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|Nome = Vitol'd Osipovich
|Cognome = Malishevskij
|ForzaOrdinamento = MaliszewskiMalishevskij, WitoldVitold
|PreData = in [[lingua russa|russo]] {{lang|ru|Витольд Осипович Малишевский}}, in [[lingua ucraina|ucraino]] {{lang|uk|Вітольд Йосифович Малішевський}}
|Sesso = M
== Biografia ==
MaliszewskiMalishevskij was born in [[Mohyliv-Podilskyi]], [[Impero russo dopo il 1870|Impero russo]] (now [[Ucraina]]). He graduated from [[Conservatorio di San Pietroburgo]], in the class of [[Nikolai Rimsky-Korsakov]].<ref>Some sources suggest that WitoldVitol'd MaliszewskiMalishevskij also studied with [[Alexander Glazunov]]</ref> He was a member of Belyayev circle. In 1913 he became a founder and the first director of the Odessa Conservatory, which gave the world a number of outstanding musicians, such as [[David Oistrakh]], [[Emil Gilels]] and Yakov Zak.
After the [[Rivoluzione russa del 1905|rivoluzione russa]], because of the imminent threat of persecuzione [[Bolscevismo|bolscevica]], MaliszewskiMalishevskij immigrated to Poland in 1921. In 1925–1927 he was teaching at the [[Università della Musica Fryderyk Chopin]] and was the Director of the Warsaw Music Society. In 1927 he served as Chairman of the First International [[Concorso pianistico internazionale Fryderyk Chopin]]. From 1931 to 1934 MaliszewskiMalishevskij was the Director of the Music Department at the Polish Ministry of Education. From 1931 to 1939 he was a Professor at the Warsaw Conservatory. He died in Zalesie near Warsaw.
MaliszewskiMalishevskij's style was largely shaped by Russian musical traditions. His symphonies belong to the non-programmatic ([[Alexander Glazunov|Glazunov]]'s) type, and only the Fourth symphony in D Major op. 21 contain elements of Polish dances.<ref name="Campbell"/><ref name="Boleslawska">{{cite book |last1=Boleslawska-Lewandowska |first1=Beata |title=Symphony and symphonic thinking in Polish music after 1956 |date=2019 |publisher=Routledge |isbn=978-1409464709 |pages=51–52}}</ref>
In [[Unione Sovietica]] MaliszewskiMalishevskij's name was prohibited, and in 1950 the conservatory which he founded in Odessa was given name of Antonina Nezhdanova, who had no links with the institution.<ref>[http://gazeta.zn.ua/SOCIETY/yubiley_odesskoy_konservatorii_v_semeynom_razreze_izvestnoe_muzykalnoe_zavedenie_otmetilo_svoe_90-le.html Anniversary of the Odessa Conservatory in the family dimension.]</ref>
His students include [[Witold Lutosławski]], [[Mykola Vilinsky]], [[Shimon Shteynberg]], [[Boleslaw Woytowicz]], [[Felix Labunski]], Feliks Rybicki.
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