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{{short description|1936 comedy film by Charles Chaplin}}
{{Use American English|date=January 2025}}
{{Use mdy dates|date=November 2022}}
{{Infobox film
| name = Modern Times
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| starring = Charlie Chaplin <br /> [[Paulette Goddard]] <br /> [[Henry Bergman]] <br /> [[Tiny Sandford]] <br /> [[Chester Conklin]]
| music = Charlie Chaplin
| cinematography = Ira H. Morgan <br /> [[Roland Totheroh]]
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| distributor = [[United Artists]]
| released = {{film date|1936|02|05|New York City, premiere|1936|02|25|USA}}
| runtime = 87 minutes
| country = United States
| language = Sound (Part-Talkie)<br>English Intertitles
| budget = $1.5 million<ref name="tino">{{cite book |last=Balio |first=Tino |title=United Artists: The Company Built by the Stars |date=April 8, 2009 |url=https://books.google.com/books?id=QljKdIYzncoC&q=United+Artists:+The+Company+Built+by+the+Stars | publisher=[[University of Wisconsin Press]] |isbn=978-0299230036 |page=131 |access-date=August 8, 2020}}</ref>
| gross = $1.8 million (U.S. and Canada rentals)<ref name=HollywoodStoryBook>{{cite book |last=Finler |first=Joel Waldo |year=2003 |title=The Hollywood Story |publisher=Wallflower Press |isbn=978-1-903364-66-6 |pages=[https://books.google.com/books?id=rvVhEJmbfrsC&pg=PA356 356–357]}}</ref>
}}
'''''Modern Times''''' is a 1936 American [[
''Modern Times'' has won many awards and honors, and is widely considered one of the [[greatest films ever]]. It was one of the first 25 films selected by the [[Library of Congress]] for preservation in the [[National Film Registry]] for being "culturally, historically, or aesthetically significant".
==Plot==
[[File:Chaplin - Modern Times.jpg|thumb|right|The Tramp working on the giant machine in the film's most famous scene]]
[[File:Charlie Chaplin.jpg|thumb|269x269px|{{center|Charlie Chaplin as The Tramp}}]]
[[The Tramp]] works on an [[assembly line]], where he suffers greatly due to the stress and pace of the repetitive work. He eventually suffers a nervous breakdown and runs amok, getting stuck within a machine and throwing the factory into chaos; he is then sent to the hospital. Following his recovery, the now-unemployed Tramp is mistakenly arrested in a [[Communist]] demonstration. In jail, he accidentally ingests smuggled [[cocaine]], and in his subsequent delirium, he avoids being put back in his cell. When he returns, he stumbles upon a jailbreak and knocks the convicts unconscious for which he is hailed as a hero and given special treatment. When he is informed that he will soon be released due to his heroic actions, he argues unsuccessfully that he prefers life in jail.
Upon release, he applies for a new job with a shipbuilder but leaves after causing an accident. Soon after, he runs into an orphaned girl, Ellen, who is fleeing the police after stealing a loaf of bread. Determined to go back to jail and to save her from arrest, the Tramp tells the police that he is the thief and asks to be arrested, but a witness reveals his deception and he is freed. He then eats an enormous amount of food at a [[cafeteria]] without paying to get arrested, and once again encounters Ellen in a [[paddy wagon]] after he is put in it. It soon crashes, however, and she convinces him to escape with her. The Tramp then gets a job as a night watchman at a department store, and encounters three burglars led by "Big Bill," a fellow worker from the factory, who explains that they are hungry and desperate. After sharing drinks with them, he wakes up the next morning during opening hours and is arrested once again for failing to call the police on the burglars and for sleeping in the store's clothes on a desk, shocking a customer and the storekeeper.
Days later, Ellen takes him to a run-down shack to live in. The next morning, he reads about an old factory's re-opening and lands a job as a mechanic's assistant. The other workers then suddenly decide to go on strike, and tell the Tramp to leave with them. Outside the factory, he accidentally launches a brick at a policeman and is arrested again.
He is released two weeks later, and learns that Ellen is now a café dancer. She gets him a job as a singer and waiter, but he goes about his duties clumsily. During his floor show, he loses his cuffs, which bear the lyrics to his song, but he rescues the act by improvising the lyrics using gibberish and by [[Pantomime|pantomiming]]. When police arrive to arrest Ellen for her earlier escape, the two are forced to flee again, and Ellen despairs that their struggles are all pointless, but the Tramp reassures her. At a bright dawn, they walk down the road towards an uncertain but hopeful future.
==Cast==
{{castlist|
* [[Charlie Chaplin]] as a factory worker ([[The Tramp]])
* [[Paulette Goddard]] as Ellen Peterson "The Gamin"
* [[Henry Bergman]] as the Café proprietor
* [[Tiny Sandford|Stanley "Tiny" Sandford]] as Big Bill
* [[Chester Conklin]] as a Mechanic
* [[Al Ernest Garcia]] as the President of the Electro Steel Corp.
* [[Stanley Blystone]] as Gamin's father
* [[Richard Alexander (actor)|Richard Alexander]] as the prison cellmate
* [[Cecil Reynolds (actor)|Cecil Reynolds]] as the Minister
* [[Mira McKinney]] as the Minister's wife
* [[Murdock MacQuarrie]] as J. Widdecombe Billows, inventor
* [[Wilfred Lucas]] as the Juvenile Officer
* [[Edward LeSaint]] as Sheriff Couler
* [[Fred Malatesta]] as the Café head waiter
* [[Sammy Stein]] as the turbine operator
* [[Hank Mann]] as burglar with Big Bill
* [[Louis Natheaux]] as burglar with Big Bill
* {{ill|Juana Sutton|fr}} as the woman with buttoned bosom
* [[Ted Oliver]] as Billow's assistant
* [[Gloria Delson]] as Gamin's sister
* [[Gloria DeHaven]] as Gamin's sister<ref>{{cite web| title=Modern Times (1936)| quote=Gloria Delson: Gamin's Sister| website=[[IMDb]]| url=https://www.imdb.com/title/tt0027977/characters/nm0217859}}</ref>
* [[Bobby Barber]] as Worker
* [[Heinie Conklin]] as Worker
* [[Harry Wilson (actor)|Harry Wilson]] as Worker
* {{ill|Fred Shields (actor)|lt=Fred Shields|qid=Q3752659|short=yes}} as speaker on phonograph record{{citation needed|date=July 2023}}
* [[Paul Schwegler]] as football player<ref name=football/>
* [[Nate Barragar]] as football player<ref name=football/>
* [[Ernie Smith (tackle)|Ernie Smith]] as football player<ref name=football>{{cite news |url=https://www.newspapers.com/article/the-morning-call-hollywood-gossip/128019158/ |title=Hollywood Gossip |first=Leicester |last=Wagner |agency=[[United Press International|UP]] |newspaper=[[The Morning Call]] |___location=[[Allentown, Pennsylvania]] |page=4 |date=August 10, 1935 |accessdate=July 11, 2023 |via=newspapers.com}}</ref>
}}
==Production==
[[File:Modern Times trailer (1936).webm|thumb|The film's trailer]]
[[File:Goddard-Modern-Times.jpg|thumb|231x231px|Paulette Goddard]]
During a European tour promoting ''[[City Lights]]'', Chaplin got the inspiration for ''Modern Times'' from both the lamentable conditions of the continent through the [[Great Depression]], along with a conversation with [[Mahatma Gandhi]] in which they discussed modern technology. Chaplin did not understand why Gandhi generally opposed it, though he granted that "machinery with only consideration of profit" had put people out of work and ruined lives.<ref>{{cite book |title=Chaplin in the Sound Era: An Analysis of the Seven Talkies |page=80| url=https://books.google.com/books?id=mXUwCgAAQBAJ&q=Chaplin+in+the+Sound+Era:+An+Analysis+of+the+Seven+Talkies |first=Eric L. |last=Flom |publisher=McFarland |date=July 11, 2015 |edition=reprint |isbn=978-1476607986 |access-date=August 8, 2020}}</ref>
Chaplin began preparing the film in 1934 as his first "talkie", and went as far as writing a dialogue script and experimenting with some sound scenes. However, he soon abandoned these attempts and reverted to a silent format with synchronized sound effects and sparse dialogue. The dialogue experiments confirmed his long-standing conviction that the universal appeal of his "Little Tramp" character would be lost if the character ever spoke on screen. Most of the film was shot at "silent speed", 18 frames per second, which when projected at "sound speed", 24 frames per second, made the slapstick action appear even more frenetic. The duration of filming was long for the time, beginning on October 11, 1934, and ending on August 30, 1935.<ref>As said in ''Chaplin Today: Modern Times'', a 2003 French documentary.</ref>
Chaplin biographer Jeffrey Vance has noted: “Chaplin recognized that ''Modern Times'' was the valedictory for the Tramp and deliberately included many gags and sequences as a loving farewell to the character and an homage to the visual comedy tradition."<ref>{{cite web|url=https://www.loc.gov/static/programs/national-film-preservation-board/documents/modern_times.pdf |title=Modern Times |publisher=www.loc.gov |last=Vance |first=Jeffrey |date= |accessdate=2021-05-28}}</ref>
This film also famously uses [[matte painting]] in the harrowing skating scene where Charlie skates blindfolded, not realizing he is constantly near the edge and very likely could fall down. The illusory drop had been matte-painted, and Chaplin was never in actual danger while filming this scene {{emdash}} in reality, he skated on a plain floor, with a ledge for him to discern when to stop. This can be observed in the fact that, at one moment, Chaplin's back wheel briefly disappeared behind the painting. This most likely escaped the eyes of Chaplin, which could be the reason he left it in.<ref>{{cite web|title=thekidsshouldseethis.com|url=http://thekidsshouldseethis.com/post/the-roller-skating-scene-from-charlie-chaplins-modern-times|access-date=2021-02-10|website=thekidsshouldseethis.com}}</ref>
The reference to drugs seen in the prison sequence is somewhat daring for the time (since the [[production code]], established in 1930 and enforced since 1934, forbade the depiction of illegal drug use in films); Chaplin had made drug references before in one of his most famous short films, ''[[Easy Street (1917 film)|Easy Street]]'', released in 1917.
==Music==
According to the official documents, the music score was composed by Chaplin himself, and arranged with the assistance of [[Alfred Newman (composer)|Alfred Newman]], who had collaborated with Chaplin on the music score of his previous film ''[[City Lights]]''. Newman and Chaplin had a falling out near the end of the ''Modern Times'' soundtrack recording sessions, leading to Newman's angry departure.
The romance theme was later given lyrics, and became the pop standard "[[Smile (Charlie Chaplin song)|Smile]]", first recorded by [[Nat King Cole]]. A cover of this song by [[Jimmy Durante]] was also used in the trailer for the 2019 film ''[[Joker (2019 film)|Joker]]'', in which the lead character also watches scenes from a showing of ''Modern Times'' after sneaking into a movie theatre.
''Modern Times'' was the first film where Chaplin's voice is heard as he performs [[Léo Daniderff]]'s comical song "''Je cherche après Titine''". Chaplin's version is also known as "The Nonsense Song", as his character sings it in [[gibberish]]. The lyrics are nonsensical but appear to contain words from French and Italian; the use of deliberately half-intelligible wording for comic effect points the way towards Adenoid Hynkel's speeches in ''[[The Great Dictator]]''.
According to film composer [[David Raksin]], Chaplin wrote the music as a young man wanting to make a name for himself. He would sit, often in the washroom, humming tunes and telling Raksin to "take this down". Raksin's job was to turn the humming into a score and create timings and synchronization that fit the situations. Chaplin was a violinist and had some musical knowledge, but he was not an orchestrator and was unfamiliar with synchronization. Along with [[Edward B. Powell]], Raksin did receive screen credit for the music arrangements.<ref>David Raksin & C.M. Berg, Music Composed by Charles Chaplin: Auteur or Collaborateur? Journal of the University Film Association, 1979.</ref> Raksin later created scores for films including ''[[Laura (1944 film)|Laura]]'' and ''[[The Day After]]''.
==Reception==
[[File:Grand Op Mod Times.jpg|thumb|World premiere of ''Modern Times'' (1936), New York]]
''Modern Times'' is often hailed as one of Chaplin's greatest achievements, and it remains one of his most popular films. It holds an approval rating of 98% on [[Rotten Tomatoes]] based on 108 reviews, with a [[weighted average]] of 9.4/10. The website's critical consensus reads, "A slapstick skewering of industrialized America, ''Modern Times'' is as politically incisive as it is laugh-out-loud hilarious."<ref>{{cite web| url=https://www.rottentomatoes.com/m/modern_times/| title=Modern Times (1936)| work=Rotten Tomatoes| access-date=May 6, 2021}}</ref> [[Metacritic]] reports an aggregated score of 96/100 based on 4 critics, indicating "universal acclaim".<ref>{{cite web| url=https://www.metacritic.com/movie/modern-times-re-release| title=Modern Times (re-release) Reviews| website=Metacritic| access-date=August 30, 2019}}</ref>
Naming it the [https://flickside.com/best-movie-from-every-decade/ Best Film of the 30s Decade], ''Flickside'' writes: "Chaplin's ''Modern Times'' is a thoughtful critique on the anxieties of modernization dealt with pathos and humour." Contemporary reviews were very positive. [[Frank Nugent]] of ''[[The New York Times]]'' wrote: "'Modern Times' has still the same old Charlie, the lovable little fellow whose hands and feet and prankish eyebrows can beat an irresistible tattoo upon an audience's funnybone or hold it still, taut beneath the spell of human tragedy ... Time has not changed his genius."<ref>{{cite news |url=https://www.nytimes.com/movie/review?res=9403E3DE153FEE3BBC4E53DFB466838D629EDE |title=Movie Review – Modern Times |last=Nugent |first=Frank S. |author-link=Frank Nugent |date=February 6, 1936 |newspaper=The New York Times |access-date=July 1, 2015 |url-access=subscription}}</ref> ''[[Variety (magazine)|Variety]]'' called it "grand fun and sound entertainment".<ref>{{cite news |last=Green |first=Abel |date=February 11, 1936 |title=Modern Times |url=https://variety.com/1936/film/reviews/modern-times-2-1200411268/ |journal=Variety |___location=New York |page=16 |access-date=August 8, 2020}}</ref> ''[[Film Daily]]'' wrote: "Charlie Chaplin has scored one of his greatest triumphs."<ref>{{cite journal |date=February 7, 1936 |title=Reviews |journal=Film Daily |___location=New York |publisher=Wid's Films and Film Folk |page=10 }}</ref> [[John Mosher (writer)|John Mosher]] of ''[[The New Yorker]]'' wrote that Chaplin "manufactures some superb laughs ... In all, it's a rambling sketch, a little at loose ends at times, sometimes rather slight in effect, and now and then secure in its rich, old-fashioned funniness."<ref>{{cite magazine |last=Mosher |first=John |author-link=John Mosher (writer) |date=February 15, 1936 |title=The Current Cinema |magazine=[[The New Yorker]] |pages=57–58 }}</ref> [[Burns Mantle]] called the film "another hilariously rowdy success".<ref>{{cite journal |last=Mantle |first=Burns |author-link=Burns Mantle |date=February 16, 1936 |title=Mantle Finds Chaplin Film Uproarious |url=https://chicagotribune.newspapers.com/image/354926012/?terms=Mantle%2BFinds%2BChaplin%2BFilm%2BUproarious | journal=[[Chicago Tribune|Chicago Daily Tribune]]|page=Part 7 p. 12 |access-date=August 8, 2020 |url-access=subscription}}</ref>
Writing for ''[[The Spectator]]'' in 1936, [[Graham Greene]] strongly praised the film, noting that, although there had always been a bit of a dated feel to his previous works, Chaplin "has at last definitely entered the contemporary scene". Greene noted that, whereas prior Chaplin films had featured "fair and featureless" heroines, the casting of [[Paulette Goddard]] suggested that his female characters might be presented with more personality than previously. He also voiced concern that the film would be considered to be a Communist film when in reality Chaplin's message was predominantly apolitical: "[Chaplin] presents, he doesn't offer political solutions."<ref>{{cite journal |last=Greene |first=Graham |author-link=Graham Greene |date=14 February 1936 |title=Modern Times |journal=[[The Spectator]]}} (reprinted in: {{cite book |editor-last=Taylor |editor-first=John Russell |editor-link=John Russell Taylor |date=1980 |title=The Pleasure Dome: Graham Greene, the collected film criticism, 1935-40 |url=https://archive.org/details/pleasuredomegrah00gree/page/51 |publisher=Oxford University Press |pages=[https://archive.org/details/pleasuredomegrah00gree/page/51 51–53] |isbn=978-0192812865 |edition=reprint |url-access=registration}})</ref>
French philosophers [[Jean-Paul Sartre]], [[Simone de Beauvoir]] and [[Maurice Merleau-Ponty]] named their journal, ''[[Les Temps modernes]]'', after it.<ref>{{cite book| author-link=Lisa Appignanesi| last=Appignanesi| first=Lisa| year=2005| title=Simone de Beauvoir| url=https://books.google.com/books?id=WTGqbAZZdR0C&q=Appignanesi+Simone+de+Beauvoir| ___location=London| publisher=Haus| isbn=978-1904950097| page=82}}</ref>
''Modern Times'' earned $1.8 million in North American theatrical rentals during its release,<ref name=HollywoodStoryBook/> becoming [[1936 in film|one of the top-grossing films of 1936]]. It was the most popular film at the British box office in 1935–36.<ref>{{cite journal| title=The Film Business in the United States and Britain during the 1930s| first1=John| last1=Sedgwick| author2=Michael Pokorny| journal=The Economic History Review |series=New Series| volume=58| number=1| date=February 2005| page=97| doi=10.1111/j.1468-0289.2005.00299.x| jstor=3698918| s2cid=152896495| url=http://westminsterresearch.wmin.ac.uk/2852/1/Segwick_%26_Pokorny_2005_final.pdf}}</ref>
The iconic depiction of Chaplin working frantically to keep up with an assembly line inspired later comedy routines including [[Disney]]'s ''[[Der Fuehrer's Face]]'' ([[Donald Duck]] alternately assembling [[artillery shells]] and saluting portraits of [[Adolf Hitler]]) and an episode of ''[[I Love Lucy]]'' titled "Job Switching" ([[Lucy Ricardo|Lucy]] and [[Ethel Mertz|Ethel]] trying to keep up with an ever-increasing volume of chocolate candies, eventually stuffing them in their mouths, hats, and blouses). The opening of a fantasy sequence in the film, in which the unemployed factory worker trips over a footstool upon entering the living room of his "dream home" with the Gamin, inspired a similar opening to ''[[The Dick Van Dyke Show]]''.{{Citation needed|reason=Cool if true, but cite a reference to show this is true other than coincidence of ideas.|date=December 2021}}
This was Chaplin's first overtly political-themed film, and its unflattering portrayal of industrial society generated controversy in some quarters upon its initial release. Writing in ''The Liberal News'', the official magazine of the British [[Liberal Party (UK)|Liberal Party]], in October 1936, Willoughby Dewar observed that ''Modern Times'' "should be seen by every Young Liberal. It is, among other things, a piece of first-class Liberal propaganda."<ref>{{cite journal |via=Kendal Archival Centre, WDSO 174/13 |first=Willoughby |last=Dewar |title=Modern Times |journal=The Liberal News |number=7 |date=October 1936 |page=5}}</ref> In [[Nazi Germany]], [[Reich Ministry of Public Enlightenment and Propaganda|propaganda minister]] [[Joseph Goebbels]] banned the film from being shown because of its alleged advocacy of [[communism]].<ref>{{cite web |url=https://www.tcm.com/tcmdb/title/83805/modern-times#articles-reviews |title=Modern Times (1936) - Articles |website=TCM |access-date=2016-01-11}}</ref><ref>{{cite book |url=https://books.google.com/books?id=PDHnDAAAQBAJ |title=Hollywood and Hitler, 1933–1939 |first=Thomas |last=Doherty |page=29 |date=August 15, 2016 |edition=reprint |publisher=Columbia University Press |___location=New York |access-date=August 8, 2020 |isbn=978-1365331244}}</ref>
The film exhibits slight similarities to a lesser-known 1931 French film directed by [[René Clair]] entitled ''[[À nous la liberté]]'' (''Liberty for Us'') – the assembly line sequence is an instance in that both films depict it, but in different ways. The German film company [[Tobis Film]], hungry for cash, sued Chaplin following the film's release but to no avail. They sued again after [[World War II]] (considered revenge for Chaplin's anti-[[Nazi]] statements in ''[[The Great Dictator]]'').<ref>{{cite web| url=http://www.charliechaplin.com/en/biography/articles/6-modern-times| title=Charlie Chaplin: Filming Modern Times| first=David| last=Robinson| year=2004| website=charliechaplin.com| access-date=August 8, 2020}}</ref> This time, they [[settlement (litigation)|settled]] with Chaplin out of court. Clair, a friend and huge admirer of Chaplin who was flattered that the film icon would depict a similar subject, was deeply embarrassed by Tobis Film's action and was never part of the case.
An American [[copyright infringement]] case brought over 1934 a book titled ''Against Gray Walls or Lawyer's Dramatic Escapes'' was dismissed after the court found the film and book were so dissimilar that the record did not show copying.<ref>{{cite court |litigants= Kustoff v. Chaplin |vol=120 |reporter=F.2d |opinion=551 |court=9th Cir. |date=1941 |url= }}</ref>
The film did attract criticism for being almost completely [[silent film|silent]].{{Citation needed|date=February 2024}} Chaplin feared that the mystery and romanticism of the Tramp character would be ruined if he spoke, and also that it would alienate his fans in non-English speaking territories.{{Citation needed|date=February 2024}} His future films, however, would be full-fledged "talkies" – although without the character of the Little Tramp.
Chaplin biographer [[Jeffrey Vance]] has written of the reception and legacy of this classic comedy: <blockquote>''Modern Times'' is perhaps more meaningful now than at any time since its first release. The twentieth-century theme of the film, farsighted for its time{{mdash}}the struggle to eschew alienation and preserve humanity in a modern, mechanized world{{mdash}}profoundly reflects issues facing the twenty-first century. The Tramp's travails in ''Modern Times'' and the comedic mayhem that ensues should provide strength and comfort to all who feel like helpless cogs in a world beyond control. Through its universal themes and comic inventiveness, Modern Times remains one of Chaplin's greatest and most enduring works. Perhaps more important, it is the Tramp's finale, a tribute to Chaplin's most beloved character and the silent-film era he commanded for a generation.<ref>{{cite book| last=Vance| first=Jeffrey| date=October 1, 2003| title=Chaplin: Genius of the Cinema| ___location=New York| publisher=Harry N. Abrams| url=https://books.google.com/books?id=uX5ZAAAAMAAJ&q=modern+times| page=229| isbn=978-0810945326}}</ref></blockquote>
The film is recognized by [[American Film Institute]] in these lists:
* 1998: [[AFI's 100 Years ... 100 Movies]] – #81<ref>{{cite web |title=AFI's 100 Years ... 100 Movies |url=https://www.afi.com/afis-100-years-100-movies/ |publisher=American Film Institute |year=2005 |access-date=August 8, 2020}}</ref>
* 2000: [[AFI's 100 Years ... 100 Laughs]] – #33<ref>{{cite web |title=AFI's 100 Years ... 100 Laughs |url=https://www.afi.com/afis-100-years-100-laughs/ |publisher=American Film Institute |year=2005 |access-date=August 8, 2020}}</ref>
* 2007: [[AFI's 100 Years ... 100 Movies (10th Anniversary Edition)]] – #78<ref>{{cite web |title=AFI's 100 Years ... 100 Movies (10th Anniversary Edition) |url=https://www.afi.com/afis-100-years-100-movies-10th-anniversary-edition/ |publisher=American Film Institute |year=2007 |access-date=2016-08-06}}</ref>
''[[The Village Voice]]'' ranked ''Modern Times'' at No. 62 in its Top 250 "Best Films of the Century" list in 1999, based on a poll of critics.<ref>{{cite web|url=http://www.villagevoice.com/specials/take/one/full_list.php3?category=10 |title=Take One: The First Annual Village Voice Film Critics' Poll |access-date=27 July 2006 |year=1999 |work=The Village Voice |archive-url=https://web.archive.org/web/20070826201343/http://www.villagevoice.com/specials/take/one/full_list.php3?category=10 |archive-date=26 August 2007}}</ref> In January 2002, the film was included on the list of the "Top 100 Essential Films of All Time" by the [[National Society of Film Critics]].<ref name=Carr81>{{Cite book |last=Carr|first=Jay |title=The A List: The National Society of Film Critics' 100 Essential Films |year=2002 |publisher=Da Capo Press |isbn=978-0-306-81096-1 |page=[https://archive.org/details/alistnationalsoc00jayc/page/81 81] |url=https://archive.org/details/alistnationalsoc00jayc |url-access=registration|access-date=27 July 2012 }}</ref><ref>{{cite web|title=100 Essential Films by The National Society of Film Critics|url=https://www.filmsite.org/alist.html|website=filmsite.org}}</ref> The film was voted at No. 74 on the list of "100 Greatest Films" by the prominent French magazine ''[[Cahiers du cinéma]]'' in 2008.<ref>{{cite web|url=http://www.filmdetail.com/2008/11/23/cahiers-du-cinemas-100-greatest-films/|title=Cahiers du cinéma's 100 Greatest Films|date=23 November 2008}}</ref> In the [[The Sight & Sound Greatest Films of All Time 2012|2012]] ''[[Sight & Sound]]'' polls, it was ranked the 63rd-greatest film ever made in the critics' poll<ref name="bfi">{{cite journal |url=http://www.bfi.org.uk/news/50-greatest-films-all-time |title=The Top 50 Greatest Films of All Time |issue=September 2012 |date=1 August 2012 |journal=[[Sight & Sound]] |publisher=[[British Film Institute]] |access-date=6 June 2013 |editor-link=Ian Christie (film scholar) |editor-first=Ian |editor-last=Christie |url-status=dead |archive-url=https://web.archive.org/web/20170301135739/http://www.bfi.org.uk/news/50-greatest-films-all-time |archive-date=1 March 2017}}</ref> and 20th in the directors' poll.<ref>{{cite journal|url=http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012/directors|title=Directors' Top 100|year=2012|journal=[[Sight & Sound]]|publisher=[[British Film Institute]]|url-status=dead|archive-url=https://web.archive.org/web/20160209010504/http://www.bfi.org.uk/films-tv-people/sightandsoundpoll2012/directors|archive-date=9 February 2016}}</ref> In the earlier 2002 version of the list the film ranked 35th among critics.<ref>{{cite web|title=Sight & Sound Top Ten Poll 2002: The rest of the critics' list |work=Sight & Sound |publisher=British Film Institute |url=http://www.bfi.org.uk/sightandsound/topten/poll/critics-long.html |archive-url=https://web.archive.org/web/20120515211647/http://www.bfi.org.uk/sightandsound/topten/poll/critics-long.html |archive-date=15 May 2012 |access-date=24 April 2009}}</ref> In 2015, ''Modern Times'' ranked 67th on [[BBC]]'s "100 Greatest American Films" list, voted on by film critics from around the world.<ref>{{cite web|date=July 20, 2015|title=100 Greatest American Films|url=http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films|url-status=live|archive-url=https://web.archive.org/web/20160916105535/http://www.bbc.com/culture/story/20150720-the-100-greatest-american-films|archive-date=September 16, 2016|access-date=July 21, 2015|work=BBC}}</ref> The film was voted at No. 12 on the list of ''The 100 greatest comedies of all time'' by a poll of 253 film critics from 52 countries conducted by the [[BBC]] in 2017.<ref name=":0">{{Cite web|url=http://www.bbc.com/culture/story/20170821-the-100-greatest-comedies-of-all-time|title=The 100 greatest comedies of all time|date=2017-08-22|website=BBC Culture|access-date=2017-09-08}}</ref> In 2021 the film ranked 49th on [[Time Out (magazine)|Time Out]] magazine's list of ''The 100 best movies of all time''.<ref>{{cite web|title=The 100 best movies of all time|work=Time Out New York |url=https://www.timeout.com/newyork/movies/best-movies-of-all-time|date=8 April 2021}}</ref>
The film was included by the Vatican in [[Vatican's list of films|a list of important films]] compiled in 1995, under the category of "Art".<ref>{{cite web |url=http://old.usccb.org/movies/vaticanfilms.shtml |title=Vatican Best Films List |work=Official website of the [[United States Conference of Catholic Bishops|U.S. Conference of Catholic Bishops]] |access-date=2012-04-20 |archive-url=https://web.archive.org/web/20120422064928/http://old.usccb.org/movies/vaticanfilms.shtml |archive-date=2012-04-22 |url-status=dead }}</ref>
==Restoration==
A digitally restored version of the film was released in 2003. The French company MK2 searched the world for good copies of the original footage, cut them together and processed each of the 126,000 frames, removing scratches and dust, and ensuring optimal image stability and balanced black and white tone levels. The restored version was first shown at the [[Cannes Film Festival]] in 2003.<ref>{{cite news|title=Chaplin's Modern Times Gets Restoration|newspaper=Midland Daily News |url=https://www.ourmidland.com/news/article/Chaplin-s-Modern-Times-Gets-Restoration-7104023.php|date=21 May 2003}}</ref>
In 2013 Cineteca di Bologna and the [[Criterion Collection]] effected further digital improvements of the 2003 version, as noted in a preface ahead of the title.
==See also==
* [[Fordism]]
* [[List of United States comedy films]] * [[List of films featuring surveillance]]
==References==
{{reflist}}
==External links==
{{commons category}}
* [https://www.loc.gov/static/programs/national-film-preservation-board/documents/modern_times.2.pdf ''Modern Times''] essay by [[Jeffrey Vance]] at the [[National Film Registry]]
* {{IMDb title|0027977}}
* {{Rotten Tomatoes|modern_times}}
* {{TCMDb title|83805}}
* {{AFI film|4149}}
* [http://www.filmsite.org/mode.html Filmsite ''Modern Times'' page]
* [http://film.virtual-history.com/film.php?filmid=2075 Movie stills and bibliography]
* [http://vimeo.com/22876782 Tour of Modern Times filming locations]
*[https://www.criterion.com/current/posts/1656-modern-times-exit-the-tramp ''Modern Times: Exit the Tramp''] essay by Saul Austerlitz at the [[Criterion Collection]]
*[https://books.google.com/books?id=deq3xI8OmCkC ''Modern Times''] essay by Daniel Eagan in ''America's Film Legacy: The Authoritative Guide to the Landmark Movies'' at the National Film Registry (pp. 238-240)
{{Charlie Chaplin filmography}}
{{Authority control}}
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[[Category:American black-and-white films]]
[[Category:1930s satirical films]]
[[Category:Films directed by Charlie Chaplin]]
[[Category:1930s romantic comedy-drama films]]
[[Category:American satirical films]]
[[Category:United States National Film Registry films]]
[[Category:Fictional-language films]]
[[Category:American romantic comedy-drama films]]
[[Category:Great Depression films]]
[[Category:Roller skating films]]
[[Category:Films about technological impact]]
[[Category:Films set in department stores]]
[[Category:Works about the Industrial Revolution]]
[[Category:Modernity]]
[[Category:Films set in factories]]
[[Category:1936 comedy films]]
[[Category:1930s English-language films]]
[[Category:1930s American films]]
[[Category:Part-talkie films]]
[[Category:English-language romantic comedy-drama films]]
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