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{{Tradotto da|en|GeorgeJade Price BoyceBurden|922 febbraiomaggio 2009|269643894291524209

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[[it:George Price Boyce]]

[[it:Jade Burden]]

'''Jane Burden''' (19 October 1839 – 26 January 1914) was an [[England|English]] [[Model (art)|artists' model]] who [[wikt:embody|embodied]] the [[Pre-Raphaelite Brotherhood|Pre-Raphaelite]] [[Ideal (ethics)|ideal]] of [[beauty]]. She was a model and [[muse]] to the artists [[William Morris]], whom she married, and [[Dante Gabriel Rossetti]], who may have been her lover.

[[File:Boyce George Price Church And Ancient Uninhabited House At Ludlow.jpg|thumb|right|250px|''Church And Ancient Uninhabited House At Ludlow'' ''(chiesa e casa abbandonata e antica a Ludlow)'' ([[1862]])]]

[[Image:Proserpine.jpg|thumb|250px|Jane Morris painted by [[Dante Gabriel Rossetti]] as ''Proserpine'' (1874)]] [[Image:Jane Burden Morris.jpg|thumb|250px|Jane Morris by [[Evelyn de Morgan]] in 1904]]

{{Bio

|Nome = George Prince

|Cognome = Boyce

|Sesso = M

|LuogoNascita = Londra

|GiornoMeseNascita = 24 settembre

|AnnoNascita = 1826

|LuogoMorte = Londra

|GiornoMeseMorte = 11 febbraio

|AnnoMorte = 1897

|Attività = pittore

|Epoca = 1800

|Nazionalità = inglese

|PostNazionalità = {{sp}} specializzato nella realizzazione in [[acquarello]] di [[Pittura paesaggistica|paesaggi]]e [[architettura vernacolare]] in stile [[preraffaellita]], fu amico e [[mecenate]] di [[Dante Gabriel Rossetti]].

}}

== Biografia Life==

Jane Burden was born in [[Oxford]] to a [[stable]]man named Robert Burden and his wife Ann Maizey. Around the time she was born, her parents were living at St. Helen's Passage, St Peter in the East, off [[Holywell Street]] in Oxford, since marked with a [[blue plaque]].<ref>Lisle, Nicola, Cinderella story. ''[[Oxfordshire Limited Edition]]'', no. 249, pages 23–25, October 2007.</ref> Her mother Ann was [[wikt:illiterate|illiterate]] and probably came to Oxford as a [[Domestic service|domestic servant]]. Little is known of Jane's childhood, but clearly it was one of [[poverty]] and deprivation.

Originariamente Boyce studiò [[architettura]], ma nel [[1849]] a seguito dell'incontro con [[David Cox (artista)|David Cox]], un pittore di paesaggi ad acquarello, divenne un pittore. I suoi primi lavori sono ancora influenzati da Cox, ma più tardi si avvicinò allo stile dei preraffaelliti soprattutto nella cura dei dettagli. Incontrò [[Thomas Seddon]] e Rossetti nel [[1849]] e [[William Holman Hunt]] e [[John Everett Millais]] nel [[1853]]. Viaggiò con l'artista e critico [[John Ruskin]] a [[Venezia]] nel [[1854]] e probabilmente in [[Svizzera]] nel [[1856]]. Boyce dipinse a [[Dinan]] con Seddon nel [[1853]] e in [[Egitto]] con [[Frank Dillon]] nel [[1861]] e nel [[1862]].<ref name="vic">{{en}}[http://victorianweb.org/painting/boyce/index.html George Price Boyce RWS (1826–1897)]</ref>

In October 1857, Jane and her sister Elizabeth, known in the family as "Bessie", were attending a performance in Oxford of the [[Drury Lane]] Theatre Company. Jane was noticed by the [[artist]]s [[Dante Gabriel Rossetti]] and [[Edward Burne-Jones]] who belonged to a group of artists painting [[mural]]s based on [[King Arthur|Arthurian]] tales in the [[Oxford Union]]. Struck by Jane's beauty, they sought her to model for them. Jane initially sat mainly for Rossetti, who needed a model for Queen [[Guinevere|Guinivere]]. After this, Jane sat for Morris, who was working on an easel painting, ''La Belle [[Iseult]]'' ([[Tate Gallery]]). Like Rossetti, Morris also used Jane as his model for his rendition of Queen Guinevere. During this period, Morris fell in love with Jane and they were engaged.

Boyce espose dipinti a olio e ad acquerello alla [[Royal Academy]] tra il [[1853]] e il [[1861]]. Fu membro fondatore dell'[[Hogarth Club]]. Fece frequenti esposizioni alla [[Royal Watercolour Society]] dove fu eletto associato nel [[1864]] e membro nel [[1878]]. Si ritirò dalla pittura nel [[1893]] per motivi di salute.<ref name="vic"/>

Jane's education was extremely limited and she was probably intended to go into [[domestic service]]. After her engagement, Jane was privately educated. Her keen intelligence allowed her essentially to recreate herself. She was a voracious reader and became proficient in [[French language|French]] and later [[Italian language|Italian]]. She also became an accomplished [[pianist]] with a strong background in [[European classical music|classical music]]. Her manners and speech became refined to an extent that contemporaries referred to her as "Queenly". Later in life, she would have no trouble moving in [[upper class]] circles and she appears to have been the model for Mrs Higgins in [[George Bernard Shaw|Bernard Shaw]]'s play ''[[Pygmalion (play)|Pygmalion]]'' (1914).

Il [[diario]] di Boyce divenne una delle maggiori risorse di informazioni su Rossetti e la [[confraternita dei preraffaelliti]].<ref name="vic"/>

She married [[William Morris]] at [[St Michael at the Northgate|St Michael's Church]], Oxford, on 26 April 1859. Her father was at that time described as a [[groom]], in stables at 65 [[Holywell Street]], Oxford.

== Note ==

<references/>

Jane Burden and [[William Morris]] lived firstly at the [[Red House (London)|Red House]] in [[Bexleyheath]], [[Kent]]. While there, they had two daughters, Jane Alice "Jenny", born January 1861, and [[May Morris|Mary "May"]] (March 1862 – 1938), who was the editor of her father's works. They then lived for many years at [[Kelmscott Manor]], on the Gloucestershire-[[Oxfordshire]]-[[Wiltshire]] borders, which is now open to the public. Their lifestyle was both artistic and [[Bohemian style|Bohemian]].

== Altri progetti ==

{{Commonscat|George Price Boyce}}

During this time, Jane became closely attached to [[Dante Gabriel Rossetti]] and, in addition to being his [[muse]], may have been his lover.

== Collegamenti esterni ==

* {{en}}[http://www.artnet.com/Artists/LotDetailPage.aspx?lot_id=2E6AAEB22FD5CB0C Scheda su George Prince Boyce]

In 1884, Jane met the poet and political activist [[Wilfrid Scawen Blunt]] at a house party given by her close friend [[Rosalind Howard, Countess of Carlisle|Rosalind Howard]] (later Countess of Carlisle). There appears to have been an immediate attraction between the two. By 1887 at the latest, the pair had become lovers.<ref>Mancoff, p.98</ref> Their sexual relationship would continue until 1894, and they remained close friends until Jane's death.

{{pittura}}

[[categoria:Preraffaelliti

Jane Morris was an ardent supporter of [[Irish Home Rule]].

{{UK-painter-stub}}

William Morris died on 3 October 1896 at [[Kelmscott House]], [[Hammersmith]], London. Jane died on 26 January 1914 while staying at 5 Brock Street, [[Bath, Somerset|Bath]].

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==Additional images==

[[pl:George Price Boyce]]

Paintings of Jane Morris by [[Dante Gabriel Rossetti]]:

* [[:Image:Jane-morris-blue-silk.jpg|''The Blue Silk Dress'', 1868]].

* [[:Image:Rosetti-persephone.jpg|''Persephone'' or ''Proserpine'', 1874]].

* Astarte Syriaca, 1875–79. City Art Gallery, Manchester.

* Beatrice, a Portrait of Jane Morris, 1879. Oil on canvas 13½ × 11 inches.

* The Day Dream, 1880. Oil on canvas. [[Victoria and Albert Museum]], London.

* La Donna della Fiamma, 1877. Coloured chalks. [[Manchester Art Gallery]].

* La Donna della Finestra, 1879. Oil on canvas. [[Fogg Museum of Art]], Harvard University, Cambridge, USA.

* La Donna Della Finestra, 1881 (unfinished).

* Jane Morris, c. 1860. Pencil.

* Jane Morris, 1865.

* Mariana, 1870. [[Aberdeen Art Gallery]].

* Pandora, 1869.

* Pandora, 1871.

* La Pia de' Tolomei, 1866-1870. Oil on canvas. [[Spencer Museum of Art]], University of Kansas.

* Portrait of Mrs William Morris.

* Portrait of Jane Morris, 1858. Pen.

* Proserpine, 1873–1877. Oil on canvas. [[Tate Gallery]], London.

* Reverie, 1868. Chalk on paper. [[Ashmolean Museum]], Oxford, UK.

* The Roseleaf, 1865. Pencil.

* Study of Guinevere for "Sir Lancelot in the Queen's Chamber", 1857.

Photographs of Jane Burden by Rossetti are available at [http://www.rossettiarchive.org/docs/sa140.raw.html].

By [[William Morris]]:

* Queen Guinevere (also called La Belle Iseult), 1858. Oil.

By [[Edward Burne-Jones]]:

* Numerous stained-glass windows, including at [[Christ Church, Oxford]].

By [[Evelyn De Morgan]]:

* Portrait of Jane Morris, 1904.

Possibly based on Jane Burden (Morris) / "Venus Verticordia" — oil — 1863–8. [[Russell-Cotes Art Gallery & Museum]], Bournemouth.

==Notes==

<references />

==References==

* {{cite book | last = Marsh | first = Jan | year = 1986 | title = Jane and May Morris: A Biographical Story 1839–1938 | publisher = Pandora Press | ___location = London | isbn = 0-86358-026-2 }}

* {{cite book | last = Marsh | first = Jan | edition = (updated edition, privately published by author) | year = 2000 | title = Jane and May Morris: A Biographical Story 1839–1938 | publisher = Jan Marsh | ___location = London | id = }}

* {{cite book | last = Mancoff | first = Debra N. | year = 2000 | title = Jane Morris: The Pre-Raphaelite Model of Beauty | publisher = Pomegranate | ___location = San Francisco | isbn = 0-7649-1337-9 }}

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[[ru:Бёрден, Джейн]]