Utente:Giukka92/Sandbox: differenze tra le versioni
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Riga 100:
*{{Cita web|url=https://www.nexis.com/results/enhdocview.do?docLinkInd=true&ersKey=23_T25907008642&format=GNBFI&startDocNo=0&resultsUrlKey=0_T25907008644&backKey=20_T25907008645&csi=304478&docNo=19|titolo=China's Leading Woman Writer Dies At Age 82|nome=Donna Anderson|editore=The Associated Press|data=4 Marzo, 1986|lingua=inglese|accesso=03/05/2017}}
*{{Cita news|lingua=inglese|autore=|titolo=Noted chinese writer ding ling leaves for u.s.|pubblicazione=Xinhua General News Service|data=1 Settembre , 1981|accesso=03/05/2017}}
*{{Cita libro|autore=Kirk A Denton; Ju-Chan Fulton; Joshua S Mostow|titolo=Columbia Companion to Modern East Asian Literature|anno=2012|editore=Columbia University Press|città=New York|lingua=inglese|p=|pp=395-400|capitolo=Feminism and Revolution: The Work and Life of Ding Ling|OCLC=956687641|ISBN=}}
*{{Cita libro|autore=Xiaobing Tang|titolo=Chinese modern : the heroic and the quotidian|anno=2000|editore=Duke University Press|città=Durham, NC|lingua=inglese|p=|pp=97-130|capitolo=Shanghai, spring 1930: engendering the revolutionary body|OCLC=41892895|ISBN=}}
==Ulteriori letture==
Riga 120 ⟶ 122:
*Kubin, Wolfgang. "Sexuality and Literature in the People's Republic of China, Problems of the Chinese woman before and after 1949 as seen in Ding Ling's 'Diary of Sophia' (1928) and Xi Rong's story 'An Unexceptional Post' (1962)." In Wolfgang Kubin and Rudolf G. Wagner, eds., Essays in Modern Chinese Literature and Literary Criticism. Bochum: Brockmeyer, 1982, 168–91.
*Lai, Amy Tak-yee. "Liberation, Confusion, Imprisonment: The Female Self in Ding Ling's 'Diary of Miss Sophie' and Zhang Jie's 'Love Must Not Be Forgotten.'" Comparative Literature and Culture 3 (Sept. 1998): 88–103.
*Wang, Shunzhu. "The Double-Voiced Feminine Discouses in Ding Ling's 'Miss Sophie's Diary' and Zora Neale Hurston's Their Eyes Were Watching God." Tamkang Review 27, 1 (1997): 133–158.
*Zhou Liangpei. Ding Ling zhuan (Biography of Ding Ling). Beijing: Beijing shiyue wenyi, 1993.
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