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{{Infobox person

| name = Bruno Zamborlin

| image = BrunozamborlinPhotograph.jpg

| alt = Bruno Zamborlin in 2018

| birth_date = {{birth year and age|1983|08}}

| birth_place = [[Vicenza]], [[Italy]]

| alma_mater = [[Goldsmiths,_University_of_London|Goldsmiths, University of London]]<br>

| occupation = Chief Executive Officer <br> Entrepreneur <br> Artist

| known_for = [https://www.mogees.co.uk/ Mogees], [https://www.hypersurfaces.com/ HyperSurfaces]

}}

'''Bruno Zamborlin''', PhD (born 1983 in [[Vicenza]]) is an Italian [[AI]] [[researcher]] and [[entrepreneur]] based in [[London]], [[UK]].<br />

He is considered a pioneer in the field of [[Human–computer_interaction|human-computer interaction]].

<ref>{{cite news

| last = Vdovin

| first = Marsha

| date = 23 June 2014

| title = An Interview with Bruno Zamborlin

| url = https://cycling74.com/articles/an-interview-with-bruno-zamborlin

| work = Cycling74

| ___location = San Francisco

| access-date = 17 January 2019

}}</ref>

<ref>{{cite news

| last = Tardif

| first = Antoine

| date = 29 December 2020

| title = Bruno Zamborlin, CEO and Chief Scientist at Hypersurfaces – Interview Series

| url = https://www.unite.ai/bruno-zamborlin-ceo-and-chief-scientist-at-hypersurfaces-interview-series/

| work = unite.ai

| access-date = 18 March 2019

}}</ref>

<ref>{{cite news

| author =<!--Staff writer(s)/no by-line.-->

| title = Bruno Zamborlin, PhD Feature

| url = https://coruzant.com/feature/bruno-zamborlin-phd/

| work = Coruzant Technologies

| date = 1 July 2020

| access-date = 23 July 2019

}}</ref>

His work focuses on converting physical objects into touch-sensitive, interactive surfaces using [[Piezoelectric_sensor|vibration sensors]] and [[Artificial Intelligence]].

In 2013 he founded [https://www.mogees.co.uk/ Mogees Limited], a London based start-up whose products enable users to transform everyday objects into musical instruments and games using a vibration sensor and a mobile phone.

In 2017 he founded [https://www.hypersurfaces.com/ HyperSurfaces], a London-Los Angeles based company whose technology converts physical surfaces of any material, shape and form into data-enabled, interactive surfaces using a vibration sensor and a coin-sized chipset.

As an artist, he produces art installations around the world and performs occasionally with UK-based electronic music duo [[Plaid_(band)|Plaid]] ([[Warp_(record_label)|Warp records]]).

== Early life & education ==

Zamborlin was born in Vicenza, Italy.

After attending a degree in Mathematics between [[University of Padua]] (IT) and [http://liacs.leidenuniv.nl/ Liacs] (Leiden Institute of Advanced Computer Science, NL), he enrolled in a master degree in Computer Science in [[University of Bologna]] (IT) which he has been awarded with summa cum laude.

In 2008 Zamborlin moved to [[Paris]], where he lived for 3 years. During this time he has been working at the [[IRCAM]] (Institute for Research and Coordination Acoustic Musical) – [[Centre Pompidou]] as a member of the [http://ismm.ircam.fr/ Sound Music Movement Interaction] team.

<ref>[https://ismm.ircam.fr/people/ Past and current members of the Sound Music Movement Interaction team at IRCAM]</ref>

Under the supervision of [https://www.ircam.fr/person/frederic-bevilacqua/ Frederic Bevilacqua], he started experimenting with the use of [[Artificial Intelligence]] and human movements. He contributed to the creation of [http://ismm.ircam.fr/gesture-follower/ Gesture Follower], a software used to analyse body movements of [[Performing_arts|performers]] and dancers through [[Motion_detection|motion sensors]] in order to control sound and visual media in [[real-time]]. Different human gestures could trigger different media as well as slowing and speeding up their reproduction based on the way such gestures are performed.

<ref>[https://www.upf.edu/web/mtg/news/-/asset_publisher/WM181VyAQipW/content/id/8743476/maximized#.YASOX-lKhTY Seminar by Bruno Zamborlin on Gesture interaction], Music Technology Group, University of Pompeu Fabra, 5 October 2011</ref>

In 2011 Zamborlin relocated to London, where in 2013 he was granted a joint [[Doctor_of_Philosophy|PhD]] between [[Goldsmiths,_University_of_London|Goldsmiths, University of London]] and [[IRCAM|IRCAM - Centre Pompidou]]/[[Pierre_and_Marie_Curie_University|Pierre and Marie Curie University, Paris 6]] in AI with the title [https://edb.upmc.fr/projet-recherche-doctoraux/afficher/4184 'Designing for Appropriation of Digital Music Technology']. The PhD focuses on the concept of Interactive Machine Learning

<ref name="iml"> [https://link.springer.com/article/10.1007/s10489-018-1361-5 Interactive machine learning: experimental evidence for the human in the algorithmic loop]. Holzinger, A., Plass, M., Kickmeier-Rust, M. et al. Interactive machine learning: experimental evidence for the human in the algorithmic loop. Appl Intell 49, 2401–2414 (2019)</ref>

applied to digital musical instruments and performing arts.

The jury panel included [[Reactable]]'s inventor [[Sergi_Jorda|Sergi Jorda]].

==Mogees, Play the World==

Zamborlin founded Mogees Limited in 2013 in [[London]], with [[IRCAM]] amongst the early investors in the company.

The tagline used by the company was "Mogees, Play the World".

Mogees is a product that enables users to transform physical objects into musical instruments and games using a [[Piezoelectric_sensor|vibration sensor]] and a series of apps for [[smartphones]] and [[Desktop_computer|desktop]].

<ref>{{cite news

| last = Nagle

| first = Paul

| date = March 2016

| title = Mogees: Resynthesis App & Sensor For iOS & Mac

| url = https://www.soundonsound.com/reviews/mogees

| work = Sound on Sound

| access-date = 2 October 2020

}}</ref>

<ref>{{cite news

| last = Solon

| first = Olivia

| date = 1 April 2012

| title = Mogees Project Turns Any Surface Into a Gestural Musical Interface

| url = https://www.wired.com/2012/01/mogees/

| work = Wired.com

| access-date = 2 October 2020

}}</ref>

<ref>{{cite news

| last = O'Hear

| first = Steve

| date = 25 May 2017

| title = Mogees picks up seed funding to put audio-based gesture recognition tech into new devices

| url = https://techcrunch.com/2017/05/25/mogees-seed/

| work = TechCrunch

| access-date = 2 October 2020

}}</ref>

<ref>{{cite news

| last = Madelaine

| first = Nicolas

| date = 22 August 2016

| title = Mogees, ou la réalité virtuelle sonore pour tous

| url = https://www.lesechos.fr/2016/08/mogees-ou-la-realite-virtuelle-sonore-pour-tous-215245

| work = Les Echos

| access-date = 2 October 2020

}}</ref>

<ref>{{cite news

| last = Rociola

| first = Arcangelo

| date = 30 September 2014

| title = Mogees: an Italian’s startup that is making the whole world play music (from trees to DJ’s

| url = https://startupitalia.eu/146989-20140930-mogees-italians-startup-making-whole-world-play-music-trees-djs

| work = StartupItalia

| access-date = 10 October 2020

}}</ref>

After a successful [[crowdfunding]] campaign on [[Kickstarter]] in 2014

<ref>{{cite news

| author =<!--Staff writer(s)/no by-line.-->

| date = 5 March 2014

| title = Kickstarter success for gadget that turns everyday objects into instruments

| url = https://www.factmag.com/2014/03/05/mogees-kickstarter-success-for-gadget-that-turns-everyday-objects-into-instruments/

| work = Fact Magazine

| access-date = 15 October 2020

}}</ref>

, Mogees reportedly sold a total of more than 100,000 units worldwide and has been used by artists such as

[[Rodrigo_y_Gabriela|Rodrigo y Gabriela]]

<ref name="ryg">[http://www.rodgab.com/rod-gab-mogees/ Rodrigo y Gabriela's website]</ref>,

[[Jean-Michel_Jarre|Jean Michel Jarre]]

<ref name="jmj">[http://vientdemee.blogspot.com/2014/06/bruno-zamborlin-mogees.html Bruno Zamborlin and Mogees on Jean Michel Jarre website]</ref>

and [[Plaid]]

<ref name="elex">[https://www.youtube.com/watch?v=GPMqAEIBfJM&t=2s&ab_channel=brunozamborlin Plaid and Bruno Zamborlin, ELEX music video]</ref>.

==HyperSurfaces==

In 2017 Zamborlin founded HyperSurfaces together with [[Computer_art|computational artist]] [https://scholar.google.com/citations?user=OwW_posAAAAJ&hl=en Parag K Mital]

<ref name="pkm">[http://pkmital.com/home/ Parag K Mital's website]</ref>.

The tagline employed by the company was "Merging the physical and the digital worlds".

HyperSurfaces is a technology that converts any surface made of any material, shape and size into data-enabled interactive objects, employing a vibration sensor and proprietary [[AI]] algorithms running on a coin-sized [[chipset]]

<ref>{{cite news

| last = O'Hear

| first = Steve

| date = 20 November 2018

| title = HyperSurfaces turns any surface into a user interface using vibration sensors and AI

| url = https://techcrunch.com/2018/11/20/hypersurfaces/

| work = Techcrunch

| access-date = 17 January 2021

}}</ref>.

The vibrations generated by people's interactions on the surface are converted into an electric signal by a [[Piezoelectric_sensor|piezoelectric sensor]] and analysed in [[realtime]] by the AI algorithms that run on the chipset.

Anytime the AI recognises in the vibration signal one of the events that have been predefined by the user beforehand, a corresponding notification message is sent in realtime.

The technology can be applied to multiple industry sectors, ranging from button-less [[Human–computer_interaction|human-computer interaction]] applications for automotive and [[Home_automation|smart home]] to the [[Internet_of_things|Internet of Things]]

<ref>{{cite news

| last = Ridden

| first = Paul

| date = 20 November 2018

| title = HyperSurfaces uses AI to make object interfacing more natural

| url = https://newatlas.com/hypersurfaces-ai-vibration-sensor-interface/57316/

| work = NewsAtlas

| access-date = 17 January 2021

}}</ref>

<ref>{{cite news

| author =<!--Staff writer(s)/no by-line.-->

| date = 26 November 2018

| title = HyperSurfaces – Seamlessly Merging The Physical And Data Worlds

| url = https://www.techcompanynews.com/hypersurfaces-seamlessly-merging-the-physical-and-data-worlds/

| work = TechCompanyNews

| access-date = 17 January 2021

}}</ref>

Because the AI algorithms employed by HyperSurfaces run locally on a chipset, without the need to access cloud-based services, they are considered to be part of the field of [[Edge_computing|edge AI]].

Also, because the AI can be trained beforehand to recognise the events its users are interested in, HyperSurfaces algorithms belong to the field of [[Supervised_learning|supervised machine learning]].

==Art installations and music videos==

* [https://www.youtube.com/watch?v=6rCTjBUNX9U&ab_channel=Playtronica Airplane as a musical instrument], Moscow Science Festival, June 2015

* [https://www.youtube.com/watch?v=DJ3h6J0CNZA&ab_channel=Mogees An entire public square in Milan transformed into a giant musical instrument], installation for [[Audi]], Salone del Mobile, May 2018

* [https://www.youtube.com/watch?v=EQhWGjdskDs&t=34s&ab_channel=yuvalgerstein Post Post], with Yuvi Gerstein & Shuli Oded using Mogees

* [https://www.youtube.com/watch?v=o95Momw3-vA&ab_channel=brunozamborlin Diana - performable sound sculpture], MTV days, February 2015. Music by [[Plaid]]

* [https://www.youtube.com/watch?v=c5g8mzvKuA8&t=1s&ab_channel=brunozamborlin Secrets of Nature], London, March 2015

* [https://www.youtube.com/watch?v=bUtTOYakQ_o&ab_channel=MazdaUK Make beautiful music], Mazda 3 commercial, December 2014

==Selected talks==

* [https://www.ted.com/talks/bruno_zamborlin_how_vibration_can_turn_any_object_into_data_enabled_interface How vibration can turn any object into a data enabled interface], TEDx San Francisco, 3 October 2019

* [https://www.youtube.com/watch?v=RGbyFxw3-pY&ab_channel=TEDxTalks Transforming everyday objects into musical instruments], TEDx Brussels, 14 November 2012

* [https://www.youtube.com/watch?v=DSDsKn-7jRQ&ab_channel=TEDxTalks The Joy of Creating Music with Augmented Reality], TEDx Milan, 3 November 2017 (Italian language)

* [https://www.youtube.com/watch?v=iIUU_V8bL1s&t=119s&ab_channel=SennheiserMOMENTUM Testimonial for Sennheiser's 'Catch the Momentum' campaign]

* [https://www.youtube.com/watch?v=ysBt--l4Gxw&feature=youtu.be&ab_channel=brunozamborlin Bruno Zamborlin talks about Mogees and Plaid on Wired UK]

==Selected awards==

* [http://jsm2012.irisa.fr/toppage.php?page=prixjc IRISA Prix Jeune Chercheur], 13 October 2012

* [http://www.nemode.ac.uk/?page_id=814 NeMoDe, New Economic Models in the Digital Economy], 25 October 2012

==Patents and academic publications==

* {{cite patent

| country = United States

| number = US10817798B2

| status = pending

| title = Method to recognize a gesture and corresponding device

| pubdate = 2016-04-27

| pridate = 2016-04-27

| inventor = Bruno Zamborlin

| invent1 = Baptiste Caramiaux

| invent2 = Carmine Emanuele Cella

| assign1 = Mogees Limited

| class = G06F3/017 Gesture based interaction, e.g. based on a set of recognized hand gestures

| url = https://patents.google.com/patent/US10817798B2/en

}}

* {{cite patent

| country = GB

| number = WO/2019/086862

| status = Pending

| title = A user interface for vehicles

| pubdate = 2019-05-09

| pridate = 2017-10-31

| inventor = Bruno Zamborlin

| invent1 = Parag Mital

| invent2 = Conor Barry

| invent3 = Alessandro Saccoia

| invent4 = Baptiste Caramiaux

| assign1 = Mogees Limited

| class = G06F 3/01

| url = https://patentscope.wipo.int/search/en/detail.jsf?docId=WO2019086862

}}

* {{cite patent

| country = GB

| number = WO/2019/086863

| status = Pending

| title = Trigger for game events

| pubdate = 2019-05-09

| pridate = 2017-10-31

| inventor = Bruno Zamborlin

| invent1 = Parag Mital

| invent2 = Conor Barry

| invent3 = Alessandro Saccoia

| invent4 = Baptiste Caramiaux

| assign1 = Mogees Limited

| class = A63F 13/215

| url = https://patentscope.wipo.int/search/en/detail.jsf?docId=WO2019086863

}}

* {{cite journal

| last1 = Bevilacqua

| first1 = Frédéric

| last2 = Zamborlin

| first2 = Bruno

| last3 = Sypniewski

| first3 = Anthony

| last4 = Schnell

| first4 = Norbert

| last5 = Guédy

| first5 = Fabrice

| last6 = Rasamimanana

| first6 = Nicolas

| date = 2010

| title = Continuous Realtime Gesture Following and Recognition

| url = https://link.springer.com/chapter/10.1007/978-3-642-12553-9_7

| journal = Lecture Notes in Computer Science

| volume = 5934

| issue =

| pages = 73-84

| doi = 10.1007/978-3-642-12553-9_7

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Rasamimanana

| first1 = Nicolas

| last2 = Bevilacqua

| first2 = Frédéric

| last3 = Schnell

| first3 = Norbert

| last4 = Guédy

| first4 = Fabrice

| last5 = Flety

| first5 = Emmanuel

| last6 = Maestracci

| first6 = Come

| last7 = Zamborlin

| first7 = Bruno

| date = January 2010

| title = Modular musical objects towards embodied control of digital music

| url = https://dl.acm.org/doi/abs/10.1145/1935701.1935704

| journal = TEI '11: Proceedings of the fifth international conference on Tangible, embedded, and embodied interaction

| pages = 9–12

| doi = 10.1145/1935701.1935704

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Bevilacqua

| first1 = Frédéric

| last2 = Schnell

| first2 = Norbert

| last3 = Rasamimanana

| first3 = Nicolas

| last4 = Zamborlin

| first4 = Bruno

| last5 = Guedy

| first5 = Fabrice

| date = 2011

| title = Online Gesture Analysis and Control of Audio Processing

| url = https://link.springer.com/chapter/10.1007/978-3-642-22291-7_8

| journal = Springer Tracts in Advanced Robotics

| volume = 74

| pages = 127-142

| doi = 10.1007/978-3-642-22291-7_8

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Zamborlin

| first1 = Bruno

| last2 = Bevilacqua

| first2 = Frédéric

| last2 = Gillies

| first2 = Marco

| last2 = D'Inverno

| first2 = Mark

| date = 2014-01-15

| title = Fluid gesture interaction design: Applications of continuous recognition for the design of modern gestural interfaces

| url = https://dl.acm.org/doi/abs/10.1145/2543921

| journal = ACM Transactions on Interactive Intelligent Systems

| pages = 22

| doi = 10.1145/2543921

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Leslie

| first1 = Grace

| last2 = Zamborlin

| first2 = Bruno

| last2 = Schnell

| first2 = Norbert

| last2 = Jodlowski

| first2 = Pierre

| date = 2010-06-15

| title = A Collaborative, Interactive Sound Installation

| url = https://www.researchgate.net/publication/261215607_Grainstick_A_Collaborative_Interactive_Sound_Installation

| journal = Proceedings of the International Computer Music Conference (ICMC)

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Kimura

| first1 = Mari

| last2 = Rasamimanana

| first2 = Nicolas

| last3 = Bevilacqua

| first3 = Frédéric

| last4 = Zamborlin

| first4 = Bruno

| last5 = Schnell

| first5 = Bruno

| last6 = Flety

| first6 = Emmanuel

| date = 2012

| title = Extracting Human Expression For Interactive Composition with the Augmented Violin

| url = https://hal.archives-ouvertes.fr/hal-01161009/

| journal = International Conference on New Interfaces for Musical Expression (NIME)

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Ferretti

| first1 = Stefano

| last2 = Roccetti

| first2 = Marco

| last3 = Zamborlin

| first3 = Bruno

| date = 2009-01-13

| title = On SPAWC: Discussion on a Musical Signal Parser and Well-Formed Composer

| url = https://ieeexplore.ieee.org/abstract/document/4784966

| journal = 6th IEEE Consumer Communications and Networking Conference

| doi = 10.1109/CCNC.2009.4784966

| access-date = 17 January 2021

}}

* {{cite journal

| last1 = Zamborlin

| first1 = Bruno

| last2 = Partesana

| first2 = Giorgio

| last3 = Liuni

| first3 = Marco

| date = 2011-05-15

| title = (LAND)MOVES

| url = https://hal.archives-ouvertes.fr/hal-01161298/document

| journal = Conference on New Interfaces for Musical Expression, NIME

| pages = 537-538

| access-date = 17 January 2021

}}

==External links==

* [https://www.mogees.co.uk/ Mogees official website]

* [https://www.hypersurfaces.com/ HyperSurfaces official website]

References: {{reflist}}