David Pinski: differenze tra le versioni

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Riga 74:
Il suo lavoro prese una nuova piega con il profondamente [[Allegoria|allegorico]] ''Di Bergshtayger'' (''Gli scalatori di montagne'', 1912); la "montagna" in questione è la vita stessa.
 
DuringDurante theil periodperiodo betweentra thele Worlddue Warsguerre mondiali, hescrisse wrotenumerose numerousopere playsteatrali, mostlyper onlo biblicalpiù subjectssu argomenti biblici, butma continuingcontinuando toa engageimpegnarsi withcon manymolti ofdei hissuoi earliertemi themesprecedenti. ForAd exampleesempio, ''King David and His Wives'' (1923?) looksguarda at the biblicalal [[DavidDavide|Davide biblico]] atin variousvari pointsmomenti indella hissua lifevita: aun proudgiovane orgoglioso, naivelyingenuamente idealisticidealista, pious youthpio; aun confidentguerriero warriorfiducioso; aun somewhatmonarca jadedun monarch;po' andstanco finallye aninfine oldun manvecchio whoche, seeingvedendo hisla youthfulsua glorygloria reflectedgiovanile inriflessa thenella beautifulbella Abishag[[Abisag]], choosessceglie notdi tonon marry hersposarla, socosì heda canpoter continuecontinuare toa seevedere thatquel idealizedriflesso reflectionidealizzato. DuringDurante thisquesto periodperiodo, Pinski alsointraprese undertookanche aun largegrande ande fancifulfantasioso fictionprogetto projectdi finzione: toscrivere writeun aritratto fictionaldi portraitfantasia ofdi eachciascuna ofdelle Kingmille mogli di [[SolomonSalomone|re Salomone]]'s; thousandtra wives; betweenil 1921 ande il 1936, he completedcompletò 105 ofdi thesequeste storiesstorie.
 
During this period he also undertook the major novels ''Arnold Levenberg: Der Tserisener Mentsh'' (''Arnold Levenberg: The Split Personality'', begun 1919) and ''The House of Noah Edon'' which was published in English translation in 1929; the Yiddish original was published in 1938 by the Wydawnictvo ("Publishers") Ch. Brzozo, Warsaw.<ref>Photocopy of title and publication page in possession of editor to be scanned and uploaded shortly</ref> The former centers on an Uptown, aristocratic German Jew, who is portrayed as an overefined and [[decadence|decadent]], crossing paths with, but never fully participating in, the important events and currents of his time. The latter is a multi-generational saga of a [[Lithuania]]n Jewish immigrant family, an interpretation of assimilation modeled on Peretz's ''Four Generations—Four Testaments''.