Utente:Lydia Tuan/Generative Literature: differenze tra le versioni
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According to [[Philip Galanter|Galanter]], the oft-discussed question “[[Arte|What is art?]]” in [[Storia dell'arte|art history]] does not go unnoticed when conceptualizing a generative art theory. Generative art, Galanter notes, however, additionally faces the question frequently encountered within [[Artificial Intelligence|artificial intelligence]]: “Can it be claimed that a computer can and will express itself? Alternatively, when the computer determines forms not anticipated by the artist, does its creation still qualify as the artist’s expression?”<ref name=":3">{{Cita libro|autore=Philip Galanter|curatore=Christiane Paul|titolo=A Companion to Digital Art|edizione=1|anno=2016|editore=John Wiley & Sons, Inc.|lingua=en|pp=169-171|capitolo=Generative Art Theory}}</ref>
== See also ==▼
* [[Arte generativa|Generative art]]▼
* [[OuLiPo|Oulipo]]▼
== References ==
<references />
== Bibliography ==
* Aarseth, Espen J. ''Cybertext: Perspectives on Ergodic Literature''. Baltimore, MD: Johns Hopkins University Press, 1997.
* Aquilina, Mario. “Text Generation, or Calling Literature into Question.” ''electronic book review'', August 6, 2017. http://electronicbookreview.com/essay/text-generation-or-calling-literature-into-question/.
* Cayley, John. “Beyond the Codexspace: Potentialities of Literary Cybertext.” ''Visible Language'' 30:2, 1996. 164-183.
* Funkhouser, Chris T. ''Prehistoric Digital Poetry: An Archaeology of Forms, 1959–''1995. Tuscaloosa: University of Alabama Press, 2007.
* Funkhouser, Chris T. ''New Directions in Digital Poetry''. Edited by Francisco J. Ricardo. Vol. 1. International Texts in Critical Media Aesthetics. New York, NY: Bloomsbury, 2012.
* Gendolla, Peter, and Jörgen Schäfer, eds. ''The Aesthetics of Net Literature: Writing, Reading and Playing in the Programmable Media''. Bielefeld: Transcript Verlag, 2007.
* Hayles, Katherine. ''Electronic Literature: New Horizons for the Literary''. Notre Dame, IN: University of Notre Dame Press, 2008.
* Hayles, Katherine. “The Time of Digital Poetry: From Object to Event.” Edited by Adelaide Morris and Thomas Swiss. In ''New Media Poetics: Contexts, Technotexts, and Theories''. Cambridge, MA: MIT Press, 2006.
* McCormack, Jon, and Alan Dorin. “Art, Emergence, and the Computational Sublime.” Second Iteration, Proceedings of the Second International Conference on Generative Systems in the Electronic Arts, Victoria, Australia, 5-7 December 2001.
* McCormack, Jon and Mark d’Inverno. “Computers and Creativity: The Road Ahead.” ''Computers and Creativity'', edited by Jon McCormack and Mark d’Inverno, Springer-Verlag Berlin Heidelberg, 2012, pp. 421-424.
* McCormack, Jon, Oliver Brown, Alan Dorin, Jonathan McCabe, Gordon Monro, and Mitchel Whitelaw. “Ten Questions Concerning Generative Computer Art.” ''Leonardo'' 47, no. 2 (March 20, 2014): 135-141.
* Nake, Frieder. “Construction and Intuition: Creativity in Early Computer Art.” ''Computers and Creativity'', edited by Jon McCormack and Mark d’Inverno, Springer-Verlag Berlin Heidelberg, 2012, pp. 61-94.
* Simanowski, Roberto. “What Is and Toward What End Do We Read Digital Literature?” Edited by Francisco J. Riccardo. In ''Literary Art in Digital Performance: Case Studies in New Media Art and Criticism'', 10-16. London: Bloomsbury Academic, 2009.
* Simanowski, Roberto. ''Digital Art and Meaning: Reading Kinetic Poetry, Text Machines, Mapping Art, and Interactive Installations''. Vol. 35. Electronic Mediations. Minneapolis, MN: University of Minnesota Press, 2011.
▲== See also ==
== External Links ==
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