Content deleted Content added
m →Music and structure: wlink |
m wlink |
||
Line 90:
| type = music
}}
The 1975 designed ''Notes on a Conditional Form'' as an [[Experimental music|experimental]] album meant to represent [[Dance music|dance]] music in the UK,<ref name="GuitarWorld"/><ref name="Wetmore1"/><ref name="RollingInterview">{{cite magazine|url=https://www.rollingstone.com/music/music-features/the-1975-matty-healy-george-daniel-interview-noacf-1002602/|title=The 1975 Would Like to Invent the Future|last=Spanos|first=Brittany|author-link=Brittany Spanos |magazine=Rolling Stone|date=22 May 2020|access-date=27 January 2021|archive-date=6 February 2021|archive-url=https://web.archive.org/web/20210206031047/https://www.rollingstone.com/music/music-features/the-1975-matty-healy-george-daniel-interview-noacf-1002602/|url-status=live}}</ref> taking inspiration from the British club scene, [[Burial (musician)|Burial]], [[the Streets]] and [[Brian Eno]].<ref name="RollingInterview"/><ref name="Radio">{{cite web|url=https://www.radio.com/blogs/tiana-timmerberg/matty-healy-details-experimental-nature-upcoming-notes-conditional-form|title=Matty Healy Details 'Experimental' Nature of Upcoming 'Notes On A Conditional Form'|last=Timmerberg|first=Tiana|publisher=[[Radio.com]]|date=18 December 2018|access-date=27 January 2021|archive-date=18 November 2020|archive-url=https://web.archive.org/web/20201118160732/https://www.radio.com/blogs/tiana-timmerberg/matty-healy-details-experimental-nature-upcoming-notes-conditional-form|url-status=live}}</ref><ref name="Earls">{{cite web|url=https://www.nme.com/news/music/1975-say-next-album-notes-conditional-form-sounds-like-streets-burial-2430754|title=The 1975 reveal surprise new influences for next album 'Notes On A Conditional Form'|last=Earls|first=John|work=NME|date=14 January 2019|access-date=26 January 2021|archive-date=4 February 2021|archive-url=https://web.archive.org/web/20210204113607/https://www.nme.com/news/music/1975-say-next-album-notes-conditional-form-sounds-like-streets-burial-2430754|url-status=live}}</ref> Healy guided the album's creative direction, working closely with the band's primary producer and drummer, George Daniel, on all aspects of songwriting.<ref name="FaderCover">{{cite web|url=https://www.thefader.com/2019/09/12/the-1975-notes-on-a-conditional-form-interview|title=The 1975 Have Nowhere to Grow But Up|last=Fitzmaurice|first=Larry|work=[[The Fader]]|date=25 July 2019|access-date=24 January 2021}}</ref> Healy described their working relationship a [[Symbiosis|symbiotic]] creative partnership built on a "shared musical vocabulary".<ref name="IDInterview">{{cite web|url=https://i-d.vice.com/en_uk/article/k7qqde/the-1975-matty-healy-exclusive-interview-notes-on-a-conditional-form|title=The 1975's Matty Healy: 'This is gonna be one of my last interviews'|last=Greenwood|first=Douglas|work=[[I-D]]|date=18 May 2020|access-date=18 January 2021|archive-date=13 January 2021|archive-url=https://web.archive.org/web/20210113013114/https://i-d.vice.com/en_uk/article/k7qqde/the-1975-matty-healy-exclusive-interview-notes-on-a-conditional-form|url-status=live}}</ref> During the album's recording, he focused on multiple loosely-defined ideas simultaneously, while Daniel had a detail-oriented approach.<ref name="Dombal"/> The pair created most of the record's songs as rough ideas;<ref name="Bloom">{{cite web|url=https://pitchfork.com/news/the-1975-break-down-the-birthday-party-on-song-exploder-listen/|title=The 1975 Break Down 'The Birthday Party' on Song Exploder: Listen|last=Bloom|first=Madison|work=Pitchfork|date=12 August 2020|access-date=9 January 2021|archive-date=11 January 2021|archive-url=https://web.archive.org/web/20210111151621/https://pitchfork.com/news/the-1975-break-down-the-birthday-party-on-song-exploder-listen/|url-status=live}}</ref> Healy used a guitar or piano, while Daniel programmed snippets on his computer. After creating an instrumental, the former would then add the lyrics. The pair often listened to music for inspiration, analysing a song to identify the "vibes" they sought to emulate.<ref name="FaderCover"/> Using "Having No Head" as an example, Healy told Ryan Dombal of [[Pitchfork (website)|''Pitchfork'']] that the song began after they listened to [[virtuoso]] pianist [[Frédéric Chopin]]. It sparked a conversation about the band's love for pianos in [[Ambient music|ambient]] music, which led to the creation of "Having No Head".<ref name="Dombal"/>
{{multiple image
| |||