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== what would be an example of a large damping factor and a small one? ==
Thanks for any info. <!-- Template:Unsigned IP --><small class="autosigned">— Preceding [[Wikipedia:Signatures|unsigned]] comment added by [[Special:Contributions/79.79.229.165|79.79.229.165]] ([[User talk:79.79.229.165#top|talk]]) 17:03, 23 November 2008 (UTC)</small>
==Previous archive missing?==
This note was present at the top of this page, but the second link was a red link:
Earlier talk archived at:
*[[Talk:Damping factor/archive1]]
*[[Talk:Damping factor/archive2]]
I'm changing to the archive template and archiving another chunk through 2007. — [[user:MaxEnt|MaxEnt]] 10:11, 7 April 2014 (UTC)
:That's because the links are wrong. The first has a redirect, but they should correctly read:
:*[[Talk:Damping factor/Archive 1]]
:*[[Talk:Damping factor/Archive 2]]
:[[Special:Contributions/86.174.152.128|86.174.152.128]] ([[User talk:86.174.152.128|talk]]) 12:02, 21 May 2017 (UTC)
== archiving is nonsense ==
Sorry, but to archive SMALL Quantities of text
I consider that as nonsense.
The article is not as good, the contribution here usually help.
--[[User:AK45500|AK45500]] ([[User talk:AK45500|talk]]) 16:43, 11 June 2021 (UTC)
== Critical damping of loudspeakers ==
I believe that critical damping of a loudseaker cone by electrical methods is, in almost all cases, impossible due to the non zero resistance of the voice coil. --Light current 10:30, 28 June 2006 (UTC)
: Just use a '''negative impedance''' at the amplifier.
: --[[User:AK45500|AK45500]] ([[User talk:AK45500|talk]]) 16:45, 11 June 2021 (UTC)
== Large Damping Factor is desirable for audio amplifiers ==
I have a real problem with this statement... "A large damping factor is no advantage beyond a certain point, probably around 10." This is totally not true... and totally obvious to anyone who works in the professional audio field, as I do. A large damping factor (100 or greater, preferably 400 - 1000) is highly desirable, and mandatory for quality bass reproduction, given the way that loudspeakers work. Please read the referenced article from Crown Audio. Anyone who believes a large damping factor is no advantage is confusing the issue of feedback (and possible negative effects of feedback) with damping factor. Tvaughan1 22:33, 21 April 2006 (UTC)
: Sorry I consider this as ... . I do not think, that anyone in the professional audio field is not able to calculate the Brake-current.
: From damping factor 10 to 400 the current, that will slow down the cone, after the signal ceases will increase by 0.15 dB . It will decrease again if the coil increases by 100 Kelvin.
:But you are shure the whole audio comunity considers a 0.15 dB 'faster' acceleration or damping is important. You know, the damping 10 will increase BASS response a little tiny bit compared to 400 ! A lot of peaople consider that as desirable.
:Yes , high damping may (sometimes) be HIGHLY desirable. But then please use a Damping factor of -5 or -3 ( ¡ minus ! ). Look at Yamaha or old REVOX subwoofers. --[[User:AK45500|AK45500]] ([[User talk:AK45500|talk]]) 17:09, 11 June 2021 (UTC)
:: The results indicated that any damping factor over 10 is going to result in inaudible differences between that and a damping factor equal to infinity. However, it was also determined that the frequency-dependent variation in the response of the loudspeaker due to the output resistance of the amplifier is much more significant than the effects on system damping.
:: These two sentences contradict each other. Output resistance partially defines damping factor so you can't say "damping factor over 10 doesn't matter but <different way of saying damping factor> is much more significant"
:: Not sure if the bit in the paper is poorly written or assumes a great deal of context about what they're referring to, but the quote in the wikipedia article loses all that context. [[User:Xaxxon|XaXXon]] ([[User talk:Xaxxon|talk]]) 05:49, 27 January 2023 (UTC)
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