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{{Short description|American photojournalist}}
'''Jerome Zerbe''' (July 24, 1904 - Aug. 19, 1988) was one of the originators of a genre of [[photography]] that is now utterly common: celebrity [[paparazzi]]. Zerbe was pioneer in the 1930s of shooting photographs of the famous at play and on-the-town. ▼
{{More citations needed|date= July 2010}}
▲'''Jerome Zerbe''' (July 24, 1904
Zerbe differed from the common paparazzo in a major way: he never hid in bushes or jumped out and surprised the rich and famous that he was photographing. Zerbe often traveled and vacationed with the film stars themselves. As one biographer stated, he never rode in a rented limousine and his coat pocket always had an engraved invitation to the high society events.▼
▲Zerbe differed from the common paparazzo in a major way: he never hid in bushes or jumped out and surprised the rich and famous
“Once I asked [[Katharine Hepburn]] to come up from her place at Fenwick, a few miles away, and pose for some fashion photos for me,” Zerbe recalled in his book ''Happy Times''. “She arrived with a picnic hamper full of food and wine for the two of us. I snapped her just as she came to the door.” ▼
▲
Zerbe claimed to be the first
==Early life and education==
Zerbe graduated from [[Yale]] in 1928, where he was an editor of the campus humor magazine ''[[
==Early career==
After graduation he went out to [[Hollywood, Los Angeles|Hollywood]] to try his hand at drawing portraits of the famous residents. He was befriended by a young [[Gary Cooper]]
It did not take long for Zerbe to put down his paintbrush and pick up a camera. He photographed numerous stars in Hollywood's Golden Age and some of the hopefuls, before they became known, posed for him wearing few if any clothes.{{citation needed|date=August 2017}}
During the [[Depression]], Zerbe landed his first major job, as art director of [[Parade magazine]], which was headquartered in his hometown, [[Cleveland]]. This was where he began his career of setting up portraits of the upper crust. He persuaded the wealthy local residents that it would help them to be photographed at their parties, which was simply not done at the time. He convinced them that it would assist the charity balls and fundraisers the leading society matrons were hosting. This paid off. He shot hundreds of debutantes, brides, newlyweds and formal dinners in North America and Europe.▼
==Breaking into photography==
Soon after, Harry Bull, the editor of [[Town & Country magazine]] in New York, saw some of Zerbe’s society photos from Cleveland. He made him an offer to photograph ritzy parties in the Midwest. This led to his photos getting a wide audience, and offers of work from the capital of glitz -- [[Manhattan]].▼
▲During the [[Great Depression|Depression]], Zerbe landed his first major job, as art director of ''[[Parade (magazine)|Parade]]'', which was headquartered in his hometown, [[Cleveland]]. This was where he began his career of setting up portraits of the upper crust. He persuaded the wealthy local residents that it would help them to be photographed at their parties, which was simply not done at the time. He convinced them that it would assist the charity balls and fundraisers the leading society matrons were hosting. This paid off. He shot hundreds of debutantes, brides, newlyweds, and formal dinners in North America and Europe.
▲Soon
When Zerbe arrived in New York, he was in the right place at the right time. [[Prohibition]] had just ended and the nightlife was booming. The city had seven daily newspapers and three press associations. They all needed society photographs. Zerbe got himself hired by the [[Rainbow Room]] – on the 65th Floor of 30 [[Rockefeller Center]] – to set up fashionable dinner parties and photograph the guests. Zerbe was shocked that at the height of the [[Depression]], unemployed readers craved to look at photos of high society types dressed in evening clothes and drinking [[champagne]].▼
When Zerbe arrived in New York, he was in the right place at the right time. Prohibition had just ended, and nightlife was booming. The city had seven daily newspapers and three press associations. They all needed society photographs.
▲
[[World War II]] prompted Zerbe to enlist in the [[Navy]]. He was able to bring his camera, and became the official photographer for [[Admiral Nimitz]]. He found a way to travel with the stars that flew overseas to entertain the troops. ▼
==The nightclub era==
After the war, Zerbe took up photographing [[Café Society]] with gusto. He was a charming man who was able to rub shoulders with dukes, duchesses, visiting dignitaries, as well as [[John Hay Whitney]], Mrs. [[Cornelius Vanderbilt]], and scores of others. He traveled to [[France]] to photograph estates and country homes – and the residents as well.▼
Around 1934, Zerbe was in business in Manhattan. He was the staff photographer for both the [[Rainbow Room]] and a bustling nightclub, [[El Morocco]]. Zerbe said that from 1933 to 1938, he spent most nights from 9 p.m. to 4 a.m. at El Morocco eating, drinking, and taking pictures.
Many considered El Morocco the classiest nightclub in town and looked down upon the [[Stork Club]] regulars as "tacky". El Morocco was the place to be seen, particularly if one just came from a [[Broadway theatre|Broadway]] show. Zerbe photos taken at El Morocco are readily identifiable due to the blue-and-white zebra-stripe fabric on all the banquettes and couches.
In the 1940s, Zerbe worked for the [[Hearst]] newspapers, and wrote a Sunday column for the Sunday Mirror for more than ten years. From 1949 to 1974 he was the society editor for [[Town & Country]]. He traveled around the globe photographing big celebrity events.▼
▲[[World War II]] prompted Zerbe to enlist in the [[United States Navy|Navy]]. He was able to bring his camera,
▲After the war, Zerbe took up photographing [[
▲In the 1940s, Zerbe worked for the [[Hearst Corporation|Hearst]]
Zerbe had several "coffee table" photo books published. Among them were ''People on Parade'' (1934),<ref>{{cite book |last1=Zerbe |first1=Jerome |first2=Lucius |last2=Beebe |author2-link=Lucius Beebe |title=People on Parade |year=1934 |publisher=D. Kemp |___location=New York }}</ref> ''John Perona's El Morocco Family Album'' (1937),<ref>{{cite book |last1=Zerbe |first1=Jerome |first2=Lucius |last2=Beebe |author2-link=Lucius Beebe |title=John Perona's El Morocco Family Album |year= 1937 |publisher=privately published |___location=New York }}</ref> ''The Art of Social Climbing'' (1965), and with [[Brendan Gill]] of ''[[The New Yorker]]'', Zerbe's greatest collection, ''Happy Times'' (1973).<ref>{{cite book |last=Zerbe |first=Jerome |author2=Gill, Brendan |title=Happy Times |year=1973 |publisher=Harcourt Brace Jovanovich |___location=New York }}</ref>
[[Category:1904 births|Zerbe, Jerome]]▼
[[Category:1988 deaths|Zerbe, Jerome]]▼
==Death ==
[[Category:American photographers|Zerbe, Jerome]]▼
Zerbe died on August 19, 1988, at his [[Sutton Place, Manhattan|Sutton Place]] apartment in Manhattan. He was 85.
[[Category:American authors|Zerbe, Jerome]]▼
[[Category:People from Ohio|Zerbe, Jerome]]▼
The Zerbe photographic archive was purchased by Frederick R. Koch, eldest son of industrialist [[Fred C. Koch]], and gifted in 2013 to the Beinecke Rare Book Library.<ref>{{cite archive |first= |last= |item= |type= |date= |series= |file= |box= |collection=Jerome Zerbe photographs and papers |repository=Beinecke Rare Book and Manuscript Library Repository |institution=Yale University |___location= |collection-url=https://hdl.handle.net/https://hdl.handle.net/10079/fa/beinecke.zerbe}}</ref>
==Relationships==
In the 1930s, Zerbe was the partner of the society columnist and writer [[Lucius Beebe]]. Beebe made so many flattering references to Zerbe in his newspaper column, ''This New York,'' that rival columnist [[Walter Winchell]] suggested that Beebe should change the name to "Jerome Never Looked Lovelier."<ref>{{cite book|author=Gill, Brendan|title=Here at The New Yorker|publisher=Berkley Medallion Edition|date= 1976|isbn=0-425-03043-1}}</ref>
==See also==
*[[Jet set]]
==References==
* ''[[New York Times]]'' obituary, "Jerome Zerbe, 85, Photographer of Cafe Society and a Columnist", August 23, 1988, p. D19.
;Specific
{{Reflist}}
==Bibliography==
*{{cite book |last1=Zerbe |first1=Jerome |first2=Lucius |last2=Beebe |author2-link=Lucius Beebe |title=People on Parade |year=1934 |publisher=D. Kemp |___location=New York }}
*{{cite book |last1=Zerbe |first1=Jerome |first2=Lucius |last2=Beebe |author2-link=Lucius Beebe |title=John Perona's El Morocco Family Album |year= 1937 |publisher=privately published |___location=New York }}
*{{cite book |last1=Zerbe |first1=Jerome |first2=Brendan |last2=Gill |title=Happy Times |year=1973 |publisher=Harcourt Brace Jovanovich |___location=New York }}
== External links ==
[[hdl:10079/fa/beinecke.zerbe|Jerome Zerbe Photographs and Papers]]. General Collection, Beinecke Rare Book and Manuscript Library, Yale University.{{Authority control}}
{{DEFAULTSORT:Zerbe, Jerome}}
[[Category:Nightlife in New York City]]
[[Category:Yale University alumni]]
[[Category:LGBTQ people from Ohio]]
[[Category:Journalists from Ohio]]
[[Category:20th-century American journalists]]
[[Category:American male journalists]]
[[Category:20th-century American LGBTQ people]]
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