Sergei Prokofiev and Tendance: Difference between pages

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{{Infobox Album <!-- See Wikipedia:WikiProject_Albums -->

[[Image:Sergei Prokofiev.jpg|thumb|right|240px]]

| Name = Heart

| Type = Studio

| Artist = [[Amanda Lear]]

| Cover = Amanda Lear - Tendance.jpg

| Released = [[2003]]

| Recorded = [[2001]] [[2002]]

| Genre = [[Pop music|Pop]], [[Disco]], [[Euro Disco]].

| Length =

| Label = Sony Music / Le Marais Prod., Germany <br /> 50997 510499 2-0

| Producer = FX Costello <br />Laurent Wolf

| Reviews = [[All Music Guide]][http://www.allmusic.com/cg/amg.dll?p=amg&token=&sql=10:gjfyxqwsldde]|

| Last album = [[Heart (Amanda Lear album)|Heart]]

| This album = Tendance

| Next album = [[Forever Glam! - The Best Of 1976-2005]]

}}

{{see also|Amanda Lear discography}}

'''Sergei Sergeyevich Prokofiev''' ({{lang-ru|Серге́й Серге́евич Проко́фьев}}, ''Serge'j Serge'jevič Proko'fijev''; [[April 27]] ([[April 15]]<small>^{[[#Trivia|1]]}</small> [[Julian calendar|O.S.]]), [[1891]]&ndash;[[March 5]], [[1953]]) was a [[Russians|Russian]] and [[Soviet Union|Soviet]] composer who mastered numerous musical genres and came to be admired as one of the greatest [[composer]]s of the 20th century. (Alternative transliterations of his name include '''Sergey''' or '''Serge''', and '''Prokofief''', '''Prokofieff''', or '''Prokofyev'''.)

'''Tendance''' is a [[studio album]] by French singer [[Amanda Lear]] issued by Sony Music Germany in 2003. ''Tendance'', taking its title from a French TV-series hosted by Lear at the time, is an expanded re-release of 2001's ''Heart''. This edition omits "Manuel Guerreiro Da Luz" but adds three tracks; the oriental remix of hit single "Love Boat", entitled "Rainbow Love Boat", Lear's theme song to Italian TV-series ''Cocktail D'Amore'', composed by long-time collaborator Cristiano Malgioglio, and her 2002 duet with Belgian boyband Get Ready!, "Beats Of Love", a cover version of the 1984 European hit single by band Nacht Und Nebel.

==Biography==

Sergei Prokofiev was born in Sontsovka, [[Krasnoarmiiskyi Raion]], in [[Donetsk Oblast]], [[Ukraine]]. He had one brother. His mother was a pianist and his first music teacher, and his father was a carpenter.

==Track listing==

#"Love Boat" (P. Williams - C. Fox)<br />

#"Do U Wanna See It?" (A. Lear - T. Willems - L. Wolf)<br />

#"Tendance" (A. Lear - T. Willems - F. X. Costello)<br />

#"Lili Marleen" (2001 Re-recording) (T. Connor - N. Schultze)<br />

#"Hier Encore (Yesterday When I Was Young)" (C. Aznavour - H. Kretzmer - C. Aznavour)<br />

#"Porque Me Gusta" (A. Lear - N. Amal - F.X. Costello)<br />

#"I Just Wanna Dance Again" (T. Willems - L. Fox)<br />

#"Travel By Night (Vol De Nuit)" (T. Willems - F. X. Costello)<br />

#"L'Invitation Au Voyage" (C.Baudelaire-F.X.Costello)<br />

#"The Look Of Love" (H. David - B. Bacharach)<br />

#"L'Importante E' Finire" (A. Anelli - C. Malgioglio)<br />

#"Rainbow Love Boat" (Oriental Mix) (A. Lear - T. Willems - F. X. Costello)<br />

#"Cocktail D'Amore" (Original Mix 2002) (Malgioglio - Mancini - Castellari)<br />

#"Beats Of Love" (Radio Edit) (Duet with Get Ready!) (Patrick Marina Nebel)<br />

==Credits==

Prokofiev displayed unusual musical abilities by the age of five. His first piano composition to be written down (by his mother), an 'Indian Galop', was in F major but without the customary B-flat--the young Prokofiev did not like to touch the the black keys. By the age of seven, he had also learned to play [[chess]]. Much like music, chess would remain a passion his entire life, and he became acquainted with world chess champions [[Capablanca]] and [[Botvinnik]].

Get Ready! appear with kind permission of Virgin Music Belgium.

==Catalogue numbers==

A [[child prodigy]], at the age of nine he was composing his first opera,<ref>"He was a child prodigy on the order of Mozart, composing for piano at age five and writing an opera at nine." [http://www.philtulga.com/Peter.html] </ref>

*2003 Germany: Sony Music / Le Marais Prod. 50997 510499 2-0

''The Giant''; an overture; and miscellaneous pieces.

==Single releases==

By 1902, when Prokofiev started taking private lessons in composition, he had already produced a number of innovative pieces. As soon as he had the necessary theoretical tools, he quickly started experimenting, laying the base for his own musical style.

*2002: "Beats Of Love" (Get Ready! Feat Amanda Lear) / "City" (Get Ready!) (Belgium; Virgin Music 7243 546881 2 6)

<br /><br /><br />

After a while, Prokofiev felt that the isolation in Sontsovka was restricting his further musical development. Although his parents were not too keen on forcing their son into a musical career at such an early age, in 1904 he moved to [[Saint Petersburg|St. Petersburg]] and applied to the St. Petersburg Conservatory. By this point he had composed two more operas, ''Desert Islands'' and ''The Feast during the Plague'' and was working on his fourth, ''Undine''.<ref>Layton, Robert: "Prokofiev's Demonic Opera" Found in the introductory notes to the Philips Label recording of ''The Fiery Angel''</ref> He passed the introductory tests and started his composition studies the same year, being several years younger than most of his classmates. He was viewed as eccentric and arrogant, and he often expressed dissatisfaction with much of the education, which he found boring. During this period he studied under, among others, [[Nikolai Rimsky-Korsakov]]. Later, he would regret squandering his opportunity to learn more from Rimsky-Korsakov. He also became friends with [[Boris Asafiev]] and [[Nikolai Myaskovsky]].

{{Amanda Lear}}

[[Category:Amanda Lear albums]]

As a member of the St. Petersburg music scene, Prokofiev eventually earned a reputation as an ''[[enfant terrible]]'', while also getting praise for his original compositions, which he would perform himself on the piano. In 1909, he graduated from his class in composition, getting less than impressive marks. He continued at the Conservatory, but now concentrated on playing the piano and conducting. His piano lessons went far from smoothly, but the composition classes made an impression on him. His teacher encouraged his musical experimentation, and his works from this period display more intensity than earlier ones.

[[Category:Disco]]

[[Category:2003 albums]]

In 1910, Prokofiev's father died and Sergei's economic support ceased. Luckily, at that time, he had started making a name for himself as a composer, although he frequently caused scandals with his forward-looking works. His first two [[piano concerto]]s were composed around this time. He made his first excursion out of Russia in 1913, travelling to Paris and London where he first encountered [[Sergei Diaghilev]]'s [[Ballets Russes]].

In 1914, Prokofiev left the Conservatory with the highest marks of his class, a feat which won him a grand piano. Soon afterwards, he made a trip to London where he made contact with Diaghilev and [[Igor Stravinsky]].

During [[World War I]], Prokofiev returned again to the Academy, now studying the [[organ (music)|organ]]. He composed an opera based on [[Fyodor Dostoevsky]]'s novel ''[[The Gambler (novella)|The Gambler]]'', but the rehearsals were plagued by problems and the première scheduled for 1917 had to be cancelled because of the [[February Revolution]]. In summer the same year, Prokofiev composed his [[Symphony No. 1 (Prokofiev)|first symphony]], the ''Classical''. This was his own name for the symphony which was written in the style, that according to Prokofiev, [[Joseph Haydn]] would have used if he had been alive at the time. Hence, the symphony is more or less classical in style but incorporated more modern musical elements (see [[Neoclassicism (music)|Neoclassicism]]). After a brief stay with his mother in [[Kislovodsk]] in the Caucasus, because of worries of the enemy capturing [[Petrograd]] (the new name for St. Petersburg), he returned in 1918, but he was now determined to leave Russia, at least temporarily. In the current Russian state of unrest, he saw no room for his experimental music and, in May, he headed for the USA.

=== Life abroad ===

Arriving in [[San Francisco]], he was immediately compared to other famous Russian exiles (such as [[Sergei Rachmaninoff]]), and he started out successfully with a solo concert in New York, leading to several further engagements. He also received a contract for the production of his new opera ''[[The Love for Three Oranges]]'' but, due to illness and the death of the director, the première was cancelled. This was another example of Prokofiev's bad luck in operatic matters. The failure also cost him his American solo career, since the opera took too much time and effort. He soon found himself in financial difficulties, and, in April 1920, he left for [[Paris]], not wanting to return to Russia as a failure.

Paris was better prepared for Prokofiev's musical style. He reaffirmed his contacts with the Diaghilev's [[Ballets Russes]] and with Stravinsky, and returned to some of his older unfinished works such as the [[Piano Concerto No. 3 (Prokofiev)|Third Piano Concerto]]. Later, in December 1920, ''The Love for Three Oranges'' finally premièred in [[Chicago]]. However, the reception was cold, forcing Prokofiev to again leave America without triumph.

Prokofiev then moved with his mother to the [[Bavaria]]n Alps for over a year so he could concentrate fully on his composing. Most of his time was spent on an old opera project, ''[[The Fiery Angel]]''. By this time his later music had started sifting back into Russia and he received invitations to return there, but he felt that his new European career was more important. In 1923, he married the Spanish singer Lina Llubera, before moving back to Paris.

There, a number of his works (for example the [[Symphony No. 2 (Prokofiev)|Second Symphony]]) were performed, but critical reception was lukewarm, perhaps because he could no longer really lay claim to being a "novelty". He did not particularly like Stravinsky's later works and, even though he was quite friendly with members of "[[Les Six]]", musically he had very little in common with them.

Around 1927, things started looking up; he had some exciting commissions from Diaghilev and made a number of concert tours in Russia; in addition, he enjoyed a very successful staging of ''The Love for Three Oranges'' in [[Saint Petersburg|Leningrad]] (as [[Saint Petersburg]] was then known). Two older operas (one of them ''The Gambler'') were also played in Europe and in 1928 he produced the [[Symphony No. 3 (Prokofiev)|Third Symphony]] which was broadly based on his unperformed opera ''[[The Fiery Angel]]''. The years 1931 and 1932 saw the completion of his fourth and fifth piano concertos.

In 1929, he had a car accident in which his hands were slightly injured, preventing him from touring in Moscow, but permitting him to enjoy some of the contemporary Russian music instead. After his hands healed, he made a new attempt at touring in the USA, and this time he was received very warmly, propped up by his recent success in Europe. This, in turn, propelled him to do a major tour through Europe.

In the early 1930s, Prokofiev was starting to long for Russia again and he moved more and more of his premières and commissions to his home country instead of Paris. One such was ''[[Lieutenant Kije]]'', which was commissioned as the score to a Russian film. Another commission, from the [[Kirov Theatre]] in Leningrad, was the ballet ''[[Romeo and Juliet (Prokofiev)|Romeo and Juliet]]'', today one of Prokofiev's best known works. However, there were numerous choreographic problems, postponing the premiere for several years.

Prokofiev was soloist with the [[London Symphony Orchestra]], conducted by Piero Coppola, in the world premiere recording of his third piano concerto, recorded in London by [[His Master's Voice]] in June 1932. The recording has exceptionally clear sound and Prokofiev's piano virtuoso playing remains very impressive. Prokofiev also recorded some of his solo piano music for HMV in Paris in February 1935. These recordings were issued on CD by [[Pearl]]. In 1938, he conducted the [[Moscow Philharmonic Orchestra]] in a recording of the second suite from his ballet ''Romeo and Juliet''; this performance was also later released on LP and CD. Another reported recording with Prokofiev and the Moscow Philharmonic was of the Prokofiev first violin concerto with [[David Oistrakh]] as the soloist; [[Everest Records]] later released this recording on an LP, along with a performance of [[Khachaturian]]'s violin concerto with that composer conducting the Philharmonic with much inferior sound compared to the EMI recording with Khachaturian and Oistrakh.

=== Return to Soviet Union ===

In 1934, Prokofiev moved back to the Soviet Union permanently, but his family came a year after him. At this time, the official Soviet policy towards music changed; a special bureau, the "Composers' Union", was established in order to keep track of the artists and their doings, and regulations were drawn up outlining what kind of music was acceptable. By limiting outside influences, these policies would gradually cause almost complete isolation of Soviet composers from the rest of the world. Willing to adapt to the new circumstances Prokofiev wrote a series of "mass songs" (opp. 66, 79, 89), using the lyrics of officially approved Soviet poets, and also the oratorio "Zdravnitsa" (Hail to [[Stalin]]) op.85, which secured his position as a Soviet composer and put an end to persecution. At the same time Prokofiev also composed music for children (''Three Songs for Children'', ''[[Peter and the Wolf]]'', and so on) as well as the gigantic ''Cantata for the Twentieth Anniversary of the October Revolution'', which was, however, never performed. The première of the opera ''[[Semyon Kotko]]'' was postponed because the producer [[Vsevolod Meyerhold]] was imprisoned and executed.

In 1938, Prokofiev collaborated with the great Russian filmmaker [[Sergei Eisenstein]] on the historical epic ''[[Alexander Nevsky (film)|Alexander Nevsky]]'', composing some of his best dramatic music. Although the film had very poor sound recording, Prokofiev adapted much of his music into a cantata, which has been extensively performed and recorded.

In 1941, Prokofiev suffered the first of several heart attacks, resulting in a gradual decline in health. Because of the war, he was periodically evacuated to the south together with a large number of other artists. This had consequences for his family life in Moscow, and his relationship with the 25-year-old [[Mira Mendelson]] finally led to his separation from his wife Lina, although they remained married for the next seven years. It should be mentioned that marriage with foreigners had been made illegal and some believe that the breakup with his wife was forced.

The outbreak of war inspired Prokofiev to a new opera project, ''[[War and Peace (Prokofiev)|War and Peace]]'', which he worked on for two years, along with more film music for [[Sergei Eisenstein]] (''[[Ivan the Terrible (Prokofiev)|Ivan the Terrible]]'') and the second string quartet. However, Soviet government had opinions about the opera which resulted in numerous revisions and no première. In 1944, Prokofiev moved to an estate outside of Moscow, to compose his [[Symphony No. 5 (Prokofiev)|Fifth Symphony]] (Op. 100) which would turn out to be his most successful. Shortly afterwards, Sergei suffered a concussion in a fall from which he never really recovered and which severely lowered his productivity in later years.

Prokofiev had time to write his postwar [[Symphony No. 6 (Prokofiev)|Sixth Symphony]] and a [[Piano Sonata No. 9 (Prokofiev)|ninth piano sonata]] (for [[Sviatoslav Richter]]) before the Party suddenly changed its opinion about his music. The end of the war allowed attention to be turned inwards again and the Party tightened its reins on domestic artists. Prokofiev's music was now seen as a grave example of [[Russian Formalism|formalism]], and dangerous to the Soviet people.

On [[February 20]] [[1948]], the same year Prokofiev married Mira, his wife Lina was arrested for 'espionage', as she tried to send money to her mother in Spain. She was sentenced to death and killed in March 1949. Prokofiev supposedly began writing a [[prelude]] inspired by her murder, but it was never finished.

His latest opera projects were quickly cancelled by the Kirov Theatre and this, in combination with his declining health, caused Prokofiev to withdraw more and more. His doctors ordered him to limited his activities, which resulted in him spending only an hour or two each day on composition. His last performance was the première of the [[Symphony No. 7 (Prokofiev)|Seventh Symphony]] in 1952, a piece of somewhat bittersweet character, for which Prokofiev was asked to substitute a cheerful ending, possibly because the music was written for a children's television program.

Prokofiev died at the age of 61 on [[5 March]], [[1953]] (on the same day and from the same cause as Soviet premier [[Joseph Stalin]]). Prokofiev had lived near [[Red Square]] and for three days the throngs gathered to mourn Stalin made it impossible to carry Prokofiev's body out for the funeral service at the headquarters of the Soviet Composer's Union. Paper flowers and a taped recording of the funeral march from his Romeo and Juliet had to be used, as all real flowers and musicians were reserved for Stalin's funeral. He is buried in the [[Novodevichy Cemetery]] in Moscow.

Prokofiev's death is usually attributed to [[cerebral hemorrhage]] (bleeding into the brain) but it is known that he was not well for 8 years before he died and was plagued during that length of time by [[headache]]s, [[nausea]] and [[dizziness]][http://www.ncbi.nlm.nih.gov/entrez/query.fcgi?cmd=Retrieve&db=PubMed&list_uids=10718530&dopt=Abstract], so the precise nature of Prokofiev's terminal illness is uncertain.

Mira Prokofieva outlived her ex-husband by many years, dying in [[London]] in early 1989. Royalties from her late husband's music provided her a modest income.

==Works==

===Compositions===

{{Further|[[List of compositions by Sergei Prokofiev]] and [[:Category:Compositions by Sergei Prokofiev]]}}

===Autobiography===

Prokofiev's diaries were translated into English by Anthony Phillips and published by Faber and Faber in 2006.<ref>amazon.uk.com</ref>

==Biographers==

*David Nice

*Daniel Jaffe

*Harlow Robinson

*Israel Nestjev

==Music Analyses==

*Stephen Press

*Stephen C. I. Fiess

==More modern references to Sergei Prokofiev==

*In the song "Russians" from ''[[The Dream of the Blue Turtles]]'', [[Sting]] used a theme from the "Romance" from Prokofiev's ''[[Lieutenant Kije]]''.

*In 1978, [[Isao Tomita]], one of the godfathers of electronic music, used excerpts from [[Symphony No. 5 (Prokofiev)|Symphony No. 5]] and [[Symphony No. 6 (Prokofiev)|6]], the [[Violin Concerto No. 1 (Prokofiev)|Violin Concerto No. 1]], [[Romeo and Juliet (Prokofiev)|Romeo and Juliet]] ballet suite and [[Scythian suite]], for his album [[Bermuda Triangle (album)|Bermuda Triangle]].

* The movie [[Caligula]] (1979) uses Prokofiev's ''[[Romeo and Juliet (Prokofiev)|Romeo and Juliet]]'' (Montagues and Capulets) as its opening title music.

*In 1991, [[punk rock|punk]] survivors [[The Damned]] recorded a tribute single, ''[[Prokofiev (song)|Prokofiev]]''.

*[[Billy Joel]] references Prokofiev in his hit [[We Didn't Start the Fire]]; specifically the reference is to Prokofiev's death.

*Prokofiev's Third Piano Concerto was prominently featured in the 1980 movie "The Competition" with Amy Irving and Richard Dreyfuss.

* In 1993, progressive rock musicians Emerson, Lake and Palmer recorded a rock and roll version of Prokofiev's ''[[Romeo and Juliet]]'' for their album ''[[Black Moon]]''.

==Trivia==

* While Prokofiev himself believed [[23 April]] to be his birth date, the posthumous discovery of his birth certificate showed that he was actually born four days later, on [[27 April]].<ref>Slonimsky, p. 793</ref>

*[[Igor Stravinsky]] characterized him as the greatest Russian composer of his day, other than Stravinsky himself.<ref name = strav>{{cite web

|url=http://arts.guardian.co.uk/features/story/0,,1825040,00.html

|title=First among equals

|publisher=[[The Guardian]]

|author=Martin Kettle

|accessdate=2006-10-21

}}</ref>

* The [[Political Compass]] organisation rates Prokofiev as one of the most [[left-wing]] individuals on their "Composers' Political Compass" [http://www.digitalronin.f2s.com/politicalcompass/composers.php]

*Technical [[death metal]] band [[Necrophagist]] samples a piece of the Romeo and Juliet ballet (Montagues and Capulets) in their song "Only Ash Remains"

*Prokofiev's Violin Concerto No. 2 in G Minor (Op. 63) was used as part of Jack Parsons' [[Babalon Working]] occult ritual in 1946.

*Prokofiev's Piano Concerto No. 3 in C major was performed in [[Prague]] in [[1926]] for the first time ever ([[Ilona Štěpánová-Kurzová]], [[Václav Talich]], [[Czech Philharmonic Orchestra]]). This concert was featured in the 1980 movie ''The Competition'' starring Richard Dreyfuss, Amy Irving, and Lee Remick. Amy Irving wins the competition over Richard Dreyfuss by deciding to play the Prokofiev concerto at the last minute instead of the Mozart piano concerto she had planned to play.

==References==

* ''The Concise Edition of Baker's Biographical Dictionary of Musicians'', 8th ed. Revised by Nicolas Slonimsky. New York, Schirmer Books, 1993. ISBN 002872416X

* ''Prokofiev, Sergei'' by Richard Taruskin, in 'The [[New Grove Dictionary of Opera]]', ed. Stanley Sadie (London, 1992) ISBN 0-333-73432-7

==Notes==

<references/>

==External links==

{{commons|Sergei Prokofiev|Sergei Prokofiev}}

* [http://www.prokofiev.org/ The Prokofiev Page]

* [http://www.sprkfv.net/ The Serge Prokofiev Foundation]

* [http://www.boosey.com/pages/cr/composer/composer_main.asp?composerid=2693# Boosey and Hawkes' Prokofiev page] - Most of Prokofiev's music is published by B&H.

* [http://www.imslp.org/index.php?title=Category:Prokofiev%2C_Sergei IMSLP] - International Music Score Library Project's Prokofiev page.

* [http://www.aim25.ac.uk/cgi-bin/frames/browse2?inst_id=59&coll_id=5644&expand=5644A Holdings of the Serge Prokofiev Archive] listed under AIM25.

* [http://pianosociety.com/cms/index.php?section=185 Piano Society.com - Prokofiev] - A short biography and some free recordings in MP3 format and info.

* [http://www.chessgames.com/perl/chessplayer?pid=61923 The chess games of Sergei Prokofiev] Four for posterity

*[http://www.prokofiev.org/catalog/ List of Prokofiev's complete works]

*[http://orlabs.oclc.org/SRW/search/NameFinder?query=local.pnkey+exact+%22prokofiev,%20sergey$1891%201953%22 WorldCat Identities page for 'Prokofiev, Sergey 1891-1953']

[[Category:Russian composers|Prokofiev, Sergei]]

[[Category:Ukrainian composers|Prokofiev, Sergei]]

[[Category:Soviet composers|Prokofiev, Sergei]]

[[Category:20th century classical composers|Prokofiev, Sergei]]

[[Category:Modernism|Prokofiev, Sergei]]

[[Category:Neoclassical composers|Prokofiev, Sergei]]

[[Category:Opera composers|Prokofiev, Sergei]]

[[Category:Soviet film score composers|Prokofiev, Sergei]]

[[Category:Russian classical pianists|Prokofiev, Sergei]]

[[Category:Recipients of the Royal Philharmonic Society Gold Medal|Prokofiev, Sergei]]

[[Category:Stalin Prize winners|Prokofiev, Sergei]]

[[Category:Russian expatriates in the United States|Prokofiev, Sergei]]

[[Category:1891 births|Prokofiev, Sergei]]

[[Category:1953 deaths|Prokofiev, Sergei]]

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