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{{Short description|Italian illustrator and engraver}}
[[Image:Bartolomeo Pinelli 001.jpg|right|250px|thumb|La dea Roma ed il [[Napoleone II di Francia|Re di Roma]], [[Roma]], [[Museo Napoleonico]]]]
[[Image:16costumiBartolomeo Pinelli 001.jpg|right|250px|thumb|FrontespizioThe dellagoddess raccoltaRome and the "[[Napoleon II of France|King diof 15Rome]]", CostumiRome, dellaMuseo SvizzeraNapoleonico]]
[[Image:PinelliNapoli.jpg|right|250px|thumb|RaccoltaFrom dei''Costumes Costumiof delthe Regno di Napoli:<br>''"CostumeKingdom diof Napoli''"]]
 
 
'''Bartolomeo Pinelli'''
 
 
Bartolomeo Pinelli (Rome, November 20 1871-Rome, April 1st 1835) was an [[illustrator]] and [[carver]] from Rome
 
==1.Life==
==2.The death of zor Meo==
==3.Works==
==4.Bibliography==
==5.External Links==
 
'''Bartolomeo Pinelli''' (November 20, 1781 &ndash; April 1, 1835) was an Italian [[illustrator]] and [[engraver]].
 
==Life==
Pinelli was born and died in the [[Trastevere]] neighborhood of [[Rome]], the son of an artisan who modeled religious statues.<ref>Auber E. mentions the father as a door keeper.</ref> Pinelli was educated first in [[Bologna]] and then at the [[Accademia di San Luca]] in Rome. He returned to live in Trastevere, then a poor quarter of Rome. His initial studio was on Piazza Sciarra on the Corso. His son, [[Achille Pinelli]], was a famous watercolorist in his own right.
 
An extremely prolific artistengraver, he illustrated in his figuresillustrations depicted the costumes of the italianItalian peoplespeople, the great epic [[poems]] and numerous other subjects, including popular customs. In general, the most recurring subject is Rome, the ancient city as well as the modern one: its inhabitants and its monuments.<ref>E. Deane in ''The Collector'' depicts a series of engravings of sites around Rome.</ref>
 
[[Image:PinelliPatacca52.jpg|left|250px|thumb|Engraving from the ''poema giocosso'' of ''Meo Patacca'']]
In general, the most recurring subject is Rome, its inhabitants, its monuments, the ancient city as well as the modern one.
 
In his first years of independent work, he painted figures in watercolor in the style of the painter [[Franz Kaiserman]]. Starting in 1807, he produced an album of 36 watercolors, entitled ''Scene e Costumi di Roma e del Lazio'' (Scenes and Costumes from Rome and the Lazio). His first series of engravings, begun in 1809, was entitled ''Raccolta di cinquanta costumi pittoreschi incisi all'acquaforte'' (Collection of 50 picturesque costumes engraved with acquaforte). In 1816 he finished the illustrations for his work ''La Storia Romana'' ({{langx|it|Roman History}}) and, in 1821, those for the work ''La Storia Greca'' ({{langx|it|Greek History}}). He held in high regard the traditions and religions of ancient Greece and Rome, and completed a series of engravings of the pantheon of classical gods.<ref>{{cite book|last=Auber|first=Eugene|title=An Important Artistic Discovery, The Art Journal, Volume 56.|page=284|___location=London|year=1894|publisher=The Art Union|url=https://books.google.com/books?id=e7ghAQAAMAAJ&q=bartolomeo+pinelli&pg=PA284}}</ref> The artistic tradition of exaltation of a class beyond the law finds roots in the baroque era artist [[Salvatore Rosa]].
Son of a religious statues modeller he was educated first in Bologna and then in the academy of San Luca in Rome.
 
He also produced a series of prints on ''La Storia del Brigante Decapitito'' (Story of the Decapitated Brigand), about a brigand who, while he sleeps, is decapitated by his wife in revenge for having murdered her child. This particular work illustrates the attention Pinelli lavished on popular tales, and the idealized admiration that had developed among some of the educated and aristocratic class for brigand culture. Pinelli suggested that brigands, or ''banditi'', in their quest for independence from the laws imposed by absolute rulers retained an inheritance of the desire for liberty of ancient Republican Rome. For Pinelli, Italian nationalism would coalesce around a return to the values of Ancient Romans.<ref>{{cite book|title=Art in Europe 1700–1830|first=Matthew|last=Crask|pages=112–114}}</ref> An example of the paradoxical patrons for his depictions of brigands are two paintings owned by the Duchess of Devonshire.<ref>{{cite book|last=Deane|first=Ethel|title=The Collector, containing articles and illustrations, reprinted from the Queen Newspaper..., Volume 3|page=299|___location=London|year=1907|publisher=Horace Cox|url=https://books.google.com/books?id=VBpAAAAAYAAJ&q=bartolomeo+pinelli&pg=PA299}}</ref>
In the first years of independent work he painted figures in acquerelle under the the same prism of the painter Franz Kaiserman.
 
Between 1822 and 1823 he finished a set of fifty-two prints for the a satiric poem called ''[[Meo Patacca|Il Meo Patacca]]''.
From 1807, we have the work:” l' Album di trentasei acquerelli di Scene e Costumi di Roma e del Lazi.”
 
He died poor on April 1, 1835.
From 1809 we have his first series of carvings under the title “Raccolta di cinquanta costumi pittoreschi incisi all’acquaforte”.
 
==Works==
In 1816 he accomplishes the illustrations for the work “Storia Romana’ (ital: the roman Story) and in 1821 those for the work “La storia Greca” (Ital: the greek story).
Oreste Raggi, writing in 1835, the same year that the artist died, cites many of Pinelli's designs and [[watercolor]]s, and around forty collections of engravings published in Rome under ten different editors.
Among those:
* ''Collection of Roman costumes'' (1809) – 50 copperplate engravings
* ''Another collection of Rome costumes'' – 50 copperplate engravings
* ''The carnival of Rome'' – one copperplate engraving
* ''Collection of Fifty Customs of the Neighbourhood of Rome, comprising diverse deeds of the Brigand''<ref>{{cite book|title=The Penny Magazine for the Diffussion of Knowledge|page=20|___location=London|year=1842 |publisher=Charles Knight and company|url=https://books.google.com/books?id=RXdMAAAAMAAJ&q=bartolomeo+pinelli&pg=PA20}}</ref>
* ''Roman History'' – 101 prints
* ''History of the emperors, starting from Ottavio'' – 101 prints
* ''Dante, Hell, Purgatory and Paradise'' – 145 prints
* ''Costumes of the Roman countryside'' (1823) – 50 copperplate engravings
* [[Torquato Tasso]]'s ''[[Jerusalem Delivered]]'' – 72 prints
* [[Ludovico Ariosto|Ariosto]]'s ''[[Orlando Furioso]]'' – 100 prints
* [[Virgil]]'s ''[[Aeneid]]'' – 50 copperplate engravings
* ''Collection of ancient costumes''
* ''Greek History'' – 100 copperplate engravings
* ''Costumes of the Kingdom of Naples'' – 50 copperplate engravings (1828)
* ''Meo Patacca'' – 50 copperplate engravings
* ''Swiss costumes'' (1813) – 16 copperplate engravings
 
<gallery>
Betweeen 1822 and 1823 he accomplishes the fifty-two tables for the work “Il Meo Patacca.”
File:16costumi.jpg|Frontispiece from ''Collection of 15 Swiss Costumes''
Bartolommeo_Pinelli_(1781-1835),_Cleombrote_banit_par_Leonidas_II,_Roi_de_Sparte,black_chalk,craie_noire,_plume_et_encre_brune_et_noire_lavis_brun,71_x_102_cm..jpg| ''Cleombrotus ordered into banishment by Leonidas II, King of Sparta'', [[Mougins Museum of Classical Art]]
</gallery>
 
==Bibliography==
He died poor the 1st of April in 1835.
* {{cite book|last=Raggi|first=Oreste|title=Cenni intorno alla vita e alle opere di Bartolomeo Pinelli|___location=Roma|year=1835|publisher=Tipografia Salvucci|language=it}}
* {{cite book|last=Fagiolo|first=Maurizio|author2=Maurizio Marini|title=Bartolomeo Pinelli (1781–1835) e il suo tempo|___location=Roma|year=1983|language=it}}
 
==References==
{{Reflist}}
 
==External links==
{{commons category|Bartolomeo Pinelli}}
* {{Gutenberg author | id=26174| name=Bartolomeo Pinelli}}
* {{Internet Archive author |sname=Bartolomeo Pinelli}}
* [http://www.belsito.it/Roma/Terme/leggende/pinelli.html ''Aneddoti su Pinelli''] by Giggi Zanazzo (in Romanesco)
 
{{Authority control}}
==La morte der zor Meo (ital: the death of zor Meo)==
 
<center>
 
A few days later Giuseppe Gioacchino Belli wrote the following sonetto:
 
La morte der zor Meo
 
Sì, quello che portava li capelli
giù p'er grugno e la mosca ar barbozzale, (1)
er pittor de Trestevere, Pinelli, (2)
è crepato pe causa d'un bucale (3).
 
V'abbasti questo, ch'er dottor Mucchielli, (4)
vista ch'ebbe la merda in ner pitale,
cominciò a storce (5) e a masticalla male, (6)
eppoi disse: "Intimate li Fratelli. (7)"
 
Che aveva da lassà? Pe fà bisboccia (8)
ner Gabbionaccio (9) de padron Torrone, (10)
è morto co tre pavoli in zaccoccia. (11)
 
E l'anima? Era già scommunicato, (12)
ha chiuso l'occhi senza confessione...(13)
Che ne dite? Se (14) sarà sarvato?
April 9 1835
 
==Works==
 
Oreste Raggi, in his libretto written in 1835, the same year that the artist died, cites many other designs and acquerelles as well, around forty collections of stamps, published in Rome under ten different editors.
 
Among those:
''
 
· Collection of Rome costumes (1809)-50 bronze carvings
· Another collection of Rome costumes-50 bronze carvings
· The carnival of Rome-one bronze carving
· The Roman Story-101 stamps
· The story of the Emperors, starting from Ottavio-101 stamps
· Dante, Hell, Purgatory and Paradise-145 stamps
· Costumes of the Roman countryside (1823)-50 bronze carvings
· The Anvil-Jerusaleme liberated-72 stamps
· L’Ariosto-Furious Orlando-100 stamps
· The Eneiade of Virgilio –50 bronze carvings
· Collection of ancient costumes
· The Greek History-100 bronze carvings
· Costumes of the Kingdom of Napoli –50 bronze carvings (1828)
· Meo Patacca –50 bronze carvings
· Swiss Costumes (1813)-16 bronze carvings''
 
==Biobliography (in Italian)==
 
{{DEFAULTSORT:Pinelli, Bartolomeo}}
· Raggi Oreste: Cenni intorno alla vita e alle opere di Bartolomeo Pinelli, Roma, 1835, Tipografia Salvucci
[[Category:19th-century Italian illustrators]]
· Fagiolo Maurizio, Marini Maurizio (a cura di), Bartolomeo Pinelli (1781-1835) e il suo tempo, Roma 1983.
[[Category:Painters from Rome]]
==External Links==
[[Category:1781 births]]
· *[http://www.belsito.it/Roma/Terme/leggende/pinelli.html aneddoti su Pinelli] di [[Giggi Zanazzo]] (in romanesco)
[[Category:1835 deaths]]
[[Category:18th-century Italian painters]]
[[Category:Italian male painters]]
[[Category:19th-century Italian painters]]
[[Category:Italian neoclassical painters]]
[[Category:19th-century Italian male artists]]
[[Category:18th-century Italian male artists]]
[[Category:Artists from the Papal States]]