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Line 33: ''Constraint 15'': Any but the most primitive stability conditions must be susceptible to multidimensional representation, where spatial distance correlates with cognitive distance. ''Constraint 16'': Levels of pitch space must be sufficiently available from musical surfaces to be internalized. ''Constraint 17'': A reductionally organized pitch space is needed to express the [[~~step]]s~~steps and ~~[[skip~~skips]]s by which cognitive distance is measured and to express degrees of melodic completeness. *[completedness resembles implication-realization theory (Meyer, 1973 and Narmour, 1977), the ''Zug'', ''[[Urlinie]]'', and ''Bassbrechung'' (Schenker).]

Cognitive Constraints on Compositional Systems: Difference between revisions