Witold Maliszewski: differenze tra le versioni

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After the [[Rivoluzione russa del 1905|rivoluzione russa]], because of the imminent threat of persecuzione [[Bolscevismo|bolscevica]], Malishevskij immigrated to Poland in 1921. In 1925–1927 he was teaching at the [[Università della Musica Fryderyk Chopin]] and was the Director of the Warsaw Music Society. In 1927 he served as Chairman of the First International [[Concorso pianistico internazionale Fryderyk Chopin]]. From 1931 to 1934 Malishevskij was the Director of the Music Department at the Polish Ministry of Education. From 1931 to 1939 he was a Professor at the Warsaw Conservatory. He died in Zalesie near Warsaw.
 
Dopo la [[rivoluzione russa]], a causa dell'imminente minaccia della [[Bolscevismo|persecuzione bolscevica]], Malishevskij emigrò in Polonia nel 1921. Nel 1925-1927 insegnò all'[[Università della Musica Fryderyk Chopin]] e fu direttore della Società Musicale di Varsavia. Nel 1927 fu presidente del primo [[Concorso pianistico internazionale Fryderyk Chopin]]. Dal 1931 al 1934 Malishevskij fu direttore del dipartimento di musica del ministero dell'Istruzione polacco. Dal 1931 al 1939 fu professore al Conservatorio di Varsavia. Morì a Zalesie vicino a Varsavia.
Malishevskij's style was largely shaped by Russian musical traditions. His symphonies belong to the non-programmatic ([[Alexander Glazunov|Glazunov]]'s) type, and only the Fourth symphony in D Major op. 21 contain elements of Polish dances.<ref name="Campbell"/><ref name="Boleslawska">{{cite book |last1=Boleslawska-Lewandowska |first1=Beata |title=Symphony and symphonic thinking in Polish music after 1956 |date=2019 |publisher=Routledge |isbn=978-1409464709 |pages=51–52}}</ref>
 
In [[Unione Sovietica]] Malishevskij's name was prohibited, and in 1950 the conservatory which he founded in Odessa was given name of Antonina Nezhdanova, who had no links with the institution.<ref>[http://gazeta.zn.ua/SOCIETY/yubiley_odesskoy_konservatorii_v_semeynom_razreze_izvestnoe_muzykalnoe_zavedenie_otmetilo_svoe_90-le.html Anniversary of the Odessa Conservatory in the family dimension.]</ref>
 
== Stile musicale ==
Malishevskij's style was largely shaped by Russian musical traditions. His symphonies belong to the non-programmatic ([[Alexander Glazunov|Glazunov]]'s) type, and only the Fourth symphony in D Major op. 21 contain elements of Polish dances.<ref name="Campbell"/><ref name="Boleslawska">{{cite book |last1=Boleslawska-Lewandowska |first1=Beata |title=Symphony and symphonic thinking in Polish music after 1956 |date=2019 |publisher=Routledge |isbn=978-1409464709 |pages=51–52}}</ref>
 
== Insegnamento ==
His students include [[Witold Lutosławski]], [[Mykola Vilinsky]], [[Shimon Shteynberg]], [[Boleslaw Woytowicz]], [[Felix Labunski]], Feliks Rybicki.