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After graduation, DeFanti moved to the [[University of Illinois at Chicago|University of Illinois, Chicago Circle]]. There he joined up with [[Dan Sandin]] and together they formed the ''Circle Graphics Habitat'' (today known as the ''[[Electronic Visualization Laboratory]]'', or EVL). Sandin had joined the university in 1971 and built the [[Sandin Image Processor]], or IP. The IP was an [[analog computer]] which took two video inputs, mixed them, colored the results, and then re-created TV output. He described it as the video version of a [[Moog synthesizer]].{{sfn|DeFanti|1980}}
DeFanti added the existing GRASS system as the input to the IP, creating the '''GRASS/Image Processor''', which was used throughout the mid-1970s. In order to make the system more useful, DeFanti and Sandin added all sorts of "one-off" commands to the existing GRASS system, but these changes also made the language considerably more idiosyncratic. In 1977 another member of the Habitat, Nola Donato, re-designed many of GRASS's control structures into more general forms, resulting in the considerably cleaner '''GRASS3'''.{{sfn|DeFanti|1980}}
[[Larry Cuba]]'s ''Star Wars'' work is based on semi-automated filming of a GRASS system running on a [[Vector General 3D]] terminal. The VG3D had internal hardware that performed basic transformations - scaling, rotation, etc. - in realtime without interacting with the computer. It is only during the times when new scenery is being presented that the much slower communications with the GRASS language takes place. This can be seen in the sequence, as the initial sections of the film show the [[Death Star]] being rotated and scaled very rapidly, while the later sections simulating flight down the trench requires new scenery to be paged in from GRASS "trees". These can be seen appearing in groups.
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