Pièces pittoresques: differenze tra le versioni
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Riga 31:
[[File:Fantin-Latour_Autour_du_piano.jpg|thumb|270x270px|right|''Autour du piano'', oil on canvas 1885 by [[Henri Fantin-Latour]]; Chabrier at the piano, Adolphe Julien, Arthur Boisseau, Camille Benoît, [[Edmond Maître]], Antoine Lascoux, [[Vincent d'Indy]] and Amédée Pigeon grouped around.]]
I '''''Pièces pittoresques''''' (''
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In 1880, while on a convalescent holiday at the coastal resort of Saint-Pair (near [[Granville, Manche|Granville]]), Chabrier composed what were to be called ''Pièces pittoresques''.<ref name="Delage">Delage R. ''Emmanuel Chabrier''. Fayard, Paris, 1999.</ref>
Both [[Alfred Cortot]] (in ''La musique française de piano'', PUF, 1932) and [[Francis Poulenc]] (''Emmanuel Chabrier'', 1961) discuss these short works enthusiastically. [[César Franck]], at their premiere in 1881, remarked that those present had "just heard something exceptional. This music links our own time to that of [[François Couperin|Couperin]] and [[Jean-Philippe Rameau|Rameau]]".<ref>Quoted in Delage, p252.</ref>
Riga 43:
Several of the movements were incorporated by [[Constant Lambert]] in the 1934 ballet ''[[Bar aux Folies-Bergère (ballet)|Bar aux Folies-Bergère]]''.
== Descrizione dei pezzi ==
;'''''Paysage''''' (''Paesaggio'')
D-flat major, 2/4; ''Allegro non troppo – vivo'' (dedicated to La comtesse de Narbonne-Lara)<br />
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