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I noticed this technique in Lachenmann's (who else ;-) "The Little Match Girl". The bow is moved with the hair pressed on the string as in regular bowing, but gliding along the string instead of perpendicular to it. With strong pressure, the sound is a "hideous" croaking glissando, especially on celli and basses. (I suppose this isn't exactly healthy for the bow) I don't see this technique mentioned in the article. (Note that this is not "scratch tone", which is produced by bowing perpendicular to the string!) -- [[User:MegA|megA]] ([[User talk:MegA|talk]]) 12:58, 12 November 2014 (UTC)
== Add teeth pizzicato? ==
I watched some performances by Roman Kim (Example: [https://www.youtube.com/watch?v=PCsiJ_fasDk&t=200]) where he plucks the string of the violin with his teeth. Should this be added? I found it in the God Save the King video (linked) and his transcription of the Brindisi for violin and piano (12:00). [[User:Wilhelm von Hindenburger|Wilh3lm]]<sup>[[User talk:Wilhelm von Hindenburger|Go here to trout me if I do a stupid]]</sup> 23:55, 28 June 2021 (UTC)
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