Marina Warner: differenze tra le versioni

Versione delle 16:04, 7 feb 2021

Versione delle 22:00, 2 mag 2021

Riga 57:

* Babos, Daniela. Postmodern Issues in Marina Warner's Indigo and The Lost Father, Cluj-Napoca (Rumania), 2002

* Sanda Berce and Monika Varga, /Intertextuality As a Form of Virtual Reality/ (Cluj-Napoca: Editura Dacia, 2002)

* Nicholas Tredell, Conversations with Critics (Manchester, l9941994)

* Lisa Hopkins, ‘An interview with Marina Warner’ Sheffield Thursday No 4/5, Autumn 1994, 81-95.

* Hopkins, Lisa, ‘Revisiting The Tempest: Marina Warner's Indigo', Sheffield Thursday, Summer 1995

* Mary Condé, ‘Finding a Voice for Martha: Marina Warner's “Mary Takes the Better Part” in Journal of the *Short Story in English, no 22 Summer l9941994, Presses de l'Université d'Angers

* Chantal Zabus, ' Spinning a Yarn with Marina Warner', in Kunapipi: Post Colonial Women's Writing Vol XVI No. 1, l9941994, 519-529.

* Richard Todd, ‘Marina Warner’, Post-war literatures in English, September 1995.

* Richard Kearney, ed., States of Mind, Dialogues with contemporary thinkers on the European mind (Dublin, l9951995)

* Richard Todd, Consuming Fictions The Booker Prize and Fiction in Britain Today (London, l9961996)

* Laurence Coupe, Myth (London, 1997)

* Tobias Doering, ‘Chains of Memory- English-Caribbean Cross-Currents in Marina Warner's Indigo and David Dabydeen's “Turner”, in Across the Lines Intertextuality and Transcultural Communications in the New Literatures in English. Ed. Wolfgang Klooss. Cross/Cultures 32 ASNEL Papers 3. l9981998.

* Kari Boyd McBride, ‘Marina Warner’, British Novelists since l9601960, ed. Merritt Moseley (Columbia, South Carolina, l9991999)

* Steven Connor, The English Novel in History 1950-1995. London, l9961996, pp. 186-198.

* Laurence Coupe,'The Comedy of Terrors: Reading Myth with Marina Warner', PN Review 128: 52-55.

* Jane Aikins Haslett, Marina Warner: Feminist Mythographer (Ph.D.Thesis Edmonton, Alberta, 2001)