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{{Short description|South Korean film director (1960–2020)}}
{{for|the earlier Korean director of the same name|Kim Ki-duk (born 1934)}}
{{family name hatnote|[[Kim (Korean name)|Kim]]||lang=Korean}}
{{Use dmy dates|date=December 2020}}
{{Infobox person
| image = Kim Ki-duk at the 69th Venice International Film Festival (cropped).jpg
| caption = Kim Ki-duk at the [[Venice International Film Festival]] in 2012
| birth_date = {{Birth date|df=y|1960|12|20}}
| birth_place = [[Bonghwa County|Ponghwa]], South Korea
| death_date = {{Death date and age|df=y|2020|12|11|1960|12|20}}
| death_place = [[Riga]], Latvia
| occupation = {{hlist|Film director|screenwriter}}
| years_active = 1993–2020
| module = {{Infobox Korean name/auto|child=yes|headercolor=transparent
|hangul =%김기덕
|hanja =金基德
}}
}}
'''Kim Ki-duk''' ({{korean|김기덕}} {{IPA|ko|kim ɡidʌk̚|}}; 20 December 1960{{spnd}}11 December 2020) was a South Korean filmmaker,<ref>{{Cite news |last=Sang-Hun |first=Choe |date=17 December 2020 |title=Kim Ki-duk, Award-Winning South Korean Filmmaker, Dies at 59 |url=https://www.nytimes.com/2020/12/17/movies/kim-ki-duk-dead.html |access-date=24 July 2025 |work=[[The New York Times]] |language=en-US |issn=0362-4331}}</ref> noted for his [[Idiosyncrasy|idiosyncratic]] [[Art film|art-house]] cinematic works. His films have received many distinctions in the festival circuit, rendering him one of the most important contemporary Asian film directors.
His major festival awards include the [[Golden Lion]] at [[69th Venice International Film Festival]] for ''[[Pietà (film)|Pietà]]'', a [[Silver Lion]] for Best Director at [[61st Venice International Film Festival]] for ''[[3-Iron]]'', a [[Silver Bear for Best Director]] at [[54th Berlin International Film Festival]] for ''[[Samaritan Girl]]'', and the [[Un Certain Regard]] prize at [[2011 Cannes Film Festival]] for ''[[Arirang (2011 film)|Arirang]]''. His most widely known feature is ''[[Spring, Summer, Fall, Winter... and Spring]]'' (2003), included in film critic [[Roger Ebert]]'s [[The Great Movies|Great Movies]]. Two of his films served as official submissions for the [[Academy Award for Best International Feature Film]] as [[List of South Korean submissions for the Academy Award for Best International Feature Film|South Korean entries]]. He gave scripts to several of his former assistant directors including [[Juhn Jai-hong]] (''[[Beautiful (2008 film)|Beautiful]]'' and ''[[Poongsan]]'') and [[Jang Hoon]] (''[[Rough Cut (2008 film)|Rough Cut]]'').
== Early life and education==
Kim was born on 20 December 1960 in [[Bonghwa County|Ponghwa]], [[North Gyeongsang Province|North Kyŏngsang]]. In 1990, he went to [[Paris]] to study [[fine arts]], but instead he spent two years working there on the streets as a portrait painter.<ref>Bitel, Anton (2014). "Edges, Silence and Cycles: A brief guide to the outsider cinema of Kim Ki-duk". In ''London Korean Film Festival 2014 Brochure'', pp. 14–15. Korean Cultural Centre UK. [https://www.koreanfilm.co.uk/wp-content/uploads/LKFF14-Brochure.pdf#page=8 PDF]. Also available online at Bitel, Anton (31 January 2015). "Edges, Silence and Cycles: a brief guide to the outsider cinema of Kim Ki-duk". ''Projected Figures''. [https://projectedfigures.com/2015/01/31/edges-silence-and-cycles-a-brief-guide-to-the-outsider-cinema-of-kim-ki-duk-2014/ Link].</ref><ref>{{cite journal|last=Rayns|first=Tony|title=Sexual Terrorism: Strange Case of Kim Ki-duk|journal=Film Comment|date=November 2004|issue=40|page=50}}</ref> He served for five years in the [[Republic of Korea Marine Corps|South Korean marine corps]], becoming a non-commissioned officer.<ref>{{cite web|url=http://m.cine21.com/news/view/?mag_id=10599|title=새영화 <해안선>의 감독 김기덕과 배우 장동건|website=[[Cine21]]|date=June 18, 2002|access-date=May 22, 2022|archive-url=https://web.archive.org/web/20220520032340/http://m.cine21.com/news/view/?mag_id=10599|archive-date=May 20, 2022|url-status=live}}</ref>
== Career ==
After returning to South Korea, Kim began his career as a screenwriter and won first prize in a screenplay contest held by the [[Korean Film Council]] in 1995.<ref name="profile">{{cite web|title=Profile of Kim Ki-deok|url=http://www.cine21.com/Movies/Mov_Person/person_info.php?id=532|publisher=[[Cine21]], [[The Hankyoreh]]|access-date=24 November 2007|language=ko|archive-url=https://web.archive.org/web/20160127130918/http://www.cine21.com/Movies/Mov_Person/person_info.php?id=532|archive-date=27 January 2016|url-status=dead}}</ref> In the following year, Kim made his debut as a director with a low budget movie titled ''[[Crocodile (1996 film)|Crocodile]]'' (1996). The film received sensational reviews from movie critics in South Korea. Ki-duk said that his international breakthrough occurred with ''[[The Isle]]'' at the [[Toronto International Film Festival]].<ref>{{Cite web|last=Kjolseth|first=Pablo|url=https://www.moviehabit.com/essay.php?story=kim_ki-duk01|title=Interview with Kim Ki-Duk & Jung Suh|website=Movie Habit|date=January 31, 2001|access-date=August 27, 2016|archive-url=https://web.archive.org/web/20101231054722/http://www.moviehabit.com/essay.php?story=kim_ki-duk01|archive-date=December 31, 2010|url-status=live}}</ref> His 2000 film ''[[Real Fiction]]'' was entered into the [[23rd Moscow International Film Festival]].<ref name="Moscow2001">{{cite web|url=http://www.moscowfilmfestival.ru/miff34/eng/archives/?year=2001|title=23rd Moscow International Film Festival (2001)|access-date=March 30, 2013|website=MIFF|archive-url=https://web.archive.org/web/20130328141339/http://moscowfilmfestival.ru/miff34/eng/archives/?year=2001|archive-date=March 28, 2013|url-status=dead}}</ref>
In 2003, Ki-duk released ''[[Spring, Summer, Fall, Winter... And Spring]]''. The film was praised by numerous critics, including critic [[Peter Bradshaw]], who considered the film to be his masterpiece and one of the great works of modern Korean cinema. "A potent and enigmatic parable which manages to be both serene and gripping at the same time [...] It is that rarest of things - a genuinely spiritual film."<ref>{{Cite web|last=Bradshaw|first=Peter|title=Kim Ki-duk: punk-Buddhist shock, violence – and hypnotic beauty too|url=https://www.theguardian.com/film/2020/dec/11/kim-ki-duk-shock-violence-beauty-south-korea-director|website=The Guardian|date=11 December 2020|access-date=15 December 2020|language=en|archive-url=https://web.archive.org/web/20201211174746/https://www.theguardian.com/film/2020/dec/11/kim-ki-duk-shock-violence-beauty-south-korea-director|archive-date=11 December 2020|url-status=live}}</ref> The film work is included in critic [[Roger Ebert]]'s [[The Great Movies|Great Movies]].<ref>{{Cite web|last=Ebert|first=Roger|title=Spring, Summer, Fall, Winter... and Spring movie review (2003) {{!}} Roger Ebert|url=https://www.rogerebert.com/reviews/spring-summer-fall-winter_and-spring-2003|date=August 26, 2009|access-date=December 15, 2020|website=Roger Ebert.com|language=en|archive-url=https://web.archive.org/web/20130724123538/https://www.rogerebert.com/reviews/spring-summer-fall-winter_and-spring-2003|archive-date=July 24, 2013|url-status=live}}</ref>
In 2004, he received Best Director awards at two different film festivals, for two different films. At the [[Berlin International Film Festival]], he was awarded for ''[[Samaritan Girl]]'' (2004),<ref name=":0" /> and at the [[Venice Film Festival]] he won for ''[[3-Iron]]'' (also 2004).<ref name=":1" /> In 2011, his documentary film ''[[Arirang (2011 film)|Arirang]]'' received an award for best film in the [[Un Certain Regard]] category from the [[Cannes Film Festival]].<ref name=":2" /> In 2012, his film ''[[Pietà (film)|Pietà]]'' received the [[Golden Lion]] award at the [[Venice Film Festival]].<ref name=":3" /> In 2015, it was announced in Beijing at the Asian Brilliant Stars, a section of the upcoming Berlin International Film Festival that Kim would direct his largest budget to date film ''Who Is God?,'' produced by Hollywood producers Stephen Castor and Jim Rygiel (three-time Academy Award winner) under the banner of their production company Its Just Us Productions, along with Chinese production company Film Carnival (Hangzhou). The film was financed by CITIC Guoan, Huafeng Investment Consultation and Its Just Us Productions, (China Daily News).
==
===Assault allegations===
In August 2017, an actress referred to as "Actress "A" by prosecutors filed a complaint against Kim Ki-duk through Seoul Central District Prosecutor's Office. In the complaint the actress accused Kim of slapping her face and forcing her to do an unscripted sex scene on the set of his film ''[[Moebius (2013 film)|Moebius]]''. In December 2017, the Seoul Central District Prosecutor's Office fined Kim Ki-duk for $4,450 ([[South Korean won|KRW]] 5 million) for physical assault but didn't charge him otherwise citing lack of physical evidence.<ref>{{cite web|last=Frater|first=Patrick|title=Director Kim Ki-duk to Be Fined in Actress Assault Case|url=https://variety.com/2017/film/asia/kim-ki-duk-fined-in-actress-assault-case-1202632737/|website=Variety|date=December 7, 2017|access-date=March 12, 2021|archive-url=https://web.archive.org/web/20180624044413/https://variety.com/2017/film/asia/kim-ki-duk-fined-in-actress-assault-case-1202632737/|archive-date=June 24, 2018|url-status=live}}</ref>
On March 6, 2018, the South Korean TV channel [[MBC TV (South Korean TV channel)|MBC]]'s investigative report show ''[[PD Notebook]]'' aired an episode titled "Movie director Kim Ki-duk, Master's Naked Face" with more accusations from Actress A and two others (Actress B and C as they mentioned in the show). The actresses accused Kim and his frequent collaborator, actor [[Cho Jae-hyun]] of verbal and physical sexual harassment and rape.<ref>{{cite web|title=Movie director Kim Ki-duk, Master's Naked Face|url=https://www.youtube.com/watch?v=g3u1YuqcsGY|archive-url=https://ghostarchive.org/varchive/youtube/20211221/g3u1YuqcsGY|archive-date=2021-12-21|website=Youtube|publisher=MBC PD Notebook|access-date=March 12, 2021|url-status=live}}{{cbignore}}</ref><ref>{{cite web|last=Lee|first=Hyo-won|title=South Korean Filmmaker Kim Ki-duk Accused of Rape|url=https://www.hollywoodreporter.com/news/general-news/south-korean-filmmaker-kim-ki-duk-accused-rape-1092225/|website=Hollywood Reporter|date=March 6, 2018|access-date=March 12, 2021|archive-url=https://web.archive.org/web/20180331135652/https://www.hollywoodreporter.com/news/south-korean-filmmaker-kim-ki-duk-accused-rape-1092225|archive-date=March 31, 2018|url-status=live}}</ref>
In response, Kim filed false accusation and defamation suits against the accusers and ''PD Notebook''.<ref>{{cite web|last=Im|first=Eun-byel|title=Kim Ki-duk fires back at accusers|url=https://www.koreaherald.com/view.php?ud=20180613000190|website=[[The Korea Herald]]|date=June 13, 2018|access-date=June 13, 2018|archive-url=https://web.archive.org/web/20180613134114/http://www.koreaherald.com/view.php?ud=20180613000190|archive-date=June 13, 2018|url-status=live}}</ref>
After that, on August 7, 2018, MBC aired a second episode of the ''PD Notebook'' show "Master's Naked Face. Aftermath" with more accusations from other actresses and staff members against Kim and Cho. In that episode journalists interviewed a Seoul Metropolitan Police Agency's Special Investigation Unit on Sexual Violence official about the cases. The official explained that the police approached the survivors and established the facts behind accusations but could not indict actor Cho and director Kim because of expired statute of limitation.<ref>{{cite web|script-title=ko:조재현·김기덕 '성폭력' 의혹에도 경찰 수사가 어려운 이유 출처|url=https://news.sbs.co.kr/news/endPage.do?news_id=N1004881668|website=[[Seoul Broadcasting System]]|date=August 8, 2018|access-date=March 12, 2021|archive-url=https://web.archive.org/web/20231003205107/https://news.sbs.co.kr/news/endPage.do?news_id=N1004881668|archive-date=October 3, 2023|url-status=live}}</ref>
In January 2019, Seoul Central District Prosecutor's Office decided to drop the criminal lawsuits filed by Kim Ki-duk against actresses and ''PD Notebook'' because "there was neither proof that actress' initial accusation was false, nor was there evidence that the news show had been programmed with the purpose of defamation".<ref>{{cite web|last=Kil|first=Sonia|title=Court Dismisses Kim Ki-duk Case Against Actress, TV Show|date=January 5, 2019 |access-date=March 12, 2021|url=https://variety.com/2019/film/asia/court-dismisses-kim-ki-duk-case-against-actress-tv-1203100013/|archive-date=October 3, 2023|archive-url=https://web.archive.org/web/20231003205112/https://variety.com/2019/film/asia/court-dismisses-kim-ki-duk-case-against-actress-tv-1203100013/|url-status=live}}</ref>
In March 2019 Kim Ki-duk filed another lawsuit in civil court against Actress A and ''PD Notebook'' seeking $885,740 ([[South Korean won|KRW]] 1 billion) in damages. The lawsuit was ruled by court in defendants' favor on October 28, 2020. The court also ordered Kim to pay legal fees for the defendants.<ref>{{cite web|last=Kim|first=Na-young|title=Director Kim Ki-duk loses lawsuit against actress, broadcaster for airing sexual abuse allegations|url=https://en.yna.co.kr/view/AEN20201028008300315|website=[[Yonhap News Agency]]|date=October 28, 2020|access-date=March 12, 2021|archive-date=December 11, 2020|archive-url=https://web.archive.org/web/20201211111527/https://en.yna.co.kr/view/AEN20201028008300315|url-status=live}}</ref>
===Animal cruelty allegations===
The [[British Board of Film Classification]] delayed the release of Kim Ki-duk's ''[[The Isle]]'' (2000) in the [[United Kingdom]] because of instances of [[animal cruelty]] in the film. Concerning scenes in which a frog is skinned after being beaten to death and fish are mutilated, the director stated, "We cooked all the fish we used in the film and ate them, expressing our appreciation. I've done a lot of cruelty on animals in my films. And I will have a guilty conscience for the rest of my life."<ref>{{cite news|last=Rose|first=Steve|url=https://www.theguardian.com/film/2004/aug/02/korea|title='I've done a lot of cruelty to animals'|work=[[The Guardian]]|date=2004-08-02|access-date=2007-11-26|___location=London|archive-date=12 November 2007|archive-url=https://web.archive.org/web/20071112095731/http://arts.guardian.co.uk/features/story/0,,1274205,00.html|url-status=live}}</ref>
To a U.S. interviewer who suggested that scenes such as these are "very disturbing and [seem] to place an obstacle to the films {{sic}} reception, or... distribution, to other countries", Kim said, "Yes, I did worry about that fact. But the way I see it, the food that we eat today is no different. In America you eat beef, pork, and kill all these animals. And the people who eat these animals are not concerned with their slaughter. Animals are part of this cycle of consumption. It looks more cruel onscreen, but I don't see the difference. And yes, there's a cultural difference, and maybe Americans will have a problem with it - but if they can just be more sensitive to what is acceptable in different countries I'd hope they wouldn't have too many issues with what's shown on-screen."<ref>{{cite web|last=McKeague|first=Andy|url=http://dvd.monstersandcritics.com/news/article_7779.php|title=An Interview with Kim Ki-Duk and Suh Jung on The Isle|date=2005-05-11|access-date=2007-11-26|website=Monsters and Critics|archive-date=November 28, 2007|archive-url=https://web.archive.org/web/20071128010318/http://dvd.monstersandcritics.com/news/article_7779.php|url-status=dead}}</ref>
== Death ==
On 11 December 2020, Kim died from complications caused by [[COVID-19]] during the [[COVID-19 pandemic in Latvia]] at the age of 59, nine days before his 60th birthday.<ref>{{Cite web|script-title=ko:현지 언론 "김기덕 감독, 라트비아서 코로나19로 사망"|trans-title=Local media "Director Ki-deok Kim dies of Corona 19 in Latvia"|url=https://news.jtbc.co.kr/article/article.aspx?news_id=NB11983465|date=December 11, 2020|access-date=December 11, 2020|website=[[JTBC]]|language=ko|archive-url=https://web.archive.org/web/20201211141747/http://news.jtbc.joins.com/article/article.aspx?news_id=NB11983465|archive-date=December 11, 2020|url-status=live}}</ref><ref>{{cite news|title=South Korean filmmaker Kim Ki-duk dies from COVID-19 complications|url=https://www.reuters.com/article/health-coronavirus-southkorea-filmmaker/south-korean-filmmaker-kim-ki-duk-dies-from-covid-19-complications-idINL4N2IR37H/|work=[[Reuters]]|date=December 11, 2020|access-date=December 12, 2020|language=en|archive-url=https://web.archive.org/web/20201219144814/https://in.reuters.com/article/health-coronavirus-southkorea-filmmaker/south-korean-filmmaker-kim-ki-duk-dies-from-covid-19-complications-idINL4N2IR37H|archive-date=19 December 2020|url-status=live}}</ref><ref>{{Cite web|url=https://www.koreaherald.com/view.php?ud=20201211000759|title=Movie director Kim Ki-duk dies of coronavirus|date=December 11, 2020|access-date=December 11, 2020|website=[[The Korea Herald]]|archive-url=https://web.archive.org/web/20201218031413/http://www.koreaherald.com/view.php?ud=20201211000759|archive-date=December 18, 2020|url-status=live}}</ref><ref>{{cite news|title=Controversial South Korean director Kim Ki-duk dies of Covid aged 59|url=https://www.theguardian.com/film/2020/dec/11/south-korea-director-kim-ki-duk-dies-of-covid|date=December 11, 2020 |access-date=December 12, 2020|work=[[The Guardian]]|language=en|archive-url=https://web.archive.org/web/20201211152548/https://www.theguardian.com/film/2020/dec/11/south-korea-director-kim-ki-duk-dies-of-covid|archive-date=December 11, 2020|url-status=live}}</ref><ref>{{cite news|last=Choe|first=Sang-Hun|url=https://www.nytimes.com/2020/12/17/movies/kim-ki-duk-dead.html|title=Kim Ki-duk, Award-Winning South Korean Filmmaker, Dies at 59|work=The New York Times|date=December 17, 2020|access-date=December 20, 2020|archive-url=https://web.archive.org/web/20201217175313/https://www.nytimes.com/2020/12/17/movies/kim-ki-duk-dead.html|archive-date=December 17, 2020|url-status=live}}</ref>
== Filmography ==
{| class="wikitable sortable" style="text-align:center"
|-
! Year !! English title !! Director !! Producer !! Writer !! Editor !! Notes
|-
| 1996
| style="text-align:left"| ''[[Crocodile (1996 film)|Crocodile]]''
| {{ya}}
|
| {{ya}}
|
|
|-
|1997
| style="text-align:left"| ''[[Wild Animals (film)|Wild Animals]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| 1998
| style="text-align:left"| ''[[Birdcage Inn]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| rowspan="2"| 2000
| style="text-align:left"| ''[[The Isle]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| style="text-align:left"| ''[[Real Fiction]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| rowspan="2"| 2001
| style="text-align:left"| ''[[Address Unknown (2001 film)|Address Unknown]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| style="text-align:left"| ''[[Bad Guy (2001 film)|Bad Guy]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| 2002
| style="text-align:left"| ''[[The Coast Guard (film)|The Coast Guard]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| 2003
| style="text-align:left"| ''[[Spring, Summer, Fall, Winter... and Spring]]''
| {{ya}}
|
| {{ya}}
| {{ya}}
| "He also acts a major role (as the Adult Monk)"<ref>{{Cite web|last=Wilmington|first=Michael|url=https://www.chicagotribune.com/news/ct-xpm-2004-05-07-0405070330-story.html|title=Measuring life through its seasons|website=Chicago Tribune|date=May 7, 2004|access-date=November 7, 2016|archive-url=https://web.archive.org/web/20211025003100/https://www.chicagotribune.com/news/ct-xpm-2004-05-07-0405070330-story.html|archive-date=October 25, 2021|url-status=live}}</ref>
|-
| rowspan="2"| 2004
| style="text-align:left"| ''[[Samaritan Girl]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| style="text-align:left"| ''[[3-Iron]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| 2005
| style="text-align:left"| ''[[The Bow (film)|The Bow]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| 2006
| style="text-align:left"| ''[[Time (2006 film)|Time]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| 2007
| style="text-align:left"| ''[[Breath (2007 film)|Breath]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| rowspan="3"| 2008
| style="text-align:left"| ''[[Dream (2008 film)|Dream]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| style="text-align:left"| ''[[Beautiful (2008 film)|Beautiful]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| style="text-align:left"| ''[[Rough Cut (2008 film)|Rough Cut]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| 2010
| style="text-align:left"| ''[[Secret Reunion]]''
|
|
| {{ya}}
|
| Uncredited
|-
| rowspan="3"| 2011
| style="text-align:left"| ''[[Arirang (2011 film)|Arirang]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
| Dramatic documentary about himself
|-
| style="text-align:left"| ''[[Amen (2011 film)|Amen]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
| Appears as "Masked Man"
|-
| style="text-align:left"| ''[[Poongsan]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| 2012
| style="text-align:left"| ''[[Pietà (film)|Pietà]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| rowspan="3"| 2013
| style="text-align:left"| ''[[Moebius (2013 film)|Moebius]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| style="text-align:left"| ''[[Rough Play]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| style="text-align:left"| ''[[Red Family]]''
|
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| rowspan="2"| 2014
| style="text-align:left"| ''[[One on One (2014 film)|One on One]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| style="text-align:left"| ''[[Godsend (2014 film)|Godsend]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| rowspan="2"| 2015
| style="text-align:left"| ''[[Stop (2015 film)|Stop]]''
| {{ya}}
| {{ya}}
| {{ya}}
| {{ya}}
|
|-
| style="text-align:left"| ''[[Made in China (2014 film)|Made in China]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| 2016
| style="text-align:left"| ''[[The Net (2016 film)|The Net]]''
| {{ya}}
|
| {{ya}}
|
|
|-
| 2017
| style="text-align:left"| ''[[Excavator (film)|Excavator]]''
|
| {{ya}}
| {{ya}}
|
|
|-
| 2018
| style="text-align:left"| ''[[Human, Space, Time and Human]]''
| {{ya}}
|
| {{ya}}
| {{ya}}
|
|-
|-
| 2019
| style="text-align:left"| ''[[Dissolve (2019 film)|Dissolve]]''
| {{ya}}
|
| {{ya}}
| {{ya}}
|
|-
| 2022
| style="text-align:left"| ''[[Call of God]]''
| {{ya}}
|
|{{ya}}
|
|Released after his death<ref>{{cite web|last=Romney|first=Jonathan|title='Call Of God': Venice Review|url=https://www.screendaily.com/reviews/call-of-god-venice-review/5174292.article|website=ScreenDaily|date=September 9, 2022|access-date=January 31, 2023|archive-url=https://web.archive.org/web/20220909105403/https://www.screendaily.com/reviews/call-of-god-venice-review/5174292.article|archive-date=September 9, 2022|url-status=live}}</ref>
|}
== International awards ==
[[File:Cast_and_director_of_Pietà.jpg|thumb|[[Lee Jung-jin]], Kim Ki-duk and [[Jo Min-su]] in the 2012 Venice Film Festival]]
{| class="wikitable" style="text-align:center; width:60%"
!Year
!Award
!Category
!Nominated work
!Result
!Ref
|-
|rowspan=2|2004
|[[54th Berlin International Film Festival]]
|Silver Bear (Best Director)
|''[[Samaritan Girl]]''
|{{won}}
|<ref name=":0">{{cite web|url=http://www.berlinale.de/en/archiv/jahresarchive/2004/03_preistr_ger_2004/03_Preistraeger_2004.html|title=PRIZES & HONOURS 2004|website=berlinale.de|access-date=June 10, 2014|archive-url=https://web.archive.org/web/20131015122050/http://www.berlinale.de/en/archiv/jahresarchive/2004/03_preistr_ger_2004/03_Preistraeger_2004.html|archive-date=October 15, 2013|url-status=dead}}</ref>
|-
| [[2004 Venice Film Festival|61st Venice Film Festival]]
|Silver Lion (Best Director)
|''[[3-Iron]]''
|{{won}}
|<ref name=":1">{{cite web |url=http://www.labiennale.org/en/cinema/news/2004/09-11-ak.html |title=Official Awards of the 61st Venice Film Festival |work=labiennale.org |date=September 11, 2004|access-date= June 4, 2018 |archive-url=https://web.archive.org/web/20040915003501/http://www.labiennale.org/en/cinema/news/2004/09-11-ak.html|archive-date=September 15, 2004|url-status=dead}}</ref>
|-
|2011
|[[2011 Cannes Film Festival|Cannes Film Festival]]
|[[Un Certain Regard]] Prize
|''[[Arirang (2011 film)|Arirang]]''
|{{won}}
|<ref name=":2">{{cite news|last=Leffler|first=Rebecca|url=https://www.hollywoodreporter.com/movies/movie-news/regard-announces-top-prizes-cannes-190886/|title=Un Certain Regard Announces Top Prizes (Cannes 2011)|date=May 21, 2011|access-date=May 26, 2017|work=The Hollywood Reporter|archive-url=https://web.archive.org/web/20110714231404/http://www.hollywoodreporter.com/news/regard-announces-top-prizes-cannes-190886|archive-date=July 14, 2011|url-status=live}}</ref>
|-
|rowspan=2|2012
|[[Küstendorf Film and Music Festival]]
|"Award for Future Movies"
|rowspan=2|''[[Pietà (film)|Pietà]]''
|{{won}}
|<ref>{{Cite web|url=http://www.kustendorf-filmandmusicfestival.org/2012/sr/single-news/13-svecano-otvaranje-kustendorfa-2012/|title=СВЕЧАНО ОТВАРАЊЕ КУСТЕНДОРФА 2012 Kustendorf – International Film and Music Festival|website=Kustendorf Film and Festival 2012|archive-url=https://web.archive.org/web/20160304000932/http://www.kustendorf-filmandmusicfestival.org/2012/sr/single-news/13-svecano-otvaranje-kustendorfa-2012/|archive-date=March 4, 2016|url-status=live}}</ref>
|-
|[[69th Venice Film Festival]]
|Golden Lion
|{{won}}
|<ref name=":3">{{cite news|title=South Korean film 'Pieta' wins Venice top prize|url=https://news.yahoo.com/south-korean-film-pieta-wins-venice-top-prize-180829934.html|agency=AP|via=Yahoo! News|date=September 8, 2012|access-date=December 12, 2020|archive-url=https://web.archive.org/web/20120911032457/https://news.yahoo.com/south-korean-film-pieta-wins-venice-top-prize-180829934.html|archive-date=September 11, 2012|url-status=dead}}</ref>
|-
|2014
|[[2014 Venice Film Festival|71st Venice Film Festival]]
|The Venice Days Best Film Award
|''[[One on One (2014 film)|One on One]]''
|{{won}}
|<ref>{{cite web |url=http://www.venice-days.com/NEWS.asp?id=1&id_dettaglio=494&t=Collateral%20awards&lang=eng |title=Collateral awards |work=venice-days.com |access-date=May 3, 2018|archive-url=https://web.archive.org/web/20140906154619/http://www.venice-days.com/NEWS.asp?id=1&id_dettaglio=494&t=Collateral%20awards&lang=eng|archive-date=September 6, 2014|url-status=dead}}</ref>
|}
== References ==
=== Notes ===
{{reflist}}
=== Sources ===
* {{cite web|title=KIM Ki-duk ( 김기덕 / 金基悳)|url=https://www.koreanfilm.or.kr/eng/films/index/peopleView.jsp?peopleCd=10003696|website=Korean Film Council|access-date=24 November 2007|archive-url=https://web.archive.org/web/20190716234739/https://www.koreanfilm.or.kr/eng/films/index/peopleView.jsp?peopleCd=10003696|archive-date=July 16, 2019|url-status=live}}
=== Bibliography ===
* {{cite journal |first=Julien|last=Seveon|year=2003|title=An Interview with Korean Director Kim Ki-duk|journal=Asian Cult Cinema|volume=38|issue=1st Quarter|pages=49–61}}
* MARTONOVA, A. (2004) [https://www.academia.edu/6000048/Martonova_Andronika._Contemporary_Korean_cinema_-_production_tradition_and_Kim_Ki-Duk._-_In_The_Plum_Blossom._Sofia_Ex-M_2004_p.129_-_151_in_English_ Contemporary Korean cinema – production, tradition and… Kim Ki-Duk]. – In: The Plum Blossom. Papers from Korean Studies Conference, Sofia University "St. Kliment Ohridski", Centre for Eastern Languages and Cultures, Sofia: Ex-M, p. 129 – 151
* MARTONOVA, (2012) A. [https://www.academia.edu/6306282/MARTONOVA_2012_A._To_feel_HAN_Arirang_by_Kim_Ki-duk_Kino_No.3_Sofia_p.49-47_in_Bulgarian_ To feel HAN] (Arirang by Kim Ki-duk) // Kino, No.3, Sofia:p. 49-47, ISSN 0861-4393 [Да чувстваш ХАН ("Ариран" на Ким Ки-док). — Original title in Bulgarian]
* MARTONOVA, A. (2007) The hieroglyph of cinema. Aesthetics and meaning in East Asia movies. Sofia: Panorama Publishing House, 242 pages, {{ISBN|978 954 9655 31 5}} (in Bulgarian)
== External links ==
{{commons category|Kim Ki-duk}}
* {{IMDb name|id=1104118|name=Kim Ki-duk}}
* [http://www.koreasociety.org/film_blog/portraits/the_strange_case_of_director_kim_ki-duk_the_past_the_persistent_problems_and_the_near_future.html Kim Ki-Duk: the past, the persistent problems and the near future] {{Webarchive|url=https://web.archive.org/web/20120627053954/http://www.koreasociety.org/film_blog/portraits/the_strange_case_of_director_kim_ki-duk_the_past_the_persistent_problems_and_the_near_future.html |date=27 June 2012 }} About Kim Ki-Duk's 2006 controversial declarations
* [http://www.koreasociety.org/film_blog/reviews/kim_ki-duk_time_.html Review of Kim Ki-duk's ''Time''] {{Webarchive|url=https://web.archive.org/web/20120428010102/http://www.koreasociety.org/film_blog/reviews/kim_ki-duk_time_.html |date=28 April 2012 }}
*[http://www.pintobooks.com/workingbio+Kim%20Ki%20Duk.html Working Biography]
{{Kim Ki-duk}}
{{Silver Lion for Best Director}}
{{Silver Bear for Best Director}}
{{Authority control}}
{{DEFAULTSORT:Kim, Ki-duk}}
[[Category:Cruelty to animals]]
[[Category:1960 births]]
[[Category:
[[Category:21st-century South Korean male actors]]
[[Category:South Korean male film actors]]
[[Category:South Korean film producers]]
[[Category:South Korean film directors]]
[[Category:South Korean screenwriters]]
[[Category:Directors of Golden Lion winners]]
[[Category:Venice Best Director Silver Lion winners]]
[[Category:Silver Bear for Best Director recipients]]
[[Category:Deaths from the COVID-19 pandemic in Latvia]]
[[Category:Republic of Korea Marine Corps personnel]]
[[Category:South Korean film editors|Kim, Ki-duk (born 1960)]]
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