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{{Infobox Album <!-- See Wikipedia:WikiProject_Albums -->
| Name = Sgt. Pepper's Lonely Hearts Club Band
| Type = studio
| Artist = [[The Beatles]]
| Cover = Pepper's.jpg
| Released = [[June 1]], [[1967]] <small>([[United Kingdom|UK]])</small><br/>[[June 3]], [[1967]] <small>([[United States|U.S.]])</small>
| Recorded = [[6 December]] [[1966]] – [[21 April]] [[1967]] at [[Abbey Road Studios]]
| Genre = [[Psychedelic rock]], [[art rock]], [[experimental rock]]
| Length = 39:42
| Label = [[Parlophone]]<br>[[Capitol Records|Capitol]]
| Producer = [[George Martin]]
| Reviews =
*[[All Music Guide]] {{rating-5|5}} [http://www.allmusic.com/cg/amg.dll?p=amg&sql=10:8tkzu3e5an8k link]
*''[[Rolling Stone]]'' {{rating-5|5}} [http://www.rollingstone.com/artists/thebeatles/albums/album/220919/review/5945102/sgt_peppers_lonely_hearts_club_band 27/08/87]
*''[[Mojo (magazine)|Mojo]]'' {{rating-5|5}}
*[[Robert Christgau]] (A) [http://www.robertchristgau.com/get_artist.php?id=1382&name=The+Beatles link]
| Chronology = [[The Beatles]] UK
| Last album = ''[[Revolver (album)|Revolver]]''<br>(1966)
| This album = '''''Sgt. Pepper's Lonely Hearts Club Band'''''<br>(1967)
| Next album = ''[[The Beatles (album)|The Beatles]]''<br>(1968)
| Misc = {{Extra chronology 2
| Artist = [[The Beatles]] U.S.
| Type = studio
| Last album = ''[[Revolver (album)|Revolver]]''<br>(1966)
| This album = '''''Sgt. Pepper's Lonely Hearts Club Band'''''<br>(1967)
| Next album = ''[[Magical Mystery Tour]]''<br>(1967)
}}
}}
'''''Sgt. Pepper's Lonely Hearts Club Band''''' is the eighth album by [[The Beatles]]. It is [[#Critical reception|often cited]] as their [[magnum opus]] and the most influential album of all time by prominent critics and publications, ranking number 1 on ''[[Rolling Stone]]'''s ''[[The 500 Greatest Albums of All Time]]'' in 2003.<ref>{{cite web | title = The RS 500 Greatest Albums of All Time: ''Sgt. Pepper Lonely Hearts Club Band'' review | date = [[2003-11-01]] | url = http://www.rollingstone.com/news/story/6595610/1_sgt_peppers_lonely_hearts_club_band | publisher = RollingStone.com | accessdate = 2007-03-15 }}</ref> It was recorded by The Beatles over a 129-day period beginning on [[December 6]], [[1966]].<ref name="Lewisohn">{{cite book | author = [[Mark Lewisohn|Lewisohn, Mark]] | year = 1988 | title = The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years | ___location = London | publisher = Hamlyn | isbn = 0-600-55784-7}}</ref> The album was released on [[June 1]], [[1967]] in the [[United Kingdom]] and on [[June 3]], [[1967]] in the [[United States]].
Upon release the album was an immediate critical and popular sensation. Innovative in every sense, from structure to recording techniques to the cover artwork, the artistic effect was felt immediately.
==Overview==
{{Unreferenced|date=June 2007}}
''Sgt. Pepper's Lonely Hearts Club Band'' was recorded as [[Beatlemania]] was waning. The Beatles had grown tired of touring and had quit the road in late 1966, burned out after the drama of the "[[John Lennon#Christianity|bigger than Jesus]]" controversy and a tumultuous tour of the [[Philippines]], which saw the band expelled from the country more or less at gunpoint. After one particular tour, the four men were driven away in the back of a small van, and even [[Paul McCartney]], who was perhaps the biggest in favour of continuing to tour, decided enough was enough, and from then on The Beatles became an entirely studio-based band (excepting [[Let It Be (film)#The rooftop performance|the 1969 rooftop performance]] during the ''[[Let It Be (album)|Get Back]]'' sessions).
Retirement from touring gave them, for the first time in their careers, more than ample time in which to prepare their next record. As [[EMI]]'s premier act and Britain's most successful pop group, they had almost unlimited access to the state-of-the-art technology of [[Abbey Road Studios]]. All four band members had already developed a preference for long, late-night sessions although they were still extremely efficient and highly disciplined in their studio habits.
By the time The Beatles recorded the album, their musical interests had grown from their simple [[Rhythm and blues|R&B]], [[Popular music|pop]] and [[rock and roll]] beginnings to incorporate a variety of new influences. They had become familiar with a wide range of instruments, such as the [[Hammond organ]] and the [[electric piano]]; their instrumentation now covered the entire range, including [[String instrument|strings]], [[Brass instrument|brass]], [[Woodwind instrument|woodwind]], [[Percussion instrument|percussion]] and a wide range of exotic instruments, such as the [[sitar]]. McCartney, although unable to read music, had scored a recent British film ''[[The Family Way]]'' (see [[The Family Way (soundtrack)|The Family Way soundtrack]]) with the assistance of producer-arranger [[George Martin]], which earned him a prestigious [[Ivor Novello award]].
The Beatles also used new modular effects units like the [[wah-wah pedal]] and the [[fuzzbox]], which they augmented with their own experimental ideas, such as running voices and instruments through a [[Leslie speaker]]. Another important sonic innovation was McCartney's discovery of the [[direct input]] (DI) technique, in which he could record his bass by plugging it directly into an amplifying circuit in the recording console. While the still often-used technique of recording through an amplifier with a microphone sounds more natural, this setup provided a radically different presence in [[bass guitar]] sound versus the old method. But the most frequently used method was to record the bass last, after all the other recording was done, by placing the amplifier in the centre of the studio and placing the microphone several inches from the source.
The ''Sgt. Pepper'' period also coincided with the introduction of some important musical innovations, both from within the band and the rest of the musical industry. The work of [[Bob Dylan]], [[Frank Zappa]], [[Phil Spector]], and [[Brian Wilson]] was radically redefining what was possible for pop musicians in terms of both songwriting and recording. Studio and recording technology had already reached a high degree of development and was poised for even greater innovation. The old rules of pop songwriting were being abandoned, as complex lyrical themes were explored for the first time in popular music, and songs were growing longer (such as Dylan's "[[Desolation Row]]," "[[Like a Rolling Stone]]," and "[[Sad Eyed Lady of the Lowlands]]").
==Technical innovation==
{{Unreferenced|date=June 2007}}
Since the introduction of the core technology of [[Magnetic storage|magnetic recording]] tape in 1949, [[multitrack recording]] had progressed rapidly, with 8-track tape recorders already available in the U.S. and the first 8-tracks coming on-line in commercial studios in London in late 1967, shortly after ''Sgt. Pepper'' was released.
All of the ''Sgt. Pepper'' tracks were recorded at Abbey Road using mono, stereo and 4-track recorders. Like its predecessors, the recording made extensive use of the technique known as bouncing down (also called ''multing''), in which a number of tracks were recorded across the four tracks of one recorder, which were then mixed and [[dubbing (music)|dubbed]] down onto one track of the master 4-track machine. This enabled the Abbey Road engineers to give The Beatles a virtual multi-track studio, since Abbey Road did not have 8-, 16- and 24-track recorders at this time.
The build-up of noise during repeated dubbing was a major problem for engineers. The ''[[Abbey Road (album)|Abbey Road]]'' album was one of the first to use the [[Dolby noise reduction system]]. The album remains a landmark in the [[history of sound recording]] and is remarkable for the clarity, fidelity and quietness of the transfers.
[[Magnetic tape]] had also led to innovative use of instruments and production effects, notably the [[Tape replay keyboard|tape-based keyboard sampler]], the [[Mellotron]], effects like [[flanging]] (a term invented by Martin and an effect used as early as 1959 on [[Toni Fisher]]'s "The Big Hurt") and [[phasing]], as well as a greatly improved system for creating echo and reverberation.
Several then-new production effects feature extensively on the recordings. One of the most important was [[automatic double tracking]] (ADT), a system that used [[tape recorder]]s to create an instant and simultaneous doubling of a sound. Although it had long been recognised that using multitrack tape to record 'doubled' lead vocals gave them a greatly enhanced sound (especially with weaker singers), it had always been necessary to record such vocal tracks twice, a task which was both tedious and exacting.
ADT was invented specially for The Beatles by EMI engineer [[Ken Townshend]] in 1966, mainly at the behest of Lennon, who hated tracking sessions and regularly expressed a desire for a technical solution to the problem. ADT quickly became a near-universal recording practice in popular music.
Also important was [[Pitch shift|varispeeding]], the technique of recording various tracks on a multi-track tape at slightly different tape speeds. The Beatles use this effect extensively on their vocals in this period. The speeding up of vocals (also known as 'tweaking') also became a widespread technique in pop production. The Beatles also used the effect on portions of their backing tracks (as on "[[Lucy in the Sky with Diamonds]]") to give them a 'thicker' and more diffuse sound.
In another innovation, non-US pressings of the album (in its original LP form that was later released on CD) end in an unusual way, beginning with a 15-kilohertz [[Radio frequency|high-frequency]] tone (put on the album at Lennon's suggestion and said to be "especially intended to annoy your dog"), followed by an endless loop of laughter and gibberish made by the runout groove looping back into itself. The loop (but not the tone) made its U.S. debut on the 1980 ''Rarities'' compilation, titled "Sgt. Pepper Inner Groove". However, it's only featured as a 2-second fragment at the end of side 2 rather than an actual loop in the runout groove.
The sound in the loop is also the subject of much controversy, being widely interpreted as some kind of secret message. However, it seems that in reality it is nothing more than a few random samples and tape edits played backwards. The loop is recreated on the CD version which plays for a few seconds, then fades out. Although most of the content of the runout groove is impossible to decipher, it is possible to distinguish a sped-up voice (possibly McCartney's) reciting the phrase "never could see any other way".
===Instrumentation===
{{Unreferenced|date=June 2007}}
''Sgt. Pepper'' features elaborate arrangements — for example, the [[clarinet]] ensemble on "[[When I'm Sixty-Four]]" — and extensive use of studio effects including echo, reverberation and [[reverse tape effects]]. Many of these effects were devised in collaboration with producer [[George Martin]] and his team of engineers.
One of the few moments of discord came during the recording of "[[She's Leaving Home]]", when an impatient McCartney, frustrated by Martin's unavailability on another recording session, hired freelance arranger [[Mike Leander]] to arrange the string section — the first of only two occasions during the group's entire career that he worked with another arranger (the other was in connection with some backing orchestration used in the ''[[Magical Mystery Tour]]'' film (12 October 1967 session; see Lewisohn), which were also arranged by Leander).
Another example of the album's unusual production is [[John Lennon]]'s song "[[Being for the Benefit of Mr. Kite!]]", which closes side 1 of the album. The lyrics were adapted almost word for word from an old circus poster which Lennon had bought at an antique shop in Kent. The flowing [[sound collage]] that gives the song its distinctive character was created by Martin and his engineers, who collected recordings of calliopes and fairground organs, which were then cut into strips of various lengths, thrown into a box, mixed up and edited together in random order, creating a long loop which was mixed in during final production.
The opening track of side 2, "[[Within You Without You]]", is unusually long for a 'pop' recording of the day, and features only [[George Harrison]], on vocals, [[sitar]] and [[acoustic guitar]], with all other instruments being played by a group of [[London]]-based Indian musicians. These deviations from the traditional [[rock and roll]] band formula were facilitated by The Beatles' decision not to tour, by their ability to hire top-rate session musicians, and by Harrison's burgeoning interest in [[India]] and [[Indian music]], which led him to take lessons from sitar maestro [[Ravi Shankar (musician)|Ravi Shankar]]. Harrison's fascination with Indian music is further evidenced by the use of a [[tambura]] on several tracks, including "Lucy in the Sky with Diamonds" as well as "Getting Better".
This album also makes heavy use of [[keyboard instruments]]. Conventional Rock and Roll keyboard instruments are used alongside unusual ones. [[Piano]] is used on tracks such as "A Day in the Life," along with Lowrey organ on "Lucy in the Sky with Diamonds." A [[harpsichord]] can be heard on "Fixing a Hole," and a [[harmonium]] was played by George Martin on "Being for the Benefit of Mr. Kite". To this day, the album remains a milestone in the history of music.
===Mono version===
{{Unreferenced|date=June 2007}}
The Beatles were present during the mixing of the album in [[Monaural|mono]] and the [[vinyl record|LP]] was originally released as such alongside a [[stereophonic sound|stereo]] mix prepared by [[Abbey Road Studios|Abbey Road]] [[sound engineer|engineers]] led by [[Geoff Emerick]], The Beatles themselves didn't attend the mixing of the stereo version.
(The mono version is now out-of-print on vinyl and was not officially released on CD.) The two mixes are fundamentally different. For example, the stereo mix of "She's Leaving Home" was mixed at a slower speed than the original recording and therefore plays at a slower tempo and at a lower pitch than the original recording. Similarly, the mono version of "Lucy in the Sky with Diamonds" is considerably slower than the stereo version and features much heavier gating and reverb effects. McCartney's yelling voice in the [[coda]] section of "Sgt. Pepper (Reprise)" (just before the [[segue]] into "[[A Day in the Life]]") can plainly be heard in the mono version, but is inaudible in the stereo version. The mono version of the song also features drums that open with much more presence and force, as they are turned well up in the mix. Also in the stereo mix, the famous [[segue]] at the end of "[[Good Morning Good Morning]]" (the chicken-clucking sound which becomes a guitar noise) is timed differently and a crowd noise tape comes in later during the intro to "Sgt. Pepper (Reprise)".
Other variations between the two mixes include louder laughter at the end of the mono mix of "Within You Without You" and a colder, echoless ending on the mono version of "Being for the Benefit of Mr. Kite!"
==Themes and structure==
{{Unreferenced|date=June 2007}}
With ''Sgt. Pepper'', The Beatles wanted to create a record that could, in effect, tour for them — an idea they had already explored with the promotional film-clips made over the previous years, intended to promote them in the United States when they were not touring there.
McCartney decided that they should create fictitious characters for each band member and record an album that would be a performance by that fictitious band. The idea of disguise or change of identity was one in which The Beatles, naturally enough, had an avid interest — they were four of the most recognizable and widely known individuals of the 20th century.
The Beatles' recognisability was the motivation for their growing moustaches and beards and even longer hair, and was an inspiration for the disguise of their flamboyant Sgt. Pepper costumes. McCartney was well known for going out in public in disguise and all four had used aliases for travel bookings and hotel reservations.
Thus, the album starts with the title song, which introduces Sgt. Pepper's band itself; this song [[segue]]s seamlessly into a sung introduction for bandleader "Billy Shears" (Starr), who performs "[[With a Little Help from My Friends]]". A [[reprise]] version of the title song was also recorded, and appears on side 2 of the original album (just prior to the climactic "A Day in the Life"), creating a "bookending" effect.
However, The Beatles essentially abandoned the concept after recording the first two songs and the reprise. Lennon was unequivocal in stating that the songs he wrote for the album had nothing to do with the ''Sgt. Pepper'' concept. Since the other songs on the album are actually unrelated, one might be tempted to conclude that the album does not express an overarching theme. However, the cohesive structure and careful sequencing of and transitioning between songs on the album, as well as the use of the Sgt. Pepper framing device, have led the album to be widely acknowledged as an early and ground-breaking example of the [[concept album]].
Prior to beginning work on Sgt. Pepper, the Beatles had begun to work on a series of songs that were to form an album thematically linked to childhood and everyday life. The first fruits of this exercise - "[[Penny Lane]]" and "[[Strawberry Fields Forever]]" were released as singles under pressure from EMI to meet their traditional release structure of 1 album and 4 singles in a year. Once the singles were released the concept was abandoned in favour of 'Pepper'. However, traces of this initial idea survive in the lyrics to several songs on the album ("Day in the Life", "Lovely Rita", "Good Morning, Good Morning", "She's Leaving Home" and "When I'm 64") and it could be argued provide more of a unifying theme for the album than that of the Pepper conceit itself.
===Drugs===
{{Unreferenced|date=June 2007}}
There is much speculation as to the use of drugs in the creation of ''Sgt. Pepper's Lonely Hearts Club Band'' and The Beatles' other music. The album features many effects and themes that appear to be [[psychedelic]]. At points there seem to be many explicit references to [[Recreational drug use|drugs]]. The album's closing track, "A Day in the Life", which is one of the last major [[Lennon-McCartney]] collaborations, includes the phrase "I'd love to turn you on". "Turning on" was a common drug culture [[colloquialism]] at the time for taking [[Lysergic acid diethylamide|LSD]], referring to the mantra coined by drug advocate [[Timothy Leary]] "turn on, tune in, & drop out", though this interpretation was later denied by Lennon and McCartney. They supposedly meant that they'd love to turn you on to the truth.{{Fact|date=February 2007}}
According to [[Peter Brown (music industry)|Peter Brown]] in his biography of The Beatles, ''The Love You Make: An Insider's Story of The Beatles'', when McCartney sings, "Found my way upstairs and had a smoke. Somebody spoke and I went into a dream", was quite obviously about marijuana. However, in the same song, "four thousand holes in Blackburn, Lancashire" had nothing to do with the needle tracks in a junkie's arm. Likewise, the hole McCartney was fixing in "Fixing a Hole" was not in the arm of a heroin addict, nor was "Henry the Horse" in "Being for the Benefit of Mr. Kite" a code for heroin. Lennon took the title from a Victorian circus poster he purchased in an antique shop.
Also when Starr sings "With a Little Help From My Friends", he repeatedly declares that he gets high with a little help from his friends. Phrases such as "Take some tea" (a slang term for [[Cannabis (drug)|cannabis]]) in "Lovely Rita" and "digging the weeds" in "When I'm Sixty-Four" have also been cited as possible drug references, although in both of these instances the lines are almost certainly meant to be taken literally. In fact, it is almost certain that the one in "When I'm Sixty-Four" was meant to be literal, because Paul wrote the song in the 1950s when he was 16.
The song "[[Lucy in the Sky with Diamonds]]" became the subject of much speculation regarding its meaning. John Lennon maintained that the song describes a surreal dreamscape inspired by a picture drawn by his son [[Julian Lennon|Julian]]. (One of Julian's classmates at this time was a girl named Lucy.)
[[Image:Lucyinthesky.JPG|thumb|right|The picture by Lennon's son Julian that is said to have inspired the song "Lucy in the Sky with Diamonds".]]
However, the song became controversial as many believed that the words of the chorus were code for [[Lysergic acid diethylamide|LSD]], a claim Lennon consistently denied. The [[BBC]] used this as their basis for banning the song from British radio. Julian, McCartney, Harrison and Starr backed up Lennon's story (Starr even said he saw the picture at the time), and the picture itself has appeared in the media. However, during a newspaper interview in 2004, McCartney was quoted as saying, "''Lucy In The Sky'', that's pretty obvious. ...but the writing was too important for us to mess it up by getting off our heads all the time."<ref>{{cite news | url = http://www.msnbc.msn.com/id/5121163 | title = Paul McCartney got no thrill from heroin | publisher = MSNBC | author = [[The Associated Press]] | date = [[2004-06-02]] | accessdate = 2007-03-15 }}</ref>
Debate continues among critics and fans about the meaning, extent, and depth of the drug references. Some interpretations of the album have focused on the use of drugs as central to the meaning of the entire album. Some critics, such as Sheila Whiteley, have claimed that the experience of LSD use is fundamental and infused into the album. Most critics acknowledge some drug references, but believe that the album cannot be simply reduced to these references. [[George Melly]], for example, points out that many songs, such as "A Day in the Life", can easily be interpreted as rejections of [[drug culture]], and that the culture is portrayed in a "desperate light."
While The Beatles admitted to the occasional drug reference in their songs, these instances are surprisingly rare and usually they had other explanations for their lyrics. For instance, McCartney's "somebody spoke and I went into a dream" section of "A Day in the Life" was inspired by McCartney's taking the bus during his school years and sometimes falling asleep on the way there, while the "had a smoke" line refers to a [[Woodbine (Cigarette brand)|Woodbine]] cigarette, rather than marijuana as is often assumed.
==Critical reception==
{{Unreferenced|date=October 2006}}
Upon release, ''Sgt. Pepper'' received both popular and critical acclaim. Various reviews appearing in the mainstream press and trade publications throughout June 1967, immediately after the album's release, were generally quite positive. In ''[[The Times]]'' prominent critic [[Kenneth Tynan]] described ''Sgt. Pepper'' as "a decisive moment in the [[History of western civilization|history of Western civilization]]." Others including [[Richard Poirier]], and Geoffrey Stokes were similarly expansive in their praise, Stokes noting, "listening to the ''Sgt. Pepper'' album one thinks not simply of the history of popular music but the history of this century."
One notable critic who did not like the album was Richard Goldstein, a critic for the ''[[New York Times]]'', who wrote, "Like an overattended child, this album is spoiled. It reeks of horns and harps, harmonica quartets, assorted animal noises, and a 41-piece orchestra," and added that it was an "album of special effects, dazzling but ultimately fraudulent" (June 18, 1967, quoted in ''The Beatles: Sgt. Pepper's Lonely Hearts Club Band'' by Allan F Moore, [[Cambridge University Press]]).
One rock musician who apparently did not like the album was [[Frank Zappa]], who accused The Beatles of co-opting the [[flower power]] aesthetic for monetary gain, saying in a ''[[Rolling Stone]]'' article that he felt "they were only in it for the money." That criticism later became the title of the album (''[[We're Only in It for the Money]]''), which mocked ''Sgt. Pepper'' with a similar album cover. Zappa's record company decided not to use the satirical cover, and it was only after 20 years had passed that the cover was seen on the CD version. Ironically, when recording of ''Sgt. Pepper'' was completed, McCartney said, "This is going to be our ''[[Freak Out!]]''", referring to Zappa's 1966 debut album, which is considered by many as the first concept album.
Within days of its release, [[Jimi Hendrix]] was performing the title track in concert, first for an audience that included Harrison and McCartney, who were greatly impressed by his unique version of their song and his ability to learn it so quickly. Also, Australian band [[the Twilights]] — who had obtained an advance copy of the LP in London — wowed audiences in Australia with note-perfect live renditions of the entire album, weeks before it was even released there.
The chart performance of the album was even stronger than critical reception. In the UK it debuted at #8 before the album was even released (on w/e [[June 1]], [[1967]]) and the next week peaked at #1 where it stayed for 23 consecutive weeks. Then it was knocked off the top for ''[[The Sound of Music]]'' on the w/e [[November 18]], [[1967]]. Eventually it spent more weeks at the top, including the competitive Christmas week. When the CD edition was released on [[June 1]], [[1987]], it peaked amazingly at #3. In [[June]] [[1992]], the CD was re-promoted to commenmorate its 25th Anniversary, and made an incredible re-charting at #6. In all, the album spent a total of 198 weeks on the UK charts.
The album won the [[Grammy Award]] for [[Grammy Award for Album of the Year|Album of the Year]], the first rock album to do so, and [[Grammy Award for Best Pop Vocal Album|Best Contemporary Album]] in 1968.
It has been on many lists of the best rock albums, including ''Rolling Stone'', Bill Shapiro, ''Alternative Melbourne'', Rod Underhill and VH1. In 1997 ''Sgt. Pepper'' was named the number 1 greatest album of all time in a 'Music of the Millennium' poll conducted by [[HMV]], [[Channel 4]], ''[[The Guardian]]'' and [[Classic FM (UK)|Classic FM]]. In 1998 [[Q (magazine)|''Q'' magazine]] readers placed it at number 7, while in 2003 the [[TV network]] [[VH1]] placed it at number 10; {{RS500|1}}. In 2003, it was one of 50 recordings chosen by the [[Library of Congress]] to be added to the [[National Recording Registry]].
==Historical relevance==
{{Unreferenced|date=June 2007}}
A period of experimentation in The Beatles' music had begun with the album ''[[Rubber Soul]]'' in late 1965. During this period, new influences and instruments from as far afield as [[India]] were incorporated in their recordings, which evolved further from simple teen pop and into more artistic sounds. ''Sgt. Pepper'' continued this process and became more avant-garde in style and form than previous or subsequent recordings.
Their follow up, ''[[Magical Mystery Tour]]'', contained songs that were stylistically very like those on ''Sgt. Pepper'', but after two years at the forefront of psychedelic rock, The Beatles began to return to more conventional musical expression in 1968 beginning with the jazzy, piano-based "[[Lady Madonna]]".
Two songs dropped from ''Sgt. Pepper'', "[[Strawberry Fields Forever]]" and "[[Penny Lane]]", were both recorded in late 1966 and early 1967. The unusually long gap between Beatles releases, combined with the group's withdrawal from touring, resulted in producer [[George Martin]]'s being placed under increasing pressure by EMI and [[Capitol Records|Capitol]] to deliver new material. He reluctantly issued the two songs as a double-A-sided single in February 1967. In keeping with the group's usual practice, the single tracks were not included on the LP (a decision Martin maintains he regrets to this day). They were released only as a single in the UK at the time, but were subsequently included as part of the American LP version of ''Magical Mystery Tour'' (which was issued as a 6-track [[Extended play|EP]] in Britain). Martin would later express regret that the two songs from the single were not included on Sgt. Pepper, which, if it had a weakness, was that it did not contain particularly singable tunes.
The Harrison composition "[[Only a Northern Song]]" was also recorded during the ''Pepper'' sessions but did not see release until January 1969 when the soundtrack album for the animated feature ''[[Yellow Submarine (film)|Yellow Submarine]]'' was issued.
It is arguable that ''Sgt. Pepper'' was the last Beatles album where the band were consistently working together as a group rather than as separate members, and without any fear of conflict or ego domination. Much of this was due to [[Brian Epstein]] and his ability to resolve any petty differences between them. When he died a couple of months after the album was released, the band began the slow path towards breaking up, having no one to guide them and give them something to do. It is notably the last time where the band are unified in their look, all having long hair, moustaches and day-glo suits. After this, their individual appearances varied widely. McCartney appeared to take up this leadership role instead - something which the other Beatles saw as controlling. Also Lennon, having up until now been considered the leader of the band, had seemingly given up this role due to his drug use, which had also affected the rest of the band. This allowed more impetus on the part of the others, particularly Harrison. Of note is the fact that McCartney is at the forefront of the album cover, while Lennon is standing to one side.
[[My Chemical Romance]], a hip new rock band have cited ''Sgt. Pepper'' as a major influence for their new album ''[[The Black Parade]]''. The first and second videos from the album "[[Welcome to the Black Parade]]," and "[[Famous Last Words]]" show the band dressed in the exact opposite of the ''Sgt. Pepper'' uniforms. Where The Beatles uniforms couldn't have more color My Chemical Romance's uniforms couldn't have less.
==Album cover==
:''See also: [[List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band]]''
The [[Grammy Award]]-winning album packaging was created by [[art director]] [[Robert Fraser]], mostly in collaboration with McCartney, designed by [[Peter Blake (artist)|Peter Blake]], his wife Jann Haworth, and photographed by Michael Cooper. It featured a colourful collage of life-sized cardboard models of famous people on the front of the album cover and lyrics printed on the back cover, the first time this had been done on an English pop LP.{{Fact|date=June 2007}} The Beatles themselves, in the guise of the Sgt. Pepper band, were dressed in eye-catching custom-made military-style outfits made of satin dyed in [[day-glo]] colours. The suits were designed by [[Manuel Cuevas]].<ref>{{cite web | url = http://transcripts.cnn.com/TRANSCRIPTS/0605/08/gb.01.html | publisher = CNN | title = Transcript: Glenn Beck | accessdate = 2007-03-15 | date = [[2006-05-08]] }}</ref> Among the insignia on their uniforms are:
*[[Member of the Order of the British Empire|MBE]] medals on McCartney's and Harrison's jackets, which were given to them by the Queen.
*The [[Royal Coat of Arms of the United Kingdom]], on Lennon's right sleeve
*[[Ontario Provincial Police]] flash on McCartney's sleeve
Art director [[Robert Fraser]] was a prominent London art dealer who ran the [[Indica Gallery]]. He had become a close friend of McCartney's and it was only at his strong urging that the group abandoned their original cover design, a psychedelic painting by [[The Fool (design collective)|The Fool]]. Their design for the inner sleeve ''was'', however, used for the first few pressings.<!-- wavy lines like plumes of smoke, a bit like the sleeve of gitanes cigarettes or the 'shades' sleeve of JJ Cale. -->
Fraser was one of the leading champions of modern art in Britain in the 1960s and after. He argued strongly that the Fool artwork was not well-executed and that the design would soon be dated. He convinced McCartney to abandon it, and offered to art-direct the cover; it was Fraser's suggestion to use an established fine artist and he introduced the band to a client, noted British 'pop' artist Peter Blake, who, in collaboration with his wife, created the famous cover collage, known as "People We Like".
[[Image:Simpsons Pepper.png|right|200px|thumb|The couch gag for ''The Simpsons'' episode "[[Bart After Dark]]", which is a parody of the album cover.<ref name="bbc">{{cite web|url=http://www.bbc.co.uk/cult/simpsons/episodeguide/season8/page5.shtml|title=Homer's Enemy|accessdate=2007-04-10|publisher=BBC.co.uk}}</ref>]]
According to Blake, the original concept was to create a scene that showed the Sgt. Pepper band performing in a park; this gradually evolved into its final form, which shows The Beatles, as the Sgt. Pepper band, surrounded by a large group of their heroes, rendered as lifesized cut-out figures. Also included were wax-work figures of The Beatles as they appeared in the early '60s, borrowed from [[Madame Tussauds]]. The wax figures appear to be looking down on the word "Beatles" spelled out in flowers as if it were a grave, and it has been speculated that this symbolises that the innocent mop-tops of yesteryear were now dead and gone.{{Fact|date=June 2007}} At their feet were several affectations from The Beatles' homes including small statues belonging to Lennon and Harrison, a small portable TV set and a trophy. A young delivery boy who provided the flowers for the photo session was allowed to contribute a guitar made of yellow [[hyacinth (flower)|hyacinth]]s. Although it has long been rumoured that some of the plants in the arrangement were cannabis plants, this is untrue. Also included is a doll wearing a sweater in homage to the Rolling Stones (who would return the tribute by having The Beatles hidden in the cover of their own ''[[Their Satanic Majesties Request]]'' LP later that year).
The collage depicted more than 70 famous people, including writers, musicians, film stars and (at Harrison's request) a number of Indian [[guru]]s. Starr reportedly made no contribution to the design. The final grouping included [[Marlene Dietrich]], [[W.C. Fields]], [[Diana Dors]], [[Bob Dylan]], [[Karlheinz Stockhausen]], [[Sigmund Freud]], [[Aleister Crowley]], [[Edgar Allan Poe]], [[Karl Marx]], [[Oscar Wilde]], [[Marlon Brando]], [[Stan Laurel]] and [[Oliver Hardy]], and controversial comedian [[Lenny Bruce]]. Also included was the image of the original Beatles bass player, the late [[Stuart Sutcliffe]]. [[Pete Best]] said in a later [[National Public Radio|NPR]] interview that Lennon borrowed family medals from his mother [[Mona Best|Mona]] for the shoot, on condition he not lose them. [[Adolf Hitler]] was requested by Lennon, but ultimately he was left out. It can, however, be seen in place as well as leaning against the wall in several photographs taken on the set. [[Image:Sgtpeppergatefold.jpg|thumb|left|300px|The gatefold]]A photo also exists of a rejected cardboard printout with a cloth draped over its head; its identity is unknown, but may possibly be [[Elvis Presley]]. Even now, co-creator Jann Haworth regrets that so few women were included.<ref>[http://www.highbeam.com/doc/1G1-126338075.html?refid=hbw_jz Arts: Sgt Pepper: take two; In 1967, Jann Haworth co-designed the iconic cover for Sgt Pepper's Lonely Hearts Club Band with her then husband, Peter Blake. Now she has revisited the idea - and this time women get a proper look-in]</ref> The entire list of people on the cover can be found at [[List of images on the cover of Sgt. Pepper's Lonely Hearts Club Band]].
The package was also one of the first '[[gatefold]]' album covers, that is, the album could be opened like a book, to reveal a large picture of the Fab Four in costume against a yellow background. The reason for the gatefold was that The Beatles planned to fill two LPs for the release. The designs had already been approved and sent to be printed when they realized they would only have enough material for one LP.
[[Image:Sgtpeppercutouts.jpg|thumb|right|The cut-out page that came with the original LP]]
Originally the group wanted the album to include a package with pins, pencils and other small Sgt. Pepper goodies but this proved far too cost-prohibitive. Instead, the album came with a page of cut-outs, with a description in the top left corner:
:SGT. PEPPER<br>CUT-OUTS<br>
# Moustache
# Picture card of Sgt. Pepper
# Stripes
# Badges
# Stand-up of the band
The special inner sleeve, included in the early pressings of the LP, featured a multi-coloured psychedelic pattern designed by the Fool.
[[Image:Sgtpepperinnerbag.jpg|thumb|left|The inner sleeve]]
The collage created legal worries for [[EMI]]'s legal department, which had to contact the people who were still living to obtain their permission. [[Mae West]] initially refused — famously asking "What would I be doing in a lonely heart's club?" — but she relented after The Beatles sent her a personal letter. Actor [[Leo Gorcey]] requested payment for inclusion on the cover, so his image was removed. An image of [[Mohandas Gandhi]] was also removed at the request of EMI (it was actually just obscured by a palm tree), who had a branch in India and were fearful that it might cause offence there. Lennon had, perhaps facetiously, asked to include images of [[Jesus Christ]] and Adolf Hitler, but these were rejected because they would almost certainly have generated enormous controversy. Most of the suggestions for names to be included came from McCartney, Lennon and Harrison, with additional suggestions from Blake and Fraser (Starr demurred and let the others choose). Beatles manager [[Brian Epstein]] (who died just after the album's release) had serious misgivings, stemming from the scandalous U.S. [[Yesterday...and Today#The "Butcher Cover"|Butcher Cover]] controversy the previous year, going so far as to give a note reading “Brown paper bags for Sgt. Pepper” to Nat Weiss as his last wish.
The collage was assembled by Blake and his wife during the last two weeks of March 1967 at the London studio of photographer Michael Cooper, who took the cover shots on [[March 30]], [[1967]] in a three-hour evening session. The final bill for the cover was £2,868 5s/3d, a staggering sum for the time — it has been estimated that this was 100 times the average cost for an album cover in those days.{{Fact|date=June 2007}}
[[Image:Rutles1.jpg|thumb|right|200px|[[Rutles]] album cover.]]
The cover has been [[parody|parodied]] several times:
*By the [[Rutles]] on their only 'real' album, showing four redesigns of Beatles covers, including ''Sgt. Pepper''.
*By [[Frank Zappa and the Mothers of Invention]] on the cover art of their album ''[[We're Only in It for the Money]]'' (although McCartney initially refused permission for the Mothers parody cover to be released, he later relented).
*By Dutch comic artist [[Koen Hottentot]] as ''Sgt Croppers Yearly Fairport Band'' for a [[Fairport Convention]] festival programme and subsequent poster.
*In the opening credits of an episode of ''[[The Simpsons]]''.
*By Swedish artist [[David Liljemark]] for a magazine, depicting a hypothetical future for the band [[Sven-Ingvars]].
*By ''[[The Sporting News]]'', whose [[13 August]] [[2001]] issue featured a version of this album when [[New York City]] was selected as their best sports city during the period [[1 July]] [[2000]] – [[30 June]] [[2001]].
*By ''[[Mad (magazine)|Mad]]'' magazine in its August 2002 issue (#420), featuring "The 50 Worst Things About Music."
*By ''[[Rolling Stone]]'' magazine, whose 1,000th issue ([[May 18]] – [[June 1]], [[2006]]) consisted of a lenticular, 3-D cover with 154 rock & roll and pop cultural figures including, prominently, The Beatles themselves, arranged in a style reminiscent of the ''Sgt. Pepper'' cover.
*By Brazilian singer [[Zé Ramalho]] on the cover of his album ''Nação Nordestina''.
There were also variations of the cover for different coutries. On the [[Soviet Union]] cover, the writing on the bass drum was translated into [[cyrillic]], [[Karl Marx]] was replaced by [[Rasputin]] and a photo of the director of the record company was added in the back row between Edgar Allan Poe and Fred Astaire.
Some countries had coloured vinyl such as a yellow LP in the [[Netherlands]] and a red one in [[Japan]].
==Billy Shears==
[[Ringo Starr]] is introduced on ''Sgt. Pepper'' as '''Billy Shears'''. Billy Shears is only mentioned in the [[Sgt. Pepper's Lonely Hearts Club Band (song)|title song]] and, implicitly, as the singer of the segued-into "[[With a Little Help from My Friends]]".
Billy Shears was later mentioned in Starr's 1973 hit "I'm the Greatest", written by [[John Lennon]]: "Yes, my name is Billy Shears / You know it has been for so many years."
In the 1978 [[RSO Records|RSO]] movie ''[[Sgt. Pepper's Lonely Hearts Club Band (film)|Sgt. Pepper's Lonely Hearts Club Band]]'', a character called Billy Shears is played by [[Peter Frampton]].
In the 1968 animated movie ''[[Yellow Submarine (film)|Yellow Submarine]]'', the Lennon character asks Jeremy "Who in the Billy Shears are you?" and the Billy Shears line from [[Sgt. Pepper's Lonely Hearts Club Band (song)|the song]] is played, but referring to Lennon instead.
==Track listing==
''Sgt. Pepper's Lonely Hearts Club Band'' was the first Beatles album to be released with identical track listings in the United Kingdom and the United States (although the American release did not contain the side two runout groove and inner groove sound effects).
All songs written by [[Lennon-McCartney]], except where noted.
===Side one===
# "[[Sgt. Pepper's Lonely Hearts Club Band (song)|Sgt. Pepper's Lonely Hearts Club Band]]" – 2:04 [[media:beatles sgt pepper.ogg|SAMPLE (121k)]]
# "[[With a Little Help from My Friends]]" (mistitled on album label as "A Little Help from My Friends" on early pressings) – 2:46
# "[[Lucy in the Sky with Diamonds]]" – 3:30 [[media:beatles lucy sky.ogg|SAMPLE (99k)]]
# "[[Getting Better]]" – 2:49
# "[[Fixing a Hole]]" – 2:38
# "[[She's Leaving Home]]" – 3:37
# "[[Being for the Benefit of Mr. Kite!]]" – 2:39
===Side two===
# "[[Within You Without You]]" ([[George Harrison|Harrison]]) – 5:07
# "[[When I'm Sixty-Four]]" – 2:37 [[media:beatles sixty-four.ogg|SAMPLE (114k)]]
# "[[Lovely Rita]]" – 2:44
# "[[Good Morning Good Morning]]" – 2:43
# "[[Sgt. Pepper's Lonely Hearts Club Band (song)#Reprise|Sgt. Pepper's Lonely Hearts Club Band (Reprise)]]" – 1:20
# "[[A Day in the Life]]" – 5:33 [[media:beatles day life.ogg|SAMPLE (178k)]]
===Side one (alternative)===
The 1987 [[Compact Disc]] release for ''Sgt. Pepper'' includes additional notes mentioning an alternative track listing for the album's A side. The running order below is shown as the album was originally conceived.
# "Sgt. Pepper's Lonely Hearts Club Band"
# "With a Little Help from My Friends"
# "Being for the Benefit of Mr. Kite!"
# "Fixing a Hole"
# "Lucy in the Sky with Diamonds"
# "Getting Better"
# "She's Leaving Home"
==Other recordings of the period==
Four other tracks were recorded during the timespan of the ''Sgt. Pepper'' recording sessions but not incorporated on the album:
* "[[Strawberry Fields Forever]]": The first song recorded for the album, written by Lennon with the title referring to a Salvation Army orphanage near where he lived during his childhood in Liverpool.
* "[[Penny Lane]]": A McCartney song written as a counterpoint to Lennon's "Strawberry Fields" - it was McCartney's own nostalgic take on the Liverpool of his youth.
:Though "Strawberry Fields Forever" and "Penny Lane" had originally been intended for the new album, in January 1967 producer George Martin responded to EMI Records' pressure for a new single (The Beatles had not released a single since August 1966) and called the two tracks for issue in February 1967. In common with UK music industry practice at that time, which did not duplicate recent singles on new albums, both tracks were subsequently left off the ''Sgt. Pepper'' album. The tracks were issued on the US ''[[Magical Mystery Tour (album)|Magical Mystery Tour]]'' album in late 1967 and on a UK compilation album in 1973. Martin later described the decision to extract the two songs from the album as the biggest mistake of his career.{{Fact|date=June 2007}}
* "[[Only a Northern Song]]": A George Harrison song that offered a sarcastic commentary on his music publishing contract with The Beatles' publishing company "Northern Songs". After completing the song, Harrison decided to record another track for the album, "Within You Without You", and that song about spirituality was deemed a more suitable choice for the album. "Only a Northern Song" was shelved and then given to the makers of the animated feature film ''[[Yellow Submarine (film)|Yellow Submarine]]''. It was used in the 1968 film and then incorporated on the soundtrack album released the following year.
* "[[Carnival of Light]]": A McCartney sound collage reportedly lasting ten to fifteen minutes, the piece was commissioned and recorded for use at a psychedelic London event in early 1967 - the "Carnival of Light Rave" - and expanded on the use of [[tape loop]]s that The Beatles had explored on "[[Tomorrow Never Knows]]".{{Fact|date=June 2007}} The recording has never seen public release, even on bootlegs.
==Singles==
At the time of its release, ''Sgt. Pepper'' was not accompanied by a single. Contrary to popular belief, this was not the first album to be handled this way; The Beatles' own ''[[Rubber Soul]]'', from [[1965 in music|1965]], had no singles taken from it, to cite one prior example. Nonetheless, the practice was rare.
In the wake of the release of the movie ''[[Sgt. Pepper's Lonely Hearts Club Band (film)|Sgt. Pepper's Lonely Hearts Club Band]]'' in 1978, Capitol issued the medley of "Sgt. Pepper's Lonely Hearts Club Band" and "With a Little Help from My Friends" on the A-side of a 45, with "A Day in the Life" as the B-side. Even though the recordings were 11 years old, the single (triple?) made the [[Billboard]] [[Hot 100]], and peaked at #71.
==Release history==
{| class="wikitable"
! Country
! Date
! Label
! Format
! Catalog
|-
|rowspan=2| [[United Kingdom]]
|rowspan=2| [[June 1]] [[1967]]
|rowspan=2| [[Parlophone]]
| [[Monaural|mono]] [[vinyl record|LP]]
| PMC 7027
|-
| [[stereophonic sound|stereo]] LP
| PCS 7027
|-
|rowspan=2| [[United States]]
|rowspan=2| [[June 2]] [[1967]]
|rowspan=2| [[Capitol Records]]
| mono LP
| MAS 2653
|-
| stereo LP
| SMAS 2653
|-
| Worldwide reissue
| [[June 1]] [[1987]]
| [[Apple Records|Apple]], Parlophone, [[EMI]]
| [[compact disc|CD]]
| CDP 7 46442 2
|-
| [[Japan]]
| [[March 11]] [[1998]]
| [[Toshiba-EMI]]
| CD
| TOCP 51118
|-
| Japan
| [[January 21]] [[2004]]
| Toshiba-EMI
| [[Remaster]]ed LP
| TOJP 60138
|}
==Charts==
===Album===
{| class="wikitable"
! Year
! Country
! Chart
! Position
|-
| [[1967]]
| [[United States]]
| [[Billboard 200|''Billboard'' 200]]
| 1 <small>(15 weeks)</small>
|-
| [[1967]]
| [[United Kingdom]]
| [[UK Albums Chart]]
| 1 <small>(27 weeks)</small>
|-
| [[1967]]
| [[Australia]]
| [[ARIA Charts|Australian ARIA Albums Chart]]
| 1 <small>(30 weeks)</small>
|}
===Singles===
{| class="wikitable"
! Year
! Single
! Chart
! Position
|-
| 1978
| "Sgt. Pepper's Lonely Hearts Club Band"/"With a Little Help from My Friends"/"A Day in the Life"
| Pop Singles
| 2
|-
|}
==Awards==
===Grammy awards===
{| class="wikitable"
! Year
! Winner
! Award
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Album of the Year|Album of the Year]]
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Best Album Cover, Graphic Arts|Best Album Cover, Graphic Arts]]
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Best Engineered Album, Non-Classical|Best Engineered Recording, Non-Classical]]
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Best Pop Vocal Album|Contemporary Album]]
|}
===Grammy Award nominations===
{| class="wikitable"
! Year
! Nominee
! Award
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Best Performance by a Vocal Group|Group Vocal Performance]]
|-
| 1967
| ''Sgt. Pepper's Lonely Hearts Club Band''
| [[Grammy Award for Best Pop Performance by a Duo or Group with Vocal|Contemporary Vocal Group]]
|-
| 1967
| "A Day in the Life"
| [[Grammy Award for Best Instrumental Arrangement Accompanying Vocalist(s)|Best Instrumental Arrangement Accompanying Vocalist(s)]]
|}
===Rock and Roll Hall of Fame===
{| class="wikitable"
! Year
! Award
|-
| 1988
| Inducted
|-
| 2007
| Most Definitive Rock and Roll Album
|}
==Works directly inspired by ''Sgt. Pepper''==
===Stage musical and film===
The LP was adapted as a stage musical in the mid-1970s, which would itself provide the partial basis for a widely-panned [[1978 in film|1978]] [[Sgt. Pepper's Lonely Hearts Club Band (film)|film version]], produced by [[Robert Stigwood]] and starring [[Peter Frampton]] as Billy Shears and [[the Bee Gees]] as the Hendersons, with an all-star supporting cast including [[George Burns]] and [[Steve Martin]]. (Billy Preston also appears performing "Get Back.") The long-disbanded Beatles did not appear in the film and none of their recordings were used on the soundtrack. Despite the fact that The Bee Gees were among the hottest stars in music at the time, the movie was a critical and commercial flop.
===''Sgt. Pepper Knew My Father''===
In 1988 the ''[[New Musical Express]]'' released a [[tribute album]] called ''Sgt. Pepper Knew My Father'', in aid of the charity [[Childline]]. It featured cover versions of all the ''Sgt. Pepper'' tracks by various artists. The track list is:
# [[Three Wize Men]] - "Sgt. Pepper's Lonely Hearts Club Band"
# [[Wet Wet Wet]] - "With a Little Help from My Friends"
# [[The Christians]] - "Lucy in the Sky with Diamonds"
# [[The Wedding Present]] with [[Amelia Fletcher]] - "Getting Better"
# [[Hue and Cry (band)|Hue and Cry]] - "Fixing a Hole"
# [[Billy Bragg]] with Cara Tivey - "She's Leaving Home"
# [[Frank Sidebottom]] - "Being for the Benefit of Mr. Kite"
# [[Sonic Youth]] - "Within You Without You"
# [[Courtney Pine]] - "When I'm Sixty-Four"
# [[Michelle Shocked]] - "Lovely Rita"
# [[The Triffids]] - "Good Morning Good Morning"
# Three Wize Men - "Sgt. Pepper's Lonely Hearts Club Band (Reprise)"
# [[The Fall]] - "A Day in the Life"
A [[A-side and B-side|double A-sided]] single featuring the Wet Wet Wet and Billy Bragg tracks was released and reached No. 1 in the UK charts.
===Big Daddy===
A Los Angeles-based comedic pop group that emerged in 1983 on [[Rhino Entertainment|Rhino Records]], Big Daddy released their version of ''Sgt. Pepper'' on [[June 2]], [[1992]] (UPC: 081227037123), performing the entire LP, song-by-song, in the styles of 1950s and early '60s rock & roll.
===The Beachles===
[[The Beachles]] ''Sgt. Petsound's Lonely Hearts Club Band'' is a track-for-track [[Mashup (music)|mash-up]] of ''Sgt. Pepper's'' and the [[Beach Boys]]' ''[[Pet Sounds]]'' by [[Clayton Counts]], released in 2006. It is less a traditional mash-up than a work of [[noise music]].
===''Sgt. Pepper...With a Little Help From His Friends''===
''[[MOJO|Mojo Magazine]]'' included a track-for-track recording of Sgt. Pepper with its March 2007 tribute issue celebrating the 40th anniversary of the album's release that June. The recording features contemporary [[alternative rock]] artists.
# [[Simple Kid]] - "Sgt. Pepper's Lonely Hearts Club Band"
# [[Puerto Muerto]] - "With a Little Help from My Friends"
# [[Circulus]] - "Lucy in the Sky with Diamonds"
# [[Fionn Regan]] - "Getting Better"
# [[747s]] - "Fixing a Hole"
# [[Unkle Bob]] - "She's Leaving Home"
# [[Bikeride]] - "Being for the Benefit of Mr. Kite"
# [[Stephanie Dosen]] - "Within You Without You"
# [[Chin Up Chin Up]] - "When I'm Sixty-Four"
# [[Dave Cloud & The Gospel of Power]] - "Lovely Rita"
# [[The M's]] - "Good Morning Good Morning"
# Simple Kid - "Sgt. Pepper's Lonely Hearts Club Band (Reprise)"
# [[Captain (band)|Captain]] - "A Day in the Life"
# [[Echo & The Bunnymen]] - "All You Need Is Love" (Additional Track)
===40th anniversary re-recording===
[[June 1]], [[2007]] marked the fortieth anniversary of the release of ''Sgt. Pepper's Lonely Hearts Club Band''. The [[BBC]] marked the occasion by organising for the following biggest current rock acts to re-record the album;-
[[Bryan Adams|Bryan Adams]], [[Razorlight (band)|Razorlight]], [[Athlete (band)|Athlete]], [[Kaiser Chiefs (band)|Kaiser Chiefs]], [[The Fray (band)|The Fray]], [[The Magic Numbers (band)|The Magic Numbers]], [[Jamie Cullum|Jamie Cullum]], [[Oasis (band)|Oasis]], [[Russell Brand|Russell Brand]], [[Travis (band)|Travis]], [[The Zutons (band)|The Zutons]], [[Stereophonics (band)|Stereophonics]], [[Pete Doherty|Pete Doherty]] and [[Carl Barât|Carl Barât]]
This was done using the same one-inch four-track equipment which recorded the original (borrowed from [[Mark Knopfler|Mark Knopfler]]), and was supervised by the original engineer, [[Geoff Emerick|Geoff Emerick]]. The recordings aired on BBC Radio 2 as part of a documentary following the process on Saturday June 2 and June 16. It is presumed but not confirmed that this will be released as a cd album by the BBC.
<ref>[http://www.bbc.co.uk/radio2/events/60sseason/documentaries/sgtpeppers.shtml] BBC Radio 2 Sgt. Pepper page</ref>
<ref>[http://news.bbc.co.uk/2/hi/entertainment/6530959.stm Rock stars to recreate Sgt Pepper] BBC News</ref>
<ref>[http://www.bbc.co.uk/radio2/events/60sseason/documentaries/sgtpeppers.shtml Sergeant Pepper Documentary] BBC website</ref>
===40th anniversary events===
[[San Francisco]] radio station [[KFOG]] paid tribute to the album as part of their [http://www.kfog.com/shows/10at10/default.asp 10@10 program] on June 1, 2007. DJ Dave Morey played his 40-year old record in its entirety, starting with the gentle thump of a needle hitting vinyl and ending with the sound of the run-out track after the last chord.
Philadelphia's WMGK played the entire A-side during their 7:00 am "breakfast with the Beatles" segment, and played the B-side during their 4:15 pm "Beatle Break".
===Sgt. Pepper- full classical rendition===
Although numerous classical renditions of Sgt. Pepper songs were made, in December 2004 the first full classical version of Sgt. Pepper was released. All instrumentals on "Sgt. Pepper for Classical Guitar" were arranged for classical guitar and played, in the original order, by classical guitarist and composer Branimir Krstic [http://play.rhapsody.com/branimirkrstic/sgtpepperforclassicalguitar].
==
*[[John Lennon]] – guitars, keyboards, piano, percussion, vocals
*[[Paul McCartney]] – bass guitar, guitars, piano, keyboards, vocals
*[[George Harrison]] – guitars, fuzz, [[mouth organ]], percussion, tambourine, sitar, piano, vocals, [[tamboura]]
*[[Ringo Starr]] – drums, percussion, mouth organ, bells, piano, vocals
*[[George Martin]] – keyboards, piano, harmonium
*[[Geoff Emerick]] – recording engineer
*[[Mal Evans]] – piano, mouth organ, harmonium, percussion, vocals
*[[Neil Aspinall]] – mouth organ, tamboura
*[[John Oedry]] – piano on "With a Little Help from My Friends"
*James Buck – horn on "Sgt. Pepper's Lonely Hearts Club Band"
*Neil Sanders – horn on "Sgt. Pepper's Lonely Hearts Club Band"
*Tony Randall – horn on "Sgt. Pepper's Lonely Hearts Club Band"
*John Burden – horn on "Sgt. Pepper's Lonely Hearts Club Band"
*Erich Gruenberg – violin on "She's Leaving Home" and "A Day in the Life"
*Derek Jacobs – violin on "She's Leaving Home" and "A Day in the Life"
*Trevor Williams – violin on "She's Leaving Home" and "A Day in the Life"
*Jose Luis García – violin on "She's Leaving Home" and "A Day in the Life"
*John Underwood – viola on "She's Leaving Home" and "A Day in the Life"
*Stephen Shingles – viola on "She's Leaving Home" and "A Day in the Life"
*Dennis Vigay – cello on "She's Leaving Home" and "A Day in the Life"
*Alan Dalziel – cello on "She's Leaving Home" and "A Day in the Life"
*Gordon Pearce – [[double bass]] on "She's Leaving Home" and "A Day in the Life"
*Sheila Bromberg – harp on "She's Leaving Home"
*V. Lankshwarna – [[swarmandel|swordmandel]] on "Within You Without You"
*Shambu-Das – [[dilruba]] on "Within You Without You"
*[[Ravi Shankar]] – dilruba and [[sitar]] on "Within You Without You"
*Erich Gruenberg – violin on "Within You Without You"
*Alan Loveday – violin on "Within You Without You"
*Julien Gaillard – violin on "Within You Without You"
*Paul Scherman – violin on "Within You Without You"
*Ralph Elman – violin on "Within You Without You"
*David Wolfsthal – violin on "Within You Without You"
*Jack Rothstein – violin on "Within You Without You"
*Jack Greene – violin on "Within You Without You"
*Reginald Kilbey – cello on "Within You Without You"
*Allen Ford – cello on "Within You Without You"
*Peter Beavan – cello on "Within You Without You"
*Robert Burns – clarinet on "When I'm Sixty-Four" and "A Day in the Life"
*Henry Mackenzie – clarinet on "When I'm Sixty-Four" and "A Day in the Life"
*Frank Reidy – clarinet on "When I'm Sixty-Four"
*Barrie Cameron – sax on "Good Morning Good Morning"
*David Glyde – sax on "Good Morning Good Morning"
*lan Holmes – sax on "Good Morning Good Morning"
*John Lee – horn on "Good Morning Good Morning"
==Notes==
{{reflist}}
==References==
*Sorgenfrei, Lars Rosenblum. ''Inkblot Magazine''. [http://www.inkblotmagazine.com/rev-archive/Beatles_Sgt_Pepper.htm]. Retrieved October 26, 2004.
*''Rolling Stone'' magazine. RS 507 - 27 August 1987. [http://www.rollingstone.com/reviews/album/_/id/220919/thebeatles?pageid=rs.ArtistDiscography&pageregion=triple1&rnd=1098891214819&has-player=true] Retrieved October 26, 2004.
*Haber, David. ''The Sgt. Pepper's Album''. [http://www.beatletracks.com/btsgtppr.html] Retrieved October 26, 2004.
*{{cite book | author=Spitz, Bob | title=The Beatles | publisher=Little Brown | year=2005 | id=ISBN 0-316-80352-9}}
==External links==
* [http://musicsojourn.com/Playlists/Specialty/Producers/Paul_Ingles/Topics/b/PIFM_Beatles_SgtPepper_2Sides.htm/ The Two Sides of Sgt. Pepper: An Honest Appraisal - Two-Hour Public Radio Program Produced by Paul Ingles]
* [http://www.parade.com/features/070421-touchstones-beatles-sgt-peppers.html/ It Was 40 Years Ago Today... The Beatles completed the greatest rock album in history]
* [http://kitoba.com/pedia/Reconstructivist%20Art.html Reconstructivist Art]: "Sgt Pepper's Lonely Hearts Club Band"
* [http://www.usatoday.com/life/music/news/2003-11-16-rolling-stone-list_x.htm The greatest album of all time] according to ''[[Rolling Stone]]'' magazine
* [http://www.geocities.com/~beatleboy1/dba08sgt.html Beatles comments on each song]
* [http://www.norwegianwood.org/beatles/disko/uklp/pepper.htm Recording data and notes on mono/stereo mixes and remixes]
* [http://www.sgtpeppers.co.uk Song by song account of Sgt Peppers from the book 'Beatles for Sale']
* [http://www.theage.com.au/news/in-depth/sergeant-peppers-wild-trip/2007/06/01/1180205508929.html 40th Anniversary retrospective]
* [http://www.coverville.com/archives/2007/06/coverville_328.html The Coverville podcast's all-cover track-by-track version of "Sgt. Pepper's Lonely Hearts Club Band"]
{{The Beatles}}
[[Category:The Beatles albums]]
[[Category:1967 albums]]
[[Category:Concept albums]]
[[Category:Parlophone albums]]
[[Category:Psychedelic rock albums]]
[[Category:United States National Recording Registry]]
[[Category:Albums produced by George Martin]]
[[Category:Grammy Award for Album of the Year]]
[[Category:EMI Records albums]]
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