Creative visualization: Difference between revisions

Revision as of 23:18, 25 April 2022

Revision as of 14:29, 12 June 2022

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*Pylyshyn, Z. W., The imagery debate. Analog media versus tacit knowledge. Psychological Review, Vol. 88, No. 1, 1981, pp16–45.</ref>

'''Stage 4''' is ''image transformation'', in which the participant transforms, modifies, or alters the content of generated mental imagery, itointo substitute images that provoke negative feelings, indicate [[suffering]], and exacerbate psychological pain—or that reaffirm disability or debilitation for those that elicit positive emotion, and are suggestive of autonomy, ability to cope, and an increased degree of mental [[aptitude]] and [[Human body|physical]] ability.<ref>

*Pearson, D. G., De Beni, R., and Cornoldi, C., The generation and transformation of visuo-spatial mental images. In M. Denis, R. H. Logie, C. Cornoldi, M. de Vega, and J. Engelkamp (Eds.), Imagery, language and visuo-spatial thinking, pp1–23. Hove: Psychology Press, 2001.

*Shepard, R. N., and Cooper, L. A., Mental images and their transformations. Cambridge, Massachusetts: MIT Press, 1982.