Progressive segmented frame: Difference between revisions

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== History ==
 
PsF was designed to simplify the conversion of cinematic content to different video standards, and as a means of video exchange between networks and broadcasters worldwide.<ref>{{cite web|url=http://www.tech-notes.tv/Jim/Articles/24vs48sF.html|title=Jim Mendrala, A discussion of 24p frame and the new 48sF frame format}}</ref> Brought to life by the movie industry in the end of the 1990s, the original PsF specification was focused on 24 frame/s content, resulting in existing interlaced equipment having to be modified for 48&nbsp;Hz scanning rate in order to work properly with 24 frame/s content.
 
Not everyone welcomed the PsF standard, however. Some industry observers maintained that native 24p processing would have been a better and cleaner choice. [[Charles Poynton]], an authority in digital television, made the following remark in his book: "Proponents of [PsF] scheme claim compatibility with interlaced processing and recording equipment, a dubious objective in my view."<ref name="POYNTON_DVANDHDTV_P62"/> William F. Schreiber, former Director of the Advanced Television Research Program at [[Massachusetts Institute of Technology|MIT]], suspected that the continued advocacy of interlaced equipment originated from consumer electronics companies that were trying to get back the substantial investments they had made in obsolete technology.<ref>{{cite web|url=http://www.cinemasource.com/articles/hist_politics_dtv.pdf|title=The history and politics of DTV}}</ref>