on the memoir of the late Python member, Graham Chapman, who died in 1989 at the age of 48. ''A Liar’s Autobiography'' was published in 1980 and details Chapman's journey through medical school, alcoholism, acknowledgement of his gay identity and the tolls of surreal comedy.
 
[[Mick Jagger]] and [[Charlie Watts]] featured in a promotional video for the shows: "Who wants to see that again, really? It's a bunch of wrinkly old men trying to relive their youth and make a load of money—the best one died years ago!"<ref name="Thomas">{{cite news |title=John Cleese and Mick Jagger are wrong – Monty Python's silly walks are still hilarious |url=https://www.theguardian.com/culture/2014/jul/01/john-cleese-mick-jagger-monty-python-silly-walks-funny |access-date=22 August 2019 |work=The Guardian}}</ref> Michael Palin stated that the final reunion show on 20 July 2014 would be the last time that the troupe would perform together. It was screened to 2,000 cinemas around the world.<ref name="O2 Shows"/> Prior to the final night, Idle stated, "It is a world event and that's really quite exciting. It means we're actually going to say goodbye publicly on one show. Nobody ever has the chance to do that. The Beatles didn't get a last good night."<ref>{{cite news |title=Watch Mick Jagger Dryly Accuse Monty Python of Being 'Wrinkly Old Men' |url=https://www.rollingstone.com/music/music-news/watch-mick-jagger-dryly-accuse-monty-python-of-being-wrinkly-old-men-62152/ |access-date=22 August 2019 |magazine=Rolling Stone}}</ref> The last show was broadcast in the UK on [[Gold (UK TV channel)|Gold]] TV and internationally in cinemas by [[National CineMedia|Fathom Events]] through a [[Dish Network]] satellite link.<ref>{{cite web|title=Monty Python live (mostly), review: poignant and predictable, but tremendous fun|url=https://www.telegraph.co.uk/culture/tvandradio/tv-and-radio-reviews/10975695/Monty-Python-live-mostly-review-poignant-and-predictable-but-tremendous-fun.html |archive-url=https://ghostarchive.org/archive/20220110/https://www.telegraph.co.uk/culture/tvandradio/tv-and-radio-reviews/10975695/Monty-Python-live-mostly-review-poignant-and-predictable-but-tremendous-fun.html |archive-date=10 January 2022 |url-access=subscription |url-status=live|newspaper=The Telegraph|date=20 July 2014 |access-date=21 July 2014}}{{cbignore}}</ref>
Asked what was true in a deliberately fanciful account by Chapman of his life, Terry Jones joked: "Nothing . . . it’s all a downright, absolute, blackguardly lie."
 
In April 2015, the five surviving Pythons participated in a reunion event moderated by [[John Oliver]] as part of the [[Tribeca Festival]] at the [[Beacon Theatre (New York City)|Beacon Theatre]] in New York City following a 40th anniversary screening of ''Monty Python and the Holy Grail''.<ref>{{Cite web |title=Monty Python's Fans Find Their HOLY GRAIL As The British Comedy Team Reunites At TFF 2015 |url=https://tribecafilm.com/news/tribeca-film-festival-2015-monty-python-holy-grail-reunion |access-date=2025-02-01 |website=Tribeca}}</ref><ref>{{Cite web |title=12 craziest moments from Monty Python's riotous reunion |url=https://ew.com/article/2015/04/25/monty-python-reunion-tribeca/ |access-date=2025-02-01 |website=EW.com |language=en}}</ref><ref>{{Cite news |last=Carpentier |first=Megan |date=2015-04-26 |title=Monty Python: 'We hate the Daily Mail slightly more than we hate each other' |url=https://www.theguardian.com/culture/2015/apr/26/monty-python-reunion-tribeca-film-festival-holy-grail |access-date=2025-02-01 |work=The Guardian |language=en-GB |issn=0261-3077}}</ref>
The film will use Chapman's own voice - from a reading of his autobiography shortly before he died of cancer - and entertainment channel [[Epix (TV channel)|EPIX]] announced that the film will be released in early 2012 in both 2D and 3D formats. Produced and directed by London-based [[Bill Jones (director)|Bill Jones]], [[Ben Timlett]] and [[Jeff Simpson]], the new film has 15 animation companies working on chapters that will range from three to 12 minutes in length, each in a different style.
 
==Broadcast rights==
John Cleese has recorded new dialogue which will be matched with Chapman’s voice and Michael Palin will voice Chapman’s mother and father. Terry Gilliam plays various roles. Among the original Python group, only Eric Idle has not become involved, though Timlett said the filmmakers are “working on” him.<ref>{{cite news| url=http://www.telegraph.co.uk/culture/film/film-news/8602765/Monty-Python-back-for-3D-animated-film.html | ___location=London | work=The Daily Telegraph | title=Monty Python back for 3D animated film | date=28 June 2011}}</ref>
[[Netflix]] secured the global streaming rights for the Monty Python catalogue in 2018.<ref>{{cite news |title='Monty Python' Heads To Netflix As SVOD Service Picks Up Entire Comedy Catalog |url=https://deadline.com/2018/03/monty-python-heads-to-netflix-as-svod-service-picks-up-entire-comedy-catalog-1202351401/|access-date=27 October 2024 |work=Deadline}}</ref> [[Shout Factory]] picked up American and Canadian distribution rights from Netflix in 2024.<ref>{{cite news |title= Shout Secures Digital and Theatrical Rights in the U.S. and Canada for Monty Python Catalog (EXCLUSIVE)|url=https://variety.com/2024/film/global/shout-monty-python-catalog-1236185462 |access-date=27 October 2024 |work=Variety}}</ref>
 
==Python members==
=== Graham Chapman ===
[[Graham Chapman]] was originally a medical student, joining the Footlights at Cambridge. He completed his medical training and was legally entitled to practice as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of spinal and throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the Dead Parrot sketch, which they had written. Chapman's comedic [[Fiction#Semi-Fiction|fictional]] memoir, ''[[A Liar's Autobiography]]'' was adapted into an animated 3D movie in 2012.
[[Graham Chapman]] was originally a medical student, joining the [[Footlights]] at [[Cambridge University|Cambridge]]. He completed his medical training and was legally entitled to practise as a doctor. Chapman is best remembered for the lead roles in ''Holy Grail'', as King Arthur, and ''Life of Brian'', as Brian Cohen. He died of metastatic throat cancer on 4 October 1989. At Chapman's memorial service, Cleese delivered an irreverent eulogy that included all the euphemisms for being dead from the "Dead Parrot" sketch, which they had written. Chapman's comedic fictional memoir, ''[[A Liar's Autobiography: Volume VI]]'', was adapted into an [[A Liar's Autobiography: The Untrue Story of Monty Python's Graham Chapman|animated 3D film]] in 2012.<ref>{{cite news| url=https://www.nytimes.com/2011/06/27/movies/graham-chapman-tribute-from-monty-python.html | work=The New York Times | first=Michael | last=Cieply | title=Graham Chapman Tribute From Monty Python | date=26 June 2011}}</ref>
 
=== John Cleese ===
[[John Cleese]] is the oldest Python. He met his future Python writing partner, [[Graham Chapman]], in Cambridge.
[[File:Dead Parrot O2 Arena.jpg|thumb|right|[[John Cleese]] (right) and Michael Palin performing the "[[Dead Parrot sketch]]" in 2014]]
[[John Cleese]] is the oldest Python. He met his future Python writing partner, Chapman, in Cambridge. Outside of Python, he is best known for setting up the [[Video Arts]] group and for the sitcom ''[[Fawlty Towers]]'' (co-written with [[Connie Booth]], whom Cleese met during work on Python and to whom he was married for a decade). In ''Fawlty Towers'' Cleese starred as hotel owner [[Basil Fawlty]], and received the 1980 [[British Academy Television Award for Best Entertainment Performance]].<ref>{{cite news |title=See all of John Cleese's BAFTA wins and nominations |url=http://awards.bafta.org/keyword-search?keywords=John%20Cleese |access-date=12 November 2022 |website=BAFTA.org}}</ref> Cleese has also co-authored several books on psychology and wrote the screenplay for the award-winning ''[[A Fish Called Wanda]]'', in which he starred with Michael Palin, and was nominated for the [[Academy Award for Best Original Screenplay]].<ref>{{cite magazine |url= https://people.com/archive/his-love-life-may-be-fawlty-but-john-cleese-is-reeling-in-cash-and-kudos-with-a-fish-called-wanda-vol-30-no-7/ |author= Alexander, Michael |date= 15 August 1988 |title= His Love Life May Be Fawlty, but John Cleese Is Reeling in Cash and Kudos with a Fish Called Wanda |magazine= [[People (magazine)|People]] |access-date= 19 August 2019}}</ref> In ''A Fish Called Wanda'', Cleese went against type, with ''[[PopMatters]]'' magazine stating: "For a generation of fans who grew up with Cleese doing silly walks and mock Hitler salutes with Monty Python, this was something completely different indeed. For the first time, Cleese was being romantic in his role in A Fish Called Wanda."<ref name="PopMatters">{{cite magazine|url= https://www.popmatters.com/john-cleese-romantic-lead-feature|title= Who Thought Monty Python’s John Cleese Could Be a Romantic Lead? |magazine=[[PopMatters]]|access-date=7 February 2025}}</ref>
 
=== Terry Gilliam ===
[[Terry Gilliam]], an American, was the only member of the troupe of non-British origin.<ref>{{cite news|url=http://www.showbuzz.cbsnews.com/stories/2006/10/06/movies/main2071659.shtml |title=Terry Gilliam Sounds Off, Director Of 'Brazil' Says Current Events Parallel His Cult Movie |publisher=CBSNews |date=6 October 2006 |author=David Morgan |accessdate=21 September 2008}}</ref> He started off as an animator and strip cartoonist for [[Harvey Kurtzman]]'s ''Help!'' magazine, one issue of which featured Cleese. Moving from the USA to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "[[The Crimson Permanent Assurance]]", the short film that appears before ''The Meaning of Life'').
[[Terry Gilliam]], an American by birth, is the only member of the troupe of non-British origin.<ref>{{cite news|url=http://www.showbuzz.cbsnews.com/stories/2006/10/06/movies/main2071659.shtml|title=Terry Gilliam Sounds Off, Director Of 'Brazil' Says Current Events Parallel His Cult Movie|work=CBS News|date=6 October 2006|first=David|last=Morgan|access-date=21 September 2008|url-status=dead|archive-url=https://web.archive.org/web/20080527070757/http://www.showbuzz.cbsnews.com/stories/2006/10/06/movies/main2071659.shtml|archive-date=27 May 2008}}</ref> He started off as an animator and strip cartoonist for [[Harvey Kurtzman]]'s ''[[Help! (magazine)|Help!]]'' magazine, one issue of which featured Cleese. Moving from the US to England, he animated features for ''Do Not Adjust Your Set'' and was then asked by its makers to join them on their next project: ''Monty Python's Flying Circus''. He co-directed ''Monty Python and the Holy Grail'' and directed short segments of other Python films (for instance "[[The Crimson Permanent Assurance]]", the short film that appears before ''The Meaning of Life'').<ref>{{cite book|last1=McCabe |first1=Bob|year=1999|title=Dark Knights and Holy Fools: The Art and Films of Terry Gilliam: From Before Python to Beyond Fear and Loathing |page=106|publisher=Universe |isbn=0-7893-0265-9}}</ref> Gilliam has directed thirteen films in total, and collaborated with Palin on three of them, which included Palin starring in ''[[Brazil (1985 film)|Brazil]]'' (1985).<ref name="Collab">{{cite web|url=http://www.wideanglecloseup.com/palin.html|title=Michel Palin on BRAZIL|last=Morgan|first=David|website=Wideanglecloseup.com|access-date=7 February 2025|archive-date=21 July 2012|archive-url=https://web.archive.org/web/20120721195056/http://www.wideanglecloseup.com/palin.html|url-status=live}}</ref>
 
=== Eric Idle ===
When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and [[Eric Idle]]. Regular themes in his contributions were elaborate wordplay and musical numbers. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''[[Splitting Heirs]]'' (written, produced by and starring him) and 1998's ''[[An Alan Smithee Film: Burn Hollywood Burn]]'' (in which he starred), which was awarded five [[Razzies]], including 'Worst Picture of the Year'. He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. He also wrote the Broadway musical ''[[Spamalot]]'', based on the ''Holy Grail'' movie. He also wrote ''[[Not the Messiah (He's a Very Naughty Boy)]]'', an oratorio derived from the ''Life of Brian''.
[[File:Monty Python Live 02-07-14 12 51 26 (14578960366).jpg|thumb|[[Eric Idle]] singing the "[[Galaxy Song]]" (from ''The Meaning of Life'') at the 2014 Monty Python reunion. Known for his [[wordplay]] and musical numbers, he also performed "[[Always Look on the Bright Side of Life]]" (from ''Life of Brian'')]]
When Monty Python was first formed, two writing partnerships were already in place: Cleese and Chapman, as well as Jones and Palin. That left two in their own corners: Gilliam, operating solo due to the nature of his work, and [[Eric Idle]]. Regular themes in Idle's contributions were elaborate [[wordplay]] and musical numbers. After ''Flying Circus'', he hosted ''[[Saturday Night Live]]'' four times in the first five seasons. Idle's initially successful solo career faltered in the 1990s with the failures of his 1993 film ''[[Splitting Heirs]]'' (written, produced by, and starring him) and 1998's ''[[An Alan Smithee Film: Burn Hollywood Burn]]'' (in which he starred). He revived his career by returning to the source of his worldwide fame, adapting Monty Python material for other media. Idle wrote the [[Tony Award]]-winning musical ''[[Spamalot]]'', based on ''Holy Grail''. Following the success of the musical he wrote ''[[Not the Messiah (He's a Very Naughty Boy)|Not the Messiah]]'', an [[oratorio]] derived from the ''Life of Brian''.<ref>Eric Idle, [Email letter to] "The Pythons," 20 December 2006. Reprinted in Roy Thompson Hall Performance Program Insert, Summer 2007. p. 6.</ref> Representing Monty Python, Idle featured in a one-hour symphony of British Music when he performed at the [[2012 Summer Olympics closing ceremony|London 2012 Olympic Games closing ceremony]].<ref>{{cite web|url=http://www.aljazeera.com/news/europe/2012/08/201281305330562117.html |title=London ends Olympics on extravagant notes – Europe |work=Al Jazeera English |date=12 August 2012 |access-date=20 August 2019}}</ref>
 
=== Terry Jones ===
[[Terry Jones]] has been described by other members of the team as the “heart” of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should you "speak to him on subjects as diverse as [[fossil fuel]]s, or [[Rupert Bear]], or mercenaries in the [[Middle Ages]] or Modern China... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge." Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. However, Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often underrated. However, he does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.<ref>{{cite news|url=http://film.guardian.co.uk/features/featurepages/0,,2131880,00.html |title=The last laugh: your favourite 50 |work=The Observer |___location=UK |author=Philip French, Mark Kermode, Jason Solomons, Akin Ojumu, and Killian Fox |date=22 July 2007 |accessdate=21 September 2008}}</ref><ref>{{cite news|url=http://www.telegraph.co.uk/news/uknews/1385293/Life-of-Brian-wins-the-vote-for-film's-best-laughter-line.html |title=Life of Brian wins the vote for film's best laughter line |publisher=Telegraph |author=Sarah Womack |date=19 February 2002 |accessdate=21 September 2008 |___location=London}}</ref>
[[Terry Jones]] has been described by other members of the team as the "heart" of the operation. Jones had a lead role in maintaining the group's unity and creative independence. Python biographer George Perry has commented that should "[you] speak to him on subjects as diverse as [[fossil fuel]]s, or [[Rupert Bear]], or mercenaries in the [[Middle Ages]] or Modern China&nbsp;... in a moment you will find yourself hopelessly out of your depth, floored by his knowledge."<ref>Perry, George (2007). ''The Life of Python''. p. 40. Pavilion</ref> Many others agree that Jones is characterised by his irrepressible, good-natured enthusiasm. Jones' passion often led to prolonged arguments with other group members—in particular Cleese—with Jones often unwilling to back down. Since his major contributions were largely behind the scenes (direction, writing), and he often deferred to the other members of the group as an actor, Jones' importance to Python was often under-rated. He does have the legacy of delivering possibly the most famous line in all of Python, as Brian's mother Mandy in ''Life of Brian'', "He's not the Messiah, he's a very naughty boy!", a line voted the funniest in film history on two occasions.<ref>{{cite news|url=http://film.guardian.co.uk/features/featurepages/0,,2131880,00.html|title=The last laugh: your favourite 50|work=The Observer|___location=UK|first1=Philip|last1=French|first2=Mark|last2=Kermode|first3=Jason|last3=Solomons|first4=Akin|last4=Ojumu|first5=Killian|last5=Fox|date=22 July 2007|access-date=21 September 2008}}</ref><ref>{{cite news|url=https://www.telegraph.co.uk/news/uknews/1385293/Life-of-Brian-wins-the-vote-for-film%27s-best-laughter-line.html|archive-url=https://web.archive.org/web/20081206011706/http://www.telegraph.co.uk/news/uknews/1385293/Life-of-Brian-wins-the-vote-for-film%27s-best-laughter-line.html|url-status=dead|archive-date=6 December 2008|title=Life of Brian wins the vote for film's best laughter line|work=The Daily Telegraph|first=Sarah|last=Womack|date=19 February 2002|access-date=21 September 2008|___location=London}}</ref> Jones died on 21 January 2020 from complications of dementia.<ref>{{cite news |title=Monty Python star Terry Jones dies aged 77 |url=https://www.bbc.co.uk/news/entertainment-arts-51209197 |access-date=22 January 2020 |work=BBC News |date=22 January 2020}}</ref>
 
=== Michael Palin ===
[[Michael Palin]] attended Oxford, where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', he hosted ''Saturday Night Live'' four times in the first ten seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007.
Sir [[Michael Palin]] attended [[Oxford University|Oxford]], where he met his Python writing partner Jones. The two also wrote the series ''Ripping Yarns'' together. Palin and Jones originally wrote face-to-face, but soon found it was more productive to write apart and then come together to review what the other had written. Therefore, Jones and Palin's sketches tended to be more focused than that of the others, taking one bizarre situation, sticking to it, and building on it. After ''Flying Circus'', Palin hosted ''Saturday Night Live'' four times in the first 10 seasons. His comedy output began to decrease in amount following the increasing success of his travel documentaries for the BBC. Palin released a book of diaries from the Python years entitled ''Michael Palin Diaries 1969–1979'', published in 2007. Palin was awarded a [[Knight Commander of the Order of St. Michael and St. George|knighthood]] in the [[2019 New Year Honours]], which was announced by [[Buckingham Palace]] in December 2018.<ref>{{cite news|url=https://www.yorkshireeveningpost.co.uk/news/monty-python-s-michael-palin-gets-knighthood-in-new-year-honours-1-9512598|title=Monty Python's Michael Palin gets knighthood in New Year Honours|work=Yorkshire Evening Post|date=29 December 2018|access-date=18 August 2019}}</ref>
 
===Associate Pythons===
Several people have been accorded unofficial "Associateassociate Python" status over the years. Occasionally, such people have been referred to as the ''7thseventh Python'', in a style reminiscent of [[George Martin]] (or other associates of [[Thethe Beatles]]) being dubbed "the [[Fifth Beatle]].". The two collaborators with the most meaningful and plentiful contributions have been [[Neil Innes]] and [[Carol Cleveland]]. Both were present and presented as ''Associate Pythons'' at the official Monty Python 25th -anniversary celebrations held in Los Angeles in July 1994.<ref>{{citation |title=Python Comeback |url=http://web.ukonline.co.uk/sotcaa/sotcaa_python.html?/sotcaa/pythonpages/python_press_1990_99.html |access-date=2007-09-09 |date=3 March 1998 |url-status=dead |archive-url=https://web.archive.org/web/20081201010035/http://web.ukonline.co.uk/sotcaa/sotcaa_python.html?%2Fsotcaa%2Fpythonpages%2Fpython_press_1990_99.html |archive-date=1 December 2008 |df=dmy }}</ref>
[[ImageFile:CarolCleveland10.18.09CarolClevelandByLuigiNovi.jpg|thumb|rightupright|[[Carol Cleveland]] as(in the2009), stereotypicalcommonly ''[[blondecalled bombshell]]''"Python ingirl", theor ''[[Marriage"Seventh GuidancePython".<ref Counsellor]]''name="25 sketch.sketches"/>]]
[[Neil Innes]] is the only non-Python besides [[Douglas Adams]] to be credited with writing material for the ''Flying Circus''. He appeared in sketches and the Python films, as well as performing some of his songs in ''[[Monty Python Live at the Hollywood Bowl]]''. He was also a regular stand-in for absent team members on the rare occasions when they re-createdrecreated sketches. For example, he took the place of Cleese at the [[Concert for George]].<ref>{{cite web|url=http://concertforgeorge.com/performers/|title=Concert for George|work=concertforgeorge.com|url-status=dead|archive-url=https://web.archive.org/web/20130707035917/http://concertforgeorge.com/performers/|archive-date=7 July 2013|df=dmy-all}}</ref> Gilliam once noted that if anyone qualified for the title of the "Seventhseventh Python," it would certainly be Innes. He was one of the creative talents in the off-beat [[Bonzo Dog Band]]. He would later portray Ron Nasty of [[the Rutles]] and write all of the Rutles' compositions for ''[[All You Need isIs Cash]]'' (1978), a [[mockumentary]] film co-directed by Idle. By 2005, a falling out had occurred between Idle and Innes over additional Rutles projects, the results being Innes' critically acclaimed Rutles "reunion" album ''The Rutles: Archaeology'' and Idle's straight-to-DVD ''The Rutles 2: Can't Buy Me Lunch'', each undertaken without the other's participation. According to an interview with Idle in the ''[[Chicago Tribune]]'' in May 2005, his attitude is that heInnes and Inneshe go back "too far. And no further."<ref>"Art imitates strife: Rutles launch feud". (10 May 2005). ''[[Chicago Tribune]]''. Retrieved 20 August 2019</ref> Innes hasdied remainedof a heart silentattack on the29 disputeDecember 2019 near Toulouse, where he had lived for several years.<ref>{{Cite web|url=https://www.theguardian.com/music/2019/dec/30/neil-innes-the-rutles-monty-python-dies|title=Neil Innes, Rutles star and 'seventh Python', dies aged 75|first=Ben|last=Beaumont-Thomas|date=30 December 2019|newspaper=The Guardian}}</ref>
 
[[Carol Cleveland]] was the most important female performer in the Monty Python ensemble, commonly referred to as "the "Pythonfemale Girl.Python". She was Originallyoriginally hired by producer/director [[John Howard Davies]] for just the first five episodes of the ''Flying Circus'',. The Pythons then pushed to make Cleveland a permanent recurring performer after producer/director [[Ian MacNaughton]] brought in several other actresses who were not as good as she was.<ref>{{cite book|title=The Pythons: Autobiography|year=2003|publisher=Thomas Dunne Books|isbn=0-312-31144-3|page=152|quote=Of course, Ian [MacNaughton] didn't want to use Carol, he wanted to bring in various bits of totty, so we had a string of people who weren't as good as Carol. Eventually we started pushing for Carol and said, 'We must have Carol for this.'}}</ref> Cleveland went on to appear in approximatelyabout two-thirds of the episodes, as well as in all of the Python films, and in most of their stage shows, as well.<ref Hername="Cleveland">{{cite commonnews portrayal|title=Top as9 theSuccessful stereotypicalEx–Playboy "blondeBunnies bimbo"|url=https://content.time.com/time/specials/packages/article/0,28804,2075632_2075634_2075676,00.html eventually|access-date=29 earnedAugust her2019 the|magazine=Time}}</ref> sobriquetAccording "Carolto Cleavage"''[[Time from(magazine)|Time]]'', theher othermost Pythons,recognisable butfilm sheroles feltare thatplaying theZoot varietyand ofDingo, hertwo rolesmaidens shouldin notthe beCastle describedAnthrax in such''Holy a pejorative wayGrail''.<ref name="Cleveland"/>
 
===Other contributors===
Cleese's first wife, [[Connie Booth]], appeared as various characters in, amongstall othersfour series of ''Flying Circus''. Her most significant role was the "best girl" of the eponymous Lumberjack in "The Lumberjack Song", though this role was sometimes played by Carol Cleveland. Booth appeared in a total of six sketches and asalso theplayed "witch"one-off characters in Python feature films ''And Now for Something Completely Different'' and ''Monty Python and the Holy Grail''.<ref>{{cite Cleesenews and|title=Comedy: Connie Booth later |url=https://www.bbc.co-wrote.uk/comedy/people/connie_booth_person_page.shtml and co|access-starreddate=20 inAugust ''[[Fawlty2019 Towers]]''.|website=BBC}}</ref>
 
[[Douglas Adams]] was "discovered" by Chapman when a version of the ''Footlights Revue'' (a 1974 [[BBC Two|BBC2]] television show featuring some of Adams' early work) was performed live in London's [[West End of Londontheatre|West End]]. In Cleese's absence from the final TV series, the two formed a brief writing partnership, with Adams earning a writing credit in one episode for a sketch called "[[Patient Abuse]]". In the sketch,sketch—a asatire on mind-boggling bureaucracy—a man who had been stabbed by a nurse arrives at his doctor's office bleeding profusely from the stomach, when the doctor makes him fill outin numerous senseless forms before he can administer treatment.<ref>{{cite news |title=Monty Python's Flying Circus, Series 4, Episode 6 |url=https://www.bbc.co.uk/programmes/p031d26j |access-date=29 August 2019 |website=BBC}}</ref> He also had two cameo appearances in this season. Firstly, in the episode ''"The Light Entertainment War''", Adams shows up in a surgeon's mask (as Dr. Emile Koning, according to the on-screen captions), pulling on gloves, while Palin narrates a sketch that introduces one person after another, and never actually gets started. Secondly, at the beginning of ''"Mr. Neutron''", Adams is dressed in a "pepperpot" outfit and loads a missile onto a cart being driven by Terry Jones, who is calling out for scrap metal ("Any old iron&nbsp;..."). Adams and Chapman also subsequently attempted a few non-Python projects, including ''[[Out of the Trees]]''.<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/6150254.stm|title='Lost' gems from the TV archives|date=December 2006|website=BBC News – Entertainment|access-date=19 August 2019}}</ref> He also contributed to a sketch on the soundtrack album for ''[[Monty Python and the Holy Grail]]''.
 
Other than Carol Cleveland, the only other non-Python to make a significant number of appearances in the ''Flying Circus'' was [[Ian Davidson (scriptwriter)|Ian Davidson]]. He appeared in the first two series of the show, and played over 10 roles. While Davidson is primarily known as a scriptwriter, it is not known if he had any contribution toward the writing of the sketches, as he is only credited as a performer. In total, Davidson is credited as appearing in eight episodes of the show, which is more than any other male actor who was not a Python. Despite this, Davidson did not appear in any Python-related media subsequent to series 2, though footage of him was shown on the documentary ''[[Python Night – 30 Years of Monty Python]]''.<ref>[http://genome.ch.bbc.co.uk/cce5b11885f24b708cc195c106f497fa "Python Night"]. BBC. Retrieved 19 August 2019</ref>
Stand-up comedian [[Eddie Izzard]], a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted a history of the group entitled ''The Life of Python'' (1999) that was part of the ''Python Night'' and appeared with them at a festival/tribute in [[Aspen, Colorado|Aspen]], Colorado, in 1998 (released on DVD as ''Live at Aspen'').
 
Stand-up comedian [[Eddie Izzard]], a devoted fan of the group, has occasionally stood in for absent members. When the BBC held a "Python Night" in 1999 to celebrate 30 years of the first broadcast of ''Flying Circus'', the Pythons recorded some new material with Izzard standing in for Idle, who had declined to partake in person (he taped a solo contribution from the US). Izzard hosted ''The Life of Python'' (1999), a history of the group that was part of Python Night and appeared with them at a festival/tribute in [[Aspen, Colorado]], in 1998 (released on DVD as ''Live at Aspen''). Izzard has said that Monty Python was a significant influence on her style of comedy and Cleese has referred to her as "the lost Python".<ref>{{cite news|url=http://www.independent.ie/entertainment/living-the-dream-eddie-izzard-26586127.html|title=Living the dream: Eddie Izzard|first=Eamon|last=Sweeney|date=27 November 2009|website=The Irish Independent|access-date=30 May 2016}}</ref>
==Cultural influence==
By the time of the twenty-fifth anniversary of Monty Python in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish".<ref name="Perry">{{cite book | last = Perry | first = George | title = The Life of Python | year = 1999 | publisher=Pavilion Books | ___location = London | isbn = 1-85793-441-5 | page = 6 |url=http://books.google.com/books?id=J_Zg-9u4yLAC&printsec=frontcover&dq=life+python#v=onepage&q&f=false |accessdate=24 August 2010}}</ref> A similar point is made in a 2006 book on the relationship between Monty and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence"<ref name=" Hardcastle&ReischIntro">{{cite book|title= Monty Python and Philosophy: Nudge Nudge, Think Think! | author=Hardcastle, G.L., & Reisch, G.A. | chapter=”What’s All This Then?” The Introduction | editors=Gary L. Hardcastle & George A Reisch | year=2006 | publisher=Open Court | ___location = Chicago |isbn=978-0-8126-9593-9 | page=8 |series=Vol. 19 in Popular Culture and Philosophy series |url=http://books.google.com/books?id=wPQelKFNA5MC&printsec=frontcover&dq=monty+python#v=onepage&q&f=false |accessdate=24 August 2010}} Also ISBN 0-8126-9593-3</ref> [[Matt Groening]], creator and co-developer of the animated sitcom ''[[The Simpsons]]'', names Monty Python as an influence and pays tribute through a couch gag used in [[The Simpsons (season 5)|seasons five]] and [[The Simpsons (season 6)|six]].<ref>{{cite web|url=http://simpsons.wikia.com/wiki/Monty_Python's_Flying_Circus_Foot_couch_gag |title=Monty Python's Flying Circus Foot couch gag - Simpsons Wiki |publisher=Simpsons.wikia.com |date=24 December 2011 |accessdate=2 January 2012}}</ref>
 
Series director of ''Flying Circus'', Ian MacNaughton, is also regularly associated with the group and made a few on-screen appearances in the show and in the film ''And Now for Something Completely Different''. Apart from Neil Innes, others to contribute musically included [[Fred Tomlinson (singer)|Fred Tomlinson]] and the Fred Tomlinson Singers.<ref>{{cite news|first=Daniel E.|last=Slotnik |title=Fred Tomlinson, Singer Who Led a 'Monty Python' Troupe, Dies at 88 |url=https://www.nytimes.com/2016/08/05/arts/television/fred-tomlinson-monty-python-singer-dies-at-88.html?_r=0 |work=[[The New York Times]] |date=2016-08-04 |access-date=20 August 2019}}</ref> They made appearances in songs such as "[[The Lumberjack Song]]" as a backup choir. Other contributors and performers for the Pythons included [[John Howard Davies]], John Hughman, [[Lyn Ashley]], Bob Raymond, [[John Young (actor)|John Young]], Rita Davies, Stanley Mason, [[Flanagan (model)|Maureen Flanagan]], and David Ballantyne.<ref>[https://www.telegraph.co.uk/news/obituaries/culture-obituaries/tv-radio-obituaries/8718897/John-Howard-Davies.html "Obituary: John Howard Davies"]. ''Daily Telegraph'', 23 August 2011</ref><ref>{{cite web|url=https://www.independent.co.uk/incoming/obituary-john-young-5593573.html |title= Obituary : John Young |work =The Independent |date= 18 September 2011 |access-date=20 August 2019}}</ref>
===Space===
In 2010 the commercial space company [[SpaceX]], launched a wheel of cheese into low earth orbit and returned it safely to the earth. [[Elon Musk]], CEO and CTO of SpaceX, claimed this was done as a tribute to Monty Python.
 
==Cultural influence and legacy==
===World records===
[[File:Monty Python Live 02-07-14 13 00 13 (14415341590).jpg|thumb|"[[Argument Clinic]]" sketch with Palin (standing) and Cleese in 2014. [[CNN]] states, "Monty Python has been called The Beatles of comedy".<ref name="CNN Beatles"/>]]
On [[St George's Day]], 23 April 2007, the cast and creators of Spamalot gathered in Trafalgar Square under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic "Always Look On The Bright Side of Life" for the Guinness World Records attempt.<ref>[[BBC]]-[http://news.bbc.co.uk/1/hi/england/london/6586187.stm Spamalot cast sets coconut record.]</ref>
By the time of Monty Python's 25th anniversary, in 1994, the point was already being made that "the five surviving members had with the passing years begun to occupy an institutional position in the edifice of British social culture that they had once had so much fun trying to demolish".<ref>{{cite book|last=Perry|first=George|title=The Life of Python|year=1999|publisher=Pavilion Books|___location=London|isbn=1-85793-441-5|page=6|url=https://books.google.com/books?id=J_Zg-9u4yLAC&q=life+python|access-date=24 August 2010}}</ref> A similar point is made in a 2006 book on the relationship between Python and philosophy: "It is remarkable, after all, not only that the utterly bizarre ''Monty Python's Flying Circus'' was sponsored by the BBC in the first place, but that Monty Python itself grew into an institution of enormous cultural influence."<ref>{{cite book|title=Monty Python and Philosophy: Nudge Nudge, Think Think!|chapter='What's All This Then?' The Introduction | editor-first1=Gary L. | editor-last1=Hardcastle | editor-first2=George A. | editor-last2=Reisch|year=2006|publisher=Open Court|___location=Chicago|isbn=978-0-8126-9593-9|page=8|series=Vol. 19 in Popular Culture and Philosophy series|url=https://books.google.com/books?id=wPQelKFNA5MC&q=monty+python|access-date=24 August 2010}} Also {{ISBN|0-8126-9593-3}}</ref>
 
Ron Devillier, the PBS programming director who put ''Monty Python's Flying Circus'' on American television, states, "they brought through a kind of phony baloney surface ethic that we all lived under and shot right through it and split it in half. If you really let it happen, you could laugh at yourself. All the things that they were doing were really funny like playing on our sensibilities and making fun of them in a very funny way, pointing out how pompous we can be and making fun of themselves at the same time."<ref name="Dallas Observer"/> Danny Gallagher of the ''[[Dallas Observer]]'' writes, "Monty Python has also been good to American comedy. If America's television viewing public had never seen "The Lumberjack Song" or "The Dead Parrot" sketch, we might still be holding up ''The Sonny & Cher Comedy Hour'' as a supreme example of cutting-edge TV comedy."<ref name="Dallas Observer"/> ''[[The Benny Hill Show]]'', featuring the slapstick and innuendo of [[Benny Hill]], which contrasted with Python's more absurdist style, was also a hugely successful British comedy on US television, with [[Charles Isherwood]] writing in ''The New York Times'': “Benny” and “Monty” were essential poles of British television comedy as imported to America in the 1970s."<ref name="Isherwood">{{cite news |last1=Isherwood |first1=Charles |title=Why the British Killed King Leer |url=https://www.nytimes.com/2007/04/22/weekinreview/22isherwood.html |access-date=22 February 2025 |work=The New York Times}}</ref>
==='Pythonesque'===
Amongst the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language. The most obvious of these is the term 'pythonesque', which has become a byword in surreal humour, and is included in standard dictionaries.<ref>"Monty Pythonesque." Webster's New Millennium Dictionary of English, Preview Edition (v 0.9.7). Lexico Publishing Group, LLC. 23 November 2007. [http://dictionary.reference.com/browse/Monty Pythonesque]</ref> Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorize and that "the fact that Pythonesque is now a word in the [[Oxford English Dictionary]] shows the extent to which we failed".<ref>''Monty Python: Live at Aspen'', 1998</ref>
 
A self-contained comedy unit responsible for both writing and performing their work, Monty Python's influence on comedy has been compared to [[the Beatles]]' influence on music.<ref name="CNN Beatles"/><ref name="Atlantic Beatles"/><ref name="BBC Beatles"/> Author [[Neil Gaiman]] writes, "A strange combination of individuals gave us Python. And you needed those people, just in the same way that with the Beatles you had four talented people, but together you had the Beatles. And I think that's so incredibly true when it comes to Python."<ref name="Greatest skits">{{cite news |title=Monty Python's greatest skits |url=https://www.theguardian.com/culture/2014/jun/22/monty-pythons-greatest-skits-best-sketches-o2-shows |access-date=25 August 2019 |work=The Guardian}}</ref>
The term has been applied to animations similar to those constructed by Gilliam (e.g. the cut-out style of ''[[South Park]]'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th anniversary theme night).<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/464765.stm |title=Monty Python meets South Park |publisher=BBC News |date=4 October 1999 |accessdate=21 September 2008}}</ref>
 
===Comedy stylists===
''[[Good Eats]]'' creator [[Alton Brown]] cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode.<ref>{{cite web | title = Mr. TV: Food for Thought| url = http://www.mediaweek.com/mw/content_display/community/programming-insider/column/e3icbd5f8a8048766fc980ec4910fe71b25 | publisher=Mediaweek | date = 27 September 2009 | author=Marc Berman | accessdate =27 October 2009}}</ref> Recent episodes even include Gilliam-style animations to illustrate key points.
{{quote box|align=right|width=27%|bgcolor=#FFFFF0|"Everything I've ever done can be distilled to at least one Python sketch. If comedy had a periodic element table, Python would have more than one atom on it."|source=—[[Mike Myers]].<ref name="BBC America"/>}}
Monty Python have been named as being influential to the comedy stylings of a great many people including: [[Sacha Baron Cohen]],<ref>{{Cite web |last=Anthony |first=Andrew |date=2009-06-06 |title=The Observer profile: Sacha Baron Cohen - the comic who is always in your face |url=http://www.theguardian.com/film/2009/jun/07/sacha-baron-cohen-bruno-profile |access-date=2023-01-13 |website=[[The Guardian]] |language=en}}</ref> [[David Cross]],<ref>{{Cite web |last=Bent |first=Mike |title=Profile in Comedy: David Cross – Comedy Writing |url=http://www.netplaces.com/comedy-writing/lets-get-sketchy/profile-in-comedy-david-cross.htm |url-status=dead |archive-url=https://web.archive.org/web/20110407012456/http://www.netplaces.com/comedy-writing/lets-get-sketchy/profile-in-comedy-david-cross.htm |archive-date=7 April 2011}}</ref> [[Rowan Atkinson]],<ref>{{Cite web |last=Lloyd |first=Robert |date=2015-03-27 |title=Before and after 'Bean': A talk with Rowan Atkinson, continued |url=https://www.latimes.com/entertainment/tv/showtracker/la-et-st-mr-bean-rowan-atkinson-20150326-column.html |access-date=2023-01-13 |website=[[Los Angeles Times]] |language=en-US}}</ref> [[Seth MacFarlane]],<ref>{{cite interview|last=Pollak |first=Kevin |interviewer=Kevin Pollak |title=Kevin Pollak Chat Show |last2=MacFarlane |first2=Seth |url=http://www.kevinpollakschatshow.com/archive/?p=64 |date=August 30, 2009 |url-status=dead |archive-url=https://web.archive.org/web/20131016071245/http://www.kevinpollakschatshow.com/archive/?p=64 |archive-date=October 16, 2013 }}</ref> [[Seth Meyers]],<ref>{{cite interview|last=Gaydos|first=Steve|interviewer=Steve Gaydos|title=Live from New York: A Discussion with the Saturday Night Live Writers|url=http://www.paleycenter.org/2011-fall-saturday-night-live-writers/|date=13 November 2011}}</ref> [[Trey Parker]],<ref>{{Cite web |last=Paulson |first=Ken |title=Matt Stone, Trey Parker, Larry Divney 'Speaking Freely' transcript |url=http://www.firstamendmentcenter.org/about.aspx?id=12881 |archive-url=https://web.archive.org/web/20100209001855/http://www.firstamendmentcenter.org/about.aspx?id=12881 |archive-date=2010-02-09 |website=firstamendmentcenter.org}}</ref> [[Matt Stone]],<ref>[https://web.archive.org/web/20100209001855/http://www.firstamendmentcenter.org/about.aspx?id=12881 "Matt Stone, Trey Parker, Larry Divney 'Speaking Freely' transcript"]. Retrieved 10 March 2020</ref> [[Vic and Bob]],<ref>{{Cite web|url=https://www.mirror.co.uk/tv/tv-news/monty-python-reuniting-10-reasons-2809537|title=Monty Python 'reuniting': 10 reasons it HAS to come back|website=[[Daily Mirror]]|date=19 November 2013|quote=Monty Python would itself go on to influence an entire generation of future comedians, from Eddie Izzard to Vic and Bob.}}</ref> [[Mike Myers]],<ref name="Collin"/> [[Russell Brand]],<ref>{{cite news |title=Russell Brand names his five favourite movies of all time |url=https://faroutmagazine.co.uk/russell-brand-five-favourite-movies/ |access-date=30 July 2022 |website=[[Far Out Magazine]]}}</ref> [[Robin Williams]],<ref>{{cite web | url=https://www.huffpost.com/entry/robin-williams-monty-python_b_5678242 | title=Robin Williams' Throbbing (And Reciprocated) Love of Python | date=14 August 2014 |website=Huffington Post }}</ref> [[Jerry Seinfeld]],<ref name="Seinfeld">{{Cite news |last=Reinstein |first=Mara |title='I Wasn't Very Good!' Jerry Seinfeld Reflects on His Early Routines, Favorite Seinfeld Episode and the Future of Comedy |url=https://parade.com/1096425/maramovies/jerry-seinfeld-is-this-anything/ |access-date=2022-08-28 |newspaper=Parade: Entertainment, Recipes, Health, Life, Holidays |date=2 October 2020 |language=en}}</ref> [[Eddie Izzard]],<ref>{{cite news |last=Sweeney |first=Eamon |title=Living the dream: Eddie Izzard |url=http://www.independent.ie/entertainment/day-and-night/living-the-dream-eddie-izzard-1956032.html |work=[[Irish Independent]] |access-date=8 May 2011|date=27 November 2009}}</ref> and [["Weird Al" Yankovic]].<ref>{{cite podcast|url=http://podcasts.triplem.com.au/audio/20070307_spoon_best_weirdalredux.mp3|title="Weird Al" Yankovic interview by Spoonman on Triple M Australia|time=9:10|access-date=2 April 2007|archive-date=4 July 2007|archive-url=https://web.archive.org/web/20070704191934/http://podcasts.triplem.com.au/audio/20070307_spoon_best_weirdalredux.mp3}}</ref> [[Matt Groening]], creator of ''[[The Simpsons]]'', was influenced by Python's "high velocity sense of the absurd and not stopping to explain yourself", and pays tribute through a couch gag used in [[The Simpsons (season 5)|seasons five]] and [[The Simpsons (season 6)|six]].<ref>{{cite book|first=Brian L.|last=Ott|year=2008|title=The Small Screen: How Television Equips Us to Live in the Information Age|publisher=John Wiley & Sons|isbn=978-1-4051-6154-1|page=103}}</ref> Appearing on ''Monty Python's Best Bits (Mostly)'', [[Jim Carrey]]—who refers to Monty Python as the "Super Justice League of comedy"—recalled the effect on him of Ernest Scribbler (played by Palin) laughing himself to death in "[[The Funniest Joke in the World]]" sketch.<ref>{{cite news |title=Monty Python's Best Bits (Mostly) |url=https://www.radiotimes.com/tv-programme/e/c7jvrt/monty-pythons-best-bits-mostly--series-1-episode-1/ |access-date=5 September 2019 |work=Radio Times |archive-date=17 November 2020 |archive-url=https://web.archive.org/web/20201117001205/https://www.radiotimes.com/tv-programme/e/c7jvrt/monty-pythons-best-bits-mostly--series-1-episode-1/ |url-status=dead }}</ref> [[Nick Park]], creator of ''[[Wallace & Gromit]]'', was inspired by Gilliam's animation in Monty Python "to be a bit wacky and off the wall".<ref>{{cite news |title=Nick Park's 7 animation heroes |url=https://www.bfi.org.uk/interviews/nick-park-favourite-animators-influences-early-man |access-date=13 October 2023 |publisher=BFI}}</ref> [[Simon Pegg]], co-writer of the ''[[Three Flavours Cornetto]]'' trilogy of British comedy films (from ''[[Shaun of the Dead]]'' to ''[[The World's End (film)|The World's End]]''), stated his "love of comedy was hugely informed by Monty Python".<ref>{{cite news |title=Simon Pegg and the Pythons will do Absolutely Anything |url=https://www.theguardian.com/film/2013/dec/12/simon-pegg-monty-python-terry-jones-absolutely-anything |access-date=23 October 2022 |work=The Guardian}}</ref> Jerry Seinfeld told [[Parade (magazine)|''Parade'']], "Monty Python was a gigantic influence on me. They were just about silly, funny things that meant nothing, and that's the stuff I love. There's a wonderful childlike freedom in those kinds of things."<ref name="Seinfeld"/> ''Monty Python's Flying Circus'' served as an inspiration for voice actor [[Rob Paulsen]] in voicing [[Pinky and the Brain#Pinky|Pinky]] from the animated television series ''[[Animaniacs]]'' and ''[[Pinky and the Brain]]'', giving the character "a goofy whack job" of a British accent.<ref>{{cite web |url=https://www.theringer.com/tv/2020/11/20/21578891/animaniacs-legacy-influence-reboot-hulu |title='They'll Get It at 8 or at 38": How 'Animaniacs' Introduced a Generation to Comedy |first=Tim |last=Greiving |date=20 November 2020 |access-date=31 May 2021 |website=[[The Ringer (website)|The Ringer]]}}</ref><ref>{{Cite web | url = https://uproxx.com/tv/pinky-and-the-brain-anniversary-interview/ | title = The Rise And Fall Of 'Pinky And The Brain,' A Clever Cartoon Too Smart For Its Own Good | first1 = Ashley | last1 = Burns | first2 = Chloe | last2 = Schildhause | work = [[Uproxx]] | date = 30 December 2015 | access-date = 31 May 2021 }}</ref> [[Graham Linehan]], co-creator of the sitcom ''[[Father Ted]]'', cited the ineffectual protest of ''Life of Brian'' upon its release as an influence for the ''Father Ted'' episode "[[The Passion of Saint Tibulus]]".<ref>{{cite AV media |last1=Linehan |first1=Graham| authorlink1=Graham Linehan |last2=Mathews |first2=Arthur |authorlink2=Arthur Mathews (writer) |year= |title=Father Ted DVD Commentaries |type=Podcast |url=https://itunes.apple.com/gb/podcast/father-ted-dvd-commentaries/id582800079 |archive-url=https://web.archive.org/web/20140517221107/https://itunes.apple.com/gb/podcast/father-ted-dvd-commentaries/id582800079 |url-status=dead |archive-date=17 May 2014 |accessdate=3 October 2024 |___location=United Kingdom |publisher=Channel 4}}</ref>
 
Comedian [[John Oliver]] states, "Writing about the importance of Monty Python is basically pointless. Citing them as an influence is almost redundant. It's assumed. This strange group of wildly talented, appropriately disrespectful, hugely imaginative and massively inspirational idiots changed what comedy could be for their generation and for those that followed."<ref>{{cite news |title=John Oliver on Monty Python: 'inspirational idiots who changed comedy' |url=https://www.theguardian.com/tv-and-radio/2019/jan/07/john-oliver-monty-python-inspirational-idiots-who-changed-comedy |access-date=25 August 2019 |work=The Guardian}}</ref> On how Python's freeform style influenced sketch comedy, [[Tina Fey]] of the American television show ''[[Saturday Night Live]]'' states, "Sketch endings are overrated. Their key was to do something as long as it was funny and then just stop and do something else."<ref name="BBC America">{{cite news |title=8 TV Shows and Comedy Stars Inspired by Monty Python |url=http://www.bbcamerica.com/anglophenia/2019/09/8-tv-shows-and-comedy-stars-inspired-by-monty-python |access-date=29 September 2019 |website=BBC America}}</ref> [[Stephen Merchant]], co-creator of ''[[The Office (British TV series)|The Office]]'' with [[Ricky Gervais]], stated, "I don't remember where I got this grand idea that I could somehow be John Cleese. That was my overriding passion from my mid-teens. Cleese had grown up in Weston-Super-Mare, not far from Bristol where I grew up, and he was tall and he was very funny and very British and it's almost like I thought 'well if they want tall people from the west country I can do that.'"<ref>{{cite web | url=https://www.irishnews.com/magazine/entertainment/2019/12/22/news/stephen-merchant-recalls-creating-the-office-with-ricky-gervais-1797154/ | title=Stephen Merchant recalls creating the Office with Ricky Gervais |work=The Irish News | date=22 December 2019 |access-date=9 June 2022}}</ref>
 
===Places===
; In space
* Seven [[asteroid]]s are named after Monty Python or its members: [[9617 Grahamchapman]], [[9618 Johncleese]], [[9619 Terrygilliam]], [[9620 Ericidle]], [[9621 Michaelpalin]], [[9622 Terryjones]], and [[13681 Monty Python]].
* In 2010, the commercial space company [[SpaceX]] launched a wheel of cheese into [[low Earth orbit]] and returned it safely to Earth on [[SpaceX COTS Demo Flight 1|COTS Demo Flight 1]]. [[Elon Musk]], CEO and CTO of SpaceX, said this was done as a tribute to Monty Python.<ref>{{cite web|title=SpaceX's 'secret' payload? A wheel of cheese|url=http://latimesblogs.latimes.com/technology/2010/12/spacexs-secret-payload.html|work=Los Angeles Times|date=9 December 2010|access-date=23 April 2013}}</ref>
;Terrestrial
* After John Cleese spoke negatively about the town of [[Palmerston North]] in New Zealand, recommending it as a good place to commit suicide, the town renamed a compost heap "Mt. Cleese".<ref name="thegeektwins.com" />
 
==="Pythonesque"===
Among the more visible cultural influences of Monty Python is the inclusion of terms either directly from, or derived from, Monty Python, into the lexicon of the English language.
* The most obvious of these is the term "[[wikt:Pythonesque|Pythonesque]]", which has become a byword in [[surreal humour]], and is included in standard dictionaries.<ref>{{cite news|title=Monty Pythonesque|work=Webster's New Millennium Dictionary of English|edition=Preview Edition (v 0.9.7)|publisher=Lexico Publishing Group, LLC|date=23 November 2007|url=http://dictionary.reference.com/browse/Pythonesque}}</ref><ref>"[https://www.oed.com/view/Entry/155585 Pythonesque, adj.]" ''OED Online'', Oxford University Press, June 2018. Accessed 22 July 2018.</ref> Terry Jones commented on his disappointment at the existence of such a term, claiming the initial aim of Monty Python was to create something new and impossible to categorise, and "the fact that Pythonesque is now a word in the ''[[Oxford English Dictionary]]'' shows the extent to which we failed".<ref>{{cite book|author=Jones, Terry|title=Monty Python: Live at Aspen|date=1998}}</ref>
* The term has been applied to animations similar to those constructed by Gilliam (e.g., the cut-out style of ''[[South Park]]'', whose creators have often acknowledged a debt to Python, including contributing material to the aforementioned 30th-anniversary theme night).<ref>{{cite news|url=http://news.bbc.co.uk/1/hi/entertainment/464765.stm|title=Monty Python meets South Park|work=BBC News|date=4 October 1999|access-date=21 September 2008}}</ref>
* ''[[Good Eats]]'' creator [[Alton Brown]] cited Python as one of the influences that shaped how he created the series, as well as how he authors the script for each episode.<ref>{{cite web|title=Mr. TV: Food for Thought|url=http://www.mediaweek.com/mw/content_display/community/programming-insider/column/e3icbd5f8a8048766fc980ec4910fe71b25|publisher=Mediaweek|date=27 September 2009|first=Marc|last=Berman|access-date=27 October 2009|url-status=dead|archive-url=https://web.archive.org/web/20091002220042/http://www.mediaweek.com/mw/content_display/community/programming-insider/column/e3icbd5f8a8048766fc980ec4910fe71b25|archive-date=2 October 2009}}</ref> Later episodes included Gilliam-style animations to illustrate key points.
* Film critic [[Robbie Collin]] writes, "You can find the Pythonesque everywhere in cinema. Most successful Hollywood comedies bear some kind of Python-print. The ''[[Austin Powers]]'' series chugs along on Pythonisms. Then there are [[Christopher Guest]]'s mockumentaries, such as ''Waiting for Guffman'' and ''Best in Show'', which revel in the quiet absurdity of the everyday—well-staked-out Python territory. And there's a tensile weirdness in the films of [[Will Ferrell]] that's also deeply Pythonesque."<ref name="Collin"/>
 
===TV===
The Japanese [[anime]] series ''[[Girls und Panzer]]'' featured the special episode "Survival War!", which referenced the "Spam" sketch,<ref>Archived at [https://ghostarchive.org/varchive/youtube/20211211/AlsvLZvAkOg Ghostarchive]{{cbignore}} and the [https://web.archive.org/web/20160903232232/https://www.youtube.com/watch?v=AlsvLZvAkOg Wayback Machine]{{cbignore}}: {{cite web|title=YouTube: Girls Und Panzer – *pam *pam *pam|website = [[YouTube]]| date=8 June 2013 |url=https://www.youtube.com/watch?v=AlsvLZvAkOg}}{{cbignore}}</ref> but the word "spam" was censored to avoid legal issue with the Pythons.
 
===Things named after Monty Python===
Beyond a dictionary definition, Python terms have entered the [[lexicon]] in other ways.
[[File:Monty Python Live 02-07-14 13 04 42 (14598710791).jpg|thumb|Menu from the "[[Spam (Monty Python)|Spam]]" sketch, from where the [[Spamming|junk term]] is derived. Spam is included in almost every dish, much to the consternation of a customer.]]
* The term "[[Spamming|spam]]" in reference to bulk, unsolicited email is derived from the show's 1970 "[[Spam (Monty Python)|Spam]]" sketch.{{ref RFC|2635}} As the waitress recites the Spam-filled menu, a chorus of [[Viking]] patrons drown out all conversations with a song, repeating "Spam, Spam, Spam, Spam… Spammity Spam! Wonderful Spam!"<ref>{{cite web| url = http://www.thegoodword.co.uk/2010/09/20/the-origin-of-the-word-spam/| title = The Origin of the word 'Spam'| website = The Good Word| access-date = 23 August 2019| archive-date = 16 December 2019| archive-url = https://web.archive.org/web/20191216040211/http://www.thegoodword.co.uk/2010/09/20/the-origin-of-the-word-spam/| url-status = dead}}</ref>
* The [[Python (programming language)|Python programming language]] by [[Guido van Rossum]] is named after the troupe, and Monty Python references are often found in sample code created for that language. The default [[integrated development environment]] of the programming language is named [[IDLE (Python)|IDLE]], an alternative one is named [[Eric (software)|eric]], both in honour of Eric Idle. Additionally, a 2001 [[April Fool's Day]] joke by van Rossum and [[Larry Wall]] involving the merger of Python with [[Perl]] was dubbed "Parrot" after the [[Dead Parrot sketch]]. The name "Parrot" was later used for [[Parrot virtual machine|a project]] to develop a virtual machine for running [[bytecode]] for interpreted languages such as Perl and Python. Its package index is also known as the "Cheese Shop"<ref>{{cite web|url=https://www.python.org/about/gettingstarted/|title=Python For Beginners|publisher=Python.org|access-date=3 March 2013}}</ref> after the [[Cheese Shop sketch|sketch of the same name]]. There is also a python refactoring tool called bicyclerepair named after [[Bicycle Repair Man]] sketch.<ref>{{cite web|title=Bicycle Repair Man, a Refactoring Tool for Python|url=https://bicyclerepair.sourceforge.net/|publisher=SourceForge.net|access-date=12 January 2013}}</ref>
* In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the [[Miocene]] was discovered in [[Australian Fossil Mammal Sites (Riversleigh)|Riversleigh]], Queensland, Australia. The Australian [[palaeontologist]] who discovered the fossil snake was a Monty Python fan, and he gave the snake the [[taxonomy (biology)|taxonomic]] name of ''[[Montypythonoides]] riversleighensis'' in honour of the Monty Python team.<ref>[https://www.bbc.co.uk/dna/h2g2/A687945 Monty Python – a Brief History], [[BBC]], 29 January 2002</ref>
* In 2006, [[Ben & Jerry's]], known for their "celebrity flavours", introduced to the line-up "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavour.<ref>{{cite web|url=http://leemichaelwithers.tripod.com/sfh7_16_96.htm|title=STAN FREBERG HERE – British Ice Cream Flavors|access-date=1 October 2010|quote=Ben & Jerry's Ice Cream has just finished a contest to select the quintessential British ice cream flavor.&nbsp;... They wanted a kind of "pun" flavor along the lines of their successful American flavor, "Cherry Garcia"--hmm, my favorite. Anyhow, the winner was "Cool Brittania."&nbsp;... But some of the 7500 losers might have been better. How about this, for British flavors: "Minty Python"? "Jack the Ripple"? Or how about "The Rolling Scones"?}}</ref><ref>{{cite web |date=4 July 1996 |title=American Scoops Up Prize For Name of Brit Ben & Jerry's |url=https://www.orlandosentinel.com/1996/07/04/american-scoops-up-prize-for-name-of-brit-ben-jerrys/ |url-status=live |archive-url=https://web.archive.org/web/20130529173139/http://articles.orlandosentinel.com/1996-07-04/business/9607030986_1_ben-jerry-ice-cream-flavor |archive-date=29 May 2013 |access-date=1 October 2010 |work=[[The Wall Street Journal]] |via=[[Orlando Sentinel]] |quote=If Britain were an ice cream, what flavor would it be? Jack the Ripple? Charles and Diana Split? Those names were floated in a contest run by Ben & Jerry's Homemade Inc. to create the quintessential British ice cream flavor, along the lines of its world-famous American flavor, Cherry Garcia.}}</ref>
* In 1999, in connection with the group's 30th anniversary, a beer named "Holy Grail Ale" was released by the Black Sheep Brewery in [[North Yorkshire]].
* The endangered [[Bemaraha woolly lemur]] (''Avahi cleesei'') is named after John Cleese.<ref>{{cite news|url=http://news.bbc.co.uk/2/hi/uk_news/4427160.stm|title=Endangered lemurs get Fawlty name|website=BBC News|date=11 November 2005|access-date=30 May 2016}}</ref><ref>{{cite iucn |author=Louis, E.E. |author2=Raharivololona, B. |author3=Schwitzer, C. |author4=Wilmet, L. |date=2020 |title=''Avahi cleesei'' |volume=2020 |page=e.T136335A115582253 |doi=10.2305/IUCN.UK.2020-2.RLTS.T136335A115582253.en |access-date=12 November 2021}}</ref>
* Geneticists discovered a mutant gene which caused mutant flies to live twice as long as normal ones. They dubbed the gene "Indy," which is an acronym for the line of dialogue: "I'm not dead yet!", from the film ''[[Monty Python and the Holy Grail]]''.<ref name="thegeektwins.com">{{cite web|url=http://www.thegeektwins.com/2013/09/9-geekiest-things-named-after-monty_5.html|title=9 Geekiest Things Named After Monty Python [List]|website=thegeektwins.com|date=5 September 2013 |access-date=11 July 2017}}</ref>
* The band [[Toad the Wet Sprocket]] took its name from the Rock Notes<ref>{{cite web|title=Rock Notes Script|url=http://www.montypython.net/scripts/rocknote.php|website=montypython.net|access-date=5 October 2017}}</ref> sketch on the comedy album, ''[[Monty Python's Contractual Obligation Album]]''.<ref>{{cite web|last1=Python|first1=Monty|title=Monty Python's Contractual Obligation Album|url=http://www.montypython.com/music_Monty%20Python%27s%20Contractual%20Obligation%20Album%20(1980)/14|website=Monty Python's Official Website|access-date=5 October 2017}}</ref>
 
===World records===
*The [[Python (programming language)|Python programming language]] by [[Guido van Rossum]] is named after the troupe, and Monty Python references are often found in sample code created for that language. Additionally, a 2001 [[April Fool's Day]] joke by van Rossum and [[Larry Wall]] involving the merger of Python with [[Perl]] was dubbed "Parrot" after the [[Dead Parrot Sketch]]. The name "Parrot" was later used for [[Parrot virtual machine|a project]] to develop a virtual machine for running [[bytecode]] for interpreted languages such as Perl and Python. Its package index is also known as the "Cheese Shop"<ref>http://www.python.org/about/gettingstarted/</ref> after the [[Cheese Shop sketch|sketch of the same name]]. Also, the [[Jet Propulsion Laboratory]] wrote some spacecraft navigation software in Python, which they dubbed "Monty". There is also a python refactoring tool called bicyclerepair ( [http://bicyclerepair.sourceforge.net/] ), named after Bicycle Repair Man sketch.
[[File:Monty Python Live 02-07-14 12 27 13 (14415368570).jpg|thumb|[[List of recurring Monty Python's Flying Circus characters#Gumbys|Gumby]] flower arranging. A character of limited intelligence and vocabulary (a satire on the condescending use of the "man on the street" on TV), he is played here by Terry Gilliam in 2014.]]
*In 1985, a fossil of a previously unknown species of gigantic prehistoric snake from the [[Miocene]] was discovered in [[Riversleigh]], Queensland, Australia. The Australian [[palaeontologist]] who discovered the fossil snake was a Monty Python fan, and he gave the snake the [[taxonomy|taxonomic]] name of ''[[Montypythonoides|Montypythonoides riversleighensis]]'' in honour of the Monty Python team.<ref>[http://www.bbc.co.uk/dna/h2g2/A687945 Monty Python – a Brief History], [[BBC]], 29 January 2002</ref> (Transliterated from Greek Μοντυπυθωνοειδής back to English, Montypythonoides means "like Monty Python".)
On [[St George's Day]], 23 April 2007, the cast and creators of ''Spamalot'' gathered in [[Trafalgar Square]] under the tutelage of the two Terrys (Jones and Gilliam) to set a new record for the world's largest coconut orchestra. They led 5,567 people "clip-clopping" in time to the Python classic, "[[Always Look on the Bright Side of Life]]", for the ''[[Guinness World Records]]'' attempt.<ref>{{cite news|publisher=[[BBC]]|url=http://news.bbc.co.uk/1/hi/england/london/6586187.stm|title=''Spamalot'' cast sets coconut record|access-date=2 October 2019}}</ref>
*In 2006, [[Ben & Jerry's]], known for their "celebrity flavours", introduced to the lineup "Vermonty Python", a coffee liqueur ice cream with a chocolate cookie crumb swirl and fudge cows. The name "Minty Python" had been suggested before in 1996 in a contest to select the quintessential British ice cream flavor.<ref>{{cite web | url = http://leemichaelwithers.tripod.com/sfh7_16_96.htm | title = STAN FREBERG HERE – British Ice Cream Flavors: | accessdate =1 October 2010 | quote = Ben & Jerry's Ice Cream has just finished a contest to select the quintessential British ice cream flavor. ... They wanted a kind of "pun" flavor along the lines of their successful American flavor, "Cherry Garcia"--hmm, my favorite. Anyhow, the winner was "Cool Brittania." ... But some of the 7500 losers might have been better. How about this, for British flavors: "Minty Python"? "Jack the Ripple"? Or how about "The Rolling Scones"?}}</ref><ref>{{cite web | url = http://articles.orlandosentinel.com/1996-07-04/business/9607030986_1_ben-jerry-ice-cream-flavor | title = American Scoops Up Prize For Name Of Brit Ben & Jerry's – Orlando Sentinel | accessdate =1 October 2010 | date = 4 July 1996 | work=Wall Street Journal | quote = If Britain were an ice cream, what flavor would it be? Jack the Ripple? Charles and Diana Split? Those names were floated in a contest run by Ben & Jerry's Homemade Inc. to create the quintessential British ice cream flavor, along the lines of its world-famous American flavor, Cherry Garcia.}}</ref>
*In 1999, [[Black Sheep Brewery]] released an [[ale]] named "Monty Python's Holy <s>Gr</s>ail Ale."<ref>{{cite web|url=http://www.blacksheepbrewery.com/Beers/BottledBeers/HolyGrail.aspx |title=Monty Python's Holy Grail |publisher=Blacksheepbrewery.com |date= |accessdate=2 January 2012}}</ref>
*The band [[Toad the Wet Sprocket]] drew its name from the Eric Idle monologue "Rock Notes" on Monty Python's ''Contractual Obligation Album'' from 1980.
*The band [[Boxhamsters]], which is the German translation of Brook-Hamster, the winner of the [[Upper Class Twit of the Year]].<ref>{{cite web|url=http://www.boxhamsters.net |title=Boxhamsters |publisher=www.boxhamsters.net |accessdate=19 August 2009}}</ref>
*A philosophy lecture series entitled ''Themes in Contemporary Analytic Philosophy as Reflected in the Work of Monty Python''.<ref>{{cite web|author=Eric Barnes |url=http://www.mtholyoke.edu/~ebarnes/python/python.htm |title=Gary L. Hardcastle: Themes in Contemporary Analytic Philosophy as Relfected in the Work of Monty Python |publisher=Mtholyoke.edu |date= |accessdate=2 January 2012}}</ref><ref name="Hardcastle&Reisch">{{cite book|title=Monty Python and Philosophy: Nudge Nudge, Think Think! | editor=Gary L. Hardcastle & George A Reisch |year=2006|publisher=Open Court | ___location = Chicago | isbn=978-0-8126-9593-9}} Also ISBN 0-8126-9593-3</ref>
*The term "[[spam (electronic)|spam]]" in reference to bulk, unsolicited email is derived from the programme's 1970 "Spam" sketch.<ref name="tools.ietf.org">{{cite web | url = http://tools.ietf.org/html/rfc2635 | title = RFC 2635 – DON\x27T SPEW A Set of Guidelines for Mass Unsolicited Mailings and Postings (spam*): | accessdate =29 September 2010}}</ref>
*In the book ''[[The Reptile Room]]'' by "[[Lemony Snicket]]", the character Uncle Monty was named after Monty Python, in a joke referring to his obsession with snakes.
* Seven [[asteroids]] are named after Monty Python: [[9617 Grahamchapman]], [[9618 Johncleese]], [[9619 Terrygilliam]], [[9620 Ericidle]], [[9621 Michaelpalin]], [[9622 Terryjones]], and [[13681 Monty Python]] .
* The endangered [[Bemaraha woolly lemur]] (Avahi cleesei) is named after John Cleese.
 
On 5 October 2019, to mark the 50th anniversary of Monty Python's first show, the "first official Monty Python Guinness world record attempt" tried to break the record for "the largest gathering of people dressed as [[List of recurring Monty Python's Flying Circus characters#Gumbys|Gumbys]]."<ref>{{cite web |url=https://www.theguardian.com/culture/2019/jun/26/still-flying-monty-python-to-mark-50th-anniversary-with-record-attempt |title=Still flying: Monty Python to mark 50th anniversary with record bid |newspaper=The Guardian |date= 26 June 2019}}</ref> A recurring character on the show, a Gumby wears a handkerchief on their head, has spectacles, braces, a knitted tank top, and [[Wellington boots]]. The shirt sleeves and trouser legs are always rolled up, exposing their socks and knees. Dimwitted, their most famous catchphrases are "My brain hurts!" and repeated shouts of "Hello!" and "Sorry!"<ref>Chapman, Graham, ''The Complete Monty Python's Flying Circus, volume 2'', p. 123. Pantheon Books, 1989</ref>
*''Dead Parrot Society'' is the title of a comedy CD released in 1993 featuring sketches from ''[[Monty Python's Flying Circus]]'' as well as [[Graham Chapman]], [[Peter Cook]], [[John Cleese]], [[Dudley Moore]], and The [[Portsmouth Sinfonia]] The title is also a play on the 1989 film ''[[Dead Poets Society]]''.
 
==Timeline==
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==Media==
Line 300 ⟶ 444:
 
===Television===
*''[[Monty Python's Flying Circus]]'' (1969–741969–1974): The show that started the Python phenomenon, see also [[List of Monty Python's Flying Circus episodes]].
*''[[Monty Python's Fliegender Zirkus]]'' (1972): Two 45-minute specials were made by [[Westdeutscher Rundfunk|WDR]] for West German television. The first was recorded in German, while the second was in English with German [[Dubbing (filmmaking)|dubbing]].
:The show that started the Python phenomenon. See also [[List of Monty Python's Flying Circus episodes]]
*''[[Monty Python's FliegenderPersonal ZirkusBest]]'' (19722006): Six one-hour specials, each episode presenting the best of one member's work.
: Two 45-minute specials made by [[Westdeutscher Rundfunk|WDR]] for West German television. The first was recorded in German, while the second was in English with German [[Dubbing (filmmaking)|dubbing]].
*''[[Monty Python's Personal Best]]'' (2006)
:Six one-hour specials, each episode presenting the best of one member's work.
 
===Films===
There were fiveFive Monty Python productions were released as theatrical films:
*''[[And Now for Something Completely Different]]'' (1971): A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' re-enacted and shot for film.
*''[[Monty Python and the Holy Grail]]'' (1975): King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into stand-alone sketches.
:A collection of sketches from the first and second TV series of ''Monty Python's Flying Circus'' purposely re-enacted and shot for film.
*''[[Monty Python's Life of Brian]]'' (1979): Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.
*''[[Monty Python and the Holy Grail]]'' (1974)
*''[[Monty Python Live at the Hollywood Bowl]]'' (1982): A videotape recording directed by [[Terry Hughes (director)|Terry Hughes]] of a live performance of sketches, it was originally intended for a TV/video special. It was transferred to 35&nbsp;mm and given a [[Limited release|limited theatrical release]] in the US.
:King Arthur and his knights embark on a low-budget search for the Holy Grail, encountering humorous obstacles along the way. Some of these turned into standalone sketches.
*''[[Monty Python's LifeThe Meaning of BrianLife]]'' (19791983): An examination of the meaning of life in a series of sketches from conception to death and beyond.
:Brian is born on the first Christmas, in the stable next to Jesus'. He spends his life being mistaken for a messiah.
*''[[Monty Python Live at the Hollywood Bowl]]'' (1982)
:A videotape recording directed by [[Ian MacNaughton]] of a live performance of sketches. Originally intended for a TV/video special. Transferred to 35mm and given a [[Limited release|limited theatrical release]] in the US.
*''[[Monty Python's The Meaning of Life]]'' (1983)
:An examination of the meaning of life in a series of sketches from conception to death and beyond.
*''[[Monty Python: Almost the Truth (The Lawyer's Cut)]]'' (2009)
:This film features interviews with all the surviving Python members, along with archive representation for the late Graham Chapman.
*''[[A Liar's Autobiography|A Liar's Autobiography: Volume IV]]'' (2012)
:This is an animated film which is based on the memoir of the late Monty Python member, Graham Chapman.
 
===Albums===
 
*''[[Monty Python's Flying Circus (album)|Monty Python's Flying Circus]]'' (1970)
*''[[Another {{Main|Monty Python Record]]'' (1971)discography}}
 
*''[[Monty Python's Previous Record]]'' (1972)
* ''[[The Monty Python's MatchingFlying TieCircus (album)|Monty Python's andFlying HandkerchiefCircus]]'' (19731970)
* ''[[Another Monty Python Live at Drury LaneRecord]]'' (19741971)
* ''[[The Album of the Soundtrack of the Trailer of the Film of Monty Python's and the HolyPrevious GrailRecord]]'' (19751972)
* ''[[The Monty Python LiveMatching atTie Cityand CenterHandkerchief]]'' (19761973)
* ''[[TheLive at Drury Lane|Monty Python InstantLive at RecordDrury CollectionLane]]'' (19771974)
* ''[[MontyThe Python'sAlbum Lifeof the Soundtrack of Brianthe Trailer of the Film of (album)|Monty Python's Lifeand ofthe Holy BrianGrail]]'' (19791975)
* ''[[Monty Python's ContractualLive at ObligationCity AlbumCenter]]'' (19801976)
* ''[[Monty Python's The Meaning of Life (album)|Monty Python's The MeaningInstant ofRecord LifeCollection]]'' (19831977)
* ''[[Monty Python's Life of Brian (album)|Monty Python's Life of Brian]]'' (1979)
*''[[The Final Rip Off]]'' (1988)
* ''[[Monty Python Sings]]Examines The Life of Brian'' (1989promo) (1979)
* ''The [[Monty Python's Instant Record Collection,Contractual VolumeObligation 2Album]]'' (19911980)
* ''[[The Ultimate Monty Python RipInstant OffRecord Collection]]'' (1994US version) (1981)
* ''[[Monty Python's The InstantMeaning of Life (album)|Monty Python's The Meaning CDof CollectionLife]]'' (19941983)
* ''Monty Python's The Meaning of Life: Audio Press Kit'' (promo) (1983)
*''[[Spamalot]]'' (Broadway version of ''[[Monty Python and the Holy Grail]]'' with [[Tim Curry]] as King Arthur) (2005)
* ''[[The Hastily Cobbled Together for a FastFinal BuckRip AlbumOff]]'' (unreleased1987)
* ''[[Monty Python Sings]]'' (1989)
* ''[[The Ultimate Monty Python Rip Off]]'' (1994)
* ''[[Monty Python Sings]] Again'' (2014)
* ''[[The Hastily Cobbled Together for a Fast Buck Album]]'' (unreleased)
 
===Theatre===
*''[[Monty Python's Flying Circus (stage version)|Monty Python's Flying Circus]]'' –: Between 1974 and 1980 (''Live at the Hollywood Bowl'' was released in 1982, but was performed in 1980), the Pythons made three sketch-based stage shows, comprising mainly material from the original television series.
*''[[Spamalot|Monty Python's Spamalot]]'': Written by Idle and directed by [[Mike Nichols]], with music and lyrics by [[John Du Prez]] and Idle, andit starringstarred [[Hank Azaria]], [[Tim Curry]], and [[David Hyde Pierce]],; ''Spamalot'' is a musical adaptation of the film ''Monty Python and the Holy Grail''. It ran in [[Chicago]] from 21 December 2004 to 23 January 2005, and began performances on [[Broadway theatre|Broadway]] on 17 March 2005. It won three [[Tony Award|TonysAwards]]. It was one of eight UK musicals commemorated on [[Royal Mail]] stamps, issued in February 2011.<ref>{{cite news |title=Royal Mail musicals stamps set to rock you! |url=https://www.royalmailgroup.com/en/press-centre/press-releases/royal-mail/royal-mail-musicals-stamps-set-to-rock-you/ |access-date=27 April 2019 |website=Royal Mail group}}</ref>
*''[[Not the Messiah (He's a Very Naughty Boy)|Not the Messiah]]'': – Thethe [[Toronto Symphony Orchestra]] commissioned Idle and John Du Prez to write the music and lyrics of an [[oratorio]] based on ''Monty Python's Life of Brian''. Entitled ''Not the Messiah'', it had its world premiere as part of [[Luminato]], a "festival of arts and creativity" taking place 1–10 June 2007 in [[Toronto]], Ontario, Canada. ''Not the Messiah'' was conducted by [[Peter Oundjian]], Musicmusic Directordirector of the Toronto Symphony Orchestra, who is Idle’sIdle's cousin. It was performed by a narrator, the Toronto Symphony Orchestra, with guest soloists and choir. According to Idle, "ItI promise it will be funnier than [[Messiah (Handel)|Handel]], though probably not as good".<ref>{{cite news |title=Idle's Messiah is Spamalot sequel |url=http://news.bbc.co.uk/1/hi/entertainment/6362779.stm |access-date=23 August 2019 |website=BBC}}</ref>
* ''[[Monty Python Live (Mostly)|Monty Python Live]]'': One Down, Five to Go: (1–5, 15–16, 18–20 July 2014). The Pythons have stated this is the last live reunion of the remaining members of Monty Python.<ref name="O2 Shows">{{cite news|title=Global finale for Monty Python show on stage and in cinemas|work=BBC News|date=21 July 2014|url=https://www.bbc.com/news/entertainment-arts-28390310|access-date=20 August 2019}}</ref> Held at London's [[The O2 Arena|O<sub>2</sub> Arena]], tickets for the first night's show sold out in 43 seconds.<ref name="Record sales"/> The set list included a mix of live performances of their most popular sketches, clips from their shows, and elaborate dance numbers. Each night featured a different celebrity "victim" of the "Blackmail" sketch. The final show was screened to 2,000 cinemas around the world.<ref name="O2 Shows"/>
 
===Books===
Books by Monty Python
* ''[[Monty Python's Big Red Book]]'' (1971) <small>ISBN 0-413-29520-6.</small>
<!-- (official/authorised titles only, not repackages) -->
* ''[[The Brand New Monty Python Bok]]'' (1973) <small>ISBN 0-7493-1170-3.</small>
* ''[[Monty Python's andBig TheRed Holy Grail (book) – Mønti Pythøn ik den Hølie Gräilen (Bøk)Book]]'' (19771971) <small>{{ISBN |0-413416-3852066890-59}}.</small>
* ''MONTYPYTHONSCRAPBOOK/ [[The LifeBrand ofNew BrianMonty Python Bok]]'' (19791973) <small>{{ISBN |0-413-4655030130-03}}.</small>
* ''MontyThe Python'sFairly FlyingIncomplete Circus& Rather JustBadly TheIllustrated WordsMonty Python Song Book'' Volume 1 (19891994) <small>{{ISBN |0-413-6254069000-0.8}}</small>
 
* ''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) <small>ISBN 0-413-62550-8.</small>
Script books
* ''The Complete Monty Python's Flying Circus'' Volumes 1 & 2
* ''The[[Monty FairlyPython Incompleteand &the RatherHoly Badly IllustratedGrail (Book)|Monty Python Songand Bookthe Holy Grail]]'' (19941977) <small>{{ISBN |0-413-6900038520-85}}.</small>
* ''[[Monty Python's The Life of Brian/MONTYPYTHONSCRAPBOOK]]'' (1979, plus script-only reprint) <small>{{ISBN|0-413-46550-0}}.</small>
* ''Michael Palin Diaries 1969–1979''
* ''[[Monty Python's The Meaning of Life (book)|Monty Python's The Meaning of Life]]'' (1983) <small>{{ISBN|0-413-53380-8}}.</small>
* ''The Pythons: Autobiography by the Pythons''
* ''TheMonty LifePython's ofFlying Brian/JesusCircus – Just The Words'' Volume 1 (20111989) <small>{{ISBN 978-1|0-84876413-62862540-0}}.</small>
* ''Monty Python's Flying Circus – Just The Words'' Volume 2 (1989) <small>{{ISBN|0-413-62550-8}}.</small>
* ''Monty Python's Fliegender Zirkus'' (edited by Alfred Biolek) (1998)
 
Compilations
* ''The Complete Works of Shakespeare and Monty Python. Volume One – Monty Python'' (1981) <small>{{ISBN|978-0-413-49450-4}}.</small>
* ''The Monty Python Gift Boks'' (1986)
* ''A Pocketful of Python Volume 1'' (edited by Terry Jones) (1999)
* ''A Pocketful of Python Volume 2'' (edited by John Cleese) (1999)
* ''A Pocketful of Python Volume 3'' (edited by Terry Gilliam) (2000)
* ''A Pocketful of Python Volume 4'' (edited by Michael Palin) (2000)
* ''A Pocketful of Python Volume 5'' (edited by Eric Idle) (2002)
 
Books about Monty Python by Pythons
* ''Monty Python Speaks!'' (edited by David Morgan) (1999)
* ''[[The Pythons Autobiography by The Pythons]]'' (edited by Bob McCabe) (2003, plus various reformatted editions)
* ''Monty Python Live!'' (2009)
* ''Monty Python at Work'' (by Michael Palin, compilation of republished diary entries) (2014)
* ''So, Anyway'' ... (by John Cleese, Autobiography to age 30) (2014)
* ''Always Look on the Bright Side of Life'' (by Eric Idle, Autobiography) (2018) <small>{{ISBN|978-1-9848-2258-1}}.</small>
 
Other books about Monty Python
* ''Monty Python: The Case Against'' (by Robert Hewison) (1981)
 
===Games===
* ''[[Monty Python's Flying Circus: The Computer Game|Monty Python's Flying Circus]]'' (1990) a computervideo game released by [[Virgin Interactive|Virgin Games]] for 8-bit systems such as the [[Commodore 64]], [[Amstrad CPC]] and the [[Sinclair ZX Spectrum]]<ref>{{cite web|url=http://www.worldofspectrum.org/infoseekid.cgi?id=0003260 |title=Monty Python's Flying Circus on World of Spectrum |publisher=Worldofspectrum.org |accessdateaccess-date=19 August 2009}}</ref><ref>{{cite web|url=http://www.lemonamiga.com/?game_id=759|title=Monty Python's Flying Circus – Lemon Amiga|publisher=lemonamiga.com|access-date=3 January 2015}}</ref>
* ''[[Monty Python's Complete Waste of Time]]'' (1994) released by 7th Level for PCMacintosh /and MS-DOS
* ''[[Monty Python & the Quest for the Holy Grail]]'' (1996), official game released by 7th Level. It used footage and imagery from the film, as well as audio clips (some new) and featured an animated version of a scene never filmed entitled "King Brian The Wild".
* ''[[Monty Python's The Meaning of Life (computervideo game)|Monty Python's The Meaning of Life]]'' (1997), also released by 7th Level. According to the jewel case description, it's based on the film by the same name, but it's really something completely similar yet entirely different.
* ''Python-opoly'' (2007), a Monty Python-themed property game released by Toy Vault Inc.<ref>{{cite web|url=http://www.toyvault.com/pythonopoly/index.htm |title=Toy Vault web site for Python-opoly,. retrievedRetrieved November&nbsp;20, 2008 |publisher=Toyvault.com |accessdateaccess-date=19 August 2009|archive-date=6 February 2009|archive-url=https://web.archive.org/web/20090206123932/http://toyvault.com/pythonopoly/index.htm|url-status=dead}}</ref>
* ''Monty Python Fluxx'' (2008), a card game released by Looney Labs<ref>{{cite web|url=http://fluxxgames.com/ |title=Web site for Monty Python Fluxx |publisher=Fluxxgames.com |accessdateaccess-date=19 August 2009}}</ref>
* ''[[Monty Python's Cow Tossing]]'' (2011), a smartphone game
*''Blazing Dragons''
* ''The Ministry of Silly Walks'' (2014), a smartphone game<ref>{{cite web|title=The Silly Walk Official Website|url=http://www.thesillywalk.com/|website=The Silly Walk Official Website|publisher=Boondoggle Studios|access-date=25 June 2014}}</ref>
 
==See also==
* [[List of recurring Monty Python's Flying Circus characters|List of recurring ''Monty Python's Flying Circus'' characters]]
* [[Beyond the Fringe]]
* [[List of Monty Python's Flying Circus episodes]]
* [[List of recurring characters in Monty Python's Flying Circus]]
* [[Monty Python's Complete Waste of Time]]
* [[Python (Monty) Pictures]]
 
* [[Spamalot]]
==Notes==
* [[The Goodies]]
{{notelist}}
* [[The Goon Show]]
 
==References==
Line 385 ⟶ 542:
 
==Further reading==
* {{cite book
|author1first1=Graham Chapman
|last1=Chapman
|author2=Jim Yoakum
|first2=Jim
|last2=Yoakum
|title=Graham Crackers: Fuzzy Memories, Silly Bits, and Outright Lies
|url=https://archive.org/details/grahamcrackersfu0000chap
|url=http://books.google.com/books?id=8xGcAAAACAAJ
|url-access=registration
|accessdate=1 October 2010
|access-date=1 October 2010
|year=1997
|publisher=Career Press
|isbn=978-1-56414-334-1}}
* {{cite book
|first1=Jim
|author=Marcia Landy
|last1=Yoakum
|title=Monty Python Vs The World
|year=2011
|publisher=CreateSpace
|isbn=978-1-4700-0820-8}}
* {{cite book
|first= Marcia |last= Landy
|title=Monty Python's flying circus
|url=httphttps://books.google.com/books?id=J1CxIuG-_NkC
|accessdateaccess-date=1 October 2010
|year=2005
|publisher=Wayne State University Press
|isbn=978-0-8143-3103-3}}
* {{cite book
|authorfirst= Darl| last= Larsen
|title=Monty Python, Shakespeare, and English Renaissance drama
|url=httphttps://books.google.com/books?id=qVa1Hfh11V0C
|accessdateaccess-date=1 October 2010
|year=2003
|publisher=McFarland
|isbn=978-0-7864-1504-5}}
* {{cite book
|authorfirst= David |last= Morgan
|title=Monty Python speaks!
|url=httphttps://books.google.com/books?id=aTYcAQAAIAAJ
|accessdateaccess-date=1 October 2010
|year=1999
|publisher=Fourth Estate
|isbn=978-1-84115-168-7}}
* {{cite book
|author1first1=Alan Parker
|last1=Parker
|author2=Mick O'Shea
|first2=Mick
|last2=O'Shea
|title=And Now For Something Completely Digital: The Complete Illustrated Guide to Monty Python CDs and DVDs
|url=httphttps://books.google.com/books?id=G49bRxbeH1kC
|accessdateaccess-date=1 October 2010
|year=2006
|publisher=The Disinformation Company
|isbn=978-1-932857-31-3}}
* {{cite book
|authorfirst=George |last= Perry
|title=The Life of Python
|url=httphttps://books.google.com/books?id=J_Zg-9u4yLAC
|accessdateaccess-date=1 October 2010
|year=2007
|publisher=Pavilion
|isbn=978-1-86205-762-3}}
* {{cite book
|authorfirst= Roger| last= Wilmut
|title=From fringe to flying circus: celebrating a unique generation of comedy, 1960–1980
|url=httphttps://books.google.com/books?id=PzxaAAAAMAAJ
|accessdateaccess-date=1 October 2010
|year=1980
|publisher=Eyre Methuen
|isbn=978-0-413-46950-2}}
* The Secret Policeman's Balls, 3-DVD set (2009)
** {{cite web|url=http://www.musicforhumanrights.org/news/secret-policemans-balls-dvd-release |title=The Secret Policeman's Balls DVD Release |publisher=Music For Human Rights |date=27 January 2009 |accessdateaccess-date=19 August 2009 |url-status=dead |archive-url=https://web.archive.org/web/20090514060346/http://musicforhumanrights.org/news/secret-policemans-balls-dvd-release |archive-date=14 May 2009 }}
* Monty Python: 40 Years of Insanity
** {{cite webmagazine|url=http://www.life.com/image/first/in-gallery/34232/monty-python-40-years-of-insanity |title=Monty Python: 40 Years of Insanity |publishermagazine=Life.com |date=5 October 2009 |accessdateaccess-date=6 October 2009 |url-status=dead |archive-url=https://web.archive.org/web/20091007211249/http://www.life.com/image/first/in-gallery/34232/monty-python-40-years-of-insanity |archive-date=7 October 2009 }}
* The Life of Python – 20 Greatest Monty Python Sketches (40th Anniversary)
** {{cite web |url=http://gnews.com/entertainment/The-Life-of-Python-20-Greatest-Monty-Python-Sketches-110424014489.html |archive-url=https://web.archive.org/web/20091007012323/http://gnews.com/entertainment/The-Life-of-Python-20-Greatest-Monty-Python-Sketches-110424014489.html |url-status=dead |archive-date=7 October 2009 |title=The Life of Python – 20 Greatest Monty Python Sketches |publisher=Gnews.com |date=5 October 2009 |accessdateaccess-date=6 October 2009 }}
 
==External links==
{{Sister project links|auto=1|wikt=Pythonesque|q=y|d=y}}
{{Wikiquote|Category:Monty Python|Monty Python}}
* {{Official website|http://www.montypython.com/}}
{{Commons category}}
* {{Discogs artist|Monty Python}}
*[http://www.pythonline.com/ Pythonline.com] – Monty Python's sort-of official site, actively maintained by Eric Idle
* {{IMDb name|7758679}}
*[http://uk.youtube.com/user/MontyPython Monty Python] – Official YouTube page
* [httphttps://www.montypythoncircusyoutube.com/user/MontyPython Monty Python Videos ] &nbsp;Monty Python's best videosOfficial andYouTube moviespage
* [https://web.archive.org/web/20091018050050/http://www.time.com/time/photogallery/0,29307,1930296_1967872,00.html 40 Years of Monty Python]&nbsp;– photo essay by ''TIME'' magazine
*[http://the-void.co.uk/film/feature/interview-monty-pythons-carol-cleveland-official-seventh-python-293/ 2012 interview with Carol Cleveland, covering ''Flying Circus'' and ''Holy Grail'']
* [https://www.timeout.com/london/comedy/monty-python-interview 2014 interview on return to live shows] ({{Webarchive|url=https://web.archive.org/web/20160304074143/http://www.timeout.com/london/comedy/monty-python-interview |date=4 March 2016 }})
*[http://www.ifilm.com/ifilmdetail/2722886/ Python at ifilm.com]
*[http://www.figarospeech.com/pythonisms/ Pythonisms: Python quotes as figures of speech]
*[http://www.musicforhumanrights.org/news/secret-policemans-balls-dvd-release Release of the 3-DVD Secret Policeman's Balls]
*[http://www.time.com/time/photogallery/0,29307,1930296_1967872,00.html 40 Years of Monty Python] – photo essay by ''TIME'' magazine
*[http://www.bafta.org/access-all-areas/videos/monty-python-special-award,877,BA.html Monty Python Reunion event], New York, 15 October 2009
 
{{Monty Python|state=expanded}}
{{Graham Chapman}}
{{Terry Jones}}
{{European Film Academy Lifetime Achievement Award}}
{{BAFTA Outstanding British Contribution to Cinema Award}}
{{Surrealism}}
{{Subject bar|BBC|Comedy|Cinema|Television|United Kingdom}}
{{Authority control}}
 
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[[Category:British comedy troupes]]
[[Category:British novelty song performers]]
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[[Category:British surrealist writers]]
[[Category:British television comedy]]
[[Category:MontyCharisma Python|Records artists]]
[[Category:Culture of the United Kingdom]]
[[Category:European Film Awards winners (people)]]
[[Category:Religious comedy and humour]]
[[Category:Surreal comedy]]
[[Category:Surrealist groups]]
[[Category:Virgin Records artists]]
[[Category:Arista Records artists]]
[[Category:European Film Awards winners (people)]]
[[Category:Charisma Records artists]]
 
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