Revision as of 20:13, 1 July 2024 edit Dgpop (talk \| contribs) Extended confirmed users 57,701 edits updated link ← Previous edit		Revision as of 01:21, 16 November 2024 edit undo Surv1v4l1st (talk \| contribs) Extended confirmed users, Pending changes reviewers, Rollbackers 27,024 edits →Further reading: +WL Next edit →
Line 55: ==Further reading== * {{cite journal \|first1=Markku \|last1=Reunanen \|first2=Patryk \|last2=Wasiak \|first3=Daniel \|last3=Botz \|title=Crack Intros: Piracy, Creativity and Communication \|journal=[[International Journal of Communication]] \|volume=9 \|pages=798–817 \|year=2015 \|issn=1932-8036 \|url=http://ijoc.org/index.php/ijoc/article/view/3731}} * Patryk Wasiak, [http://www.zeithistorische-forschungen.de/16126041-Wasiak-2-2012 ‘Illegal Guys’]. A History of Digital Subcultures in Europe during the 1980s, in: Zeithistorische Forschungen/Studies in Contemporary History, Online-Ausgabe, 9 (2012), H. 2 * {{cite web \|first=George \|last=Borzyskowski \|date=November 1996 \|title=The Hacker Demo Scene and Its Cultural Artifacts \|url=http://greent.mindnever.org/demoscene.pdf \|publisher=Curtin University of Technology}}<!-- A paper presented at the Cybermind Conference 1996 in Perth, Australia --> Read online: [http://www.scheib.net/play/demos/what/borzyskowski/ http://www.scheib.net/play/demos/what/borzyskowski/].

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