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{{Infobox Scale|
image_name=C-sharp_Major_key_signature.png |
scale_name=
relative=[[A-sharp minor|
parallel=[[D-flat major|
first_pitch=
second_pitch=
third_pitch=
fourth_pitch=
fifth_pitch=
sixth_pitch=
seventh_pitch=
}}
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'''C sharp major''' is a [[major scale]] based on C sharp, consisting of the pitches '''C sharp''', D sharp, '''E sharp''' (enharmonic to F natural), F sharp, '''G sharp''', A sharp, B sharp (enharmonic to C natural) and '''C sharp'''. Its [[key signature]] consists of seven sharps.
Its [[relative key|relative minor]] is [[A sharp minor]], and its [[parallel key|parallel minor]] is [[C sharp minor]]. Its enharmonic equivalent is [[D flat major]].▼
[[Image:C-sharp Major Scale.PNG|700px|Ascending and descending C-sharp Major Scale]]▼
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▲Its [[relative key|relative minor]] is [[A sharp minor]], and its [[parallel key|parallel minor]] is [[C sharp minor]]. Its enharmonic equivalent is [[D flat major]].
A [[harp]] tuned to C
▲[[Image:C-sharp Major Scale.PNG |
Although most composers prefer to use the enharmonic equivalent D
▲A [[harp]] tuned to C sharp major has all its pedals in the bottom position. Because all the strings are then pinched and shortened, this is the least resonant key for the instrument.
▲Although most composers prefer to use the enharmonic equivalent D flat major because it has just five flats as opposed to the seven sharps of C sharp major, [[Johann Sebastian Bach]] actually chose C sharp major for Prelude and Fugue No. 3 in both books of the ''[[Well-Tempered Clavier]]''. [[Béla Bartók]]'s [[String Quartet No. 3 (Bartók)|String Quartet No. 3]] is one of the few in C sharp major. In [[Hungarian Rhapsodies|Hungarian Rhapsody No. 6]], [[Franz Liszt]] actually changes key from D flat major to C sharp major near the beginning of the piece. [[Maurice Ravel]] selected C sharp major as the tonic key of ''Ondine'' from his piano suite ''[[Gaspard de la nuit]]''
{{Circle of fifths}}
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