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When it started on 29 September [[1946]] it broadcast for 5 hours a night from 7pm to midnight, but its duration was cut from 40 hours a week to 24 hours a week in [[1957]] for a few years, until the launch of the Music Programme, then from 7am to midnight (although with only the evening output branded as "Third Programme"). The Third Programme continued as a separate evening service on the same frequency after the inception of Radio 3 in 1967, but was absorbed into Radio 3 in April 1970.
Its existence was controversial from the start, partly because of perceived "elitism" - it was sometimes criticised for programmes of "two [[Academia|dons]] talking" and also for the costs of output relative to a small listener [[reach]]. In actuality its existence went against Reithian principles, as [[John Reith, 1st Baron Reith|Reith]] himself had, during his time at the BBC, been against segmenting audiences by splitting programming genres across different networks. From the first it did have some prominent supporters; the [[Secretary of State for Education and Skills|Education Secretary]] in the [[Clement Attlee|Attlee]] government, [[Ellen Wilkinson]], spoke rather optimistically of creating a "third programme nation." When it faced cuts in 1957, The Third Programme
The network was dedicated to the discerning or "high-brow" listener providing serious classical music, concerts and plays as well as room for modern composers, and jazz. Speech formed a much higher proportion of output than the later Radio 3. Particularly notable in its drama productions were the radio plays of [[Samuel Beckett]] and the [[Hilda Tablet]] plays by [[Henry Reed]]. [[Martin Esslin]] was particularly associated with the network's productions of European drama.
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