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→Choreography: Change "for the dancers" for "migration centre" |
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''Flight Pattern'' was revived in May 2019, with McNally and Sambé reprising their roles. It was performed as the third act in a triple bill, succeeding the choreographer [[Sidi Larbi Cherkaoui]]'s ''Medusa'' and Wheeldon's ''Within the Golden Hour''.<ref name="Winship 2019">{{cite news|url=https://www.theguardian.com/stage/2019/may/09/royal-ballet-within-the-golden-hour-medusa-flight-pattern-review-royal-opera-house|title=Royal Ballet: Within the Golden Hour / Medusa / Flight Pattern review – monsters and melancholy|newspaper=The Guardian|last=Winship|first=Lyndsey|date=9 May 2019|access-date=2023-04-10|archive-date=27 August 2020|archive-url=https://web.archive.org/web/20200827172443/https://www.theguardian.com/stage/2019/may/09/royal-ballet-within-the-golden-hour-medusa-flight-pattern-review-royal-opera-house|url-status=live}}</ref> A performance was recorded and published on the Royal Ballet website, and available for purchase until December 2020.<ref name="OBrien" />
After finishing choreographing ''Flight Pattern'', Pite was invited by [[Kevin O'Hare]], the director of the Royal Ballet, to choreograph other new works for the company. Instead, Pite stated that she wanted to extend
==Themes and analysis==
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