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Similar to the way [[VITC]] timecode is embedded in the vertical interval area of a video signal, CTL timecode embeds SMPTE timecode in the ''[[control track]]'' area of [[helical scan]] video recordings. The advantage of both VITC and CTL timecode is that an audio track does not have to be sacrificed for [[linear timecode]].
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When it was introduced, there was much negativity about CTL timecode, because people misunderstood how it worked. Many incorrectly assumed that CTL timecode was nothing more than a ''control track pulse'' signal.
Control Track Pulse: Most are familiar with the digital "counters" on VHS recorders and camcorders, viewed via the onscreen display (OSD) and/or a dedicated LED display. These numbers are sometimes in real
Conversely, CTL timecode is an ''absolute'' timecode with specific digital references for every frame of video. Thus, a tape with CTL timecode can always display current timecode position accurately, even if the tape is moved from one machine to another. CTL timecode embedding can be transferred when making a copy, as long as the recording machine supports CTL timecode. Because CTL timecode ''is'' SMPTE timecode, its timecode can be interchanged with other SMPTE timecode schemes, like VITC and LTC (linear, audio track) timecode, as well as SMPTE timecode devices like timecode readers, generators, window dub inserters, MIDI synchronizers, and edit controllers.
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==See also==
*[[AES-EBU embedded timecode]]▼
*[[Burnt-in timecode]]
*[[MIDI timecode]]
▲*[[AES-EBU embedded timecode]]
*[[Rewritable consumer timecode]]
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