Danzón-mambo: Difference between revisions

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from the ''montuno'' section of the ''son'', which created a complex, ''clave'' and upbeat-oriented polyphony (Santos 1982). In order to further reinforce the ''son'' feeling, Arcaño added the ''tumbadora'' ([[conga]] drum) to the traditional percussion lineup of ''paila'' and ''güiro''. Also, the ''paila'' player began to use a cowbell in the final section (Santos 1982). This final section, at first called ''nuevo ritmo'', later came to be called ''mambo''.<ref>After a composition of the same name by Orestes López. "Mambo," written in 1938, was entirely based on ''tumbaos'' and ''guajeos''- the final section of a ''danzón-mambo'' without any ''danzón''.</ref></p>
 
[[Image:Angoa.PNG|thumb|center|size=600x900px900px x 600px{{Listen|filename=angoaintro.mid|title=Beginning of the final or ''mambo'' section of Angoa (1948) by Félix Reina (Santos 1982)}}]]
 
== Footnotes ==