Content deleted Content added
removed Category:Musical groups; added Category:Types of musical groups using HotCat |
→Seating arrangement: Removing a now-most-redundant sentence |
||
Line 10:
The most common seating arrangement in the 2000s is with first violins, second violins, violas, and cello sections arrayed clockwise around the [[Conductor (music)|conductor]], with basses behind the cellos on the right.<ref>''[[Stanley Sadie]]'s Music Guide'', p. 56 (Prentice-Hall 1986). [[Nicolas Slonimsky]] described the cellos-on-the-right arrangement as part of a 20th-century "sea change" (''Lectionary of Music'', p. 342 (McGraw-Hill 1989).</ref> The first violins are led by the [[concertmaster]] (leader in the UK); each of the other string sections also has a principal player (principal second violin, principal viola, principal cello, and principal bass) who play the orchestral solos for the section, lead entrances and, in some cases, determine the bowings for the section (the concertmaster/leader may set the bowings for all strings, or just for the upper strings). The principal string players sit at the front of their section, closest to the conductor and on the row of performers which is closest to the audience.
In the 19th century it was standard<ref>{{author missing|date=September 2013}} (1948). "Orchestra" in ''Encyclopedia Americana'', {{oclc|1653189}} {{asin|B00M99G7V6}} {{page needed|date=September 2013}}.</ref> to have the first and second violins on opposite sides (violin I, cello, viola, violin II), rendering obvious the crossing of their parts in, for example, the opening of the finale to [[Tchaikovsky]]'s [[Symphony No. 6 (Tchaikovsky)|Sixth Symphony]]. If space or numbers are limited, cellos and basses can be put in the middle, violins and violas on the left (thus facing the audience) and winds to the right; this is the usual arrangement in [[orchestra pit]]s.<ref>{{ill|Ferdinand Simon Gaßner|de}}, [https://books.google.com/books?id=8GCpcQCTDagC ''Dirigent und Ripienist''] (Karlsruhe, Ch. Th. Groos, 1844){{page needed|date=February 2024}}. [[Rousseau]]'s ''Dictionnaire de musique'' (1768), however, has a figure showing second violins facing the audience and principals facing the singers, reflecting the [[concertmaster]]'s former role as [[Conductor (music)|conductor]].</ref> The seating may also be specified by the composer, as in [[Béla Bartók]]'s ''[[Music for Strings, Percussion and Celesta]]'', which uses [[antiphony|antiphonal]] string sections, one on each side of the stage.
==="Desks" and divisi===
| |||