Content deleted Content added
→Independent academic sources referencing Impromptu: This source does not appear to exist or even be forthcoming. See further discussion at AfD. |
m Dated {{Verify source}}. (Build p612) |
||
Line 8:
| logo = [[Image:Splash smaller.jpg]]
| caption =
| file_ext =
| paradigm = [[Functional programming|Functional]], [[Multi-paradigm programming language|multi-paradigm]]
| year = 2005
Line 14:
| developer =
| latest_release_version = 2.5
| latest_release_date =
| latest_test_version =
| latest_test_date =
| typing = [[Dynamic typing|Dynamic]] & [[Static typing|static]]
| implementations =
| dialects =
| influenced_by =
| influenced =
| operating_system = [[Mac OS X]]
| license =
| website = http://impromptu.moso.com.au/
| wikibooks =
}}
Line 41:
* Sorensen, A (2010) "[http://impromptu.moso.com.au/extras/icmc2010.pdf A Distributed Memory For Networked Livecoding Performance]" International Computer Music Conference 2010, New York
* Sorensen, A & Brown, A (2008) "[http://impromptu.moso.com.au/extras/acmc08_orchestral.pdf A Computational Model For The Generation Of Orchestral Music In The Germanic Symphonic Tradition: A progress report]" paper presented to the Australasian Computer Music Conference 2008, Sydney
* Sorensen, A & Brown, A (2007) "[http://impromptu.moso.com.au/extras/aa-cell-icmc07.pdf aa-cell in Practice: An Approach to Musical Live Coding]" paper presented to the International Computer Music Conference 2007, Copenhagen
* Sorensen, A. (2005) "[http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]" a paper presented to the Australasian Computer Music Conference 2005, Brisbane: ACMA, pp. 149–153. (NOTE: Impromptu version discussed is obsolete)
* Sorensen, A. "[http://impromptu.moso.com.au/extras/ICR.html ICR - Impromptu Compiler Runtime]"
Line 48:
=== Independent academic sources referencing Impromptu ===
* Click Nilson "[http://portal.acm.org/citation.cfm?id=1279760 Live coding practice]" NIME '07, Proceedings of the 7th international conference on New interfaces for musical expression ACM New York, NY, USA ©2007
* Roger B. Dannneberg, “[http://www-2.cs.cmu.edu/~rbd/papers/rbd-cc10-patterns-online.pdf Live Coding Using a Visual Pattern Composition Language],” in Proceedings of the 12th Biennial Symposium on Arts and Technology, March 4-6, Ammerman Center for Art & Technology, Connecticut College, 2010
* Nick Collins "[http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00164?journalCode=leon Live Coding of Consequence]", Leonardo, June 2011, Vol. 44, No. 3, Pages 207-211
Line 58:
* Ross Bencina "[http://www.informaworld.com/smpp/content~db=all~content=a746003183 Creative software development: reflections on AudioMulch practice]" Digital Creativity Volume 17, Issue 1, 2006, Pages 11 - 24
* Alex McLean and Geraint Wiggins (2009) "[http://doc.gold.ac.uk/~ma503am/writing/chart.pdf Patterns of Movements in Live Languages]". In Proceedings of CHArt 2009, London.
* Thor Magnusson, "Confessions of a Live Coder", Proceedings of International Computer Music Conference, 2011.{{
=== Other sources ===
| |||