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<references />
=== PapersAcademic by the authorpapers ===
* Sorensen, A (2010) "[http://impromptu.moso.com.au/extras/icmc2010.pdf A Distributed Memory For Networked Livecoding Performance]" International Computer Music Conference 2010, New York
* Sorensen, A. (2005) "[http://impromptu.moso.com.au/extras/sorensen_acmc_05.pdf Impromptu: An interactive programming environment for composition and performance]" a paper presented to the Australasian Computer Music Conference 2005, Brisbane: ACMA, pp. 149–153. (NOTE: Impromptu version discussed is obsolete)
* Sorensen, A. "[http://impromptu.moso.com.au/extras/ICR.html ICR - Impromptu Compiler Runtime]"
=== Independent academic sources referencing Impromptu ===
* Click Nilson "[http://portal.acm.org/citation.cfm?id=1279760 Live coding practice]" NIME '07, Proceedings of the 7th international conference on New interfaces for musical expression ACM New York, NY, USA ©2007
* Roger B. Dannneberg, “[http://www-2.cs.cmu.edu/~rbd/papers/rbd-cc10-patterns-online.pdf Live Coding Using a Visual Pattern Composition Language],” in Proceedings of the 12th Biennial Symposium on Arts and Technology, March 4-6, Ammerman Center for Art & Technology, Connecticut College, 2010
* Nick Collins "[http://www.mitpressjournals.org/doi/abs/10.1162/LEON_a_00164?journalCode=leon Live Coding of Consequence]", Leonardo, June 2011, Vol. 44, No. 3, Pages 207-211
* Andrea Valle "[http://www.fonurgia.unito.it/andrea/pub/geoGraphyNime.pdf GeoGraphy: a realtime, graphbased composition environment]", NIME08, Genova, Italy Copyright 2008
* Thor Magnusson "[http://www.isea2010ruhr.org/files/redaktion/pdf/isea2010_proceedings_p18.pdf ixi lang: A Constraint System for Live Coding]", ISEA2010 RUHR, Conference Proceeedings, 2010.
* Dillon, Steven C. (2007) "[http://eprints.qut.edu.au/13215/ Examining meaningful engagement: Musicology and virtual music making environments]". In ISLANDS - Conference of the Australian and New Zealand Musicological Societies, 22-25 November 2007, Brisbane.
* Jason Freeman and Akito Van Troyer "[http://muse.jhu.edu/login?uri=/journals/computer_music_journal/v035/35.2.freeman.html Collaborative Textual Improvisation in a Laptop Ensemble]" Computer Music Journal - Volume 35, Number 2, Summer 2011, pp. 8-21
* Dillon, Steven C. (2010) ‘[http://eprints.qut.edu.au/38609/ Music is a wordless knowing of others.]’ Resilience in virtual ensembles. In: Brader, Andy (Ed) Songs of Resilience. Meaningful Music Making For Life, 3. Cambridge Scholars Publishing, Newcastle upon Tyne. (In Press as of 2011-06-01)
* Ross Bencina "[http://www.informaworld.com/smpp/content~db=all~content=a746003183 Creative software development: reflections on AudioMulch practice]" Digital Creativity Volume 17, Issue 1, 2006, Pages 11 - 24
* Alex McLean and Geraint Wiggins (2009) "[http://doc.gold.ac.uk/~ma503am/writing/chart.pdf Patterns of Movements in Live Languages]". In Proceedings of CHArt 2009, London.
* Thor Magnusson, "Confessions of a Live Coder", Proceedings of International Computer Music Conference, 2011.{{Verify source|date=June 2011}}
* Sam Aaron, Alan F. Blackwell, Richard Hoadley and Tim Regan "[http://sam.aaron.name/files/papers/K04-Aaron.pdf A principled approach to developing new languages for live coding]" NIME '11, Proceedings of the 11th international conference on New interfaces for Musical Expression, 30 May–1 June 2011, Oslo, Norway
=== Other sources ===
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