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{{Short description|Implicit representation of LGBT characters}}
{{Unreliable sources|date=July 2021}}
'''Queer coding''' (also written without a space: '''queercoding''') is the attribution of stereotypically [[queer]] traits to [[Character (arts)|fictional characters]] without explicitly stating their gender and sexual identity.<ref>{{Cite journal |last=Piluso |first=Francesco |date=2023-11-27 |title=Above the heteronormative narrative: looking up the place of Disney's villains |url=https://www.degruyter.com/document/doi/10.1515/sem-2023-0168/html |journal=Semiotica |language=en |volume=2023 |issue=255 |pages=131–148 |doi=10.1515/sem-2023-0168 |issn=0037-1998|url-access=subscription }}</ref>
Queer coding may have had a negative impact on perceptions of queerness in media as villains are often queer-coded.
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{{further|Sissy|Disney villains}}
[[File:Divine-by-origa.jpg|thumb|[[Ursula (The Little Mermaid)|Ursula]]'s character in ''[[The Little Mermaid (1989 film)|The Little Mermaid]]'' was inspired by the [[drag queen]] [[Divine (performer)|Divine]].<ref>{{Cite journal|url = https://books.google.com/books?id=pdCrF4JxKDIC |title = From Mouse to Mermaid: The Politics of Film, Gender, and Culture |journal = Indiana University Press |language = en |year = 1995|isbn = 0253209781 }}</ref>]]
Because of the Hays Code, positive portrayals of homosexual characters were barred, and the only characters in fiction that could be perceived as homosexuals had evil roles and were punished throughout the work.<ref>{{Cite journal|url = https://filmicmag.com/2015/08/01/from-sissies-to-secrecy-the-evolution-of-the-hays-code-queer/ |title = From Sissies to Secrecy: The Evolution of the Hays Code Queer |journal = Filmic Magazine |language = en |date = 1 August 2015}}</ref> Thus, [[villain]]s became noted in particular to have [[Effeminacy|effeminate]] characteristics, behaviors or gestures that could be perceived as [[LGBT|LGBTQ]].<ref>{{Cite journal|url = http://www.periodicos.ulbra.br/index.php/txra/article/view/1181 |title = O vilão desviante: Uma leitura sociocultural pela perspectiva de gênero de Scar em O Rei Leão |journal = Revista de Educação e Letras |language = pt |year = 2014|volume = 16 |issue = 32 |last1 = Santos |first1 = Caynnã de Camargo }}</ref><ref>{{Cite journal |url = https://www.gaymer.es/es/2018/10/villano-afeminado/ |title = La problemática del villano afeminado |journal = Gaymer |language = es |date = 13 October 2018 |archive-date = 6 May 2021 |access-date = 10 November 2021 |archive-url = https://web.archive.org/web/20210506090942/https://www.gaymer.es/es/2018/10/villano-afeminado/ |url-status = dead }}</ref> Disney characters have attracted attention because their films are popular among children.<ref>{{Cite journal|url = https://thetempest.co/2020/06/04/entertainment/disney-villains-gay-queer-coding/ |title = Wait a second, are all Disney villains gay? |journal = The Tempest |language = en |date = 4 June 2020}}</ref><ref name=":1" /><ref>{{Cite journal|url = https://elpais.com/babelia/2021-05-28/los-villanos-de-disney-salen-del-armario.html |title = Los villanos de Disney salen del armario |journal = El País |language = es |date = 28 May 2021}}</ref> Examples include:
* [[John Ratcliffe (governor)#In popular culture|Governor Ratcliffe]] in ''[[Pocahontas (1995 film)|Pocahontas]]'', who is the only male character with makeup, braided hair and bows, and wears pink
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