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The network became a principal patron of the arts, within commissioned many music works for broadcast by the BBC Music Department, playing a crucial role in the development of the career of composers such as [[Benjamin Britten]]. Particularly notable were its drama productions, including the radio plays of [[Samuel Beckett]], [[Henry Reed (poet)|Henry Reed]] (the [[Hilda Tablet]] plays), [[Harold Pinter]], [[Wyndham Lewis]], [[Joe Orton]] and [[Dylan Thomas]], whose ''[[Under Milk Wood]]'' was written specially for the programme. [[Philip O'Connor]] discovered [[Quentin Crisp]] in his radio interviews in 1963. [[Martin Esslin]], BBC Director of Drama (Radio), was associated with the network's productions of [[Europe|European]] drama, and [[Douglas Cleverdon]] with its productions of poetry and radio plays.
The Third Programme's contribution to contemporary poetry and criticism was outstanding, under producers and presenters such as [[John Wain]], [[Ludovic Kennedy]], [[George MacBeth]] and [[Patrick Dickinson]]; here it promoted young writers such as [[Philip Larkin]] and [[Kingsley Amis]], as well as the "difficult" work of [[David Jones (poet)|David Jones]] and [[Laura Riding]]. The Third Programme was for many years
The decision to close down the Third Programme was opposed by many within the BBC, some of them senior figures. Within the music division, a 'BBC rebellion' gathered force, with its most vocal members including [[Hans Keller]] and [[Robert Simpson (composer)|Robert Simpson]]. Ultimately however, the attempt to prevent the culture-conscious Third being replaced by what Keller called "a daytime music station" proved unsuccessful.{{fact|date=February 2020}}
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