Content deleted Content added
Tone down some words |
DocWatson42 (talk | contribs) m →Output and programming: Made two minor corrections. |
||
(12 intermediate revisions by 10 users not shown) | |||
Line 1:
{{short description|Former British national radio station (1946–1967)}}
{{
{{Use British English|date=February 2020}}
{{Use dmy dates|date=November 2019}}
{{Infobox
| name
|
|
| image_alt
| logo_alt = ▼
|
|
▲| image_alt = A photograph of Broadcasting House showing the art deco styling of the main facade was made from Portland stone
▲| caption = The Third Programme headquarters was at [[Broadcasting House]] in [[London]]
▲| radio_stations = 647 [[kHz]]; 1547 kHz
▲| launch_date = {{Start date and age|1946|09|29|df=y}}
▲| dissolved = {{End date and age|1967|09|29|df=y}}
▲| replaced_by = [[BBC Radio 3]]
}}
The '''BBC Third Programme''' was a national radio station produced and broadcast from 1946 until 1967, when it was replaced by [[BBC
==History==
{{Further|Timeline of BBC Radio 3}}
When it started in 1946, the Third Programme broadcast for six hours each evening from 6.
The Third's existence was controversial from the beginning, partly because of perceived "elitism" – it was sometimes criticised for broadcasting programmes of "two [[Academia|dons]] talking" – and also for the cost of its output relative to a small listener [[reach (advertising)|reach]]. Its existence was against the
This situation continued until the launch on 22 March 1965 of the BBC Music Programme, which began regular daily broadcasts of [[classical music]] (with some interruptions for live sports coverage) on the Network Three / Third Programme frequencies between 7.
==Output and programming==
The network was broadly cultural, a [[F.R. Leavis|Leavisite]] experiment dedicated to the discerning or "high-brow" listener from an educated, minority audience. Its founders' aims were seen as promoting "something fundamental to our civilisation" and as contributing to "the refinement of society".<ref>{{cite book |last=Carpenter |first=Humphrey |date=1996 |title=The Envy of the World: Fifty Years of the Third Programme and Radio Three |publisher=[[Weidenfeld and Nicolson]] |___location=London |isbn=0-7538-0250-3 |url=https://books.google.com/books?id=oYLHQgAACAAJ |via=[[Google Books]]}}</ref>{{page needed|date=February 2020}} Its musical output provided a wide range of serious [[classical music]] and live concerts, as well as contemporary composers and [[jazz]]; popular classical music such as [[Ludwig van Beethoven|Beethoven]], [[Wolfgang Amadeus Mozart|Mozart]] and [[Pyotr Ilyich Tchaikovsky|Tchaikovsky]] primarily remained on the [[BBC Home Service|Home Service]] until 1964. Voice formed a much higher proportion of its output than the later Radio 3, with specially commissioned plays, poetry readings, talks and documentaries. Nationally known intellectuals such as [[Bertrand Russell]] and [[Isaiah Berlin]] on philosophy or [[Fred Hoyle]] on cosmology were regular contributors.
The network became a principal patron of the arts, within commissioned many music works for broadcast by the BBC Music Department, playing an important role in the development of the career of composers such as [[Benjamin Britten]]. Particularly notable were its drama productions, including the radio plays of [[Samuel Beckett]], [[Henry Reed (poet)|Henry Reed]] (the [[Hilda Tablet]] plays), [[Harold Pinter]], [[Wyndham Lewis]], [[Joe Orton]] and [[Dylan Thomas]], whose ''[[Under Milk Wood]]'' was written specially for the programme. [[Philip O'Connor]] discovered [[Quentin Crisp]] in his radio interviews in 1963. The series ''[[Inventions for Radio]]'' aired in 1964 and 1965, with [[sound collage]]s by [[Delia Derbyshire]] of the [[BBC Radiophonic Workshop]].<ref>{{cite journal |last1=Butler |first1=David |url=https://pure.manchester.ac.uk/ws/portalfiles/portal/156080096/Inventing_for_Radio_Revised_Shorter_Dutch_Cut.pdf |title=The Origins of Certain Lives: The Development, Reception and Influence of the 'Inventions for Radio' by Barry Bermange and Delia Derbyshire |journal=Historical Journal of Film, Radio and Television |date=4 December 2019 |volume=40 |issue=4 |pages=823–846 |doi=10.1080/01439685.2019.1697034}}</ref> [[Martin Esslin]], BBC Director of Drama (Radio), was associated with the network's productions of [[Europe
The Third Programme's contribution to contemporary poetry and criticism was significant, under producers and presenters such as [[John Wain]], [[Ludovic Kennedy]], [[George MacBeth]] and [[Patrick Dickinson]]. It promoted young writers such as [[Philip Larkin]] and [[Kingsley Amis]], as well as the "difficult" work of [[David Jones (poet)|David Jones]] and [[Laura Riding]]. The Third Programme was for many years the single largest source of [[copyright]] payments to poets.
The decision to close down the Third Programme was opposed by many within the BBC, some of them senior figures. Within the music division, a
===Controllers===
{{Div col|colwidth=15em}}
* 1946–1948: [[George Barnes (BBC controller)|George Barnes]]
* 1948–1952: [[Harman Grisewood]]
Line 52 ⟶ 46:
===Announcers===
{{Div col|colwidth=15em}}
* Patrick Butler
* [[Patricia Hughes (radio presenter)|Patricia Hughes]]
|