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{{short description|
{{original research|date=December 2017}}
[[File:Chicago Symphony Orchestra 2005.jpg|thumb|right|240px|The [[Chicago Symphony Orchestra]] performing with a jazz group. The string sections are at the front of the orchestra, arrayed in a semicircle around the [[conducting|conductor's]] podium.]]
The '''string section''' is composed of bowed instruments belonging to the [[violin family]]. It normally consists of first and second [[violin]]s, [[viola]]s, [[cello]]s, and [[double basses]]. It is the most numerous group in the
==Seating arrangement==
[[File:Orchestra sections sv labels.png|thumb|right|240px|One possible seating arrangement for an orchestra. First violins are labelled "Vln I"; second violins are "Vln II"; violas are "Vla"; and double basses (in German "''Kontrabässe''") are "Kb".]]
The most common seating arrangement in the 2000s is with first violins, second violins, violas, and cello sections arrayed clockwise around the [[Conductor (music)|conductor]], with basses behind the cellos on the right.<ref>''Stanley Sadie's Music Guide'', p. 56 (Prentice-Hall 1986). [[Nicolas Slonimsky]] described the cellos-on-the-right arrangement as part of a 20th-century "sea change" (''Lectionary of Music'', p. 342 (McGraw-Hill 1989).</ref> The first violins are led by the [[concertmaster]] (leader in the UK); each of the other string sections also has a principal player (principal second violin, principal viola, principal cello, and principal bass) who play the orchestral solos for the section, lead entrances and, in some cases, determine the bowings for the section (the concertmaster/leader may set the bowings for all strings, or just for the upper strings). The principal string players sit at the front of their section, closest to the conductor and on the row of performers which is closest to the audience.
In the 19th century it was standard<ref>{{author missing|date=September 2013}} (1948). "Orchestra" in ''Encyclopedia Americana'', {{oclc|1653189}} {{asin|B00M99G7V6}} {{page needed|date=September 2013}}.</ref> to have the first and second violins on opposite sides (violin I, cello, viola, violin II), rendering obvious the crossing of their parts in, for example, the opening of the finale to [[Tchaikovsky]]'s [[Symphony No. 6 (Tchaikovsky)|Sixth Symphony]].
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