BBC Third Programme: Difference between revisions

Revision as of 22:41, 13 February 2020

Revision as of 23:42, 3 March 2020

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==Output and programming==

The network was broadly cultural, a [[F.R. Leavis|Leavisite]] experiment dedicated to the discerning or "high-brow" listener from an educated, minority audience. Its founders' aims were seen as promoting "something fundamental to our civilisation" and as contributing to "the refinement of society".<ref>{{cite book |last=Carpenter |first=Humphrey |date=1996 |title=The Envy of the World: Fifty Years of the Third Programme and Radio Three |publisher=[[Weidenfeld and Nicolson]] |___location=London |isbn=0-7538-0250-3 |url=https://books.google.co.uk/books?id=oYLHQgAACAAJ |via=[[Google Books]]}}.</ref>{{page needed|date=February 2020}} Its musical output provided a wide range of serious classical music and live concerts, as well as contemporary composers and jazz,; popular classical music such as Beethoven, Mozart and Tchaikovsky primarily remained on the Home Service until 1964. Voice formed a much higher proportion of its output than the later Radio 3, with specially commissioned plays, poetry readings, talks and documentaries. Nationally known intellectuals such as [[Bertrand Russell]] and [[Isaiah Berlin]] on philosophy or [[Fred Hoyle]] on cosmology were regular contributors.

The network became a principal patron of the arts. It commissioned many music works for broadcast by the BBC Music Department, playing a crucial role in the development of the career of composers such as [[Benjamin Britten]]. Particularly notable were its drama productions, including the radio plays of [[Samuel Beckett]], [[Henry Reed (poet)|Henry Reed]] (the [[Hilda Tablet]] plays), [[Harold Pinter]], [[Wyndham Lewis]], [[Joe Orton]] and [[Dylan Thomas]], whose ''[[Under Milk Wood]]'' was written specially for the Programme. [[Philip O'Connor]] discovered [[Quentin Crisp]] in his radio interviews in 1963. [[Martin Esslin]], BBC Director of Drama (Radio), was associated with the network's productions of European drama, and [[Douglas Cleverdon]] with its productions of poetry and radio plays.