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* {{Timeline-event|date={{Start date|1971|12|21|df=y}}|___location=[[Snape Maltings]]}} (No. 3) -->
TheLe '''Tre suite per violoncello''' bydi [[Benjamin Britten]] ([[opus number|OppOp.]] 72, 80, ande 87), aresono auna seriesserie ofdi threetre compositionscomposizioni forper solovioloncello [[cello]]solista, dedicateddedicate toa [[Mstislav RostropovichLeopol'dovič Rostropovič|Mstislav Rostropovič]]. Le Thesuite suitessono werestate thela firstprima originalmusica solostrumentale instrumentalsolista musicoriginale thatche Britten wrotescrisse fore anddedicò dedicateda to RostropovichRostropovič, butma Brittenaveva hadin earlierprecedenza composedcomposto a cadenza foruna [[Joseph Haydncadenza]]'s [[Celloper il Concerto No.per 1violoncello in Cdo (Haydn)|Cellomaggiore Concertodi in[[Joseph C majorHaydn]], forper RostropovichRostropovič, innel 1964. Rostropovič Rostropovichdiede gavele theprime firstesecuzioni performancesdi ofogni eachopera work,ed andincise recordedle Suitessuite Nosn. 1 ande 2 commercially.<ref>{{cite journal | last=Anderson | first=Robert |title=Record Review: Britten: Two Suites for Cello, Op 72 and Op 80. Rostropovich. Decca SXL 6393 | journal=The Musical Times |volume=111 |issue=1532 |page=1005 |year=1970 |jstor=i239384 | issn=0027-4666}}.</ref>
==Suite n. 1, Op. 72==
Britten wrotescrisse thela Firstprima Suitesuite atalla thefine end ofdel 1964. La The premiere was atprima thefu all'[[Aldeburgh Festival]]<ref>{{cite journal | last=Walsh | first=Stephen | title=First Performances: Three New Britten Works | journal=Tempo |series=New Series | volume= | pages=23–24 | date=Autumn 1965 | issue=74 | issn=0040-2982}}</ref> onil 27 Junegiugno 1965.<ref>{{cite journal | last=Mann |first=William |title=Festival Reports: Aldeburg (August 1965) |journal=The Musical Times | year=1965 | volume=106 | issue=1470 | pages=615–18 | jstor=949333 | issn=0027-4666}}</ref> TheLa suite isè in ninenove movementsmovimenti, playedsuonati withoutsenza pause:
* ''Canto primo: Sostenuto e largamente''
* ''Fuga: Andante moderato''
* ''Bordone: Moderato quasi recitativo''
* ''Moto perpetuo e Canto quarto: Presto''
TheLa scorepartitura wasè publishedstata inpubblicata nel 1966.<ref>{{cite journal | last=Tilmouth | title=Review of Music: Britten, Benjamin, ''Suite'', Op. 72 | journal=Music & Letters | volume=48 | issue=3 | pages=293 | year=1967 | jstor=732740 | first1=Michael}}<!--| accessdate=2008-02-29 --></ref>
==Suite n. 2, Op. 80==
TheLa Secondseconda Suitesuite datesrisale fromall'estate the summer ofdel 1967. Rostropovich gave the premiereeseguì atla theprima all'Aldeburgh Festival, [[Snape Maltings]], onil 17 Junegiugno 1968. La Thepartitura scoreè wasstata publishedpubblicata innel 1969.<ref>{{cite journal | last=Tilmouth | title=Reviews of Music: Second Suite, Op. 80 | journal=Music & Letters | volume=51 | issue=1 | pages=92–93 | year=1970 | jstor=733210 | first1=Michael}}<!--| accessdate=2008-03-02 --></ref> I The movementsmovimenti aresono asi followsseguenti:
* ''Declamato: Largo''
* ''Fuga: Andante''
==Suite n. 3, Op. 87==
Britten composedcompose thela Thirdterza Suitesuite innel 1971,<ref>{{cite journal | last=Evans | first=Peter | title=Reviews of Music: ''Canticle V: The Death of Saint Narcissus, Op. 89''; ''Third Suite for Cello, Op. 87'' | journal=Music & Letters | volume=58 | issue=3 | pages=352–353 | date=July 1977 | jstor=734064}}<!--| accessdate=2008-02-29 --></ref> inspiredispirandosi by Rostropovichall'sesecuzione playingdi of theRostropovich unaccompanieddelle [[CelloSuite Suitesper violoncello solo di Johann Sebastian (Bach)|CelloSuite Suitesper violoncello solista]] ofdi [[Johann Sebastian Bach|Bach]]. Rostropovich firsteseguì performedper thela suiteprima atvolta thela suite allo Snape Maltings, il 21 Decemberdicembre 1974. InNel 1979 thela Britten Estate authorisedautorizzò [[Julian Lloyd Webber]] toa makefare thela suite'sprima firstregistrazione recordingdella suite.
TheLa Thirdterza Suitesuite isè in ninenove movementsmovimenti, performedeseguiti withoutsenza pause:
* ''Introduzione: Lento''
* ''Marcia: Allegro''
* ''Moto perpetuo: Presto''
* ''Passacaglia: Lento solenne''
TheIl workpezzo incorporatesincorpora fourquattro temi [[Russia|russi]]n themes, includingtra threecui arrangementstre ofarrangiamenti folksongsdi bycanti popolari di [[Tchaikovsky|PyotrPëtr IlyichIl'ič TchaikovskyČajkovskij]],<ref>{{cite journal | last=Anderson | first=Robert | title=Record Reviews: Bridge/Britten/Ireland | journal=The Musical Times | volume=122 | issue=1660 | pages=388 | year=1981 | jstor=960975}}<!--| accessdate=2008-02-29 --></ref> reminiscentche ofricordano l'uso di [[Ludwig van Beethoven|Beethoven]]'s usedei oftemi Russianrussi themes in thenei ''[[StringQuartetti Quartets Nosn. 7–9, Op. 59 – Rasumovsky7-9 (Beethoven)|Quartetti Razumovsky]] quartets''. L'ultima The final Russianmelodia tunerussa, stateddichiarata simplysemplicemente atalla thefine end of thedel set, isè theil ''[[Contacio|Kontakion]]'', thel'inno [[Russianrusso Orthodox]]ortodosso Hymnper fori the Deadmorti. [[Philip Brett]] considersconsidera thela Thirdterza Suitesuite tola bepiù theappassionata mostdelle passionate of the threetre.{{Citation needed|date=May 2017}}
==Note==
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