Music ownership databases: Difference between revisions

Revision as of 01:14, 27 May 2022

Revision as of 06:50, 12 June 2022

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== Earlier attempts ==

===International Music Joint Venture===

The International Music Joint Venture (IMJV) started in 1998. It was the first joint partnership to create a database between multiple different [[Collective rights management|collective management organizations]] (CMOs). [[BUMA/STEMRA]] (Netherland), [[PRS for Music|PRS]] (UK) and [[American Society of Composers, Authors and Publishers|ASCAP]] (USA) were the founders.<ref>{{cite journal|last1=Kefalas|first1=Andreas|title=The Relevance of Traditional Collective Management Organisations in the Digital Age|journal=University of Agder Master Thesis|date=2017}}</ref> The database was supposed to be created using the [[metadata]] stored on [[Utrecht]] and [[London]] computers. IMJV invited many CMOs like [[Sociedad General de Autores y Editores|SGAE]] (Spain),<ref>{{cite news|last1=Llewellyn|first1=Howell|title=SGAE Pledges to Work with IMJV|agency=Billboard|date=April 17, 1999}}</ref> [[Broadcast Music, Inc.|BMI]] (USA) and [[Harry Fox Agency]], but for one reason or another many organizations did not join. Problems started to rise because IMJV was a way for STEMRA to move around employees they could not fire because of the laws in Holland at the time. When IMJV invited [[GEMA (German organization)|GEMA]] (Germany), they refused because they would have to fire their staff because the deal required STEMRA staff to take their place. Smaller CMOs started to believe that they would become redundant if IMJV launched. The larger CMOs who had already joined became reluctant to reduce their status and profitability by releasing the information for their repertoire.<ref name="A Division of Music Sales Limited">{{cite book|last1=Hardy|first1=Phil|title=Nickels and Dimes: Music Publishing and How It Works|date=2013|publisher=A Division of Music Sales Limited|___location=14-15 Berners Street, London}}</ref> In late 2001, the initiative dissolved without a single operating office.<ref>{{cite journal|title=IMJV Dissolved - SOCAN Remains Committed to State-of-the-Art Technology Development|journal=Words and Music|date=2002|volume=9|issue=2|pages=24}}</ref> At its peak, IMJV represented 21% of the world’sworld's music.

===International Music Registry===

In 2011, the International Music Registry (IMR) launched. This was a database headed by the [[World Intellectual Property Organization]] (WIPO).<ref name="transparency">{{cite web |last1=Rethink Music |title=Transparency and Payment Flows in the Music Industry |pages=21–25 |url=https://www.berklee.edu/sites/default/files/Fair%20Music%20-%20Transparency%20and%20Payment%20Flows%20in%20the%20Music%20Industry.pdf |access-date=May 26, 2022 |archive-url=https://web.archive.org/web/20151223234155/https://www.berklee.edu/sites/default/files/Fair%20Music%20-%20Transparency%20and%20Payment%20Flows%20in%20the%20Music%20Industry.pdf |archive-date=December 23, 2015}}</ref> IMR was a database not only for composition but also for recordings. [[Google]] agreed to fund WIPO early on, but WIPO broke their partnership after they thought the alliance would give Google too much power. Instead, WIPO tried to fund the project themselves. In-fighting among the different powerhouses like [[record label]]s and [[music publisher (popular music)|publishing houses]] caused the IMR to collapse.<ref>{{cite book|last1=Hardy|first1=Phil|title=Nickels and Dimes: Music Publishing and How It Works|date=2013|publishername="A Division of Music Sales Limited|___location=14-15 Berners Street, London}}<"/ref>

===Global Repertoire Database===

The Global Repertoire Database was started by the PRS onin September 2008.<ref>{{cite journal|last1=Milosic|first1=Klementina|title=GRD's Failure|journal=Music Business Journal|date=August 2015}}</ref> This database had representatives from publishing houses, record labels, Google, [[iTunes]], Monifone, and had a total of 13 CMO’sCMO's: [[Australasian Performing Right Association|APRA]] (Australasia), ASCAP, BMI, BUMA, GEMA, PRS, [[STIM]] (Sweden), [[Société des auteurs, compositeurs et éditeurs de musique|SACEM]] (France), [[Society of Composers, Authors and Music Publishers of Canada|SOCAN]] (Canada), [[SABAM]] (Belgium), SGAE, [[SIAE]] (Italy) and [[Escritório Central de Arrecadação e Distribuição|UBC]] (Brazil). More than 80 organizations participated in the initiative.<ref>{{cite news|last1=Smirke|first1=Richard|title=Global Repertoire Database HQ to be Based in London and Berlin|url=https://www.billboard.com/biz/articles/news/global/1561367/global-repertoire-database-hq-to-be-based-in-london-and-berlin|accessdate=7 December 2017|date=May 12, 2013}}</ref> This database was never meant to be for public use, but as a Global Database for music industry major players.<ref name="transparency" /> Due to some CMOs pulling their support from the initiative, GRD went from having guaranteed financial support to having 8 million euros of [[investment]] scrapped.<ref>{{cite web|last1=Cooke|first1=Chris|title=PRS confirms Global Repertoire Database "Cannot" Move Forward, Pledges to Find "Alternative Ways"|url=http://www.completemusicupdate.com/article/prs-confirms-global-repertoire-database-cannot-move-forward-pledges-to-find-alternative-ways/|website=Complete Music Updata|accessdate=7 December 2017}}</ref>

== Current American attempts ==

===Transparency of Music License Ownership Act===

The Transparency of Music License Ownership Act [[Bill (law)|bill]] was introduced to the [[United States House of Representatives]] on July 20, 2017, by Jim Sensenbrenner and Suzan DelBene. It creates a database with the ability to enforce participation by law. Like most [[legislation]] today, there are people who support this bill and people who oppose against this bill. The people who are in support after the Transparency of Music License Ownership Act say that it will help the music industry grow by cutting costs caused by misinformation and intermediaries.<ref>{{cite web|title=A Vibrant Music Licensing Marketplace|url=http://mic-coalition.org/news-posts/transparency-music-licensing-ownership-act-promotes-vibrant-music-licensing-marketplace/|website=Music InnovationConsumers|accessdate=7 December 2017}}</ref> The opposition against this bill believes that the legislation would limit the ability for copyright owners to sue for infringement.<ref>{{cite web|last1=Flanagan|first1=Andrew|title=New Bill Calling For Transparency In Music Is Surprisingly Opaque|url=https://www.npr.org/sections/therecord/2017/08/01/540655528/new-bill-calling-for-transparency-in-music-is-surprisingly-opaque|website=NPR|accessdate=7 December 2017}}</ref>

===ASCAP and BMI Database===