Future Sound of London: differenze tra le versioni

Versione delle 11:44, 12 giu 2006

Versione delle 11:48, 12 giu 2006

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They have also garnered a reputation as remixers, transforming the work of a variety of different artists, including [[Curve (band)|Curve]], [[Robert Fripp]], [[David Sylvian]], [[Gary Lucas]], [[Jon Anderson]], and [[Apollo 440]]. The results are often novel and complex, and in some instances the original track is barely recognisable.

==HistoryStoria==

FSOL, as the band is sometimes called, was formed in [[Manchester]], [[England]], in the mid [[1980s|80s]]. Dougans had already been making [[electronic music]] for some time when they first began working in various local clubs.

In [[1988]], Dougans embarked on a project for the ''Stakker'' graphics company. The result was ''Stakker Humanoid''. Cobain contributed to the accompanying album. A video was also produced.

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Three years on, Dougans and Cobain followed the album with a continuation of the Amorphous Androgynous project, ''[[Alice In Ultraland]]''. Rumoured to be accompanied by a film of the same title, the album took ''The Isness'''s crazy psychedelic experimentation and toned it down, giving the album a singular theme and sound, and replacing the more bizarre moments with funk and ambient interludes. The album was ignored by the press, but more favourable amongst fans than its predecessor. Unlike ''The Isness'', which featured almost a hundred musicians over the course of it and the various alternative versions and remix albums, ''Alice In Ultraland'' featured a fairly solid band lineup throughout, and this band was taken on tour from [[2005]] onwards; the live shows the band had undertaken away from the ISDN cables.

==Alias utilizzati==

* Aircut

* [[Amorphous Androgynous]]