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→Definition and related concepts: The Fourier transform results in the optical-transfer function, in turn its absolute value is the modulation-transfer function. |
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Just as standard definition video with a high contrast MTF is only possible with oversampling, so HD television with full theoretical sharpness is only possible by starting with a camera that has a significantly higher resolution, followed by digitally filtering. With movies now being shot in [[4K resolution|4k]] and even 8k video for the cinema, we can expect to see the best pictures on HDTV only from movies or material shot at the higher standard. However much we raise the number of pixels used in cameras, this will always remain true in absence of a perfect optical spatial filter. Similarly, a 5-megapixel image obtained from a 5-megapixel still camera can never be sharper than a 5-megapixel image obtained after down-conversion from an equal quality 10-megapixel still camera. Because of the problem of maintaining a high contrast MTF, broadcasters like the [[BBC]] did for a long time consider maintaining standard definition television, but improving its quality by shooting and viewing with many more pixels (though as previously mentioned, such a system, though impressive, does ultimately lack the very fine detail which, though attenuated, enhances the effect of true HD viewing).
Another factor in digital cameras and camcorders is lens resolution. A lens may be said to 'resolve' 1920 horizontal lines, but this does not mean that it does so with full modulation from black to white. The '
Lens aperture diffraction also limits MTF. Whilst reducing the aperture of a lens usually reduces aberrations and hence improves the flatness of the MTF, there is an optimum aperture for any lens and image sensor size beyond which smaller apertures reduce resolution because of diffraction, which spreads light across the image sensor. This was hardly a problem in the days of plate cameras and even 35 mm film, but has become an insurmountable limitation with the very small format sensors used in some digital cameras and especially video cameras. First generation HD consumer camcorders used 1/4-inch sensors, for which apertures smaller than about f4 begin to limit resolution. Even professional video cameras mostly use 2/3 inch sensors, prohibiting the use of apertures around f16 that would have been considered normal for film formats. Certain cameras (such as the [[Pentax K10D]]) feature an "MTF autoexposure" mode, where the choice of aperture is optimized for maximum sharpness. Typically this means somewhere in the middle of the aperture range.<ref>{{cite web|url=http://www.b2bvideosource.com/mm5/merchant.mvc?Screen=CAMERA_TERMINOLOGY&Store_Code=BVS|title=B2BVideoSource.com: Camera Terminology|website=www.B2BVideoSource.com|access-date=2 January 2018}}</ref>
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