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{{shortShort description|2017 period drama film by Paul Thomas Anderson}}
{{Use mdy dates|date=May 2018}}
{{Infobox film
| name = Phantom Thread
| image = Phantom Thread.png
| caption = Theatrical release poster
| director = [[Paul Thomas Anderson]]
| producer = {{Plain list|
* [[JoAnne Sellar]]
* Paul Thomas Anderson
Line 12:
* [[Daniel Lupi]]
}}
| writer = Paul Thomas Anderson
| starring = {{Plain list|
* [[Daniel Day-Lewis]]
* [[Vicky Krieps]]
* [[Lesley Manville]]
* [[Vicky Krieps]]
}}
| music = [[Jonny Greenwood]]
| editing = [[Dylan Tichenor]]
| studio = {{Plain list|
* [[Focus Features]]<ref name=insight/>
* [[Annapurna Pictures]]<ref name=insight>{{cite web|url=https://www.varietyinsight.com/print_featurefilm_releases.php|archiveurlarchive-url=https://web.archive.org/web/20171223153334/https://www.varietyinsight.com/print_featurefilm_releases.php|title=Film releases|work=[[Variety Insight]]|publisher=Variety Media|archivedatearchive-date=December 23, 2017|accessdateaccess-date=December 23, 2017}}</ref>
* [[Ghoulardi Film Company]]<ref name=insight/>
* [[Perfect World Pictures]]<ref name=insight/>
}}
| distributor = {{plainlist|
* [[Focus Features]] (USUnited States)
* [[Universal Pictures]] (Internationalinternational)
}}
| released = {{Film date|2017|12|11|[[Lincoln Center for the Performing Arts|Walter Reade Theater]]|2017|12|25|United States}}
| runtime = 130 minutes<!--Theatrical runtime: 130:23--><ref>{{cite web|title=''Phantom Thread'' (15)|url=httphttps://www.bbfc.co.uk/releases/phantom-thread-film|publisher=[[British Board of Film Classification]]|date=November 30, 2017|accessdateaccess-date=December 2, 2017|archive-date=December 3, 2017|archive-url=https://web.archive.org/web/20171203013759/http://www.bbfc.co.uk/releases/phantom-thread-film|url-status=dead}}</ref>
| country = United States<!--Country is determined by the production company, not subject matter or ___location. Ref BFI lists only as American. Do not change unless you find a source stating both the US and the UK. --><ref>{{cite web|url=http://www.bfi.org.uk/films-tv-people/5a1606be94d55|title=Phantom Thread (2017)|publisher=[[British Film Institute]]|accessdateaccess-date=December 2, 2017|archive-date=December 1, 2017|archive-url=https://web.archive.org/web/20171201051646/http://www.bfi.org.uk/films-tv-people/5a1606be94d55|url-status=dead}}</ref>
| language = English
| budget = $35&nbsp;million<ref>{{cite web|last1=Hooton|first1=Christopher|date=March 31, 2017|title=Paul Thomas Anderson's next film with Daniel Day-Lewis gets release date|url=https://www.independent.co.uk/arts-entertainment/films/news/paul-thomas-anderson-next-film-news-2017-daniel-day-lewis-fashion-filming-a7659546.html|website=[[The Independent]]|accessdateaccess-date=October 26, 2017|archive-date=February 14, 2018|archive-url=https://web.archive.org/web/20180214025956/http://www.independent.co.uk/arts-entertainment/films/news/paul-thomas-anderson-next-film-news-2017-daniel-day-lewis-fashion-filming-a7659546.html|url-status=live}}</ref>
| gross = $4748.87&nbsp;million<ref name="BOM">{{cite web|url=httphttps://www.boxofficemojo.com/movies/?id=paulthomasanderson2017.htm|title=Phantom Thread (2017)|work=[[Box Office Mojo]]|publisher=[[IMDb]]|accessdateaccess-date=September 23, 2018|archive-date=July 6, 2018|archive-url=https://web.archive.org/web/20180706143812/http://www.boxofficemojo.com/movies/?id=paulthomasanderson2017.htm|url-status=live}}</ref>
}}
 
'''''Phantom Thread''''' is a 2017 American [[periodRomance dramafilm|periodromantic]] [[romancehistorical filmdrama|romantic]]period [[comedy-drama]]<!--comes under the category period drama.--> film written and directed by [[Paul Thomas Anderson]],. setIt in thestars [[hauteDaniel coutureDay-Lewis]], world[[Vicky ofKrieps]], Londonand in[[Lesley theManville]], 1950s.and Itfollows starsan [[Danielhaute Day-Lewiscouture]] asdressmaker ain [[couturier]]1950s London who takes a young waitress, played by [[Vicky Krieps]], as his muse;.<ref>{{cite news|last=Modell|first=Josh|url=httphttps://www.avclub.com/article/paul-thomas-anderson-movie-begins-filming-might-ha-249416|title=Paul Thomas Anderson movie begins filming, might have a name|work=[[The A.V. Club]]|publisher=[[The Onion]]|date=January 31, 2017|accessdateaccess-date=February 2, 2017}}</ref> it is Day|archive-Lewis'sdate=February final2, role<ref>{{Cite news2017|archive-url=https://wwwweb.telegrapharchive.co.ukorg/filmsweb/201720170202185705/02/01/daniel-day-lewis-spotted-whitby-paul-thomas-anderson-filming/|title=Phantom Threadhttp: everything you need to know about Daniel Day-Lewis's final film|work=[[The Daily Telegraph]]|publisher=Telegraph Media Group|access-date=July 21, 2017|date=June 21, 2017|last=Vincent|first=Alice}}</ref> before his retirement/www.<ref>{{cite web | last = Nyren | first = Erin | url = https://varietyavclub.com/2017article/film/news/danielpaul-daythomas-lewisanderson-retirementmovie-frombegins-actingfilming-whymight-ha-1202625443/ 249416| title = Daniel Dayurl-Lewis on Retirement From Acting: 'The Impulse to Quit Took Root in Me' | publisher status= [[Variety (magazine)|Variety]] | date = 28 November 2017 | accessdate = 22 December 2017live}}</ref> The film is the first time Anderson film shot outside the United States, with [[principal photography]] beginning in January 2017 in [[Lythe]], England. It is Anderson's second collaboration with Day-Lewis, followingafter ''[[There Will Be Blood]]'' (2007), and his fourth collaboration with composer [[Jonny Greenwood]].
 
''Phantom Thread'' premiered in New York City on December 11, 2017, and was theatrically released in the United States ontwo Decemberweeks 25, 2017later.<ref>{{cite news |url=httphttps://collider.com/paul-thomas-anderson-new-movie-release-date/ |title=Paul Thomas Anderson's New Film Gets a Release Date |work=[[Collider (website)|Collider]] |publisher=Complex Media |date=March 30, 2017 |last=Goldberg |first=Matt |accessdateaccess-date=April 20, 2018 |archive-date=April 20, 2018 |archive-url=https://web.archive.org/web/20180420164823/http://collider.com/paul-thomas-anderson-new-movie-release-date |url-status=live }}</ref> The filmIt received praiseacclaim for its acting, screenplay, direction, musical score, costume design, and production values. It was chosen by theThe [[National Board of Review]] chose it as one of the [[National Board of Review Awards 2017#Top 10 Films|top ten films of 2017]].,<ref>{{cite web |url=http://www.nationalboardofreview.org/2017/11/national-board-review-announces-2017-award-winners/ |title=National Board of Review Announces 2017 Award Winners |publisher=[[National Board of Review]] |date=November 28, 2017 |accessdateaccess-date=December 7, 2017 |archive-date=November 29, 2017 |archive-url=https://web.archive.org/web/20171129092703/http://www.nationalboardofreview.org/2017/11/national-board-review-announces-2017-award-winners/ |url-status=live }}</ref> and it is widely considered one of the [[List of films voted the best|best films]] of the 2010s.<ref>{{Cite magazine|title=The 50 Best Movies of the 2010s|url=https://www.rollingstone.com/movies/movie-lists/best-movies-decade-2010s-910770/phantom-thread-2017-910947/|access-date=December 30, 2021|magazine=Rolling Stone|date=December 18, 2019}}</ref><ref>{{Cite web|title=The Best Films of the 2010s|url=https://www.rogerebert.com/features/the-best-films-of-the-2010s|access-date=December 30, 2021|website=RogerEbert.com}}</ref>
 
At the [[90th Academy Awards]], the film was nominated for [[Academy Award for Best Picture|Best Picture]], [[Academy Award for Best Director|Best Director]] for Anderson, [[Academy Award for Best Actor|Best Actor]] for Day-Lewis, [[Academy Award for Best Supporting Actress|Best Supporting Actress]] for [[Lesley Manville]], and [[Academy Award for Best Original Score|Best Original Score]], andfor Greenwood; it won for [[Academy Award for Best Costume Design|Best Costume Design]]. It also earned four nominations at the [[71st British Academy Film Awards]], winning for [[BAFTA Award for Best Costume Design|Best Costume Design]],<ref>{{cite web|url=https://www.bbc.co.uk/news/entertainment-arts-42618187|title=The Shape of Water leads Bafta nominations|date=January 9, 2018|work=[[BBC News]]|publisher=[[BBC]]|accessdateaccess-date=January 9, 2018|archive-date=January 9, 2018|archive-url=https://web.archive.org/web/20180109100631/https://www.bbc.co.uk/news/entertainment-arts-42618187|url-status=live}}</ref> and received two [[75th Golden Globe Awards|Golden Globe]] nominations.<ref>{{cite web|url=https://variety.com/2017/film/news/golden-globe-nominations-2018-nominees-full-list-1202634435/|title=Golden Globe Nominations: Complete List|work=[[Variety (magazine)|Variety]]|publisher=[[Penske Business Media]]|date=December 11, 2017|accessdateaccess-date=December 11, 2017|first=Rebecca|last=Rubin|archive-date=January 18, 2018|archive-url=https://web.archive.org/web/20180118173134/http://variety.com/2017/film/news/golden-globe-nominations-2018-nominees-full-list-1202634435/|url-status=live}}</ref>
 
==Plot==
In 1950s1954 London, well-known fashion designer Reynolds Woodcock ([[Daniel Day-Lewis]]) creates dresses for members of high society, including royalty. His charismaclients isview him as a genius whose creations enable them to become their best selves, but his creativity and charm are matched by his obsessive and controlling personality. Cyril ([[Lesley Manville]]), his sister, manages thehis fashion house's day-to-day operations ofand histries fashionto houseprotect andhim from anything that hasmight significantdistract influencehim overfrom his lifework. The superstitious Reynolds is haunted by the death of their mother,'s death and often stitches hidden messages into the linings of the dresses he makes.
 
After designing a new gown for a revered client, Countess HenriettaLady Harding ([[Gina McKee]]), Reynolds visits a restaurant innear his thecountry countrysidehouse and becomes interested inmeets a foreign waitress, Alma Elson. ([[VickyShe Krieps]]).accepts Hehis asks herinvitation to have dinner with him, and she accepts. Their relationship developsblossoms, and she moves in with him, becoming his model, muse, and lover. Cyril initially distrustsmistrusts Alma but comes to respect her willfulness and determination.
In 1950s London, well-known fashion designer Reynolds Woodcock ([[Daniel Day-Lewis]]) creates dresses for members of high society. His charisma is matched by his obsessive and controlling personality. Cyril ([[Lesley Manville]]), his sister, manages the day-to-day operations of his fashion house and has significant influence over his life. The superstitious Reynolds is haunted by the death of their mother, and often stitches hidden messages into the linings of the dresses he makes.
 
At first, Alma enjoys being a part of Reynolds's work, but he proves aloof, hard to please, and overly finicky.; as a result, Theythey beginstart to bicker. When Alma tries to show her love for Reynolds by preparingsurprising him with a romantic dinner for two, he lashes out, sayingcalling heit willan not"ambush" tolerateand deviationsquestioning fromher the routines he has worked hard to perfectmotive. Alma “retaliates”retaliates by poisoning Reynolds'his tea with wild mushrooms gathered outside histhe country house. As he readies a wedding gown for a Belgian princess, Reynolds collapses, damaging the dress and forcing his staff to work all night to repair it. He becomes gravely ill and has hallucinations of his mother. Alma nursesstays himby backhis toside, health.nursing Hehim asks herback to marry him; she acceptshealth.
After designing a new gown for a revered client, Countess Henrietta Harding ([[Gina McKee]]), Reynolds visits a restaurant in the countryside and becomes interested in a foreign waitress, Alma Elson ([[Vicky Krieps]]). He asks her to have dinner with him, and she accepts. Their relationship develops, and she moves in with him, becoming his model, muse and lover. Cyril initially distrusts Alma but comes to respect her willfulness and determination.
 
After Reynolds recovers, he tells Alma that a house that does not change "is a dead house" and asks her to marry him. Taken aback, she hesitates, but then accepts. After a honeymoon in [[Switzerland]], Reynolds and Alma start bickering again as Reynolds's domineering personality reasserts itself. Cyril tells Reynolds that Lady Harding is now a client at a rival fashion house and suggests that his classic, conservative designs may be going out of style. Reynolds blames Alma for upending his routines, saying she doesn't fit in and has turned him and Cyril against each other. Alma overhears him.
At first, Alma enjoys being a part of Reynolds' work, but he proves aloof, hard to please and overly finicky. They begin to bicker. When Alma tries to show her love for Reynolds by preparing a romantic dinner for two, he lashes out, saying he will not tolerate deviations from the routines he has worked hard to perfect. Alma “retaliates” by poisoning Reynolds' tea with wild mushrooms gathered outside his country house. As he readies a wedding gown for a Belgian princess, Reynolds collapses, damaging the dress and forcing his staff to work all night to repair it. He becomes gravely ill and has hallucinations of his mother. Alma nurses him back to health. He asks her to marry him; she accepts.
 
After a brief honeymoon, Reynolds and Alma soon start bickering again. Cyril reveals to Reynolds thatAt the Countess is now a client at a rival fashioncountry house, andAlma hints that his classical designs have begun appearing out-of-date. Asmakes Reynolds feelsan hisomelet work is suffering, he concludes it may be time to break uppoisoned with Alma, who overhears the conversation.same Backmushrooms atas the country house, Alma responds by making Reynolds a poisoned omelettebefore. As he chews his first bite, she informs him that she wants him weak and vulnerable, withthen onlystrong heragain toafter takeshe has taken care of him. Reynolds realizes the omelet is poisoned, but ostentatiously swallows the omelettebite and tells her to kiss him before he becomesis sick, implying that he has figured out—and has submitted to—her ruse. As Reynoldshe lies ill again, Alma imagines their future with children, a rich social life, and a bigger role for her runningin the dressmaking business as a partner. She acknowledges that while there may beare challenges ahead, their love and their newcomplementary arrangementneeds can overcome them.
 
==Cast==
{{Cast listing|
* [[Daniel Day-Lewis]]<ref name="Jun2016V">{{cite news|last1=Kroll|first1=Justin|title=Paul Thomas Anderson, Daniel Day-Lewis Eye Reunion on 1950s Fashion Drama (EXCLUSIVE)|url=https://variety.com/2016/film/news/daniel-day-lewis-paul-thomas-anderson-fashion-movie-1201768423/|accessdateaccess-date=June 6, 2016|work=[[Variety (magazine)|Variety]]|publisherdate=[[PenskeJune Business2, Media]]2016|archive-date=JuneMay 218, 2019|archive-url=https://web.archive.org/web/20190518043139/https://variety.com/2016/film/news/daniel-day-lewis-paul-thomas-anderson-fashion-movie-1201768423/|url-status=live}}</ref> as Reynolds Woodcock
* [[Vicky Krieps]]<ref name="Feb2017D"/> as Alma Elson
* [[Lesley Manville]]<ref name="Feb2017D">{{cite news|last1=Lodderhose|first1=Diana|title=Focus’Focus' New Paul Thomas Anderson Pic Starring Daniel Day-Lewis Adds Lesley Manville & Vicky Krieps|url=httphttps://deadline.com/2017/02/lesley-manville-focus-features-paul-thomas-anderson-focus-features-daniel-day-lewis-1201900101/|accessdateaccess-date=February 2, 2017|work=[[Deadline Hollywood]]|publisherdate=[[PenskeFebruary Business1, Media]]2017|archive-date=FebruaryAugust 113, 2018|archive-url=https://web.archive.org/web/20180813020021/https://deadline.com/2017/02/lesley-manville-focus-features-paul-thomas-anderson-focus-features-daniel-day-lewis-1201900101/|url-status=live}}</ref> as Cyril Woodcock
* [[Camilla Rutherford]] as Johanna
* [[Gina McKee]] as Countess Henrietta Harding
Line 69 ⟶ 71:
* [[Phyllis MacMahon]] as Tippy
* [[Silas Carson]] as Rubio Gurrerro
* [[Richard Graham (actor)|Richard Graham]]<ref name="Jan2017TFS">{{cite news|last1=Raup|first1=Jordan|title=Lesley Manville & More Join Paul Thomas Anderson's Next Film; Johnny Greenwood Confirmed to Score|url=https://thefilmstage.com/news/lesley-manville-and-richard-graham-join-paul-thomas-andersons-next-film|accessdateaccess-date=February 2, 2017|work=The Film Stage|date=January 31, 2017|archive-date=October 20, 2017|archive-url=https://web.archive.org/web/20171020084059/https://thefilmstage.com/news/lesley-manville-and-richard-graham-join-paul-thomas-andersons-next-film/|url-status=live}}</ref> as George Riley
* Martin Dew as John Evans
* Ian Harrod as the Registrar
* [[Jane Perry (actress)|Jane Perry]] as Mrs. Vaughan
* Ian Harrod as theThe Registrar
}}
 
==Production==
Anderson became interested in the [[Clothing industry|fashion industry]] after reading about designer [[Cristóbal Balenciaga]].<ref name="EW Interview">{{cite magazine |last=Sullivan |first=Kevin P. |date=November 2, 2017 |title=Paul Thomas Anderson opens up about ''Phantom Thread'' for the first time |url=https://ew.com/movies/2017/11/02/phantom-thread-paul-thomas-anderson-interview/> Lead|url-status=live character|archive-url=https://web.archive.org/web/20180715045139/https://ew.com/movies/2017/11/02/phantom-thread-paul-thomas-anderson-interview/ |archive-date=July 15, Reynolds2018 Woodcock|access-date=November 3, is2017 said|magazine=[[Entertainment toWeekly]]}}</ref> beReynolds Woodcock's obsessive fastidiousness is loosely inspired by English-American fashion designer, [[Charles James (designer)|Charles James]].<ref name="inte_Abri">{{Citecite web | title = A brief history of Charles James, the designer who inspired Phantom Thread| author |last= Sharma, Jeena|first=Jeena |work = [[Interview Magazine(magazine)|Interview]] |date =April 2018-04-25|, 2018 |access-date =December 5 December, 2018| |url=https://www.interviewmagazine.com/fashion/brief-history-charles-james-designer-inspired-phantom-thread |archive-date=December 6, 2018 |archive-url=https://web.archive.org/web/20181206060245/https://www.interviewmagazine.com/fashion/brief-history-charles-james-designer-inspired-phantom-thread |url-status=live}}</ref> Daniel Day-Lewis, a [[method acting|method actor]], spent a year learning dressmaking from Marc Happel in preparation for the role. He gained enough skill to enable him to recreate an iconic Balenciaga dress.<ref>{{cite web |last=Moss |first=Jack |date=February 2, 2018 |title=The Real-Life Couturiers Who Inspired Phantom Thread |url=https://www.anothermag.com/fashion-beauty/10539/the-real-life-couturiers-who-inspired-phantom-thread |access-date=January 20, 2022 |work=[[Another Magazine|AnOther]]}}</ref>
 
===Filming===
[[Principal photography]] began in late January 2017 in [[Lythe]], [[England]], United Kingdom,<ref>{{cite web |last=Hall |first=Jacob |url=httphttps://www.slashfilm.com/548972/new-paul-thomas-anderson-movie-filming/ |title=Paul Thomas Anderson's New Movie Has Begun Filming [UPDATED] |work=slashfilm.com[[/Film]] |date=JanuaryFebruary 301, 2017 |accessdateaccess-date=February 1, 2017 |archive-date=January 3130, 2017 |archive-url=https://web.archive.org/web/20170130224438/https://www.slashfilm.com/548972/new-paul-thomas-anderson-movie-filming/ |url-status=live}}</ref><ref name="Feb2017CS">{{cite newsweb |title=New Paul Thomas Anderson Film Begins Production |url=httphttps://www.comingsoon.net/movies/news/809801-new-paul-thomas-anderson-film-begins-production |author=CS|accessdateaccess-date=February 21, 2017 |work=ComingSoon.net |publisher=[[CraveOnlineMandatory Media(company)|Mandatory]] |date=February 1, 2017 |archive-date=July 24, 2018 |archive-url=https://web.archive.org/web/20180724090420/https://www.comingsoon.net/movies/news/809801-new-paul-thomas-anderson-film-begins-production |url-status=live}}</ref> with a number of other locations in the [[North York Moors National Park]] also featuring, including [[Robin Hood's Bay]] and [[Staithes]].<ref>{{cite web |url=httphttps://www.northyorkmoors.org.uk/visiting/see-and-do/tv-and-film-locations |title=TV and Filmfilm locations Locations|websitework=[[North York Moors|North York Moors National Park]] |publisher=North York Moors National Park Authority |accessdateaccess-date=January 21, 2018 |archive-date=January 21, 2018 |archive-url=https://web.archive.org/web/20180121184616/https://www.northyorkmoors.org.uk/visiting/see-and-do/tv-and-film-locations |url-status=live}}</ref> Filming also took place in 2017 at [[Owlpen Manor]] in the [[Cotswolds]]<ref>{{Citecite web |url=httphttps://www.gazetteseries.co.uk/news/15038191.Oscar_winner_Daniel_Day_Lewis_said_to_be_filming_new_movie_at_Owlpen_Manor_in_Uleyoscar-winner-daniel-day-lewis-said-to-be-filming-new-movie-at-owlpen-manor-in-uley/ |title=Oscar-winner Daniel Day-Lewis said to be filming new movie at Owlpen Manor in Uley |date=January 20, 2017 |work=Gazette Series |publisher=[[Newsquest]] |access-date=January 23, 2018 |archive-date=November 11, 2017 |archive-url=https://web.archive.org/web/20171111042112/https://www.gazetteseries.co.uk/news/15038191.oscar-winner-daniel-day-lewis-said-to-be-filming-new-movie-at-owlpen-manor-in-uley/ |url-status=live}}</ref> and in the London neighborhoodneighbourhood of [[Fitzrovia]], in [[Fitzroy Square]], andin [[Grafton Way|Grafton Mews]].,<ref>{{Citecite web news|url=https://amywelborn.wordpress.com/2017/04/03/on-set-in-london|first=Amy/ |last=Welborn |first=Amy |title=On Set in London |date=April 3, 2017 |work=Charlotte wasWas Both |access-date=February 2, 2018}}</ref> Woodcock drives a maroon [[Bristol 404 and 405|Bristolarchive-date=February 405]]5, in2018 the film.<ref>{{cite web|title=Supporting actor nod for Dayarchive-Lewis' Bristol?|url=httphttps://wwwweb.autonewsarchive.org/web/20180205091256/https://amywelborn.wordpress.com/article2017/2018020504/OEM0303/180209924/supportingon-actorset-nodin-for-day-lewis-bristol|website=[[Automotivelondon/ News]]|accessdateurl-status=February 28, 2018|date=February 5, 2018|publisher=[[Crain Communications]]live}}</ref> Filming also took place at the Grandhotel Giessbach, [[Brienz]], [[Switzerland]], [[Lake Brienz]], and [[Brienzer Rothorn]]. The [[New Year's Eve]] party was filmed at the Blackpool Tower ballroom with approximately 500 supporting artistes.<ref>{{cite newsweb |title=Sir Daniel Day-Lewis' phantom apperance{{as written|appe|rance [sic&#93;]}} at Blackpool 's Tower Ballroom |url=https://www.blackpoolgazette.co.uk/whats-on/tv-and-filmnews/sir-daniel-day-lewis-phantom-apperance-at-blackpool-sblackpools-tower-ballroom-1-84912081133220 |accessdateaccess-date=2 June 2, 2019 |work=The [[Blackpool Gazette]] |date=13 April 13, 2017 |url-access=limited |archive-date=June 2, 2019 |archive-url=https://web.archive.org/web/20190602212139/https://www.blackpoolgazette.co.uk/news/sir-daniel-day-lewis-phantom-apperance-at-blackpools-tower-ballroom-1133220 |url-status=live}}</ref> During filming, the crew moved into 3 Fitzroy Square, which functioned as accommodation and storage in addition to set.<ref name=indo>{{Cite web|url=https://www.indiewire.com/features/general/phantom-thread-daniel-day-lewis-interview-filming-paul-thomas-anderson-1201901065/|title=Daniel Day-Lewis on ‘Phantom Thread’: Why His Final Movie Was a ‘Nightmare’ to Film|date=November 27, 2017|website=Indiewire}}</ref> Day-Lewis, who, in keeping with his method acting approach, stayed in character throughout the shoot, has described it as an "awful" experience, remarking "We were living on top of each other. There was no space. That entire house was like a termite nest".<ref name=indo/> Woodcock drives a maroon [[Bristol 404 and 405|Bristol 405]] in the film.<ref>{{cite web |title=Supporting actor nod for Day-Lewis' Bristol? |url=https://www.autonews.com/article/20180205/OEM03/180209924/supporting-actor-nod-for-day-lewis-bristol |work=[[Automotive News]] |access-date=February 28, 2018 |date=February 5, 2018 |publisher=[[Crain Communications]] |archive-date=November 4, 2021 |archive-url=https://web.archive.org/web/20211104215952/https://www.autonews.com/article/20180205/OEM03/180209924/supporting-actor-nod-for-day-lewis-bristol |url-status=live}}</ref>
 
===Cinematography===
It was reported in June 2017 that Anderson would be serving as his own [[cinematographer]] on the film as his regular cinematographer [[Robert Elswit]] was unavailable during production.<ref>{{cite web|url=http://collider.com/new-paul-thomas-anderson-movie-cinematographer/|title=Yes, Paul Thomas Anderson Is Serving as His Own Cinematographer on 'Phantom Thread'|date=June 29, 2017|publisher=Complex Media|work=[[Collider (website)|Collider]]|accessdate=July 1, 2017|last=Chitwood|first=Adam}}</ref> However, Anderson refuted the claim in November, stating that there is no official credit for the cinematography and that it was a "collaborative effort".<ref name="EW Interview">{{cite news|last1=Sullivan|first1=Kevin P.|title=Paul Thomas Anderson opens up about Phantom Thread for the first time|url=http://ew.com/movies/2017/11/02/phantom-thread-paul-thomas-anderson-interview/|work=[[Entertainment Weekly]]|publisher=[[Time (magazine)|Time]]|accessdate=November 3, 2017|date=November 2, 2017}}</ref> Michael Bauman, who previously worked as Anderson and Elswit's [[Gaffer (filmmaking)|gaffer]], was credited as "lighting cameraman". Anderson and Bauman [[push processing|pushed]] their [[35mm movie film|35mm film]] stock and filled the frame with haze in order to "dirty up" the image; according to Bauman, "One of the first things [Paul] said was, 'Look, this cannot look like ''[[The Crown (TV series)|The Crown]]''.' That was a big thing. When people think of a period movie it becomes this beautifully polished, amazingly photographed—I mean, ''The Crown'' looks beautiful—but super clean, gorgeous light, and he was clear it couldn't look like that."<ref>{{cite web|title=How Paul Thomas Anderson Dirtied-Up ‘Phantom Thread’ to Avoid the Polish of ‘The Crown’|url=http://www.indiewire.com/2017/12/phantom-thread-paul-thomas-anderson-cinematography-1201909965/|website=[[IndieWire]]|publisher=[[Penske Business Media]]|accessdate=March 13, 2018|date=December 20, 2017|last=O'Falt|first=Chris}}</ref>
While [[Robert Elswit]] had served as [[cinematographer]] for most of Anderson's previous films, Anderson ultimately served as his own cinematographer for ''Phantom Thread''.<ref name = Sharf>{{cite news|url = https://www.indiewire.com/features/general/robert-elswit-criticizes-paul-thomas-anderson-phantom-thread-filming-1234594273/|title = Paul Thomas Anderson’s Former DP Robert Elswit Doesn’t Like the Way ‘Phantom Thread’ Looked|last = Sharf|first = Zack|date = October 21, 2020|accessdate = January 2, 2025|work = [[IndieWire]]}}</ref> No cinematographer is listed in the film's credits, but Michael Bauman, who previously worked as Anderson and Elswit's [[Gaffer (filmmaking)|gaffer]], was credited as the "lighting cameraman". Anderson and Bauman [[push processing|pushed]] their [[35 mm movie film|35 mm film]] stock and filled its frames with "theatrical haze" to "dirty up" their look; according to Bauman, "One of the first things [Paul] said was, 'Look, this cannot look like ''[[The Crown (TV series)|The Crown]]''.' That was a big thing. When people think of a period movie it becomes this beautifully polished, amazingly photographed—I mean, ''The Crown'' looks beautiful—but super clean, gorgeous light, and he was clear it couldn't look like that."<ref>{{cite web |title=How Paul Thomas Anderson Dirtied-Up 'Phantom Thread' to Avoid the Polish of 'The Crown' |url=https://www.indiewire.com/2017/12/phantom-thread-paul-thomas-anderson-cinematography-1201909965/ |publisher=[[IndieWire]] |access-date=March 13, 2018 |date=December 20, 2017 |last=O'Falt |first=Chris |archive-date=March 14, 2018 |archive-url=https://web.archive.org/web/20180314042543/https://www.indiewire.com/2017/12/phantom-thread-paul-thomas-anderson-cinematography-1201909965/ |url-status=live}}</ref> In 2020, Elswit publicly expressed skepticism of Anderson's cinematography, saying in an interview, "He just threw a lot of smoke in the room. Which he never would let me do, he never let me smoke a set... I enjoyed the film [but] if I shot that movie I would not be happy with it ending up looking like it looked, that's all".<ref name = Sharf/>
 
===MusicSoundtrack===
{{main|Phantom Thread (soundtrack)}}
The music for the soundtrack is composed by [[Jonny Greenwood]], who had previously worked with the director on the soundtracks for ''[[There Will Be Blood]]'' (2007), ''[[The Master (2012 film)|The Master]]'' (2012) and ''[[Inherent Vice (film)|Inherent Vice]]'' (2014).
The soundtrack is by [[Jonny Greenwood]], who previously worked with Anderson on the soundtracks for ''[[There Will Be Blood]]'' (2007), ''[[The Master (2012 film)|The Master]]'' (2012), and ''[[Inherent Vice (film)|Inherent Vice]]'' (2014). It was nominated for the [[Academy Award for Best Original Score]], Greenwood's first Academy Award nomination.<ref>{{cite web |url=https://www.npr.org/2018/02/26/588397390/radioheads-jonny-greenwood-on-the-music-of-phantom-thread |title=Radiohead's Jonny Greenwood On The Music Of 'Phantom Thread' |publisher=[[NPR]] |date=February 26, 2018 |access-date=February 22, 2020 |archive-date=February 22, 2020 |archive-url=https://web.archive.org/web/20200222012815/https://www.npr.org/2018/02/26/588397390/radioheads-jonny-greenwood-on-the-music-of-phantom-thread |url-status=live}}</ref> The soundtrack features prominently in the film, with nearly ninety minutes of music during the film's 130-minute runtime.<ref>{{cite web |last=Burlingame |first=Jon |date=February 16, 2018 |title=From Radiohead to the Oscar-Nominated 'Phantom Thread': Jonny Greenwood on His Musical Process |url=https://variety.com/2018/music/news/radiohead-to-phantom-thread-jonny-greenwood-oscar-academy-award-nominated-1202698373/ |access-date=September 4, 2020 |work=[[Variety (magazine)|Variety]] |archive-date=June 12, 2021 |archive-url=https://web.archive.org/web/20210612035138/https://variety.com/2018/music/news/radiohead-to-phantom-thread-jonny-greenwood-oscar-academy-award-nominated-1202698373/ |url-status=live}}</ref><ref>{{cite web |last=Sharf |first=Zack |date=December 17, 2017 |title=Jonny Greenwood's 'Phantom Thread' Original Score is Used in Nearly 70% of the Movie |url=https://www.indiewire.com/2017/12/jonny-greenwood-phantom-thread-original-score-details-inspiration-1201908474/ |access-date=September 5, 2020 |publisher=[[IndieWire]] |archive-date=April 10, 2021 |archive-url=https://web.archive.org/web/20210410231427/https://www.indiewire.com/2017/12/jonny-greenwood-phantom-thread-original-score-details-inspiration-1201908474/ |url-status=live}}</ref>
 
== Reception ==
{{multiple image|caption_align=center|header_align=center
|align = right
|total_width = 400
|image1 = Daniel Day-Lewis crop.jpg
|width1 = 680 | height1 = 850
|image2 = Leslie Manville_(cropped).jpg
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|footer = [[Daniel Day-Lewis]] and [[Lesley Manville]]'s performances garnered critical acclaim and earned them [[Academy Award]] nominations for [[Academy Award for Best Actor|Best Actor]] and [[Academy Award for Best Supporting Actress|Best Supporting Actress]], respectively.
}}
 
== Reception ==
===Box office===
''Phantom Thread'' grossed $21.2&nbsp; million in the United States and Canada, and $26.6&nbsp; million in other territories, for a worldwide total of $47.8&nbsp; million, against a production budget of $35&nbsp; million.<ref name=BOM/>
 
After three weeks in [[Limited theatrical release|limited release]], where it made a total of $2.8&nbsp; million, the film was added to 834 theaters on January 19, 2018 (for a total of 896), and grossed $3.8&nbsp; million over the weekend, finishing 12th at the box office.<ref>{{cite web |url=httphttps://deadline.com/2018/01/den-of-thieves-12-strong-jumanji-welcome-to-the-jungle-weekend-box-office-1202262795/ |title=January Slows As ‘Jumanji’'Jumanji' Takes No. 1 For 3rd Weekend With $19M To $20M; Older Guy Pics ’12'12 Strong’Strong' & ‘Den'Den of Thieves’Thieves' In Mid-Teens |websitework=[[Deadline Hollywood]]|publisher=[[Penske Business Media]]|first=Anthony |last=D'Alessandro |date=January 21, 2018 |accessdateaccess-date=January 21, 2018 |archive-date=January 21, 2018 |archive-url=https://web.archive.org/web/20180121051949/https://deadline.com/2018/01/den-of-thieves-12-strong-jumanji-welcome-to-the-jungle-weekend-box-office-1202262795/ |url-status=live}}</ref> The subsequentnext weekend, followingafter the announcement of its six Oscar nominations, and having added an additional 125 theaters, the film grossed $2.9&nbsp; million.<ref>{{cite web |url=httphttps://deadline.com/2018/01/maze-runner-death-cure-weekend-box-office-1202269925/ |title=FoxByron ControlsAllen's CloseEntertainment ToStudios' 40%'Hostiles' OfBeats Weekend B.O. Led By ‘Maze Runner’Expectations & OscarWins Holdovers;Over ‘Hostiles’Middle GallopsAmerica PastWith $10M-$11M Debut |first=Anthony |last=D'Alessandro |websitework=[[Deadline Hollywood]] |publisherdate=[[PenskeJanuary Business28, Media]]2018 |access-date=January 28, 2018 |accessdatearchive-date=January 2827, 2018 |archive-url=https://web.archive.org/web/20180127083806/https://deadline.com/2018/01/maze-runner-death-cure-weekend-box-office-1202269925/ |url-status=live}}</ref>
 
===Critical response===
{{main|List of accolades received by Phantom Thread}}
On [[review aggregator]] website [[Rotten Tomatoes]], the film has an approval rating of 91% based on 317 reviews, and an [[average rating]] of 8.47/10. The website's critical consensus reads, "''Phantom Thread''{{'}}s finely woven narrative is filled out nicely by humor, intoxicating romantic tension, and yet another impressively committed performance from Daniel Day-Lewis."<ref>{{cite web|url=https://www.rottentomatoes.com/m/phantom_thread|title=Phantom Thread (2018) |work=[[Rotten Tomatoes]] |publisher=[[Fandango Media|Fandango]] |accessdate=February 6, 2019}}</ref> On [[Metacritic]], which assigns a normalized rating to reviews, the film has a weighted average score of 90 out of 100, based on 51 critics, indicating "universal acclaim."<ref>{{cite web|url=http://www.metacritic.com/movie/phantom-thread|title=Phantom Thread Reviews |work=[[Metacritic]]|publisher=[[CBS Interactive]]|accessdate=January 31, 2018}}</ref>
 
{{multiple image
''[[The A.V. Club]]''{{'}}s A. A. Dowd gave the film an A−, calling it a "charitable and even poignantly hopeful take on the subject [of being in a relationship with an artist]" and said that "in the simple, refined timelessness of its technique, ''Phantom Thread'' is practically a love letter to classic aesthetic values—cinematic, sartorial, or otherwise."<ref name ="avclub">{{Cite news|url=https://www.avclub.com/p-t-anderson-reunites-with-daniel-day-lewis-for-the-ex-1821100576|title=P. T. Anderson Reunites with Daniel Day-Lewis for the Exquisite Mad Love of ''Phantom Thread''|first=A.A.|last=Dowd|work=[[The A.V. Club]]|publisher=[[The Onion]]|date=December 7, 2017|accessdate=February 2, 2018}}</ref> ''Observer'' critic [[Mark Kermode]] gave the film five stars, describing it as "a deftly spun yarn," and praised Daniel Day-Lewis' performance, calling his role as a "perfect fit [in a] beautifully realised tale of 50s haute couture."<ref name="The Guardian">{{Cite news|url=https://www.theguardian.com/film/2018/feb/04/phantom-thread-review-paul-thomas-anderson-daniel-day-lewis|title=Phantom Thread review – a deftly spun yarn|last=Kermode|first=Mark|date=February 4, 2018|accessdate=March 12, 2018|work=[[The Guardian]]|publisher=[[Guardian Media Group]]}}</ref>
| caption_align = center
| header_align = center
| align = right
| total_width = 400
| image1 = Daniel Day- Lewis crop26 May 2013.jpg
| width1 = 680 | height1 = 850680
| height1 = 850
| image2 = Leslie Manville_Manville (cropped).jpg
| width2 = 680 | height2 = 850680
| height2 = 850
| footer = The performances of [[Daniel Day-Lewis]] and [[Lesley Manville]]'s performances garnered critical acclaim, and earnedearning them [[Academy Awards|Academy Award]] nominations for [[Academy Award for Best Actor|Best Actor]] and [[Academy Award for Best Supporting Actress|Best Supporting Actress]], respectively.}}
 
''Phantom Thread'' received widespread critical acclaim. On [[review aggregator]] website [[Rotten Tomatoes]], the film has an approval rating of 91%, based on 317358 reviews, andwith an [[average rating]] of 8.475/10. The websitesite's criticalcritics consensus reads,: "''Phantom Thread''{{'}}s finely woven narrative is filled out nicely by humor, intoxicating romantic tension, and yet another impressively committed performance from Daniel Day-Lewis."<ref>{{cite web |url=https://www.rottentomatoes.com/m/phantom_thread |title=Phantom Thread (2018) |work=[[Rotten Tomatoes]] |publisher=[[Fandango Media|Fandango]] |accessdateaccess-date=FebruaryJuly 63, 2022 |archive-date=May 4, 2019 |archive-url=https://web.archive.org/web/20190504191128/https://www.rottentomatoes.com/m/phantom_thread |url-status=live}}</ref> On [[Metacritic]], which assigns a normalized rating to reviews, the film has a [[weighted arithmetic mean|weighted average]] score of 90 out of 100, based on 51 critics,' indicating "universal acclaimreviews."<ref>{{cite web |url=httphttps://www.metacritic.com/movie/phantom-thread |title=Phantom Thread Reviews |work=[[Metacritic]] |publisher=[[Paramount Streaming|CBS Interactive]] |accessdateaccess-date=January 31, 2018 |archive-date=December 2, 2017 |archive-url=https://web.archive.org/web/20171202083004/https://www.metacritic.com/movie/phantom-thread |url-status=live}}</ref>
Christy Lemire of the [[LAFCA]] placed the film second on her list of ten best films of 2017, describing it as "captivating" and "one of Paul Thomas Anderson's absolute best," as well as singling out Jonny Greenwood's score as "intoxicating."<ref name="christylemire">{{Cite news|url=http://christylemire.com/10-best-films-2017/|title=10 Best Films of 2017|last=Lemire|first=Christy|date=December 10, 2017|accessdate=April 16, 2018|work=Christy Lemire official website}}</ref> [[Michael Wood (academic)|Michael Wood]], writing for the ''London Review of Books,'' saw the film as unsuccessfully referencing other gothic films such as ''[[Rebecca (1940 film)|Rebecca]]'' from the 1940s. He wrote: "Can we imagine a long future for this couple? The film can, and does, but the picture is so hackneyed − pram, baby, walk in the park − that it has to be a dream, or an irony."<ref>{{cite web|first=Michael |last=Wood |work=[[London Review of Books]]|date=February 22, 2018|url=https://www.lrb.co.uk/v40/n04/michael-wood/at-the-movies|title=At the Movies|accessdate=March 21, 2018}}</ref>
 
''[[The A.V. Club]]''{{'}}s A. A. Dowd gave the film an A−, calling it a "charitable and even poignantly hopeful take on the subject [of being in a relationship with an artist]" and said thatwriting, "in the simple, refined timelessness of its technique, ''Phantom Thread'' is practically a love letter to classic aesthetic values—cinematic, sartorial, or otherwise.".<ref name ="avclub">{{Citecite web news|url=https://www.avclub.com/p-t-anderson-reunites-with-daniel-day-lewis-for-the-ex-1821100576 |title=P. T. Anderson Reunitesreunites with Daniel Day-Lewis for the Exquisiteexquisite Madmad Lovelove of ''Phantom Thread'' |first=A.A. |last=Dowd |work=[[The A.V. Club]] |publisher=[[The Onion]] |date=December 7, 2017 |accessdateaccess-date=February 2, 2018 |archive-date=December 8, 2017 |archive-url=https://web.archive.org/web/20171208111146/https://www.avclub.com/p-t-anderson-reunites-with-daniel-day-lewis-for-the-ex-1821100576 |url-status=live}}</ref> ''[[The Observer]]'' critic [[Mark Kermode]] gave the film five stars out of five, describingcalling it as "a deftly spun yarn," and praised Danielpraising Day-Lewis's performance, calling his role as a "perfect fit [in a] beautifully realised tale of 50s haute couture.".<ref name="The Guardian">{{Citecite web news|url=https://www.theguardian.com/film/2018/feb/04/phantom-thread-review-paul-thomas-anderson-daniel-day-lewis |title=Phantom Thread review – a deftly spun yarn |last=Kermode |first=Mark |author-link=Mark Kermode |date=February 4, 2018 |accessdateaccess-date=March 12, 2018 |work=[[The Guardian]] |publisherarchive-date=[[GuardianMarch Media11, Group]]2018 |archive-url=https://web.archive.org/web/20180311161421/https://www.theguardian.com/film/2018/feb/04/phantom-thread-review-paul-thomas-anderson-daniel-day-lewis |url-status=live}}</ref>
 
[[Christy Lemire]] of the [[LAFCALos Angeles Film Critics Association]] placed the film second on her list of the ten best films of 2017, describingcalling it as "captivating" and "one of Paul Thomas Anderson's absolute best," as well asand singling out Jonny Greenwood's score as "intoxicating.".<ref name="christylemire">{{Citecite web news|url=httphttps://christylemire.com/10-best-films-2017/ |title=10 Best Films of 2017 |last=Lemire |first=Christy |author-link=Christy Lemire |date=December 10, 2017 |accessdateaccess-date=April 16, 2018 |workpublisher=Christy Lemire official|archive-date=April website18, 2018 |archive-url=https://web.archive.org/web/20180418025906/https://christylemire.com/10-best-films-2017/ |url-status=live}}</ref> [[Michael Wood (academicliterary scholar)|Michael Wood]], writing for the ''[[London Review of Books,]]'', sawwrote that the film asis unsuccessfully"too referencingwandering otherand gothicawkward filmsto suchbe asa ''[[Rebeccamasterpiece, (1940but film)|Rebecca]]''one fromof theits 1940s.virtues Heis wrote: "Canthat we imaginedon’t aquite longknow futurewhat for this couple? The filmhas canhappened, andeither does, butin the picturestory isor so hackneyed −to pramus, baby,and walkwe ingo theon park − that it haswanting to be a dream, or an ironyknow."<ref>{{cite webjournal |first=Michael |last=Wood |workauthor-link=Michael Wood (literary scholar) |journal=[[London Review of Books]] |date=February 22, 2018 |url=https://www.lrb.co.uk/the-paper/v40/n04/michael-wood/at-the-movies |title=At the Movies: 'Phantom Thread' |accessdatevolume=40 |issue=4 |access-date=March 21, 2018 |archive-date=March 5, 2018 |archive-url=https://web.archive.org/web/20180305063226/https://www.lrb.co.uk/the-paper/v40/n04/michael-wood/at-the-movies |url-status=live}}</ref>
 
In June 2025, the film ranked number 25 on ''[[The New York Times]]''{{'}} list of "The 100 Best Movies of the 21st Century" and number 45 on the "Readers' Choice" edition of the list.<ref>{{cite web | url=https://www.nytimes.com/interactive/2025/movies/best-movies-21st-century.html | title=The 100 Best Movies of the 21st Century | date=June 23, 2025 }}</ref><ref>{{cite web |title=Readers Choose Their Top Movies of the 21st Century |url=https://www.nytimes.com/interactive/2025/movies/readers-movies-21st-century.html |website=The New York Times |access-date=2 July 2025}}</ref> In July 2025, it ranked number 35 on ''[[Rolling Stone]]''{{'}}s list of "The 100 Best Movies of the 21st Century."<ref>{{cite web | url=https://www.rollingstone.com/tv-movies/tv-movie-lists/best-movies-of-the-21st-century-1235200512/ | title=100 Best Movies of the 21st Century | date=July 1, 2025 }}</ref>
 
===Top ten lists===
''Phantom Thread'' was on many critics' top ten lists for 2017.<ref>{{cite web |url=https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2017 |title=Best of 2017: Film Critic Top Ten Lists |work=[[Metacritic]] |access-date=November 30, 2019 |archive-date=December 7, 2020 |archive-url=https://web.archive.org/web/20201207004937/https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2017 |url-status=live}}</ref>
 
{{div col|colwidth=40em20em}}
''Phantom Thread'' was listed on many critics' top ten lists for 2017.<ref>https://www.metacritic.com/feature/film-critics-list-the-top-10-movies-of-2017</ref>
* 1st&nbsp;– Marlow Stern, ''[[The Daily Beast]]''
{{div col|colwidth=40em}}
* 1st&nbsp;– Scott Tobias & Keith Phipps, ''[[Filmspotting]]''<ref>{{Cite web|url=https://www.filmspotting.net/top-5-lists-archive/2017/12/22/661-top-10-films-of-2017|title=#661-662: Top 10 Films of 2017|website=Filmspotting}}</ref>
*1st&nbsp;– Marlow Stern, ''[[The Daily Beast]]
* 1st&nbsp;– Ben Kenigsberg, ''[[RogerEbert.com]]''
* 2nd&nbsp;– [[Sasha Stone (blogger)|Sasha Stone]], ''[[Awards Daily]]''
* 2nd&nbsp;– Alison Willmore, ''[[BuzzfeedBuzzFeed]]''
* 2nd&nbsp;– [[Christy Lemire]], ''[[RogerEbert.com]]''
* 3rd&nbsp;– [[Justin Chang]], ''[[Los Angeles Times]]''
* 3rd&nbsp;– [[Glenn Kenny]], ''[[RogerEbert.com]]''
* 4th&nbsp;– Mark Olsen, ''[[Los Angeles Times]]''
* 4th&nbsp;– Tomris Laffly, ''[[RogerEbert.com]]''
* 4th&nbsp;– [[Michael Phillips (critic)|Michael Phillips]], ''[[Chicago Tribune]]''
* 5th&nbsp;– Eric Kohn, ''[[IndieWire]]''
* 5th&nbsp;– Brian Tallerico, ''[[RogerEbert.com]]''
* 5th&nbsp;– JoshuaTim RothkopfGrierson, ''[[Time Out NewScreen YorkInternational]]''
* 5th&nbsp;– [[IgnatiyJoshua Vishnevetsky]]Rothkopf, ''[[TheTime Out (magazine)|Time Out A.V.New ClubYork]]''
*6th 5th&nbsp;– A.A. Dowd & [[MattIgnatiy Zoller SeitzVishnevetsky]], ''[[RogerEbertThe A.comV. Club]]''
* 6th&nbsp;– [[RichardMatt BrodyZoller Seitz]], ''[[The New YorkerRogerEbert.com]]''
* 6th&nbsp;– [[A.O.Richard ScottBrody]], ''[[The New York TimesYorker]]''
* 6th&nbsp;– [[ToddRichard McCarthyLawson (writer)|Richard Lawson]], ''[[TheVanity Fair Hollywood(magazine)|Vanity ReporterFair]]''
*8th 6th&nbsp;– [[ManohlaA. O. DargisScott]], ''[[The New York Times]]''
*8th 6th&nbsp;– Matt[[Todd SingerMcCarthy]], ''[[ScreenCrushThe Hollywood Reporter]]''
*8th 7th&nbsp;– EmilyLindsay YoshidaBahr, ''[[New York (magazine)|NewAssociated YorkPress]]''
*9th 8th&nbsp;– [[ChristopherManohla Orr (film critic)|Christopher OrrDargis]], ''[[The AtlanticNew York Times]]''
*9th 8th&nbsp;– PeterMatt RainerSinger, ''[[Christian Science Monitor]]ScreenCrush''
*10th 8th&nbsp;– David[[Emily EhrlichYoshida]], ''[[IndieWireNew York (magazine)|New York]]''
*10th 9th&nbsp;– [[DavidChristopher EdelsteinOrr (film critic)|Christopher Orr]], ''[[New York (magazine)|NewThe YorkAtlantic]]''
*10th 9th&nbsp;– [[Peter Travers]]Rainer, ''[[RollingThe Christian Science StoneMonitor]]''
*Top 10 (listed alphabetically)10th&nbsp;– [[TyDavid Burr]]Ehrlich, ''[[Boston GlobeIndieWire]]''
*Top 10 (listed alphabetically)10th&nbsp;– [[DanaDavid Stevens (critic)|Dana StevensEdelstein]], ''[[Slate.comNew York (magazine)|New York]]''
*Top 10 (listed alphabetically)10th&nbsp;– [[JoePeter MorgensternTravers]], ''[[The Wall StreetRolling JournalStone]]''
* Top 10 (listed alphabetically)&nbsp;– [[Peter Bradshaw]], ''[[The Guardian]]''
* Top 10 (listed alphabetically)&nbsp;– [[Ty Burr]], ''[[The Boston Globe]]''
* Top 10 (listed alphabetically)&nbsp;– [[John Powers (film critic)|John Powers]], ''[[Vogue (magazine)|Vogue]]''
* Top 10 (listed alphabetically)&nbsp;– [[Dana Stevens (critic)|Dana Stevens]], ''[[Slate (magazine)|Slate]]''
* Top 10 (listed alphabetically)&nbsp;– [[Joe Morgenstern]], ''[[The Wall Street Journal]]''
* Best of 2017 (listed alphabetically)&nbsp;– [[Bob Mondello]], ''[[National Public Radio]]''
{{div col end}}
 
===Accolades=References==
{{Reflist|30em}}
{{main|List of accolades received by Phantom Thread}}
{{clear}}
 
== References ==
{{Reflist|30em}}
 
==External links==
* {{officialOfficial website}}
* {{IMDb title|5776858}}
* {{Mojo title|phantomthread}}
* {{rottentomatoes.comRotten Tomatoes|phantom_thread}}
 
{{Paul Thomas Anderson}}
{{Annapurna Pictures}}
{{Boston Society of Film Critics Award for Best Film}}
 
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